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Edit: Just saw Ponyo’s post and now I’m feeling redundant.
Wrong thread. Should be in Anime/Film and Game Music Discussion. This is a thread for links.
Edit: Just saw Ponyo’s post and now I’m feeling redundant.
Don’t. In this case it never hurts to mention more than once…
Hans Zimmer and I think Benjamin Walfisch
Ponyo is wrong. It’s Vangelis (he came back for this one) with additional arrangements by John Williams.
No, YOU are wrong. It’s Brad Fiedel who decided to come back for this one, alongside Junkie XL
———- Post added at 04:58 PM ———- Previous post was at 04:58 PM ———-
Who else bought more than 1?
I doubt anyone here is as crazy as you are when it comes to buying multiple copies of an album or LP.
it will take you to a limited edition website offering a 2,049 two-disc copy that you can pre order for twenty odd dollars. Only Zimmer could be so clawing.
J�hann J�hannsson was probably not in with a chance when the executives started to think of how they could make as much money as possible out of
the film. Zimmer sells CD’s by the bucket loads. even if its crap, the geeks will stick their hands into their wallets to cough up. J�hann J�hannsson sadly
won’t knock out as many copies as Herr Zimmer. It’s simple economics – bullshit, but true. Let’s hope that Zimmer has produced an exciting, thoughtful
and mature score. The fact he’s partner up on the thing, leaves me cold. We live in hope.
most folks since it seems ‘important’. Has anyone (who is bashing Zimmer) thought perhaps J�hann J�hannsson just was not up to the
job of recreating THE VANGELIS sound that will be all important to this film? I would have hired Zimmer in a flash if J�hann J�hannsson’s scoring was proving a disappointment.
in a league of it’s own in my opinion. J�hann J�hannsson’s work is minimalist in many ways, akin to modern classical compositions in the style
of Max Richter. Herr Zimmer is a cash-cow, that’s my only point. The score he has co-composed may well be a cracker, I hope so. Either way
the executives would have been thinking of the pounds, shillings and pence when it came to knocking out a soundtrack. Zimmer’s score will
maintain the rent payments on their Cayman island villa’s for sure. Especially if they turn out multiple versions of the damn soundtrack. Cynical, moi?
Never … 😉
In other words, has Johansson created scores that rival TDK, Inception or Interstellar?
I’ll spare you the suspense, NO he hasn’t.
And to quote the Joker, if you’re good at something, you don’t do it for free.
You’re damn right about the Joker too. Have you seen the price of a seat at one of Herr Zimmer’s concerts or on his film music masterclasses, fucking extortionate 😉
I’m sorry I’m trying to get people to follow the fucking rules of the forum. My bad.
Never happening because… well, when has that ever happened?? The only time I can recall a CD release having a rejected score on it was when it was a last-minute rescore and the soundtrack albums had already been pressed (most of the CD was made up of pop songs anyway).
Besides, if I were a studio, why would I want to glorify the failures of one of my employees? If I were Hans Zimmer, why would I want to produce a soundtrack that featured music not by me or my partners, music that was sent to the trash can months ago?
I Love you! 😉
Pathetic.