Had a go at mixing the FLAC of No time for caution with the audio from the youtube video (mixed ending only) download (https://mega.co.nz/#!w8JViSTJ!8MAqcPd8v8H4-yhvImRMLXCj8llymvy4f12INZG4_qQ)
Tried to reduce the SFX as much as I could

Soundcloud link (https://soundcloud.com/techtuts/interstellar-soundtrack-docking)

Yes, it's even placed after it in the Deluxe Edition. It sounds even better than in cinemas BTW. Or to me at least.

"No time for caution" needs about 35 seconds of the "Mountains" choir rising into the mix, starting at about 2m54s. Seems to be the difference from the film version.

...and here is a recreation of the audio engineer's 'mess' (http://www.hans-zimmer.com/index.php?rub=disco&id=1256) --> "No time for caution (daypass mix)" (https://mega.co.nz/#!g8VyFBAA!SSQu4sBVzcCtHCgeIu9Z4W_RXogd2H7W3EzlYnW AXGQ)

Is it possible the docking scene was simply edited using different track stems & we simply dont have access 2 those 2 copy it ? Like what trailer houses do

Thank you!!

I can't fucking believe Hans Zimmer managed to find the time to put aside whatever he was doing to recreate a mix that he wasn't even responsible for. Much respect.

Hans Zimmer confirmed, that the docking scene track ""No time for caution" was a "mess" made by audio engineers of the movie, Zimmer never made this final track/cue.

Hybrid Soldier, an intermediary between the fans and Zimmer, confirmed this:

Actually I got it confirmed, the cue as you're looking for it doesn't really exist, it's just post production mess in the hands of music editors & mixers (so obviously Mountains material used)...

Reminds me of First Flight from MOS, where the strings were put totally upfront in the mix...
Source:
Hans-Zimmer.com - Interstellar (http://www.hans-zimmer.com/index.php?rub=disco&id=1256)

Hans Zimmer confirmed, that the docking scene track ""No time for caution" was a "mess" made by audio engineers of the movie, Zimmer never made this final track/cue.

Hybrid Soldier, an intermediary between the fans and Zimmer, confirmed this:

Source:
Hans-Zimmer.com - Interstellar (http://www.hans-zimmer.com/index.php?rub=disco&id=1256)

Well that sucks. Hollywood is a mess. The iconic music from one of the most spectacular scenes of the movie not being released in its movie form?! gg boys, we tried.

Maybe there is a really small chance of Zimmer asking Warner to do so..but if you know Warner then don't hope anything..

I just read over there that the cue in the filmversion is from the "Day One Dark" track, which was a exclusive movietickets.com gift.

Does someone got this track in its original quality (downloaded from movietickets and left untouched)?? Everything I find on the internet are just some messed up files.

EDIT: You still can get the Track from movietickets.com if your purchase a cinema ticket until 1st december!:
http://www.movietickets.com/movie/mid/159557/n/Interstellar

Did maybe someone not watch the movie yet and can purchase a ticket there? :D

Edit2: Some nice guy already uploaded it here on ffshrine:
http://forums.ffshrine.org/f96/interstellar-day-one-dark-%5Bbonus-track%5D-original-181524/#post2805070

Just got a code for the new track from Play Direct. I am amused by how big of a deal this has become.

This is the original file for Day One Dark (https://mega.co.nz/#!eoQC2AxT!AHXB0JSeeYYoP9vRCLcWe0nYKNKU25bbB7KYOmQ TzlE)
Edit: Looks like you found it anyway

Can someone just please upload it. I chucked my tickets away

So is it safe 2 say that someone took No Time For Caution & then edited in the ending of Mountains for the movie ?

So is it safe 2 say that someone took No Time For Caution & then edited in the ending of Mountains for the movie ?

They overdubbed the "Mountains" choir in post. A recreation of the audio engineer's 'mess' (http://www.hans-zimmer.com/index.php?rub=disco&id=1256) --> "No time for caution (daypass mix)" (https://mega.co.nz/#!g8VyFBAA!SSQu4sBVzcCtHCgeIu9Z4W_RXogd2H7W3EzlYnW AXGQ)

They overdubbed the "Mountains" choir in post. A recreation of the audio engineer's 'mess' (http://www.hans-zimmer.com/index.php?rub=disco&id=1256) --> "No time for caution (daypass mix)" (https://mega.co.nz/#!g8VyFBAA!SSQu4sBVzcCtHCgeIu9Z4W_RXogd2H7W3EzlYnW AXGQ)

I guess the thinking was something like "No Time For Caution" was not intense enough on its own for the scene. So lets just edit in Mountains & mix that up a bit" & thanks for the second bit

So I been thinking....

The track we got is what Hans intended for the scene... it is what he sent the dub stage

I interviewed Joseph Trapanese for a school project back in May and this makes a lot more sense now


7. When scores are released, how come there are only select cues on the soundtracks and usually mixed differently than they are in the film?
There are many reasons which can explain this. The soundtrack may sometimes be closer to the composer's intention. For both projects you have mentioned ('Tron' and 'Oblivion'), the picture edit was continually changing (sometimes slight changes, other times whole scenes could be cut) after we produce the score. Because of this, we deliver music to the dub stage (where the sound is mixed for the film) in "stems" --- this is a term we use for different layers of music. Strings will be one stem, brass another, synths perhaps will be made up of several stems (hi, low, pads, etc.). This is so the music can be adapted easily to any scene changes that may happen after we record and produce.

Also, the music mix may be adjusted to fit dialogue and sound effects, so the music mix you hear in the theater may be different than the one the composer intended. All of these things are fine by me however; the sound teams on these films are incredible professionals, they care about and respect our integrity, and I know the changes they are making will better the film.

Furthermore, there is a music editor at the dub stage whose sole purpose is to oversee the music's placement in the film and handle any last minute music changes. My music editor is an incredible creative producer and can handle any changes necessary while respecting my intention. It is incredibly important for me to have someone I can trust at the dub stage, because often I cannot be in attendance for these very long sessions (often 2 to 6 weeks on a feature film).

Another thing to consider --- our music mixes for film are in 5.1 (surround). The release must be mixed down to stereo, and we often handle these mixes differently than the theatrical mix. We may compress or EQ the mix differently so that the music will sound good on personal music systems. The theatrical mix is actually quite a different experience.

Scores are often over 100 minutes long. The physical CD can only hold 80 minutes of music so we have to curate the album experience. 'Tron' had about 100 minutes in the final score, 'Oblivion' about 110. For me, the soundtrack is a unique and distinguished compliment to the film. I put a lot of care into making the soundtrack a rewarding and enjoyable experience. On 'Oblivion' for instance, we spent one extra week on a special mix for the soundtrack only.

So perhaps Hans composed that track & sent it 2 the editors. But the studio felt it was not good enough on its own for the scene. So they had the editors edit in & mix up Mountains ?

So I been thinking....

The track we got is what Hans intended for the scene... it is what he sent the dub stage

This is frequently the case for VFX movies with ever-changing heavy post. Learned this in 1980 when Williams' SW:TESB came out on LP with noticeable edits trying to recreate what was in the final theatrical mix.

It seems like the music editor did a fine job here, but I would seriously freak out if I was a composer and had to give so much control up to another editor.

So I been thinking....

The track we got is what Hans intended for the scene... it is what he sent the dub stage

I interviewed Joseph Trapanese for a school project back in May and this makes a lot more sense now

Can you post the complete interview please? Is very interesting. Thanks for this!

Updates on Hans-Zimmer.com - Interstellar (http://www.hans-zimmer.com/index.php?rub=disco&id=1256) :


Hybrid Soldier 2014-11-22 13:54:03
It's not 100% the film version ? So what ?

It's the track as written for the film, then what, the music mixer was asked to change a few things, lower some stems in favor of others, mute others ?

Honestly I'm tired of explaining this to you. It was the last time I pushed Hans to release anything. I'm usually mad at him for his OST "artistic choices", but this time he made a move, he got something out with Paramount & Warner in less than what, 3 days ? Next time you can all just go cry forever. Go wait for "complete scores" for years & years, that's all you deserve...

I'm perfectly ok with the track, let me just go back listening to it ! :)





Hybrid Soldier 2014-11-22 14:44:36
Actually, who tells you the track actually exist as you want it to exist ?

The "choir" and the "extra organ" you are talking about is in Mountains. Who tells you the music mixer wasn't forced to used that cue's stems to incorporate it into No Time For Caution at the last minute ?

A good friend of mine was telling me a few days back that he actually thought the Docking cue in the film might was messy and could be some insert. Which would also explain why Hans didn't want to incoporate it in the soundtrack in the first place. That thing might not even exist in this form in the final stereo mixes...

You have the track written, you'll get nothing else, if you want choir or organ, listen to Mountains...

Wow...I've never heard of and OST getting as much controversy and debate as this movie. Nolan definitely did his job, and Hans Zimmer even moreso, cause "No time for caution" finally came out. Danke Hans

Updates on Hans-Zimmer.com - Interstellar (http://www.hans-zimmer.com/index.php?rub=disco&id=1256) :

There were major complaints about the music and bass frequencies overwhelming the dialogue (especially in IMAX), and Nolan went on the record to defend it (http://www.hollywoodreporter.com/behind-screen/christopher-nolan-breaks-silence-interstellar-749465):

"I like to hear it out where people are going to see it, not just in the cocoon of the dub stage. That is something I have done for years, because everything we are doing is intended to communicate something to the audience."

So, whatever was done with the music scoring session stems, and overdubbing this and that, in the post production mixing phase...all under Nolan's watch.

While this is still a controversy, requesting an isolated score track for the Blu-ray should settle everything.

They overdubbed the "Mountains" choir in post. A recreation of the audio engineer's 'mess' (http://www.hans-zimmer.com/index.php?rub=disco&id=1256) --> "No time for caution (daypass mix)" (https://mega.co.nz/#!g8VyFBAA!SSQu4sBVzcCtHCgeIu9Z4W_RXogd2H7W3EzlYnW AXGQ)

This is the best of the many edits we've seen so far. Thanks for this!

This is the best of the many edits we've seen so far. Thanks for this!

Just whipped it together as a reference for the board, but glad you liked. Hans Zimmer's 2014 Oscar submission CDs may have the real deal. If not, hopefully the 2CD star projection edition (http://www.myplaydirect.com/interstellar-soundtrack/interstellar-soundtrack-illuminated-star-projection-edition/details/33155828) will have better elements to use, because I'm not bothering with a proper remix of "No time for caution" until I have the Blu-ray audio as a guide.

An isolated score track would work well on a blu-ray release as the music is so dominant in the film mix. I don't think we will experience much volume fluctuation as one might have in, say...a Michael Bay film.

so i guessed correctly, the track in the ost is as recorded, and it was later remixed. heres to waiting for the bluray rip.

True FLAC: Thread 182320

Thanks!

thank you!

did a little edit of the docking cue (with choir) :http://www.youtube.com/watch?v=1x52RuOosgU

Hey everyone! The track that everyone is on about just hit the web. It's called "No Time For Caution".Here's the link to the torrent:

<a href="http://kickass.so/hans-zimmer-no-time-for-caution-docking-scene-from-interstellar-2014-single-t9892553.html">

I hope you all like it.

"No time for caution" needs about 35 seconds of the "Mountains" choir rising into the mix, starting at about 2m54s. Seems to be the difference from the film version.

...and here is a recreation of the audio engineer's 'mess' (http://www.hans-zimmer.com/index.php?rub=disco&id=1256) --> "No time for caution (daypass mix)" (https://mega.co.nz/#!g8VyFBAA!SSQu4sBVzcCtHCgeIu9Z4W_RXogd2H7W3EzlYnW AXGQ)

Nice work, gotta a feeling it's so close to the actual film mix. XD Thanks :)

thanks for the music

Don't be silly, use this version of No Time For Caution if you want a film version: Thread 182340

Don't be silly, use this version of No Time For Caution if you want a film version: Thread 182340

Silly is redirecting people to your thread where you're wrestling with a track, releasing version after version, where no one has a legitimate source guide track to compare it with. I appreciate the commitment, but you're currently at version 3.5, FFS.

update: Interstellar's FYC is online (http://www.paramountguilds.com/interstellar/score/). "No time for caution" (FYC track 28) still not the film mix.

Don't be silly, use this version of No Time For Caution if you want a film version: Thread 182340

It's cool that you're proud of that, but that's pretty impolite to daypass (and a little arrogant).

The FYC track is way better then the "fan" edits :D

The FYC track is way better then the "fan" edits :D

Beyond being quieter than the commercial digital release, Zimmer's FYC track 28 (http://www.paramountguilds.com/interstellar/score/) is identical to deluxe edition track 22 (http://www.qobuz.com/fr-fr/album/interstellar-original-motion-picture-soundtrack-deluxe-version-hans-zimmer/0794043183058). Still no 'Mountains' choir.

The organ seems a bit more present in the FYC, but then the FYC track isn't compressed/boosted for release on iTunes, Amazon, qobuz, etc.

considering this isn't daypass's thread, and there are bound to be a million different interpretations, there's nothing wrong with the two of you having different mixes.

but calling each other silly... is silly.

you guys are all showing the typical fanboyism in others that you found yourselves, in such little doses as if it were sneezed upon you.

It's not like daypass created his own thread.

i should report to the mods to merge all fanedited content into one thread and that'd shut everyone up about defining arrogence and silliness.

honestly.

I should report to the mods to merge all fanedited content into one thread and that'd shut everyone up about defining arrogence and silliness. but calling each other silly... is silly. you guys are all showing the typical fanboyism in others that you found yourselves, in such little doses as if it were sneezed upon you.

At least have the insight to realize that you just offered absolutely nothing of value to this thread, or what we are trying to discuss about this particular track, and jumped into a valid discussion to soapbox and moan about others.

You telling me I bring nothing of value... is nothing of value. anyone can say that.

This thread already looks like it's got a close community of its own. You guys look serious jack asses in this thread.

You telling me I bring nothing of value... is nothing of value. anyone can say that.

This thread already looks like it's got a close community of its own. You guys look serious jack asses in this thread.

Psychological projection (http://en.wikipedia.org/wiki/Psychological_projection)

There you go again.

There you go again.

You jumped into this thread yourself to soapbox and troll with nothing to offer. Are you mature enough to stop?

Are you mature enough to stop?

:/ Apparently the one who preaches cannot yield his own advice.
Sounds like Christianity.

I just don't see why there can't be multiple versions of stuff without you guys turning on each other. Talk about mature.

Are you mature enough to stop?


:/ Apparently the one who preaches cannot yield his own advice. Sounds like Christianity. I just don't see why there can't be multiple versions of stuff without you guys turning on each other. Talk about mature.

There's my answer...and the 17,000+ post count of a troll who speaks much and offers little. The discussions in this thread were civil until you initiated this by turning on us with your soap-boxing and moaning and zero to offer on the subject of this track.

Moving along now....keep dangling your little hook.

After listening to every version of 'No Time For Caution' and comparing it to the available recordings of the final film audio, I'm going to suggest that the FYC track 28 is by far the closest to the film mix.
It is missing the additional pipe organ hits and choir parts from 'mountains,' but it's close enough to the film version now that I can happily let those details slide.

After listening to every version of 'No Time For Caution' and comparing it to the available recordings of the final film audio, I'm going to suggest that the FYC track 28 is by far the closest to the film mix. It is missing the additional pipe organ hits and choir parts from 'mountains,' but it's close enough to the film version now that I can happily let those details slide.

FYC track 28 is definitely the closest to the source so far, it being untouched. MP3 tags show it as scoring session 06M26. Too bad it's lossy 192kbps. Hopefully a legit FYC CD-R will leak.

update: The FYC tracks total 118m45s, so if this does leak expect two discs.

track | title | session | time
01 | Dreaming of the crash | 01M1 | 3:44
02 | Chasing drone | 01M2 | 2:07
03 | Flying drone | 01M3 | 1:54
04 | Combines went haywire | 01M4 | 1:54
05 | Dust storm | 01M5 | 1:14
06 | Decoding the message | 02M6 | 5:42
07 | Who’s they? | 02M7 | 7:18
08 | Stay | 02M8 | 5:33
09 | Docking | 03M9 | 1:29
10 | Entering endurance | 03M10 | 2:40
11 | Rage against the dying of the light | 03M11 | 0:57
12 | Down for the long nap | 03M12 | 0:58
13 | Message from home | 03M13 | 1:46
14 | Through the wormhole | 03M14 | 1:44
15 | We’re here | 03M15 | 0:43
16 | Atmospheric entry | 04M16A | 2:46
17 | They’re not mountains | 04M16B | 3:44
18 | Years of messages | 04M17 | 5:26
19 | Afraid of time | 04M18 | 2:33
20 | Murph comes home | 05M19 | 1:44
21 | No need to come back | 05M20 | 4:36
22 | Our World | 05M21 | 3:57
23 | We are the future | 05M22A | 3:29
24 | We’re running out of time | 05M22B | 1:54
25 | I’m going home | 05M23 | 5:44
26 | Coward | 06M24 | 8:33
27 | Imperfect contact | 06M25 | 6:58
28 | No time for caution | 06M26 | 4:06
29 | Detach | 07M27 | 6:43
30 | Eject | 07M28 | 2:14
31 | Landing in tesseract | 07M29 | 4:42
32 | S.T.A.Y. | 07M30 | 6:20
33 | Quantifiable connection | 08M31 | 3:30

FYC track 28 is definitely the closest to the source so far, it being untouched. MP3 tags show it as scoring session 06M26. Too bad it's lossy 192kps. Hopefully a legit FYC CD-R will leak.

Yeah absolutely. Not much point adding those organ hits or choir until a better quality track rolls around.

:rolleyes:

The FYC track is way better

Frankly it's still terrible -- it's missing vocals, mastering/dynamics, the organ sound that you DO hear is weak, cheap/free/thin organ samples and it comes in only for a few seconds at the end.


And thanks to a generous source, I am now actually working with real FLAC/Lossless sources of Day One Dark Suite and No Time For Caution and using Vocals from the FLAC version of Mountains. I also have several of Hans Zimmer's Zebra presets which he actually by coincidence uses in this track for some parts near the beginning, which allows me to boost the volume of those particular stems.

How do you have a FLAC/Lossless source of Day One Dark? It's only available as 256kbps-mp3 from MovieTickets.com.

If I knew where they got it I would tell you but I do not, and I've had it checked and double-checked and it's legitimate.

How do you have a FLAC/Lossless source of Day One Dark? It's only available as 256kbps-mp3 from MovieTickets.com.

TylerakaSyn may have the real deal; though I wouldn't be surprised if "Day one dark" ended up on the 2CD star projection edition.

Oddly, in Tau analyzer, burning the original "Day one dark" MP3 falsely reported for me as CDDA, repeatedly.



Also, it's easy to artificially boost the high frequencies of an MP3 to 22kHz, then convert it to WAVE/FLAC, so that it falsely reports as lossless in spectrum analysis. FYI, beware of this for private trades.

Oddly, in Tau analyzer, burning the original "Day one dark" MP3 falsely reported for me as CDDA, repeatedly.



Also, it's easy to artificially boost the high frequencies of an MP3 to 22kHz, then convert it to WAVE/FLAC, so that it falsely reports as lossless in spectrum analysis. FYI, beware of this for private trades.

I believe TAU Analyzer is what that other "audiotester" program is based off of (the one most people avoid using and the ones Russian trackers love using).
Same code, just modified.

With MP3 technology advancing over the years, it's not surprising you can easily trick analyzers like that.
Why I stopped using them for anything.

Frankly it's still terrible -- it's missing vocals, mastering/dynamics, the organ sound that you DO hear is weak, cheap/free/thin organ samples and it comes in only for a few seconds at the end.

Yeah it could certainly be better. But it's still closest to what was heard in the film IMO - being taken from the official Paramount site, i'd say those 'cheap/free organ samples' were likely the ones we heard in the film, although in the final mix there was definitely a real organ in there too. Are you going to record a real organ....?

I would suggest waiting for a lossless version of FYC track 28 to land and working from that, but you may be inclined to disagree as you have put a lot of time into your version.

The bulk of Oscar DVD screeners have been mailed out. Nolan wants the Academy members to consider "Interstellar" in theatrical presentation (http://www.paramountguilds.com/interstellar/screenings/) only. "Interstellar" will be nominated in the tech Oscar categories, so this makes sense. Probably no legit DVD sound source for a while.

Still waiting for a track list on the 2CD star projector edition (http://www.watertower-music.com/releases_spotlight.php?search=WTM39546_interstella r).

--------------

The wait is over. CD2 track list as per Amazon UK (http://www.amazon.co.uk/dp/tracks/B00QHQ59QQ/ref=dp_tracks_all_1).

Just found these...

The making of soundtrack..
http://youtu.be/L_8t2VlwK4w

Sound Effects and Sound Mixing by the brilliant Richard King http://youtu.be/ye6ydvFQhRw

This is going to sound cheesy I know,especially since Thanksgiving was last week.But i just wanted to say thank you to all the fellow users on here who have helped me acquire hard to find stuff I've been wanting,and for the friends and allies I've made on here.You guys know who you are,and I'm grateful for all of you.Thank you!

2CD star projector edition disc 2:

1. First step
2. Flying drone
3. Atmospheric entry
4. No need to come back
5. Imperfect lock
6. What happens now?
7. Who's they?**
8. Murph*
9. Organ variation*
10. Tick-tock*
11. Day one (original demo)*
12. Do not go gentle into that good night

* = new tracks, ** = FYC track

Disc one is the single disc commercial release.

Everytime I listen to 'STAY' I can't stop hearing 'the great migration' from 'the land before time' by horner

Just found these...

The making of soundtrack..
Hans Zimmer - making of INTERSTELLAR Soundtrack - YouTube (http://youtu.be/L_8t2VlwK4w)

Sound Effects and Sound Mixing by the brilliant Richard King http://youtu.be/ye6ydvFQhRw

Brilliant? I think his team nearly fucked it up:
What's up with this spike at around 15.7kHz on the interstellar soundtrack? Only some tracks have it but damn does it hurt my ears :/. : audioengineering (http://www.reddit.com/r/audioengineering/comments/2mszh4/whats_up_with_this_spike_at_around_157khz_on_the/)
on most of the songs.

Not really professional I think!

thanks!

Thank you

Brilliant? I think his team nearly fucked it up:
What's up with this spike at around 15.7kHz on the interstellar soundtrack? Only some tracks have it but damn does it hurt my ears :/. : audioengineering (http://www.reddit.com/r/audioengineering/comments/2mszh4/whats_up_with_this_spike_at_around_157khz_on_the/)
on most of the songs.

Not really professional I think!



Wow, yes, if you amplify and boost the treble up on a track like "Mountains" from 1m to 1m30s you can hear it there. It's official: this score is CURSED.

This is the best of the many edits we've seen so far. Thanks for this!


Just whipped it together as a reference for the board, but glad you liked. I'm not bothering with a proper remix of "No time for caution" until I have the Blu-ray audio as a guide.

As promised, the 'Interstellar' deluxe edition freebie "No time for caution" in lossless HD. Just a matter of mixing the BD audio with the Quobuz 24-bit file to get all the SFX out, so all elements HD. Includes FLAC 24-bit, FLAC & lossy 320.

Enjoy (https://mega.co.nz/#!xwNxRabR!SU_xiM2GfOHYV7ZbSvDJJN2PUzpvfqsI1ntZbbx TauI).

password: HD

Unless something better comes out in a 7.1 or Atmos mix, this is it.

Good luck with the whole 7.1 thing, the Blu-ray is in 5.1 :/

As promised, the 'Interstellar' deluxe edition freebie "No time for caution" in lossless HD. Quobuz 24-bit

Is this one any different than the deluxe over at HDTracks in 24/44.1 ?

Tylerakasyn is also working on several tracks for a clean edit.
NTFC is looking really good.
I provided him with a bit-perfect BD rip.


Unless something better comes out in a 7.1 or Atmos mix, this is it.

Never happen. Nolan works in 5.1 only. He doesn't believe in 7.1 audio or even 3D video.
Thankfully, he doesn't believe in 6.1 or other audio oddities, as well.

Dolby Atmos works in 7.1 audio, so to get even an Atmos upgrade, they would have to re-create the entire film.
Extra work for the audio staff to create the dynamic back channel sound.

For home consumers, blu-ray Atmos needs to decode as regular True 7.1 if Atmos is not readable through Dolby Atmos-enabled receivers.

Even when the new 4K Blurays show up at the end of the year, a re-release of Interstellar on the 4K BD's won't mean anything for audio.
The audio specs are still the same for 4K BD's so we won't get anything higher than 24 bit / 48 kHz.
The video, however, will get remastered to 4K (supercedes 1080p), HEVC/H265 (supercedes AVC/H264), and 10bit video (supercedes 8bit video).

deluxe edition freebie "No time for caution" in lossless HD.

"daypass HD mix" what is this "mix" ?
Can't find anything with google.

Never happen. Nolan works in 5.1 only. He doesn't believe in 7.1 audio or even 3D video.
Thankfully, he doesn't believe in 6.1 or other audio oddities, as well.


I like how he's practical like that. Even if a 7.1 mix is done properly, what more can it add to the "surround" experience? Very little, I think.

I can't understand the practicality of a 6.1 mix either. If you want another channel in the back, why not mix the audio element in both rear channels instead of nonsensically adding a channel? I guess it's more subtle to include a mono rear element in a single channel, but still...


The video, however, will get remastered to 4K (supercedes 1080p), HEVC/H265 (supercedes AVC/H264), and 10bit video (supercedes 8bit video).

Why "remastered"? Wouldn't the studio have "Super HD" copies on hand?

Why "remastered"? Wouldn't the studio have "Super HD" copies on hand?

Marketing-wise, the re-release on the 4KBD would be called "remastered", as it's a new transfer for home consumers (compared to the BD that just got released).

---------- Post added at 04:50 PM ---------- Previous post was at 04:25 PM ----------

TylerakaSyn just posted an update on NTFC edit.
http://forums.ffshrine.org/f92/hans-zimmer-interstellar-no-time-caution-film-182340/4.html#post2924602

Good luck with the whole 7.1 thing, the Blu-ray is in 5.1 :/

Yeah, this HD mix is from that and the Qobuz HD. Only L+R front were usable since L+R rear were cranked with SFX. However, it was pretty straightforward to knock out the remaining SFX and required very little tweaking overall.

I brought up the 7.1/Atmos possibility since Warner has re-released "Gravity" as "Diamond Luxe" BRDs (http://www.amazon.com/dp/B00PGHUJOO/) with the Atmos mix, but then "Gravity" had a theatrical 7.1/Atmos mix and Warner/Paramount's "Interstellar" didn't.


Is this one any different than the deluxe over at HDTracks in 24/44.1 ?

Tylerakasyn is also working on several tracks for a clean edit.
NTFC is looking really good.
I provided him with a bit-perfect BD rip.

How many mixes of NTFC is he at now? I lost track.

the Qobuz HD.

Still didn't answer what the difference between the Qobuz HD and the HDTracks deluxe is.

Still didn't answer what the difference between the Qobuz HD and the HDTracks deluxe is.

What I have here as sourced from Qobuz is 44100 Hz/24-bit so....nothing?

so....nothing?

:erm:

"daypass HD mix" what is this "mix" ? Can't find anything with google.


Still didn't answer what the difference between the Qobuz HD and the HDTracks deluxe is.


:erm:Last edited by TheSparktank™ 2.1; Today at 10:38 PM. Reason: :sad: I was hoping for something like an unreleased demo.

You were expecting an unreleased demo from Qobuz, and Googling around for a daypass mix when that's my handle here? O-kaayyy.

As promised, the 'Interstellar' deluxe edition freebie "No time for caution" in lossless HD. Just a matter of mixing the BD audio with the Quobuz 24-bit file to get all the SFX out, so all elements HD. Includes FLAC 24-bit, FLAC & lossy 320.

Enjoy (https://mega.co.nz/#!xwNxRabR!SU_xiM2GfOHYV7ZbSvDJJN2PUzpvfqsI1ntZbbx TauI).

password: HD

Unless something better comes out in a 7.1 or Atmos mix, this is it.



It's essentially sfx free, but the flow between the organ stem and the "itunes version" strings replacement stem (probably to clean up the SFX) unfortunately break the immersion, because you grow to expect the next organ hit and sometimes it's not there.

Works great otherwise.

It's essentially sfx free, but the flow between the organ stem and the "itunes version" strings replacement stem (probably to clean up the SFX) unfortunately break the immersion, because you grow to expect the next organ hit and sometimes it's not there.

You're expecting it since you've dissected it to infinity and beyond.


Works great otherwise.

All the pipe organ hits are there, but there's one around 2:40 that requires another editing/mix layer to fully extend, and a few others that had to be slightly trimmed. So, you have to decide, "Do I start leaving more fingerprints on this element, which is already a post production tweak, as it's starting off? What's more faithful...the source BD mix, or me trying to fake it with more edits? It already sounded like Zimmer's track with "Mountains" choir and pipe organ stems added on for the actual movie....can I ever undo it?"

As you're editing/mixing, you'll see how the BD's music mix starts changing volume to make room for more docking SFX, while the pipe organ really gets going, and then it gets somewhat tricky in making the edits seamless while sustaining the overall rising intensity, which is what that track is about.

If you can make the perfect NTFC film mix, the more the merrier! My one early 'demo' and the 'HD mix' is it for me. I'm satisfied having something 90% faithful to the source until the real deal leaks, if ever. I'm done.

Big thanks :)

Many thanks RedDevil1138 for sharing INTERSTELLAR - Hans Zimmer ;-) Rate thread: excellent! ;-)

Thanks for sharing