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Jerry Goldsmith – The Stripper & Nick Quarry [Limited Edition] (1963-20..) [FLAC]
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01 Main Title 2:24
02 The Execution 2:22
03 Sunday Dinner 2:08
04 The Empty Room 1:47
05 Lila and Helen 3:40
06 Party Boy 3:23
07 A Mother’s Worry 2:14
08 Job Hunting 1:17
09 The Classroom 2:33
10 The Dancing Lesson 3:01
11 The Birthday Present 2:01
12 Lila’s Confession 1:16
13 The New Job 2:41
14 Comfort for Lila 1:51
15 A Change of Heart 3:11
16 Lila’s Advice 4:02
17 End Title 1:28
1963 Movie Radio
18 Give Me the Simple Life 2:18
19 Twistin’ Baby 1:42
20 Rock and Roll Blues 1:32
21 Anabel 1:10
22 Gas Station Source 0:57
23 Stripper Blues 0:38
24 Dixieland Source 1:04
25 Rock and Roll Retch 1:39
26 Romance 1:27
The Strip Act
27 Something’s Gotta Give 1:49
28 You’ve Gotta See Mama Every Night 1:13
29 Frankie and Johnny 1:05
30 You’ve Gotta See Mama Every Night (reprise) 0:37
Bonus Score
31 The Empty Room (alt.) 1:46
32 End Title (mono) 1:29
Nick Quarry
33 Meet Nick Quarry 2:49
34 Body Art/Don’t Move/Pool Bit 1:53
35 House Call 2:23
36 Quarry Cornered 3:15
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Rar File = 388 MB
Current Bitrate = [ FLAC ]
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Jerry Goldsmith – The Stripper & Nick Quarry [Limited Edition] (1963-20..) [320]
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Rar File = 211 MB
Current Bitrate = [ 320 ]
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~All Music Guide
The title is a bit of a misnomer—the film is based on a play by William Inge titled A Loss of Roses and follows a failed Hollywood showgirl (Joanne Woodward) as she returns to her home town and begins a tentative romance with a young man (Richard Beymer). The story is hardly a day in the life of a stripper but rather a sensitive human drama about loneliness and love.
Goldsmith’s score is one of his earliest available to collectors and is a rare chance to hear him tackle an established ’50s-styled genre rather than push off into his own ‘60s territory. The score is permeated with melody, as well as some jazz elements, and is very much in the style of Alex North’s scores for similar pictures—while still retaining Goldsmith’s unique voice. It is presented here in stereo from the original session masters. Also included for the sake of completeness are the various source cues (not by Goldsmith) and the songs recorded by Joanne Woodward for her strip act at the end of the film, only one of which was used in the picture.
As a special bonus, the CD is filled out with a true Goldsmith rarity: Nick Quarry, an unaired 1968 TV show (actually an abbreviated pilot known as a demonstration reel) produced by 20th Century Fox based on the Tony Rome detective film. Goldsmith wrote 11 minutes of music in his Our Man Flint/In Like Flint style which have never been heard—or for that matter, heard of! His complete score is presented here in clean mono.
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