1. Kon-Tiki (Start Credits)
2. Thor and Liv
3. Fatu Hiva
4. The Shaman
5. On Course
6. Into Space
7. Thor Meets Herman
8. To Peru
9. Calling Liv
10. Thor's Failure
11. Following the Sun
12. The Crab
13. Tiki
14. Building the Raft
15. The Whale Shark
16. The Journey Begins
17. The Swede
18. Luminescent Creatures
19. The Parrot
20. The Letter
21. Herman is Afraid
22. Shark Attack
23. Thor is Sad
24. The Seagull
25. The Raroia Reef
26. The 13th Wave
27. Reaching Land
28. Thor Laughs
29. Kon-Tiki (End Credits)
30. Epilogue

Kon-Tiki Soundtrack Suite - YouTube (http://www.youtube.com/watch?v=yqtuFkYlGkA)

Download (http://depositfiles.com/files/fiwxwynw5) - 320 kbps

Alternative link (http://www.mediafire.com/?iecr4akdob765be)

Thanks Lightdevil.

Thanks

wow, thanks, looking forward to this one :)

Holy shit. That suite starts out generic ethnic score and turns into some haunting intimate solos. Many thanks for this.

Really Great !!!! Thank You very Much !!!!

Thank you, can't wait to listen :)

Thanks!

Thanks!
I remember seeing the film many eons ago!

Great!
Thank you!

Thank you, Lightdevil! However Mediafire link is dead already.

Thanks :)

Good soundtrack, thanks !

Wow! Thx for this!

Thank you very much Lightdevil

Review

Toronto Review

Norway's most expensive screen production to date is a visually striking re-creation of Thor Heyerdahl’s daring trip across the Pacific on a primitive raft.

The Norwegian directing team of Joachim Roenning and Espen Sandberg, whose biopic of World War II resistance fighter Max Manus was a huge hit on home turf, have turned to another native hero for Kon-Tiki. One of the most-vaunted escapades of the 20th century, Thor Heyerdahl’s 1947 Peru-to-Polynesia expedition by raft, gets glossy big-screen treatment in this efficiently told action-adventure. Delivering visual drama and understated character study, sometimes in disappointingly formulaic fashion, the feature has its incisive moments but falls short as both epic and intimate portrait.
OUR EDITOR RECOMMENDS
Hagen and Skarsgard Set Sail on Norwegian ‘Kon-Tiki’
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With effective immediacy, the directors dramatize some incidents from Heyerdahl’s 1950 Oscar-winning documentary about the trip, and cinematographer Geir Hartly Andreassen pays tribute in re-created B&W footage of the building of the raft. Too much of the action, though, devolves into close encounters with sharks, scenes that leave the on-deck characters adrift rather than helping to define them.
The international co-production, which U.K. producer Jeremy Thomas began developing in 1996, is certain to drum up major returns in Scandinavian territories. With the right distributor it could find legs as a specialty item stateside, introducing new generations to the Heyerdahl legend.
A brief childhood-episode prologue makes clear that Heyerdahl is singularly driven. The first words in Petter Skavlan’s screenplay are a warning to the young Thor as he ventures onto the ice: “Don’t do it!” At his peril he ignores the naysayers, and will again 20-odd years later, when, as an accomplished ethnographer, he finds his unconventional theories derided and rejected by every scientific publisher in New York.
The gist of those theories is that 1,500 years earlier, the Polynesian islands were settled not by Asians, the agreed-upon scenario, but by South Americans crossing the Pacific from the east. To prove it, Heyerdahl sets out to make the trip himself, using methods and materials like those available to pre-Columbian Incas, and naming his balsa-wood raft Kon-Tiki, after an Incan sun god.
As he should, the central character remains an enigma, steady and elusive. Portraying the adult Thor, actor P�l Sverre Hagen has something of the young Peter O’Toole about him: tall and lean with blazing blue eyes, evincing charisma and madness nearly in equal measure.
The script supplies expository intros for his five fellow adventurers, but gives most of the actors little chance to differentiate their characters. In some sense it’s enough to know that they’ve embarked on a 4,000-mile journey that most observers consider suicidal: Only one of the six has sailing experience, Thor can’t swim, and their sole concession to modernity is an amateur two-way radio.
In the most substantial supporting role, Anders Baasmo Christiansen plays Herman Watzinger, the divorced engineer who signs on first, eager to shake up his life. He’s a hangdog contrast to Thor’s unflinching willingness to leave behind his wife, Liv (Agnes Kittelsen), and kids. (A long-distance call between husband and wife contains the film’s one glaring anachronism, at least in the English subtitles: “You’re breaking up.”) Potent flashbacks show that Thor and Liv once shared a much different life as explorers, a life that he’s not ready to give up.
Herman’s growing doubts about the raft’s construction erode his peace of mind. Amid mounting tensions, the rest of the crew (Tobias Santelmann, Odd-Magnus Williamson, Jakob Oftebro and Gustaf Skarsg�rd) are more guarded about their faith in the Kon-Tiki. The seventh raft-mate, a parrot named Lorita who received ample screen time in the 1950 film, is presented in a way that telegraphs her fate.
As single-minded as Thor is -- Hagen’s pointed stare is loaded with self-certainty and foreboding -- he’s also media-savvy, and at the urging of a crewmate turns the mission into a documentary film project. Some of the movie’s most intriguing sequences involve the filmmaking process: the use of a dinghy to get master shots of the raft; the scramble to load the 16mm camera when a spectacular creature surfaces.
This retelling of a bare-bones enterprise by six men took a crew of hundreds, and the results are nothing if not polished, with handsome period detail and visual effects that are convincing, if sometimes ostentatious. The widescreen lensing (the film was shot mainly in and around Malta) doesn’t overdo the sense of wonder and, with a strong assist from the sound design, conveys the men’s vulnerability to the elements.
But too often the directors ride the surface rather than plumb the story’s depths, relying on a score by Johan S�derqvist that abounds in obvious cues. Those signals of danger and grandeur emphasize the otherwise streamlined script’s heavy-handed lapses.
Venue: Toronto International Film Festival (Special Presentation)
A Nordisk Film Production and Recorded Picture Company presentation in association with Aircontactgruppen, DCM Productions, Solbakken, Roenbergfilm, Motion Blur, Henrik Bergesen, Film 3, Film i V�st and Filmlance International
Cast: P�l Sverre Hagen, Anders Baasmo Christiansen, Tobias Santelmann, Gustaf Skarsg�rd, Odd-Magnus Williamson, Jakob Oftebro, Agnes Kittelsen
Directors: Joachim Roenning, Espen Sandberg
Screenwriter: Petter Skavlan
Producers: Aage Aaberge, Jeremy Thomas
Executive producers: Lena Haugaard, Henrik Zein, Peter Watson, Johan Chr. Stenersen, Petter Skavlan, Dario Suter, Christoph Daniel, Marc Schmidheiny, Lone Korslund, Harald Zwart
Director of photography: Geir Hartly Andreassen
Production designer: Karl J�l�usson
Music: Johan S�derqvist
Co-producer: Lars Blomgren
Costume designer: Anne Pedersen
VFX and animation supervisor: Arne Kaupang
Sound designers: Baard Haugan Ingebretsen, Tormod Ringnes
Editors: Perry Eriksen, Martin Stoltz
Sales agent: HanWay Films
No MPAA rating, 118 minutes

Thanks!
I remember seeing the film many eons ago!

What last year in Norway?? lol

This is a new film with actors, finally getting a limited release here in the States (3 theaters I think) if it does well a Nationwide release to follow.

Thank you!!!

many thanks, really excited to hear this!

Thanks!

thank you!!!

great!! thank you very much!

thanks :)

Thanks for sharing.

Thanks!!