c�d�master88
10-11-2011, 08:04 AM
Bennett Salvay
Jeepers Creepers
2002 (South West Label Group)
19 tracks, TRT: 44:52, FLAC
https://mega.co.nz/#!toNgWQCC!dG-bmz7RpsesRf9frCYB0W5e-AolXTUFgA4u39YWrhA
Track Listing:
1. Main Title
2. The Track Attacks
3. Back to the Church/The Pipe
4. Finding the Body
5. The House of Pain
6. Kenny and Darla
7. Trish's Surprise
8. Trish and Darry's Theme
9. The Truck Returns
10. The Creeper Attacks
11. Monster Mashed/The Big Flap
12. Creeper's Tale
13. Bone Appetite
14. My Heart Goes Out
15. Creepy Crawler
16. My Brother's Creeper
17. Jeepers Creepers*
18. Here Comes the Boogey Man**
19. Truck Horn***
*Paul Whiteman & His Swing Wing
**Henry Hall & The BBC Dance Orchestra
***The Creeper
Note: This was ripped from my own CD.
Halloween is almost upon us and to continue the tradition, here is another Halloween themed score that is sure to chill and thrill you. It's Bennett Salvay's hypnotizing score to 2002's sleeper hit, Jeepers Creepers. What is unique about this score is that a large majority of it is very quiet which in turn makes it much more effective in setting up the right atmosphere as well as the action sequences. I honestly felt the quiet and ambient cues reminded me of a killer hiding in the dark until the right moment to jump out and kill you. The more actiony cues are perfectly placed in between the ambient cues which spend their time building up to that moment. I felt when comparing this to Jeepers Creepers 2 that I loved this one much more. Sure, Jeepers Creepers 2 was a wonderful score but it was way too over-the-top and featured too many stock action/horror cues. If you like suspenseful and stomach-churning scores, this is for you. Salvay also wrote some beautiful dramatic themes like the one played after they escape from the church and at the end with the bird flying in the air. At the end of "The House of Pain", you can hear a (now popular) horror motif with the high-pitched horns getting louder and louder as the bodies stuck to the ceiling come into focus. Another cue worth noting is "Creeper's Tale" when Jazelle tells it all. Hardcore film score fans might find it remniscent of Bernard Herrmann's PSYCHO score; the rarely used contrabassoon is very effectively utilized in this score bringing the score's fright factor up a few notches. Anyway, I hope you all enjoy this magnificent score from one of Hollywood's most underutilized composers.
Jeepers Creepers
2002 (South West Label Group)
19 tracks, TRT: 44:52, FLAC
https://mega.co.nz/#!toNgWQCC!dG-bmz7RpsesRf9frCYB0W5e-AolXTUFgA4u39YWrhA
Track Listing:
1. Main Title
2. The Track Attacks
3. Back to the Church/The Pipe
4. Finding the Body
5. The House of Pain
6. Kenny and Darla
7. Trish's Surprise
8. Trish and Darry's Theme
9. The Truck Returns
10. The Creeper Attacks
11. Monster Mashed/The Big Flap
12. Creeper's Tale
13. Bone Appetite
14. My Heart Goes Out
15. Creepy Crawler
16. My Brother's Creeper
17. Jeepers Creepers*
18. Here Comes the Boogey Man**
19. Truck Horn***
*Paul Whiteman & His Swing Wing
**Henry Hall & The BBC Dance Orchestra
***The Creeper
Note: This was ripped from my own CD.
Halloween is almost upon us and to continue the tradition, here is another Halloween themed score that is sure to chill and thrill you. It's Bennett Salvay's hypnotizing score to 2002's sleeper hit, Jeepers Creepers. What is unique about this score is that a large majority of it is very quiet which in turn makes it much more effective in setting up the right atmosphere as well as the action sequences. I honestly felt the quiet and ambient cues reminded me of a killer hiding in the dark until the right moment to jump out and kill you. The more actiony cues are perfectly placed in between the ambient cues which spend their time building up to that moment. I felt when comparing this to Jeepers Creepers 2 that I loved this one much more. Sure, Jeepers Creepers 2 was a wonderful score but it was way too over-the-top and featured too many stock action/horror cues. If you like suspenseful and stomach-churning scores, this is for you. Salvay also wrote some beautiful dramatic themes like the one played after they escape from the church and at the end with the bird flying in the air. At the end of "The House of Pain", you can hear a (now popular) horror motif with the high-pitched horns getting louder and louder as the bodies stuck to the ceiling come into focus. Another cue worth noting is "Creeper's Tale" when Jazelle tells it all. Hardcore film score fans might find it remniscent of Bernard Herrmann's PSYCHO score; the rarely used contrabassoon is very effectively utilized in this score bringing the score's fright factor up a few notches. Anyway, I hope you all enjoy this magnificent score from one of Hollywood's most underutilized composers.