Hans Zimmer – Dunkirk (Complete / Bootleg / Film Mix)

Who am I?:
I am a music editor / producer. A few years ago I produced all of the mainstream "fan-made" / "YouTube" film versions of popular tracks from Interstellar, most notably, No Time For Caution. Later, for Shrine, I produced the full-length film mix releases from Interstellar, Inception, Angels & Demons, and some of "The Dark Knight". I make professional MIDI mockups or take on custom music editing work of popular unreleased music as the demand is created and release them to the community.

Project Details:
I started work on this due to a demand to reference the score so I could make my own MIDI mockups of it, so I took every track and minimized the SFX to the best of my ability without creating artifacts. This is my production reference for the score. I minimized all jump-scare ear-piercing sfx. Most of the score is SFX free and is only tainted slighly by water splashing sfx. Some tracks are better than others but either way, this score is great, and the commercial album did not do it justice at all.

Thanks for listening and hopefully this will hold you over until we can hear the real thing. It really is an underrated masterpiece.

Any tracks that could be sourced or partially replaced using audio from the OST was done so to clean up SFX.

The Score:
(Track names according to ASCAP)

60 Cues, all crossfaded as in the film and properly tagged.

Download Link (https://drive.google.com/open?id=1o73OdvdLKkDvzWdhfTgcmGcUqDZaUuJh)

DISCLAIMER: THIS IS NOT SFX FREE, AND DOES NOT CLAIM TO BE. WHEN THE FULL SCORE LEAKS, A SFX-FREE VERSION WILL BE MADE FROM SCRATCH USING THIS TEMPLATE. THE SFX HAS BEEN REDUCED BY SEVERAL ORDERS OF MAGNITUDE BUT NOT COMPLETELY. (IMPOSSIBLE)

More Film Mixes

Hans Zimmer – Interstellar (Complete / Film Mix / Lossless) – (2018) (Thread 216924)
Hans Zimmer – Angels & Demons (Complete / Film Mix / Lossless) – (2017) (Thread 213290)
Hans Zimmer – Inception (Complete / Film Mix / Lossless) – (2016) (http://forums.ffshrine.org/member.php?u=1044436)

Badass!

Oh hey this is cool

Interesting, I’ll have to check this one out. Thanks!

This is a gem

Pretty cool work here!

thank you

Rail yard has been updated, replace that track with the new one in the folder.

Thanks man! Appreciate you sharing your work!

Thanks!

Thank you for sharing this complete score of Dunkirk!

Thanks thanks wow 🙂

Mate, you’re an absolute legend. Thanks a bunch tyler 🙂

thank you

awesome! thank you!!!

Thanks!

Noice this will do nicely until the sessions are leaked.
https://i.imgur.com/sdjAJrO.gif

thanks for ur hard work and sharing

Love your demos, thanks for your hard work!

Thanks!!

Very nice. Thank you.

Thanks for sharing this. Dunkirk is a film I am always ambivalent to start watching, but once I do I am hooked. It’ll interesting to listen to the entire score. Based on your previous efforts, I look forward to this one.

Thanks!

Thanks!

Very cool, thanks!

Thanks a lot

Thank you very much! I’m very curious to listen the end result!

Thank you very much! Love this score.

Thanks!

YES! Thank you!

Thanks

Thank you!

Can anyone provide an updated version of Rail Yard? The link is dead.

Aswesome! About time we got something better for this OST.

Love the movie.
Didn’t find it as loud as it was advertised.
The sfx were the same as other movies and the music wasn’t blaring like people said Interstellar was intended to be.
It was a real IMAX cinema, however. We got the full aspect ratio for the IMAX scenes.

Can anyone provide an updated version of Rail Yard? The link is dead.

Link updated. Someone here reported it.

Thank you! Great work as always.

The parts from bluray… was the LFE omitted?
I get clipping on the explosions.

Thanks!

The parts from bluray… was the LFE omitted?
I get clipping on the explosions.

Yeah, all of the explosions and gunfire peaks have been heavily limited down to match the peak volume of the actual score depending on the track, but it wasn’t ‘clipping’ before I modified the audio

if i left the sfx as-is in the movie, nobody would bother downloading this because it was very obnoxious

thank you so so much!!!

Thanks very much! Awesome job!

thanks

Thanks a lot!!

Thank youuuuuu !!!!!

Wow!! Many thanks!!

I think Bart’s website has your edit.

What can I say? I loved this complete film mix! Another job well-done for yet another great Zimmer score. Your film mixes always continues to surprise me (Inception and Interstellar come to mind), and this one’s no exception.

—–

While I won’t hold my breath because I’m sure you have a backlog of other scores to do, but I’m hoping for a complete film mix of Blade Runner 2049. Of course, all we have is the blu-ray/4K Dolby TrueHD 7.1 to work with, as the sessions will have to wait to be leaked (which I’m sure is going to be a long wait).

What can I say? I loved this complete film mix! Another job well-done for yet another great Zimmer score. Your film mixes always continues to surprise me (Inception and Interstellar come to mind), and this one’s no exception.

—–

While I won’t hold my breath because I’m sure you have a backlog of other scores to do, but I’m hoping for a complete film mix of Blade Runner 2049. Of course, all we have is the blu-ray/4K Dolby TrueHD 7.1 to work with, as the sessions will have to wait to be leaked (which I’m sure is going to be a long wait).

Well if the real thing leaks on here, I will make another, true film mix.

People need to remember this is a bootleg.

wow mega

you took that down for some reason rather quickly

Well if the real thing leaks on here, I will make another, true film mix.

People need to remember this is a bootleg.

Yes please

#DAKsfavoritescoreof2017

Sadly link down again. What a greedy peoples here!

Any chance for a re-up?

Link updated!

Thanks!

Thanks buddy. Will download tonight. Can’t wait to listen!

Thanks for this!

This is just a pure work of genius! Thank You so much for all your hard work. 🙂

I love this score, and I love it even more, now with this edit.

Thank you so much!

Thank you!

Thank You.

i think the "End Titles" is just from the Album Version not the Film Mix Version

https://mega.nz/#!qscCRKjL!nmk2wVtTo6cMRRwzqu6GJXR6PZClimQnAC1EB13vg58

this is the actual Film Mix, you can hear some differences like bigger bass,violin,cellos etc.. (i included the LSRS, Album Version and the Joined LR C LFE LSRS or the Film Mix)
(i took it from 5.1 audio channel)

i think the "End Titles" is just from the Album Version not the Film Mix Version

https://mega.nz/#!qscCRKjL!nmk2wVtTo6cMRRwzqu6GJXR6PZClimQnAC1EB13vg58

this is the actual Film Mix, you can hear some differences like bigger bass,violin,cellos etc.. (i included the LSRS, Album Version and the Joined LR C LFE LSRS or the Film Mix)
(i took it from 5.1 audio channel)

Yeah we found that out yesterday. I was unaware that the commercial end titles were not the same as the film’s end titles (lol).

I’ll check it and complete the edit — the set will be adjusted shortly.

thanks bro

Wow! This is really something, thank you so much for your hard work and time, looking forward to listening to this master piece!

Such bizarre edits.

Well but most film edits are.Because they need to make the score service the film. As you know. So stand alone film edits at their best can sound….bizarre or abrupt. But more often, at their worst, they are just a mess. Usually borderline unlistenable .Adding in dialogue and fx is ridiculous. I remember a time when the complete removal of said fx was everything. When music as written was desired. I remember folks shitting on dvd rips and fx filled shares as being sub-par and…err…garbage.But now it’s artistic choice? These same members who shat on those efforts now take the same approach and call it "genius". Call it "film mix". Well yea. ANY rip is gonna be film accurate. Duh.It is not the choice itself that burns my toast. I don’t care for film mix. My call. Others want that and that is their call. Fine enough. But to now share what was once shunned. To mislabel like was always frowned upon. All this is the height of hypocrisy. Just saying.

PLUS it muddies the waters. This has already spread to bart’s page and Download Soundtracks as well as several private sites. Each with less description. Soon one will not know if a post is this set or the real deal. It just shoots the collector in the foot. Maybe that’s the real reason behind these posts?

First of all, Lockdown was being completely sarcastic, making fun of film-music ignorant people who question the integrity or importance of the "film mix" of a score.

Well but most film edits are.Because they need to make the score service the film. As you know. So stand alone film edits at their best can sound….bizarre or abrupt. But more often, at their worst, they are just a mess. Usually borderline unlistenable .Adding in dialogue and fx is ridiculous. I remember a time when the complete removal of said fx was everything. When music as written was desired. I remember folks shitting on dvd rips and fx filled shares as being sub-par and…err…Garage garbage.But now it’s artistic choice? These same members who shat on those efforts now take the same approach and call it "genius". Call it "film mix". Well yea. ANY rip is gonna be film accurate. Duh.It is not the choice itself that burns my toast. I don’t care for film mix. My call. Others want that and that is their call. Fine enough. But to now share what was once shunned. To mislabel like was always frowned upon. All this is the height of hypocrisy. Just saying.

Your analysis of what a film mix is or why they are important is bullshit. It isn’t some kind of edgy thing people want just for ego. Some composers in the pre-2000’s might have had scores torn apart in the film-audio editing / mixing stage, but that is very rare today and many more people are aware of it now.

A lot of the time in the film making process you will have a cue that isn’t finished in a leaked set or in a commercial album, yet the finished, fully recorded, fully produced piece of music is represented (and most of the time, better) in the finished film. Yet sometimes it can also contain unfinished, or early demos of popular cues, which some people can often prefer — especially if all you have is the commercial brickwalled master. In film scoring, in most cases a cue is written with the next two or three cues in mind, with the final beat of the current cue being the first beat of the next track, even sometimes continuing the actual musical idea or notation. In a few cases, the film "mix" of a score, is the intended listening experience the composer originally intended, with the cues that bounce off of each other properly joined together. Instead of separated with long silences at the beginning and end. You also have "inserts" which are often left isolated in leaked complete scores, which do no good unless they are re-implemented in the correct place, in the right way. Ignoring the film-versions of cues doesn’t make you edgy, hip, or cool — it makes you dumber, and you should feel dumber if you’ve come this far in your fandom of film music without knowing the process. You ARE missing finished or more complete versions of some of your favorite cues. That is a fact whether you personally "support" film mixes or you don’t. Nothing about it has to do with it being an "artistic choice". Having the knowledge or the skill to be able to re-assemble a film mix, and accomplish it without it sounding out of character is another paragraph for another time.

(This process is ESSENTIAL to the score for dunkirk, giving listeners the feeling that the score never stops, even though it’s 60 or so tracks that just continue seamlessly where the last one left off)

PLUS it muddies the waters. To mislabel like was always frowned upon.

The thread is clearly labeled appropriately as a "bootleg", contrary to the way the rest of my content is labeled, so I don’t see why this could ‘muddy the waters’. I also don’t know what you mean by "these posts". This is the only thing I’ve ever posted with SFX still in it, and that’s because the full score hasn’t leaked. When the full score leaks, I will post a completely SFX-less version of the score.

This has already spread to bart’s page and Download Soundtracks as well as several private sites. Each with less description. Soon one will not know if a post is this set or the real deal. It just shoots the collector in the foot. Maybe that’s the real reason behind these posts?

And exactly how would we on shrine be responsible for non-english clickbait hungry idiots who post our content without reading the threads? As a user, if you can read proper English, you’ll always be fine. Additionally I do not condone the rampant pirating of the commercial albums on Bart’s piracy server. You should support the artists while you still can.

Maybe that’s the real reason behind these posts?

I don’t put hundreds of hours of unpaid work into these projects to protect the easily hurt feelings of self proclaimed score collectors.

Hmm. Touched a nerve huh?

Welp. I DO understand the process quite well. Don’t for a second assume I don’t. You are not the only being alive with experience or connections. If you are so against a rampant pirate site and support the labels then what are ya doing sharing anything on a pirate site. (Or more accurately a piracy tending sub-forum of a gaming discussion site..)? You are well aware copyright holders consider the sharing of any music, released or unreleased to be a breach and therefore piracy. Whatever your personal moral objections that is the legal fact of it. Not one post in the dl forum contains a legal share. Um. If scores are not pulled apart these days? Reference Titanic or aliens.Editorial changes to a recorded score often (if not always) happen long after the original scoring sessions without the composer’s input. The original recordings are usually what the composer envisioned and intended before the directors and editors get involved. Again for reference see James Cameron. Lastly. A rip is a rip is a rip. Fx and dialogue are not standard in a score. Just not. I will watch the movie for that. Also, you sir seem quite delusional.

ps: ripping apart my post and requoting in a different order is counterproductive and silly as my original statement is right there for any person (speaking your plain English) to see.

Also, I’m fairly positive the composers tend to be the ones assembling the OSTs, so who’s to say we actually know what the composer wants for the listener? Some cobbled together film edit, or a carefully put together album program? I’m certain that while Zimmer likely rolls with all the editing the music goes in his films, what about someone like James Horner? I’m sure that despite knowing how much of an editing maniac James Cameron is, he would’ve wanted the music to be as preserved as it could be.

Fuck off Amanda. It’s a shame you didn’t have the spine to make these posts from your main account but prefer to do it from alts. Hopefully someone can assist you in typing next time.

Hmm. Touched a nerve huh?

Welp. I DO understand the process quite well. Don’t for a second assume I don’t.

I firmly believe you don’t. Especially after this reply. Just laughable.

If you are so against a rampant pirate site and support the labels then what are ya doing sharing anything on a pirate site. (Or more accurately a piracy tending sub-forum of a gaming discussion site..)? You are well aware copyright holders consider the sharing of any music, released or unreleased to be a breach and therefore piracy.

Yeah? Then why are the composers themselves handing these complete scores out like candy? Over facebook chat, no less. Why don’t the labels enforce any of the intellectual property rights of these leaks on any of the mainstream sites that I upload on? Because they only care about the sales of commercial albums, sold to casual people who don’t give a fuck about a "complete score". That’s why.

Um. If scores are not pulled apart these days? Reference Titanic or aliens.Editorial changes to a recorded score often (if not always) happen long after the original scoring sessions without the composer’s input. The original recordings are usually what the composer envisioned and intended before the directors and editors get involved. Again for reference see James Cameron.

In my post I specifically mentioned since 2000~. Even then, only mentioned the same tired James Horner scores that are constantly brought up on this issue. Things have improved since 25-35 years ago, if you couldn’t tell.
(Digital Filmmaking and Digital Music Composition)

Yes, Hans Zimmer had total creative control and input over the whole process. He does on all of his scores now. My earlier point still stands, and this score is proof that the composer often look ahead to the next track, continuing from the last note of the previous one to create two or more seamlessly transitioning cues that feel like a single track. Dunkirk’s score feels like it could’ve been one or two cues, and it’s a myth I constantly have to debunk.

ps: ripping apart my post and requoting in a different order is counterproductive and silly as my original statement is right there for any person (speaking your plain English) to see.

It’s a method called replying point-by-point, usually taught to children. You should try it instead of running rampant with "um’s" and run-on sentences. It has nothing to do with the "order".

Hey, maybe if she wasn’t banned for something she didn’t do, then she might actually be responding in her main account.

But alas, Leon sure loves his "ban now, questions later" approach

———- Post added at 01:05 AM ———- Previous post was at 01:03 AM ———-

Also, I think it’s real sad you can’t have an actual debate without any insulting. Like, thanks. It sure makes you look professional

Hey, maybe if she wasn’t banned for something she didn’t do, then she might actually be responding in her main account.

But alas, Leon sure loves his "ban now, questions later" approach

———- Post added at 01:05 AM ———- Previous post was at 01:03 AM ———-

Also, I think it’s real sad you can’t have an actual debate without any insulting. Like, thanks. It sure makes you look professional

You two showed up on alts, guns blazing, hurling unintelligible and juvenile ad-hom attacks my direction and comparing my work with Garage. Don’t be intellectually dishonest.

But thanks for the love and support!

Garage? I never even mentioned the man myself. And again, if Amanda wasn’t stupidly banned, she’d be responding in that account.

Really, why would I still using this account for "insults," if I could easily just stick to another?

———- Post added at 01:18 AM ———- Previous post was at 01:16 AM ———-

Look, I think you have a lot of a skill in what you do. I might not be supportive of this release, but I believe you’ve done better everywhere else. I’m not trying to burst your bubble. I just find a few things interesting is all

So I�m curious, is �The Mole� cue an alternate to the actual film opening? The first minute or so is used, while the second half isn�t….

Yeah? Then why are the composers themselves handing these complete scores out like candy? Over facebook chat, no less.

Not being aware of what goes on behind the scenes with these CS leaking, I honestly had no idea that the composers were putting these out there. That�s pretty interesting 😀

Thank you very much ;D

Nice – thank you for sharing!

So I�m curious, is �The Mole� cue an alternate to the actual film opening? The first minute or so is used, while the second half isn�t….

yeah!

yeah!

That makes sense, thanks!

Of all the biggest omissions from the OST (Stretcher Carry notwithstanding) I think �Torpedo� and all of the variations on that �idea� definitely should have been included.

What a stunning piece of hard work, many thanks indeed 🙂

Unbelievable work man!

Thanks!

El Macho

…thx a lot…

I always find difficult to enjoy music with sfX, but this is a great job, Yourfavoritemusic! Some tracks are amazing.

Thank you. Appreciate the share.

Many thanks!

Thanks for the share.

Big thanks!

DISCLAIMER: WHEN THE FULL SCORE LEAKS, A SFX-FREE VERSION WILL BE MADE FROM SCRATCH USING THIS TEMPLATE. THE SFX HAS BEEN REDUCED BY SEVERAL ORDERS OF MAGNITUDE BUT NOT COMPLETELY. (IMPOSSIBLE)

THIS IS NOT SFX FREE, AND DOES NOT CLAIM TO BE.

Great work!! Thank you so much!!

Very neat. Thanks for sharing. 🙂

Where did you find the individual composer credits?

Very Cool! Thanks

Where did you find the individual composer credits?

ASCAP

Thanks very much.

Thanks a lot!!!

Holy crap, thanks a bunch!

Man, I really cant wait till the sessions get leaked! Thanks for all your hard work. Will def keep this on repeat until then. 🙂

Thank you very much!

Awesome work! Thank you so much. Just what I needed.

Thanks for sharing! It’s great!!