A lot of the orchestra credits can also be found in the movie credits themselves, which are eventually transcribed on IMDb.

IMDB ones doesn't help that much at all. SANICO's link, however, is definitely what I'm looking for! THANX SANICO! U da Best!

Wow, looks we're gonna go troll-hunting!

Oh, wait, it looks like bullshit - I mean, bullpoor - oops, I mean bulldick - has been banned. Nice to never meet you!

WTF has that to do with this thread?

Can someone please give me the link or tell me how to download the music from the epilogue scene? i know it is leaving hogwarts in the first film but its alexander's own version at the end of the movie during the epilogue scene and its not on the soundtrack and i am dying to get it. It would be SOOOOO very much appreciated if i could download it! <3

WTF has that to do with this thread?

You missed it. There was someone named bullrich who was spamming every single thread on the board a couple of days ago (including this one) by telling everybody to shut the fuck up (or some variation). He/she was banned, so their comment above mine was deleted. That's what I was referring to.

awesome!

Can someone please give me the link or tell me how to download the music from the epilogue scene? i know it is leaving hogwarts in the first film but its alexander's own version at the end of the movie during the epilogue scene and its not on the soundtrack and i am dying to get it. It would be SOOOOO very much appreciated if i could download it! <3

I agree, and I also really, REALLY hope someone here is able to obtain some kind of complete or expanded release of this great score, because in the film there are a good handful of unreleased cues, including these re-recordings of the Williams material.

Here you are: 19 Years Later - HP 7.2 Soundtrack (Alexandre Desplat) (http://www.megaupload.com/?d=9P0SSQWR)

Wait, if that's actually from the sessions, how did you get hold of it?

EDIT: it's not actually from the sessions. It's from the expanded tracked cues that zeeky uploaded. In other words, it's the John Williams recordings made from the HPSS sessions.

I'm going to see the film myself this Friday, so I shall stick behind and see if the music is indeed a reprisal reconducted by Desplat or tracked material from HPSS.

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THANKS MAN

Here is the booklet everybody wants: MEGAUPLOAD - The leading online storage and file delivery service (http://www.megaupload.com/?d=15XNW5RE)

Thanks

Here is the booklet everybody wants: MEGAUPLOAD - The leading online storage and file delivery service (http://www.megaupload.com/?d=15XNW5RE) THANK YOU SO SO SO SO SO SO SOOOOOOOOO MUCH!!!

OMfV! THIS IS THE BESTEST POST EVER!!!!
"At last, my arm is complete!"
THANX TERIWEIGEL!

Having seen it today, I shall give you the breakdown of the three tracks and whether or not it is tracked material:

2M6 Harry Returns - I'm certain this one's not tracked. It sounds like a new version of the same theme, it's got a slightly different lead-in and orchestration.
3M15-16 Students' March, Snape and Harry, McGonagall vs Snape - tricky to tell off the top of my head. Could be either way.
5M31 Snape and Lily - Again, tricky to tell, but then again I was not a fan of the Half-Blood Prince soundtrack, and so I do not have it to compare to.
9M2 19 years Later - This is most certainly tracked material from HPPS, from both "A Mark of Love" and "Leaving Hogwarts". The orchestration is dead-on the same as the HPPS cues, and I doubt that could happen twice, under different conductors.

Having seen it today, I shall give you the breakdown of the three tracks and whether or not it is tracked material:

2M6 Harry Returns - I'm certain this one's not tracked. It sounds like a new version of the same theme, it's got a slightly different lead-in and orchestration.
3M15-16 Students' March, Snape and Harry, McGonagall vs Snape - tricky to tell off the top of my head. Could be either way.
5M31 Snape and Lily - Again, tricky to tell, but then again I was not a fan of the Half-Blood Prince soundtrack, and so I do not have it to compare to.
9M2 19 years Later - This is most certainly tracked material from HPPS, from both "A Mark of Love" and "Leaving Hogwarts". The orchestration is dead-on the same as the HPPS cues, and I doubt that could happen twice, under different conductors.

Judging from the cue listings Dumbledore's Farewell tacked onto 5M31 Snape and Lily is most certainly TRACKED as Dumbledore's Farwell is listed nowhere on the cue list, and if it was redone, it would've been on the cue list. Definitely tracked i'm 100% positive.

2M6 Harry Returns and 3M15-16 are new reorchestrations of John Williams Material. 100% Sure, it is obviously different. I only used the TRACKED material in the expanded release so we have a resemblance of the same track.

9M2 19 Years Later. This I would like to believe is tracked. It IS listed on the cue listing, which means it was set to be re-recorded. If it's ON the cue list then it's going to be recorded. Now the question is. Did they decide to use the re recording or the ORIGINAL, because it could've gone either way. I do agree that the likeness is uncanny and i do think it's simply impossible for it to sound so close. But who knows it could even be a combination of the original TRACKED stuff and a new recording. We don't know haha I can guarantee however that the end credits are DEFINITELY tracked material. That's williams without a doubt.

Can anybody identify what cues play in the end credits? I didn't stick around to listen to that bit, but I know Lily's Theme was in there (I went in as the credits from the last showing were still rolling).

I seem to think it was The Tunnel followed by Statues but there could also have been some Courtyard Apocalypse in the credits. I clearly remember hearing the beginning of The Tunnel at the start of the Desplat suite in the end credits (after the Williams suite).

Yes, the credits begin with the concert arrangement of JW's Hedwig's Theme, followed by The Tunnel and Dragon Flight. I had to leave at this point because we were the only ones left in the hall and my parents were getting impatient, lol.

They just repeated the same two cues afterwards anyway. I left when I heard the beginning of The Tunnel again.

So it's Hedwig's Theme followed by Lily's Theme and then the Tunnel?

looking for the chronological tracklisting Part 1 + part 2 + bonus cues (voldemor, bellatrix,...)

They just repeated the same two cues afterwards anyway. I left when I heard the beginning of The Tunnel again.

No. "The Tunnel" plays ONCE throughout the credits.



So it's Hedwig's Theme followed by Lily's Theme and then the Tunnel?

Nope.

Well guys, I saw it again and managed to stay through the credits :D To prove it i know that at the end it says "DUMBLEDORE'S FAREWELL CUE COMPOSED BY NICHOLAS HOOPER" So that solved that problem...as for the actual music playing during the credits....


*COUGH* *COUGH*
Download End Credits.mp3 from Sendspace.com - send big files the easy way (http://www.sendspace.com/file/vq9was)

Woaw. Now where did that link to the Deathly Hallows Part 2 END CREDITS come from? ;)

...and yes they're accurate, Both in ORDER and in EDITING. If you are skeptical, then go see it again :D


Can anybody identify what cues play in the end credits? I didn't stick around to listen to that bit, but I know Lily's Theme was in there (I went in as the credits from the last showing were still rolling).

Hmmm are you sure, because i stayed through the whole thing and didn't hear Lily's Theme...do you know what portion of the credits were being shown? (Visual Effects, Music, ETC)


looking for the chronological tracklisting Part 1 + part 2 + bonus cues (voldemor, bellatrix,...)

Sure! Not A Problem!

If you have ONLY the OST's and BONUS TRACKS, This is how they should go, (This list does not include any custom cues):

Part 1:
Obliviate!
Snape To Malfoy Manor
Voldemort
Polyjuice Potion
Sky Battle
At The Burrow
Harry and Ginny
The Will
The Dumbledores
Grimmuald Place
Death Eaters
Dobby
Ministry Of Magic
Detonators
The Locket
Fireplaces Escape
The Exodus
Ron Leaves
My Love Is Always Here
Godric's Hollow Graveyard
Bathilda Bagshot
Hermione's Parents
Destroying The Locket
Ron's Speech
Lovegood
The Tale Of The Three Brothers
The Deathly Hallows
Captured and Tortured
Bellatrix
Rescuing Hermione
Farewell To Dobby
The Elder Wand

Part 2:
Lily's Theme
Gringotts
The Tunnel
Underworld
Dragon Flight
Neville
A New Headmaster
Panic Inside Hogwarts
Statues
The Grey Lady
In The Chamber Of Secrets
Battlefield
The Diadem
Broomsticks and Fire
Courtyard Apocalypse
Snape's Demise
Severus and Lily
Harry's Sacrifice
The Resurrection Stone
Harry Surrenders
Procession
Neville The Hero
Showdown
Voldemort's End
A New Beginning

:)

Can't remember which part. I was in the cinema ten minutes before the film was due to start (first one in). I think it was right at the end, and it sounds like it might be a reprise.

Thank you Zeeky for all your hard work! Hearing your edited Severus and Lily version, I remember how emotional I felt because they played Dumbledore's Farewell. Good move by Desplat.

Also, attaching "Leaving Hogwarts" for the 19 years later scene was perfect. It just goes to show it was a loss Williams couldn't compose for the last film. The piece really moved me. Not saying Desplat's score was bad because it's hard to be a composer for a sequel but to want to sound Williams-esque but then not really so that they know it's YOUR score. (Sounds a lot like the new Dumbledore actor and how he didn't want to copy the old one.)

I can't wait for someone to rip it from the film. I think it is a new recording by Desplat and it is nice to hear a different variation (even if it is a little.)

Thanks!

I wish Williams was able to score the final 2 films. Not saying the music was bad, but in my opinion, he started it, he should've finished it...if you want my opinion, he should've been the composer for all of them. Ehh....I'll chalk it up to David Yates screweing something else up in the Harry Potter universe, something he seems good at.

Yates wanted him back but a final cut of the film wasn't ready in time. John Williams is a highly-demanded person.

John Williams hasn't composed since Indiana Jones and the Kingdom of the Crystal Skull, it makes you wonder what movie he is going to compose for next (If he does)

John Williams hasn't composed since Indiana Jones and the Kingdom of the Crystal Skull, it makes you wonder what movie he is going to compose for next (If he does)

don't worry, we've got two project by Williams this year (Tintin and War Horse)! :D

thanks!!! repped

I wish Williams was able to score the final 2 films. Not saying the music was bad, but in my opinion, he started it, he should've finished it...if you want my opinion, he should've been the composer for all of them.

Man, I grow tired of this longing for Williams scores, I mean don't get me wrong, he is brilliant,but not the only one. The changes in composers deliveres to my opinion new scores, new insights, new experiences. An 8 movie franchise needs that! So frankly, I'm very glad they changed the composer, I think even Williams wouldn't be able to escape his own melodies and type of music. 8 movies with the same sort of music...?
With te risk of me being denounced ;) what is it with this godlike status people tend to give Mr. Williams anyway?

Info:

Album : Harry Potter And The Deathly Hallows Part 2
Arist : Alexandre Desplat
Genre: Soundtrack
Size: 316 MB
Format: FLAC
Runtime: 68:09 min.

Picture:



Download (Fileserve):


http://sux.cz/0c3e

what is it with this godlike status people tend to give Mr. Williams anyway?

Well, he is something of a genius. That probably has something to do with it.

Man, I grow tired of this longing for Williams scores, I mean don't get me wrong, he is brilliant,but not the only one. The changes in composers deliveres to my opinion new scores, new insights, new experiences. An 8 movie franchise needs that! So frankly, I'm very glad they changed the composer, I think even Williams wouldn't be able to escape his own melodies and type of music. 8 movies with the same sort of music...?
With te risk of me being denounced ;) what is it with this godlike status people tend to give Mr. Williams anyway?

If you want good examples of the varying ways he's scored a series of films, I'd look at Indiana Jones and Star Wars. Each has their own style even though they reference familiar themes (which within a series is a must, even if it's ironically - I really looked forward to a tragedy-mode or twisted version to Hedwig's Theme). The music of Episode IV is fanfaric. Episode V has Empirical music. Jedi is built up of newer action cues and the slower, plodding music of both Jabba the Hutt and the Ewoks. Episode I has the Droid March, Anakin's Theme and Duel of the Fates, which was something new for the series. Attack of the Clones brings in a few minor motifs and a proper love them (Han Solo and the Princess doesn't count, it wasn't written for concert by Williams). Episode III brings in lamentations and tragedy pieces.

I think I could go on more and more about the different styles of music each film could have had if Williams remained composer.

The 'godlike' status given to Williams is because he is considered by many to be the greatest film-music composer of his time.

Well, he is something of a genius. That probably has something to do with it.

Well, that's what I already agreed upon. :) However, Why do some people act as if he is the only one who makes the right film music. It seems to me that the general sense is that this man could make music for every movie ever made. And that is exactly what I don't believe...

---------- Post added at 10:49 PM ---------- Previous post was at 10:40 PM ----------


If you want good examples of the varying ways he's scored a series of films, I'd look at Indiana Jones and Star Wars. Each has their own style even though they reference familiar themes (which within a series is a must, even if it's ironically - I really looked forward to a tragedy-mode or twisted version to Hedwig's Theme). The music of Episode IV is fanfaric. Episode V has Empirical music. Jedi is built up of newer action cues and the slower, plodding music of both Jabba the Hutt and the Ewoks. Episode I has the Droid March, Anakin's Theme and Duel of the Fates, which was something new for the series. Attack of the Clones brings in a few minor motifs and a proper love them (Han Solo and the Princess doesn't count, it wasn't written for concert by Williams). Episode III brings in lamentations and tragedy pieces.

I think I could go on more and more about the different styles of music each film could have had if Williams remained composer.

The 'godlike' status given to Williams is because he is considered by many to be the greatest film-music composer of his time.

Thanks for your examples. Still I don't think he could escape his style, apart from the variations (imho due to the mostly same composition of the orchestras) . I almost immediately recognize his music. That's the main point of my argument. Another composer simply adds new sounds to a changing film series. And to me.. that's good!

THANK YOU SO SO SO SO SO SO SOOOOOOOOO MUCH!!!

Could you please provide a different link, megaupload is long dead. i have a few digital booklets that i would like to share too.

Reupload? Anybody? Please! Thanks!