No surprise of course that Batman sells like hot cakes. I remember a few years ago when LLL was never anticipating a 4th volume for B:TAS... now they've done that and are planning to move on to the rebrand season.

Shame, But Understandable...

Maybe If They Catered To Over Seas Customers More...

Oh Well. Glad To Have What We Did Have, Unfortunate That No More Animated Movies Either.

Maybe If They Catered To Over Seas Customers More...

Do you realize the extraordinary costs of that, and how much more damaging a dud release would be?

Well, No Offence There Are A Lot Of Fans Outside the US Who Would Buy. Just Saying.
Maybe They Would Have Been Better Selling Digital?

I'm no economist, but I think that the costs of shipping to international customers would not lead to markedly improved sales. If they were able to get away with it and still be in the black, they probably would.


Maybe They Would Have Been Better Selling Digital?

That doesn't really guarantee favorable returns either. The cost of licensing a bunch of cues from WB for one of these releases must be very high; then you would have to probably work out a deal with Warner Bros. Music to distribute the files to Amazon, iTunes, etc., which might affect how much of the profit LLL and WB reap from a sale, because now you're adding in the money which the particular music service makes (unless it's a one-time payment to iTunes/Amazon? IDK) Additionally you risk alienating the collectors who want their music physically.
Digital-only releases probably work better for titles which aren't so expensive to produce.

Not If They Had A Digital Store On LLLD Own Site?

�\_(ツ)_/�

I would assume that studio politics would have a part to play there too. But I won't pretend to know why they would shy away from that.

I'm no economist, but I think that the costs of shipping to international customers would not lead to markedly improved sales. If they were able to get away with it and still be in the black, they probably would.

LLL does ship worldwide though. What Mr. Gold means is as if they were like Varese who has a distributor in Europe.

:this:
Exactly. :)

My bad, what I meant was that the costs of having an international distributor probably outweigh the benefits, especially when you're talking about a very niche brand of music (gothic kids' cartoon underscore from the '90s). VS has been in business for decades and they're simply one of the biggest film score record labels out there. LLL doesn't have that luxury (maybe they will one day in the future). Though I don't think even Intrada has a dedicated international distributor either, do they?

Unfortunate news regarding the future of DC Comics at their label:



VERY BAD news.

I just received my signed copy of JLD and since "Green Lantern: First Flight" Robert J. Kral became one of my favorite composers.

My bad, what I meant was that the costs of having an international distributor probably outweigh the benefits, especially when you're talking about a very niche brand of music (gothic kids' cartoon underscore from the '90s). VS has been in business for decades and they're simply one of the biggest film score record labels out there. LLL doesn't have that luxury (maybe they will one day in the future). Though I don't think even Intrada has a dedicated international distributor either, do they?

Nope, both LLL and Intrada are independent, and handle their orders all by themselves. And yeah I get your point and I don't deny you. They'd have to get a distributor interested, and that'd prolly give them issues, and would have to share money with them, the little they already get.

LLL's MV Gerhard has clarified his stance on the future of DCAU a bit: "Regarding DC animated titles, if you can find me 1,000 customers who would be willing to purchase Justice League Unlimited, Superman vol 2, and Teen Titans, we would be more than happy to release those soundtracks."

What About The Animated Movies?

Nothing directly about that. Whereas there are a lot of reasons DCAU sales are slow, the animated movies not selling well indicates that simply not enough people care, myself included. They tried packaging two films in one back in October, and even that wasn't a big success. In honesty I wouldn't get my hopes up for either the DCAU or the movies.

But Was Not Return of the Caped Crusaders and Justice League Dark Released Aswell By Water Tower Music As Digital?

:s


Or Did I Make That Up?

They were, but the CD releases have liner notes and sometimes additional tracks.

True.


Oh Well It Was A Good Run, We Still Got A Great Dealnof Great Tunes.

I Am Just Looking Forward to The New ST Voyager Set!

Just an FYI to those of you who have taken it upon yourselves to download these albums illegally; not only are you breaking the law, you also hurt the business. As mentioned above, due to lack of sales, La La Land Records intends to not produce any more CD's from the DCAU outside of exclusively "Batman" titles. If you really care about the music and want it to be released, cough up the money and purchase it. I know it's expensive, but much of this music will never see the light of day because many won't purchase it legally. Please, if you want to keep this from happening with more titles or perchance get them to reverse course on their decision (God-willing), purchase Justice League or Superman The Animated Series from them. It's a small business and every single sale matters.

International people are screwed essentially, since they have to pay far more than what would be in it's domestic market. The prices can be so ridiculous that it just isn't worth it.Thus, it's pretty difficult to sell elsewhere that isn't America.

I, on the other hand, have no real excuse, seeing as I should've at least bought one at this point. One day...

:laugh:


Everyone Who Visits This Site Does.

Excuse Me But If The Postage Was Not So Exspensive and Stupid I Would. But I Refuse To Pay The Same For Postage As What The CD Is Worth.

purchase Justice League or Superman The Animated Series from them

Yes, anyone reading, please consider it! The music is absolutely divine. Superman in particular is highly underrated. With four discs of content and probably a dozen full episodes scores, it's well worth the money.

Just an FYI to those of you who have taken it upon yourselves to download these albums illegally; not only are you breaking the law, you also hurt the business. As mentioned above, due to lack of sales, La La Land Records intends to not produce any more CD's from the DCAU outside of exclusively "Batman" titles. If you really care about the music and want it to be released, cough up the money and purchase it. I know it's expensive, but much of this music will never see the light of day because many won't purchase it legally. Please, if you want to keep this from happening with more titles or perchance get them to reverse course on their decision (God-willing), purchase Justice League or Superman The Animated Series from them. It's a small business and every single sale matters.

:this:

This is why I think La-La Land should just be banned like Varese, Patrick Doyle and Clinton Shorter

Yh So So Everyone Outside The Us Has To Pay Double What You Guys Do. *Sigh*

I can't believe how entitled you're acting.

Excuse Me....

I know shipping costs suck for you, but constantly bringing them up doesn't give you some sort of immunity.

Whatever.

This is why I think La-La Land should just be banned like Varese, Patrick Doyle and Clinton Shorter

Well, it's not like the Shrine is the one and only repository on the intertubes for folks to download soundtracks.

True.

For this type of music it's certainly one of the more well-known/notorious. As of writing we have ~820,000 members, less than 2% of which are "active".

Okay...

Mr Gold I understand shipping is too damn high for you, but there's hardly ever a time you cannot PM certain members asking if they have said LLL release. I can name several people right now who always buy and then post LLL. Should the label be banned, you'd still be able to get your hands on the releases. I guarantee it.

you also hurt the business

You're beating a dead horse.

It's been talked to death over the years on the forum. Everywhere.

I personally don't want JL nor STAS, so I could care less about the business for those.
You picked the wrong titles to lecture about, my friend.

Honestly, I've seen nothing really worth buying from them.

The Matrix Reloaded was the last thing I cared to buy.
And never again after what I actually had to pay in Canadian dollars.

I don't blame the lack of sales on the piracy; but, on the price.
Right now, at the current exchange rate, I don't even want to risk anything over $19.99 USD.
$29.99 was pure murder.

Digital sales are the future.

I've bought way more digital music in the past year than I ever did physical CD's when the Canadian dollar was good.

They really ought to start picking up good music.

TV music is too costly.

I like their older collection of independent movies. A lot of nice horror hits. Reasonable prices.

You can blame pirates all you want, but like any market, the business is at fault, too.
There's just no business in TV music or the super expensive bundles that they've moved to doing almost exclusively.

In fact, it's probably better just to include the score as an isolated score on the bluray in stereo DTS-HD MA.

Price* is, of course, an issue, as is my personal lack of want or need for more plastic in my life, but the record companies are bound by licensing agreements, more often than not with caps on pressing numbers. There's no download model that won't abrogate such agreements.

* to say nothing about shipping.

I don't blame the lack of sales on the piracy; but, on the price.
Right now, at the current exchange rate, I don't even want to risk anything over $19.99 USD.
$29.99 was pure murder.

LLL are essentially going as low as they can go, as far as prices are concerned, and still have a chance of turning a profit. Projects can easily go into the tens of thousands of dollars.


You can blame pirates all you want, but like any market, the business is at fault, too.
There's just no business in TV music or the super expensive bundles that they've moved to doing almost exclusively.

Sad but true. Very niche market that a lot of even film score fans don't have incredible interest in. And I say this as someone who fell in love with LLL on account of their TV show releases.
And you can see the effects. Box sets like Star Trek and Mission Impossible are a thing of the past for the company - too little interest.
CW DC shows have gone from 2-disc to 1. Small cost-cutting measure to make the projects less expensive for the company? I guess interest is waning there too.
And now they're scaling back on the DCAU stuff? Clearly not as much interest there as necessary to warrant JLU and more Superman.


In fact, it's probably better just to include the score as an isolated score on the bluray in stereo DTS-HD MA.

Why this isn't more widespread on home video, I don't understand. Certainly it can't be a burden to add a separate audio track for each episode? Heck, it doesn't even have to be lossless as far as I'm concerned, I just want the music.
Maybe re-use fees apply to isolated scores too, and not wanting to spend the money on a bonus feature most people will skip becomes an issue. :-\

Why this isn't more widespread on home video, I don't understand.

When bluray was still coming out in the first couple years, there used to be ballets people could fill out.
Tell them what you liked, what you would like, and what you didn't like.

There's no score people in the world, so no one filled out "I want more isolated scores".
So studios saved money not adding it.

I mean, good grief. This is a DC release that came out in October, and (assuming the website is accurate) they still haven't gotten rid of all the autographed copies!
http://www.lalalandrecords.com/Site/BatmanBadBlood.html

That's Frederick Wiedmann though, not Shirley Walker's proteges. Wiedmann is a bit... mmm... I don't want to say bad, but to me the music he writes doesn't hold up outside the film. At all. Very Brian Tyler-ish, I think. I actually bought it since it was a two-for-one. Kinda disappointed with it, but I was happy to pay for it, if nothing else for the sake of throwing more money at LLL and purchasing a DC title for them. Plus I got FW's autograph, which is neat in and of itself.

Perhaps rather than releasing individual titles for the B and C listers they should produce "Best Of" compilation albums instead.

Release Giacchino's score to Finest Hour and I'll never download another La-La Land release again. :p

Perhaps rather than releasing individual titles for the B and C listers they should produce "Best Of" compilation albums instead.

I'd be down for that.
The problem now is that you're polarizing the completionists. :laugh: In this age of constant 'expanded releases', and leaked FYCs always having the rest of the music, collectors are starting to give any releases that aren't ultimately comprehensive the hairy eyeball more and more. Anyone remember Intrada's 2012 Predator reissue? :laugh: Damned if you do, damned if you don't.


Release Giacchino's score to Finest Hour and I'll never download another La-La Land release again. :p

Cute.

Sad but true. Very niche market that a lot of even film score fans don't have incredible interest in.
Sometimes I wish be rich just to be able to continue financing little projects like this. Only 50, 70, 80 sold? No problem, but 50, 70 or 80 people can enjoy it.

I agree with you, this is far beyond piracy, it's about mentality, interest and ignorance. Music still underrated today if it is not a composer like John Williams that everybody know thanks to Star Wars or another old movies, because it's the only thing they know. Just go to Amazon and read random comments on a release with "score album" and "soundtrack album" like Suicide Squad, there are still many, MANY people who buy the wrong version because they do not know that there are CDs with the music of the composer, they do not even bother to read the tracklist. NOTHING. I'm not talking about a recording sessions, complete score, expanded score or whatever, just the official album.

So what can we expect? Just reality. If they do not even know that there is a score for a famous movie, how can we believe that they are capable of being interested in a smaller movie like the DC Animated Universe? And they probably did not even see the movie. And more important, how can we believe that they are able to find the LLL web to find the soundtrack? And... And... And more "And".

Piracy is Star Wars, Jurassic Park, Marvel... or another major release, not JLD, Superman, Teen Titans or another minor animated release. That's ignorance (not in the sense of insult). Yes, not all, of course, there are people who know but don't buy because they don't like it. But that's another thing. I'm just talking of the main reason: if they don't know it exists, they are not interested, they don't buy. And (another "And", yes) if they don't buy a major release thanks to piracy, how can we except a minor?

Like you said, sad but true, this is the collateral damage in internet today. Want something? You got it. Catch it. Catch it. Catch it. Catch it. Again and again and again and again and again. No one cares how. Just catch it, catch it, catch it, catch it.

* Note: I'm not talking about those gathered here, I know we know about it, I know we are tracking everyday every release and I know we know about the "catalog of the market", in case someone thinks I'm accusing him, this is just my opinion of what I think is the problem of the cancellation of the DC releases by LLL. (sorry if I made grammatical errors).

It Seems Aswell That Score CDs Are A Lot More Exspensive and Not As Widley Avaliable Anyway.

In My Local HMV They Have Normal CDs Releases (By Artists Like Elton John Ect) New Albums At �10.
Sooundtracks Like the Suicide Squad Songs One Was �10.

When There Is A Score Album It Is �15. Most People Who As You Say Are Not As Familiar As We See That An Think Another 5 For That!?

9/10 They Don't Even Have The Soundtrack Avaliable.... You Have To Go Online To Get And They Are Even More On There..... :p

And Honestly I Agree. Most OST Are What 30-65 Mins Long.... And Honestly Why Are They That More Money?

So No Wonder The Average Person Buys Less If They Are That Much More...

*Shrugs*

It's called economy of scale. If there were as many music score consumers as, let's say, Beyonc� consumers the soundtrack marketplace would look quite a bit different.

And Honestly I Agree. Most OST Are What 30-65 Mins Long....
That's another point truly. "Blair Witch" (2016) by Adam Wingard is 32 min./25 sec. long, or "Halt And Catch Fire" (2016) by Paul Haslinger 38 min./43 sec., with the price exactly like another of 1 hour or more.

But are exceptions, I mean, usually the releases follow a similar pattern of 50-65 minutes. "Justice League Dark" is 58 min./54 sec., "Green Lantern: First Flight" 1 hour/49 sec., "Batman: Assault on Arkham" 57 min./56 sec., all of Robert J. Kral in different years.

Despite the price I have no problem to purchase a CD online because I find more than in a physical store (I don't remember the last time, maybe 5 years or more), I'm from Spain and when I ordered Justice League Dark via LLL (with 3 more) the final price was around 90$. So if I can, why another who lives in US not? Is cheaper.

The question is not if "I can", is if "I want". Blair Witch like I said is 32 min long, and I bought it, simply because I love this genre of music, nothing more and nothing less.

I Actually Enjoyed The Blair Witch OST.

I adore both Intrada and LLL, they really have a love for film music and dedicate themselves to bring us the best possible, and they've sacrificed themselves a lot while doing so. I know how bad piracy affects these people, more than the big releases.. but.. I mean.. geez. It's not my fault. If only I had a job and a salary right now I'd get all of their releases of my interest and never pirate. This topic is a complicate one, always varies, depends of the person, and it's more than one reason..

Sometimes I wish be rich just to be able to continue financing little projects like this. Only 50, 70, 80 sold? No problem

No, BIG, BIG problem!! You've just taken a huge loss -- thousands of dollars, down the drain.

This topic is a complicate one, always varies, depends of the person, and it's more than one reason..
+1


No, BIG, BIG problem!! You've just taken a huge loss -- thousands of dollars, down the drain.
That's why I said "if I were rich", I would not be affected by losses xD

If every month I earn $1.000.000 and this cost $100.000 to produce for example, there would be no problem (I don't really know how much costs).

No studio ever wants to work with a company like that. I get where you're coming from though.

---------- Post added at 05:41 PM ---------- Previous post was at 05:28 PM ----------

I think the common misconception is that financing projects is the hardest part. No, the hardest part is dealing with the studio themselves, begging and pleading with them to license out certain materials, and waiting for them interminably to sign off on things. The paperwork is an absolute bog, and it's a partial reason as to why Lukas Kendell (Film Score Monthly) dropped out of the soundtrack production business a few years ago.

.

Ferris Bueller took about 7 years to come out, because of having to sign papers and get those clearances.

Beverly Hills Cop took as long because Paramount was saying no product with that brand can come out until after the TV show (which shot a pilot but wasn't picked up) and the long rumored / gestating Beverly Hills Cop 4...LLL ended up going over Paramount's respective head and went straight to Cop producer Jerry Bruckheimer, who gave the OK to releasing the albums.

Neither of which was a money issue.

They have a long list of projects (Intrada as well) that are sitting around with finished masters and artwork and all of it, waiting for a studio to have some man or woman sign off on an artwork approval with an actor's face on it, or something as mundane as that.

Sometimes they have the music (James Horner's "Volunteers" score being a true example) but don't have anyone claiming ownership of the score from a film studio and can't do anything with it.

#300

#302
I didn't know that, pfff...

The best way to understand one another is by talking to each other, right? (not really in our planet it seems). Then if is not the money, why companies want to make it difficult like JHFan said about sign papers, etc? Because I don't understand the mentality of "We create a piece. And after the montage in the movie, we keep the music in a hard drive, on a shelving, in a warehouse, catching dust for years and years." even if people show interest. What do they care??

There are a hundred reasons why they could care. Some are probably good and some are probably ridiculous.

I wonder if they will ever or eventually release a complete x men apocalypse cd since its the only one of the trilogy tat did not get a complete release yet.

^
I Actually Enjoyed That Film and Score It Would Be Nice To See It Get Like A "Rogue Cut" So To Speak, just Aslong As It's Cover Is Better Looking Than The Red Mass. :p

^
I Actually Enjoyed That Film and Score It Would Be Nice To See It Get Like A "Rogue Cut" So To Speak, just Aslong As It's Cover Is Better Looking Than The Red Mass. :p

Yeah I actually enjoyed the entire trilogy more so than the previous x men trilogy. Apocalypse was an enjoyable movie and the soundtrack I felt was superior to days of future past. Though a rogue cut version esque release would be nice. Yeah that red mess of a cover is beyond me lol I don't know how that made its approval. I wonder if there are alternate versions of the main titles like there was in x2 and days of future past.

I wonder if they will ever or eventually release a complete x men apocalypse cd since its the only one of the trilogy tat did not get a complete release yet.

First Class didn't get a complete release.
Neither did DoFP. Just expanded a bit.
I think LLL has expressed interest in Kamen's X1. Which would be good, since Recently Kamens's been a bit forgotten, I think.

Apocalypse was the biggest piece of horse shit I've ever seen in my life. Score was nothing worth writing home about either, but I haven't given it a solo listen. Maybe someday.

First Class didn't get a complete release.
Neither did DoFP. Just expanded a bit.
I think LLL has expressed interest in Kamen's X1. Which would be good, since Recently Kamens's been a bit forgotten, I think.

Apocalypse was the biggest piece of horse shit I've ever seen in my life. Score was nothing worth writing home about either, but I haven't given it a solo listen. Maybe someday.

Technically you are right, however first class did get an isolated score which is complete, and days of future past expanded was actually complete as it featured everything heard in the film so I'd consider it complete.
I never gave kamen's score a complete listen the only cue I remember since the film back in 2000 was the ending cue when xavier was playing chess with magneto and logan and rogue at the statue of liberty. You should give the soundtrack a solo listen it might change your mind if youre open to it that is lol.

DoFP isn't complete.
It's missing the hip little piece that plays when Wolverine first steps out into 1973. I think there's another brief cue missing somewhere.
Parts of various cues have been edited or microedited.

DoFP isn't complete.
It's missing the hip little piece that plays when Wolverine first steps out into 1973. I think there's another brief cue missing somewhere.
Parts of various cues have been edited or microedited.

Interesting I know which cue youre talking about now lol I stand corrected. I do feel the main titles in the rogue cut is mastered differently than that actually heard in the film. I find the film version to sound superior despite being the same track, unfortunately there is no way to remove the sfx from the actual main titles in the film.

What you hear on the OST is almost always mastered differently. I too noticed that the main titles in the film sound about 100% better than how it's represented on the Rogue Cut soundtrack. I almost thought it was an alternate before realizing that it's the same cue, same take, just sounds like shit on the OST! :sad:

What you hear on the OST is almost always mastered differently. I too noticed that the main titles in the film sound about 100% better than how it's represented on the Rogue Cut soundtrack. I almost thought it was an alternate before realizing that it's the same cue, same take, just sounds like shit on the OST! :sad:

Finally!!!!! someone who agrees with me lol, I even think the same thing happened with the apocalypse main titles but it isn't as bad on the OST. The main titles in the DOFP does have very minimal sfx is there a way to midigate or remove them ?

I tried one time; it's bound to be a fruitless undertaking. Alas.

I really wish they�d release a 4 disc box of score from Buffy the Vampire Slayer! Like they did with X-Files.

Horner: Willow, Apollo 13, Titanic.
Kamen: Robin Hood, X Men.
Goldenthal: Interview with the Vampire, Alien 3.
Zimmer: The Rock, Crimsom Tide, Gladiator.
Rabin: Armageddon.
Mancina: Moll Flanders.
John Williams: Star Wars Trilogy Prequel.
Goldsmith: The Mummy, Air Force One (But it's Varese, son i don't think LLL could make it)
McNeely: Soldier
Vangelis: 1492 Conquest of paradise, Alexander
For example....

LLL is releasing remastered versions of E.T. and CE3K!

https://www.facebook.com/lalalandrecords/photos/a.181243738754.155532.56031953754/10155838795413755/?type=3&theater

CE3K was announced at the 40th anniversary screening.

That is very exciting news about the forthcoming deluxe editions for E.T. and Close Encounters!!!! Thank you for the heads up!!!!!

Release Giacchino's score to Finest Hour and I'll never download another La-La Land release again. :p

Say, where can I find Michael Giacchino's Finest Hour?

---------- Post added at 05:09 AM ---------- Previous post was at 04:59 AM ----------

Found this:

http://www.mediafire.com/file/6oxn9unuvt1ukui/CoD+Finest+Hour+Gamerip.rar

Scooby Doo, Where are you? score by Ted Nichols.

Does anyone know anything about a soundtrack for the 11th season of The X-Files? La-La-Land Records was supposed to release one in the spring and & it's yet to come out? Could someone please tell whether or not it's going to happen & give me updates about what's going on with it? Thanks.

sanaa111, do you have Complete Score Unstoppable (2010) by Harry Gregson-Wiliams and Deja Vu (by Harry Gregson-Wiliams)?

No I don't.

Anyone have the original tv series to Mission Impossible?

Highlander...

Hell yes.

My dream would be the release of X-Men: The Animated Series. La La Land has done excellent work with their Batman: The Animated Series releases so far so my hope is that X-Men will happen someday.

Or a release of score for Teen Titans Animated...

Does La-La Land release any news anymore?

Erm.......

Yes.

An obscure little film "SEAMUS" from the 70's scored by Jerry Goldsmith would be a great issue. The existing bootleg floating in blogs and forums just doesn't do justice to this wonderfully moody and jazzy score! For that matter, as long as it is a nice issue, the company wouldn't really make much of a difference :)

Now that they released 3 X-Files soundtracks for the 1st 9 seasons, the 1st movie & are planning on releasing a soundtrack for the 11th season & one for the 1st 9 seasons, I could kill to see them release a limited edition for the 2nd movie.

OMG they are releasing an expanded and remastered soundtrack for The Thin Red Line!!!!!!

OMG they are releasing an expanded and remastered soundtrack for The Thin Red Line!!!!!!

...and it is by FOX and can't be shared here!

...and it is by FOX and can't be shared here!


i'm just glad it's being released... 4CD's of goodnessss

Complete scores:
Horner: Willow, Legends of the Fall
Williams: The Patriot
Zimmer: Gladiator, The Rock, Crimson Tide
Rabin: Armageddon, Remember The Titans, Deep Blue Sea, Enemy of the state
Trevor Jones: The Dark Crystal
The Resident Evil 6 films
Graeme Revell: The Saint, Riddick (3 films)
David Arnold: The World Is Not Enough, Tomorrow Never Dies,
Goldsmith: along came a spider, Air Force One with the rejected score from Randy Newman
Edelman: Anaconda, xXx,
Yared: Troy
Kamen: X-men 1
Powell: X-men 3

...and it is by FOX and can't be shared here!

but it can on the rest of the internet.

but it can on the rest of the internet.

yep...but most people seem to focus on this site

Any updates in this case?

--> https://www.discogs.com/Harold-Faltermeyer-Fletch-Lives/release/13765200

Best,
Billy

Can somebody post this release in Flac please.

https://lalalandrecords.com/alien-3-2-cd-set/

.

Hi ,Anyone have the link from Fletch Lives by Harold Flatermeyer LLL 2019?
Please ?

La-la-Land should fight through the rights issues preventing a series set of the Batman TV show (1966-68) soundtrack. That's one of the last "Holy Grails" of soundtracks yet to be released.

La-la-Land should fight through the rights issues preventing a series set of the Batman TV show (1966-68) soundtrack. That's one of the last "Holy Grails" of soundtracks yet to be released.

Yes. Not to mention that it's a staple of Me-TV, along with Lynda Carter's "Wonder Woman" (which had a nice box set from LLLR, though there wasn't that much of a legal issue, aside from the show being on ABC and CBS and distributed by WB. Batman '66-68 was Fox, hence the legal issues) and there is a demand out there for the soundtrack to be released. Hopefully, it will get a release, just like the movie soundtrack did and the TV series Blu-ray box set.

Yes. Not to mention that it's a staple of Me-TV, along with Lynda Carter's "Wonder Woman" (which had a nice box set from LLLR, though there wasn't that much of a legal issue, aside from the show being on ABC and CBS and distributed by WB. Batman '66-68 was Fox, hence the legal issues) and there is a demand out there for the soundtrack to be released. Hopefully, it will get a release, just like the movie soundtrack did and the TV series Blu-ray box set.

I've heard that the legal issues regarding Batman center on the estate/children of the famed composer Nelson Riddle, who wrote all of the music for seasons 1 & 2 of the show (and movie). Whether its an expense issue, I'm not sure, but the cost would be worth it. I've also heard that the estate of Billy May (who composed the music for Batman season 3 and The Green Hornet TV series) is tied up in legal limo,creating yet another roadblock to a Batman series soundtrack release. The rights to the actual TV series were far more convoluted (and confrontational from some parties) than the music, but all things were settled.

I wonder if any interested parties believe there's not so much of an interest in the show's music to shell out the money to all involved parties?

I'm still waiting for them to finish the Batman the Animated Series Soundtracks. Every Comicon I hope for an announcement on them.

I'm still waiting for them to finish the Batman the Animated Series Soundtracks. Every Comicon I hope for an announcement on them.

They finished Batman TAS, 4th volume was the final one. They literally say this on the album page.

any news Supergirl(S4) - The Flash(S5) - Legends of Tomorrow(S4) - Riverdale(S3)

any news Supergirl(S4) - The Flash(S5) - Legends of Tomorrow(S4) - Riverdale(S3)

regarding the CW shows LaLaLand said in the FSM forum:


"ps I hope you'll not finished with CW shows!"

We are but you will still be able to purchase them digitally

MV

so I guess there will be no CDs coming from them but download versions from Warner...

Wow this looks pretty amazing:

Finally, the OST almost 90 years after the film's release!

https://lalalandrecords.com/bride-of-frankenstein-the-limited-edition/

Wow this looks pretty amazing:

Finally, the OST almost 90 years after the film's release!

https://lalalandrecords.com/bride-of-frankenstein-the-limited-edition/



Yes I bought it yesterday. I am now waiting patienly for the package (along with with Quinn Martin Collection, Volume 1 and 2).

I'm definitely interested in that Bride of Frankenstein.

I hope the Black Friday releases really packs a punch once they show up on their official Facebook page soon.

Hopefully, it's Stargate (the Varese deluxe edition was good for the time but it definitely needs a better expansion with better mastering), GoldenEye (unlikely, as the anniversary for that film isn't until 2020, but then again "The World Is Not Enough" was released on the 19th anniversary last year), Tomorrow Never Dies and probably another Williams score to wrap up 2019.

Any news on Bride of Frankenstein?