Musik zum deutschen film 1900/1945 flac rare soundtrack

An major compilation of german masterpiece soundtrack. Doctor Mabuse, Caligari, Olympia, Nosferatu, Der Golem, Der Schatz, les aventures du prince amhed

Track listing

1. Kinothek Becce: Sc�ne Passionn�e (03:51)
Composed by Giuseppe Becce. Performed by Orchestra Becce
2. Kinothe Becce: Pastorale (02:56)
Composed by Giuseppe Becce. Performed by Orchestra Becce
3. Festzug zur Synagoge (03:43)
Composed by Karl-Ernst Sasse. ("Der Golem, wie er in die Welt kam")
4. Caligari Foxtrott (03:43)
Composed by Otto Weber. ("Das Cabinet des Dr. Caligari")
5. In Sturm und Eis, Akt 1 (04:07)
Composed by Paul Hindemith. ("Im Kampf mit dem Berge")
6. Nosferatu – Thema 1 (02:28)
Composed by Hans Erdmann. ("Nosferatu. Eine Symphonie des Grauens")
7. Auftakt (03:58)
Composed by Max Deutsch. ("Der Schatz")
8. Finale (03:59)
Composed by Wolfgang Zeller. ("Die Abenteuer des Prinzen Achmed")
9. Metropolis – Suite (05:15)
Composed by Gottfried Huppertz. ("Metropolis")
10. Ich k�sse Ihre Hand, Madame (02:40)
Composed by Ralph Erwin, performed by Richard Tauber. ("Ich k�sse Ihre Hand, Madame")
11. Letzter Akt (04:40)
Composed by Peer Raben and Matthias Suschke. ("Die B�chse der Pandora")
12. Ich denk an M�di’ die ganze Nacht (02:46)
Composed by Walter Jurmann, Rudolf Bernauer and Rudolf Oesterreicher, perf. by Leo Monosson. ("Ihre Majest�t, die Liebe")
13. Ich bin von Kopf bis Fuss auf Liebe eingestellt (02:59)
Composed by Friedrich Hollaender, performed by Marlene Dietrich. ("Der blaue Engel")
14. Ich lass mir meinen K�rper schwarz bepinseln (02:30)
Composed by Friedrich Hollaender and Robert Liebmann, performed by Willy Fritsch. ("Einbrecher")
15. Ein Freund, ein guter Freund (02:27)
Composed by W.R. Heymann and Robert Gilbert, perf. by Willy Fritsch, Heinz R�hmann and Oskar Karlweis. ("Die Drei von der Tankstelle")
16. Der Pfiff – Theme from "Die Halle des Bergk�nigs" (00:30)
Composed by Edvard Grieg, performed by Peter Lorre. ("M")
17. Wenn ich mir was w�nschen d�rfte (01:53)
Composed by Friedrich Hollaender and Billie (!) Wilder, perf. by Marlene Dietrich. ("Der Mann, der seinen M�rder sucht")
18. Mach die Augen zu, Baby (03:01)
Composed by Otto Stransky and Ernst Marischka, perf. by Martha Eggert. ("Eine Nacht im Grand Hotel")
19. Warum liebt man so die Liebe (03:01)
Composed by Theo Mackeben, performed by Brigitte Horney. ("Ich war Jack Mortimer")
20. Ich wollt’, ich w�r ein Huhn (04:15)
Composed by Peter Kreuder and Hans Fritz Beckmann, perf. by Willy Fritsch, Paul Kemp, Oskar Sima and Lilian Harvey. ("Gl�ckskinder")
21. Olympia – Thema / Marathonlauf (04:39)
Composed by Herbert Windt, performed by Film Orchestra Olympia. ("Olympia, Teil 1: Fest der V�lker")
22. M�nchhausen Suite (03:14)
Composed by Georg Haentzschel. ("M�nchhausen")
23. Kauf Dir einen bunten Luftballon (03:10)
Composed by Anton Profes and Aldo von Pinelli, perf. by Alda Noni. ("Der weisse Traum")
24. Die Feuerzangenbowle (Suite) (02:06)
Composed by Werner Bochmann. ("Die Feuerzangenbowle")

Joie joie joie

FLAC
320 mo (HQ)

1900 1945.tar.gz – vareche – toutbox.fr (http://toutbox.fr/vareche/+1900-1945.tar,7958622.gz)

thanks a lot vareche!!! 🙂

Thank you very much!

Thank you very much.

Danke Schon!

Danke 😉

Fabulous scores and songs and the sound is astonishingly good. Marlene Dietrich’s haunting ‘The Blue Angel’ is probably the most famous outside Germany. The label says the music is from 1900 but the films appear to date from the end of WWI to the end of WWII. Many thanks Vareche for sharing.

Interesting post! Thank you!

Thank you!!

What a wonderful compilation!
All the classic films from Germany’s golden age of cinema are here!
Many thanks!

ty 🙂

Anyone else have a problem with track 11?

Vol. 2 has released. https://musicbrainz.org/release/5eafde5d-f735-497e-beaf-ab24d3bc2240

thx for this compilation. The problem with track 11 is the missing extension – add & enjoy 🙂

Thank you share!

thanks a lot

Thanks!

great! many thanks!

Ich liebe UFA!

I do love those silent german films, not to get into political territory but I wonder what would happened with german cinema without the nazis, we’d probably be talking about the greatest movies the world had seen, and without the german and central european refugees hollywood would’ve been a diffenret place as well

Vielen danke =)

Thanks!