Blade Runner - EMS Recombination (
https://mega.nz/#!0wECGTYK!1MW2FJ_CJno_aGqT35pS5VlWof2HVFR76_24RDvPcfQ) - Definitive Edition (2011) (
https://mega.nz/#!tsU1VJKY!MvejvLtXAjIBnCiL9hVringqW-h1--gC5cxAA7vQMOM)
Disc 1
1. Ladd company logo fanfare 0.27
2. Prologue & main titles 4.02
3. Leon�s test 2.32
4. Los angeles, 2019 1.47
5. The blue room 1.14
6. Flight to Tyrell corporation 1.14
7. Rachel 1.40
8. Voight kampff test 2.41
9. Leon�s room (on the trail of nexus 6) 0.52
10. Harps of the Ancient Temples 2.20
11. At mr chew�s 5.04
12. Memories of green 5.46
13. Blade runner blues (full length version) 10.03
14. I�m hungry jf 1.29
15. Deckard�s dream 1.38
16. Esper analysis 2.25
17. Animoid row part 1 (tales of the future) 3.56
18. Animoid row part 2 1.46
19. Qu�ran 3.50
Disc 2
1. Taffey lewis� club 2.04
2. Miss salome and the snake 1.22
3. Waiting for zhora 1.17
4. Zhora�s retirement 2.07
5. One more kiss, dear 4.01
6. i am the business 3.17
7. love theme 4.57
8. the blimp 2.50
9. morning at the Bradbury 5.11
10. the prodigal son returns 3.08
11. the prodigal son brings death 3.45
12. Deckard enters the Bradbury 2.15
13. Dangerous days 2.49
14. Wounded animals 10.27
15. Tears in rain 2.56
16. Rachel sleeps 2.05
17. End titles 7.31
Disc 3
1. Ladd company logo fanfare 0.24
2. Main titles (workprint version) 0.21
3. Leon�s voight kampff test (alternate take) 1.26
4. Off world blimp advert 1.06
5. Blush response 5.45
6. Empty streets 6.14
7. Bicycle riders (rain in second sector) 2.25
8. Rachel�s song 4.38
9. Memories of green/blade runner blues (film edit) 5.00
10. Piano in an empty room 3.39
11. Thinking of Rachel 1.49
12. Longing 1.59
13. Damask rose 2.30
14. If i didn�t care 3.06
15. One alone 2.25
16. Desolation path (extended) 6.42
17. Mechanical dolls 2.54
18. End titles (alternate edit) 4.36
Reissue/Repack/Proper :
It was kindly pointed out that "I Am the Business" on Disc 2 had a pitch change where the two different sources faded into each other.
The problem was in mixing a PAL source into a NTSC source which audio runs at a different speed. Now fixed.
Also "Off World Blimp Advert" on Disc 3 has now the correct CD resolution. Better tagging all along.
SORRY, BUT NOT SORRY TO ALL EBAY BUYERS THAT WILL NOW END UP WITH A COASTER.
2011 started with the release of Blade Runner: EMS Recombination; a team effort to create a Blade Runner soundtrack as clean as possible, without F/X and dialogue for fans to enjoy. On its release the soundtrack was well received, spawning numerous other compilations. However the work didn't stop there.
For the lossless release, the EMS Team wanted to offer something a little different and not just repackage the original version. Changes were made to the running order and tracks were reworked as other sources were found.
Extended versions of "At Mr. Chew's" and "Desolation Path" were created along with new tracks "Waiting For Zhora" and "Memories Of Green/Blade Runner Blues". With the help of some new friends, the EMS Team are proud to present for the first time a clean version of "Thinking Of Rachel".
Blade Runner EMS Recombination is an own attempt to create a �Best of� soundtrack from all the available bootlegs of Vangelis� superb score.
The selection criteria was very simple: find the pieces that represented the film score in their cleanest (without dialogue and sfx as much as was possible) versions and be of the best available sound quality. It kept most of the titles of the source tracks only changing a few as some had some obscure titles not immediately obvious to the wider audience.
I hope you enjoy listening as much as I did while making this compilation.
Blade Runner - EMS Recombination (
https://mega.nz/#!Z91UVI5Y!DM4F_-kLBBiGsRQ3tz_-SAGi1np22fyqXi5xW4IKjY0) - The Japanese Tracks (2011) (
https://mega.nz/#!pgdwFAwJ!LfSaJOkofM05G8VlSqVQqtNY-p7MOntiBaBHnsTWL3I)
Bonus Disc
01. Japanese woman's birth control advert on billboard/Off World blimp advert/At the noodle bar 2.45
02. If I didn't care/Flute music on the busy streets while reading a newspaper 0.33
03. Percussion music while sitting at the counter of the White Dragon 0.52
04. Pris and Sebastian enter the Bradbury 1.38
05. Japanese woman on building advertising display/Pris peeking at Sebastian's apartment 1.13
06. Deckard looking up at the iron and glass roof of the Bradbury atrium 0.42
07. Roy pushes a nail through his hand 1.11
08. Deckard escapes through the window ledge/Deckard climbing on the rooftop 1.30
09. Chidori no Kyoku [The Plovers] (Full length version) 11.43
10. Ogi no Mato [The Folding Fan as a Target] (Full length version) 10.42
Bonus Disc (Limited)
01. If I didn't care/Flute music on the busy streets while reading a newspaper 0.33
02. Percussion music while sitting at the counter of the White Dragon 0.52
03. Deckard looking up at the iron and glass roof of the Bradbury atrium 0.42
04. Chidori no Kyoku [The Plovers] (Full length version) 11.43
05. Ogi no Mato [The Folding Fan as a Target] (Full length version) 10.42
Reissue/Repack/Proper
"Chidori no Kyoku" on the japanese tracks bonus disc has now the correct speed.
Better tagging all along.
SORRY, BUT NOT SORRY TO ALL EBAY BUYERS THAT WILL NOW END UP WITH A COASTER.
Some of the tracks presented here are essentially (re)assemblages of elements buried in the official view/mix of the movie, enhanced for the listener with soundtrack, audio effects and narration to place the cues in their cinematic context; the flute music and percussion piece being an extreme example of this more cinematic approach to the soundtrack. The rest of the tracks were remixed from the original audio streams to add extra aural details on the japanese cues. There might be some debate as to whether some of this is part of Vangelis' original compositions for the movie, or just someone else's creation. A couple of cues were finally uncovered and included here, thanks to the input of 1187hunterwasser and Kazushi Kimura of the Blade Runner fan network. The rest are part of an ongoing search, which one day may come to a conclusion and expand the Blade Runner soundtrack catalogue further.
One of the aspects of the multicultural melting pot portrayed in Blade Runner was the influence of far eastern culture in the daily life of 2019 Los Angeles. From the Chinese food vendors of the White Dragon noodle bar, through the Cambodian sales lady on Animoid Row, right up to the Shimata Dominguez Corporation sponsorship of the off world colonies. Pervading all of this was the music of the far east, whether blaring out from an animated billboard or drifting down from on high from the ever present advertising blimp. Of the pieces played, �Ogi No mato� is the most widely known among the fans, in a mainly truncated version. There were other pieces played and not always as conspicuous. Last year when one of the tracks was identified through the fan network as �Chidori no Kyoku�, the EMS team members began a search of various sources to identify which version of this track was used.
The most likely candidate was a performance by Michio Miyagi. The second step was to review the film and find when the music was played. The track in an excerpted form turned up in the background music playing during the scene with Deckard waiting for a seat at the White Dragon. Layered with other music including �Ogi No Mato�, identifying whether the Miyagi version was the correct one came down to a blind audio test between B5hm, who noted where the excerpt in the film corresponded exactly to the part of the Miyagi track, and DC. When DC independently identified the same part, they both concluded apart from a slight alteration in pitch, this was the correct version. DC began the time consuming process of transferring the track from vinyl to digital media and cleaning the track up, removing over 14,000 audio defects to present the track in its fullest and cleanest version here.
The search still goes on for the alternate blimp track heard as it passes over the Bradbury and during the scene as Deckard hangs from the side of the Bradbury. B5hm�s Japanese source could only identify two words �hito me� literally translates as �person�s eye�....
The EMS Team present here cues taken from the different versions of Blade Runner including previously unreleased flute music and percussion piece.
These pieces were heard in the background during the sushi bar sequence and are presented here for the first time.
EMS RECOMBINATION INTERWEBZ CASE (
https://www.discogs.com/Vangelis-Blade-Runner-EMS-Recombination-Definitive-Edition/release/3141347)
The peculiar case of a zealous archivist nicknamed HMVH. A true tale of passion, dedication, commitment, vision, ambition and great determination.
Do Discogs really need revisionists like Herr HMVH?
No ifs, ands, or buts!
What is the true object of his mighty quest?
Go ask him, though you might find that a pretty "forged" answer.
What are Herr HMVH's authentic motives?
We are not permitted to know... though there is massive amount of evidence about the EMS Recombination all over the world wide web... it does not exist outside Herr HMVH' own golden globe.
But let the Hollywood hero speak for himself: "Owner of a voting statue since 08-02-2007 when the badge was worn with pride.
Disruptor. Mediator. Advocatus diaboli. The blizzard of 'ogs. Ridin' shotgun on the Bulk Removal Machine�. I fix things and remove shit."
"I am a collector because I collect a particular kind of 'release'. I am a hoarder because I amass many 'releases' before I get around to ''processing'' them.
I am an archivist because I make selective backups as well as disseminate and publish facts and data which future generations might find useful.
"I�ve been a member of discogs.com for a full decade.
"It has become as much a part of my daily online regimen as checking my email or Twitter feed. No other site has grabbed my attention in the way that Discogs has, nor has any other online resource infuriated me in the same manner.
"Discogs is as fascinating as it is frustrating.
"Last night I made my 1000th contribution to the Discogs database.
"It�s a landmark achievement. One thousand new audio entries!
"It�s also baffling why it took almost 12 years to get to this stage."
But we must again let our hero speak for himself. No other mind can so accurately set forth his varied excellencies. Planned denial assertion was: "As stated numerous times about, this is just a random fanboy collection of rips and random filez from the interwebz, complete with artwork to burn your own CDRs with. Not eligible, removal long overdue, sorry.
"Blade Runner� as artist? Really?
The majority vote was in favor of removing this release."
REALLY. PERIOD. GET A BETTER ONE. NO OFFENCE TAKEN. NO OFFENCE MEANT.
WE DO NOT PITY DISCOGS. WE PITY YOUR REVISIONISM, AND, ABOVE ALL THE LOBBYING ELITE LIKE YOU ACTING IN PACK MODE.
END OF LINE.
SELECTED CASES FROM THE WORLD WIDE WEB (
http://www.ebay.ie/itm/Blade-Runner-Extreme-Rare-EMS-RECOMBINATION-soundtrack-/322608431786?)
And then there's the usual tried-and-tested eBuy smartholes going like:
"EMS Productions. TYRELL MUSIC. LIMITED EDITION UNNUMBEREDS. LIKE NEW.
So difficult to find!!!
In this moment no-one in eBuy.
VERY VERY RARE."
Oh my... again?
�135,00 EUR on Dec 22, 2017
Big shout to Contrabandista J. and his 100% positive feedback. Based in Spain, he has been an eBuy member since Mar 31, 2005
Not bad when you are marketing "random fanboy collection of rips and random filez from the interwebz, complete with artwork to burn your own CDRs with". How would our hero account for that?
Really? Fine, whatever.
We cannot thank him enough for the denial of the very evidence that this random fanboy collection of rips and filez from the interwebz is still making the rounds outside his own archives and to keep on disseminating and publishing facts and data which future generations will find really useful.
Some people might perhaps be smarter or better at seeing things that simply remain "clouded" for the majority, but that kind of superhero behavior does not acknowledge for that. File it under ethical hacking if you need to.
When something is not ready-there-at-all someone will always have a go at it. There was nothing we were ashamed of when the project was born. But of course Herr HMVH will need a fact to acknowledge that. Any unofficial release turns into official only when one bids for it. That is a fact all right! Innit?
But the serious sellers keep the world go round (and round) while their preferred best-selling-platform collects its fix on that.
What's so bad about making a living after all?
We know you guys shop here and resell there, but again we just wish you all the best in your easy cashing out from dumb-to-to-bone collectors alike.
Ha! The ones who got the limited batch of pressed copies will get a 2 disc replacements free of charge of course.
You know who you are. And you also know how to get in touch of course.
Oh, and there's still our beloved serial seller still making the rounds after all these years!!
Hey Disney B. how's it hanging old chap?
Still going strong on eBuy out of what you've been downloading here and on Yahoo?
You old rascal!
Based in United States, he has been an eBuy member since 02 Jun, 1999. 100% positive feedback as expected from such a serious happy seller.
$65.00 on 15 May, 2017, $102.50 on 16 Jun, 2017, $65.00 03 Jul, 2017, $105.49 on 16 Jul, 2017, $84.00 on 30 Jul, 2017, $67.00 on 08 Nov, 2017, $84.00 on 23 Oct, 2017, $105.50 on 10 Oct, 2017, $60.00 during past year...
$76.00, $60.00, $66.00, $60.00, $70.00, $65.00, $65.00, $109.50, $60.00, $150.00, $110.50, $107.50, $125.00, $127.50, $100.00, $203.50, $185.00, $100.00, $160.00, $162.50, $107.50 more than a year ago...
And he is not the only one. There is a whole lobby of honest scammers making quick bucks of other people's efforts out there.
God of biomechanics bless such fine and long running respected businessmans!
At least Discogs took a stand against piracy: "This release has been blocked from sale in the marketplace. It is not permitted to sell this item on Discogs"
And guess what happened next? They all happily migrated on eBuy which dropped their fees to a minimum. Of course...
Anyway... Never mind the preposterous unfortunate eBuy side effects.
With our utmost pleasure here we present to you the EMS Recombination as we'd all like to be passed on to future generations and shared back to all peers of good will!
Enjoy! The EMS Team
When I was asked to join this project I was astounded by what B5 was wanting to achieve with his first compilation. I already knew Jack for his excellent graphic skills after having stumbled on FFS during the usual searches for my preferred soundtrack. I was working on a partial restoration of the sources on tape and once we got to exchange some different opinions on what we both wanted to achieve, Jack kindly offered to free me from the task of making the covers (I don�t have all the time in the world to learn everything I�m afraid) leaving me more time to concentrate on the audio. It will have to be thanks to him that at an idle stage of our interest for the Blade Runner matter all his covers will stay on our homemade cd cases. (I'm afraid we cannot all be the limited number of lucky collectors that afforded the originals...) and Jack�s work on that along with Synaptyx, Pendor and the rest is something to praise. B5 was exceptionally good in planning the overall plot to which me and Jack added the extra details. He is also good at what he writes actually. That was where he took his nickname if you can keep the secret!
Something that has been lying right there in front of everybody. Someone had surely picked up a best of every-other-bootleg around, like 1187hunterwasser did on page 3 of the The Blade Runner Soundtracks Ultimate Thread in compiling a list that went to be the inspiration for a release called �29th Anniversary� that will be eventually posted on Final Fantasy Shrine Forums. Also Donnor has done a great job in isolating the unreleased tracks on his BLADE RUNNER MUSIC blog that ended up becoming the inspiration for the maker of the �2019 Edition�. Something very similar to the EMS called �Chinatown Club� (a compilation contemporary to it) ended up being re-shaped in its concept according to what was done on the EMS 2010.
The EMS cleverly used the best of the best sources around at the initial stage of compiling. The �Chinatown Club� had something different though. A more cinematic feel perhaps. At least I saw that as the difference I wanted to make to the maker's original concept (a nice peer named Zelmo Swift) when I was asked to help with the edits on that. Hopefully it sits in a different direction now. I believe the main credit of the EMS project is to have seen through the different sources and the work of others to shape a perfect sounding version of the soundtrack and somehow that was achieved in the concept that B5 has given to the release.
As B5 has pointed out: �The selection criteria was very simple: find the pieces that represented the film score in their cleanest (without dialogue and sfx as much as was possible) versions and be of the best available sound quality. It kept most of the titles of the source tracks only changing a few as some had some obscure titles not immediately obvious to the wider audience.�
When we finally id'ed one of the japanese sources (thanks to the help of Kazushi Kimura of the Blade Runner fan network and also thanks to the input of 1187hunterwasser and Donnor) the idea of a the bonus disc was developed giving the release that more cinematic approach that I was furthering in the making of a release called �Blade Runner - Ultimate MR3�. We went a bit lost at this stage since we had to actually create something that was not immediately there this time. B5 was busy balancing EMS duties with his real life job and I was feeling lost from the sudden passing of my hardware. It took more to shape the bonus disc than the rest of it in a way.
I found myself working at four different projects at the same time, messing things up among these and losing track of the notes and edits done for each one. All the suggestions made on the Yahoo soundtrack group were taken verbatim and for that I have to thank Chandler from the Grey Fedora team. Vicente and Sebastian work was taken into great account too, as the work by Anthony Micele on some of the edits we borrowed his ideas. The list goes on up to the Esper makers and the Shimato Dominguez Corporation for the Off World edition. All the different versions were analyzed and all waveforms compared to check for anything quirk. I had already started doing this for some work on the master tapes I did some short time before. In the making I ended up re-doing the whole Esper releases and being able to fix most of the faulty tracks on some releases thanks to the FIC sources that were used for the M�moires series and Asian Worlds releases. Once you know the sources the rest is editing and sequencing. And there are only three. The movie audio streams (the FIC source being the stereo mix of the dubs), the master tapes (the outtakes being the fully mastered cues) and the official 1994 and 2007 releases. The sources that did not comply with the correct pitch posed a major problem, and most of the people that worked on Blade Runner material know of the +4% curse of most of the music in order to be used for the movie. There is something called time stretching when working on different analogue audio sources and those algorithms take up hours when working on large portions of audio but that was accomplished when doing something else while patiently waiting for the output. I would grow mad and I would curse when realizing a silly mistake in the elements for the calculations... but that is the way when working on anything... trial and error until it gets closer to what you are expecting. B5 and Jack have a word for that... but as pointed out... no one is perfect... that's why pencils have erasers. Two computers passed away without warning and in between that a couple of hard disk drives said goodbye without a second call... or at least I couldn't listen... Somehow I was able to retrieve most of the data I needed for the projects I was working on and ended up buying also an external 250 GB HD to make sense of all of this, but everything about the making of things went messed up and cannot tell which is which or how I got to that stage even if the final results are sitting here waiting to find the right time to make an useful sense of it. Presets used now are something for the FBI computer experts only to try to make a sense out of it. After the EMS 2010 was out a limited set of copies were traded and shared and thanks to that we were able to add some extra sources we only had in a poor quality until that day, so I ended up re-editing them with better quality sources tweaking the hell out of them to make sense in making sitting them in the same disc. You tell if I got it right or not, but that was the best I could get out of what we had. If Vangelis will step up on earth again after gazing for a last time at us from mount Olympus he will make sense of everything we did wiping everything else out with a snap of a finger like lightning! Until that that was the best we could achieve. Lots of editing went on between what B5 visualised as the finished concept for it and what I was apparently seeing.
I was simply making an extension to what I was working to at the time (the Ultimate MR3) and in hindsight B5 was right. Jack ended to be the inspiration for lots of the added material with his ideas and somehow was caught in between since we all had our ideas for that and did not want to waste one either... so it took all the time it took us to finish off the last details since May 2011 when almost everything was ready for the first 3 discs.
What was not yet available was done, what had to be made better was done along what was already made by Vicente, Chandler, Plimmy, Sebastian, Jamie, Antas, Zyzz and so on. If you can't beat them try to sound like them. Disc 1 to 3 is the same music you have been always hoping for in a way. The bonus disc is a different angle of the japanese cues used in the movie. And for different angle I mean it.
The original sources were remixed so to enhance some of the aspects buried in the official view of the movie.
Some of the original 1992 version was eventually retained since the new 2007 version has been changing things in a drastic way (and not always as satisfactory way). Also the workprint version was used as you might hear.
The list of the sources (most likely used) is including all the infos that you might need (if you please), but as responsible for most of the edits most tracks were quite re-enhanced and re-worked, denoised and changed compared to the original sources, that I now lost track of what was done. A final note must go along the Spiderwalk's �Blade Runner Complete Score� sources since while working on all the sources gathered I found myself in stepping back to the original sources used by the maker (25th anniversary edition) to achieve longer or different fades. B5 got them from there anyway. It remains another best of sources matter of fact. Props to the maker. Same goes for �Blade Runner - The Final Mix� by Plimmy. The sources are here anyway. Lots of work has been done on �Thinking of Rachel� alone. When B5 mentioned the idea of something clean anyone would have never expected the version we came up with in the end. I had already made an edit for the �Chinatown Club� but those distracting elements from the movie (which I did not mind at all) were still there even if the idea of a cleaner version with Morrisey saxophone was one of B5�s wishes for the EMS from day one. I pretty hate denoisers since the very first time I used an analogue one in a recording studio, but Anita and Zyzz pretty changed my view seeing what they did. Anita is the maker of �The Tales Of The Future� release and Zyzz is the maker of the �Blade Runner 2011 Restored/Remastered Edition�. What you hear is a combined edit of the various tries by the people involved in the restoration process. Everything was then pasted by the frame and ready to be mastered for the EMS release. The master track was achieved from more than 4 GB's of data anyway and no way I could possibly re-do that. That was like the Director�s cut in a way... trial and errors until it got to that stage. The cleaning up of the Myagi song was a bit of a nightmare since it was a transfer from a very old vinyl and once you get rid of the defects of your original the defects of the original source used comes forward... Basically the original master was a vinyl transfer itself... I�m hoping a good master for it will be made available one day. It should be part of human patrimony... I wish Columbia might do that one day. As for me it took a whole month to fix a single song.
My original plan to restore all the vinyl became impossible because of time restrictions. If no one else does it, I would like to do that before I retire... For the Flute track and the Percussion track there was a lot of work also.
We had a preview of the isolated audio streams taken from the movie from Zyzz (whose work is to keep an eye on by the way) and I came up with the idea of layering a different mix the original elements partly removed from it to put back the spatial reference to the movie so to get the background music coming through as you would have never listened to because it was simply buried in the mix. Zyzz eventually decided not to include that cue on his release since he had chosen not to compromise on sound quality for his 2011 edition and B5 was gladly accepting that as a contribution while me and Jack tried to get the best of both worlds in doing what we ended up to use for the bonus disc. I hope we pleased everyone on that. We had our discussions and we chose to compromise on lots of things, but as time was passing by we had the chance to realize what was being done and naturally came to the solutions for our different ideas in the end. And I am glad we did. It was team work up to the last bit. Time helped a lot, giving us the time to focus on the smaller details in order to achieve what you now are holding. Longer unedited versions are floating around but will be used for the �Ultimate MR3� along with the other reworks that did not make it on the official tracklist... I am not going to mention the box of shame we deserved for the artworks... Only when everyone was done with the audio testing we kept spotting errors that kept on returning after having been fixed once and re-appeared after changing things all over again. Jack had plenty of patience in re-touching everything readily. He gets all the credit for the best dress the EMS could hope for and useful suggestions he made all along.
And those are the words I have for these two wonderful chaps! It was nice having you guys as partners in crime really!
Best Regards, DC
Nota Bene :
The usual few words need to be added before going lossless. We would like to remind that you should not make profit off what it is not your own. Please do respect honest peers' work. The reason to be of this release is for a better archival purpose only. It is not meant for private sale and not intended for purely selfish trading. Be responsible in giving back what you had for free.
Consider sharing back what was shared of old if you care. We are only left with what we share eventually. The more accurately (read properly) the better for the peers-to-be. Needless to remind to decompress to WAV first (preferred).
Cue sheet with CD-Text info is included (suggested). Multiple WAV Files With Gaps (Noncompliant) if you know your tools. Burn at 4x speed (always) with no pause between tracks otherwise. Or stream your music through your old-school speakers via laptop/PC with a decent digital-to-analog converter box instead.