Sanico
08-21-2010, 06:39 PM

The Lion in Winter
Composed and Conducted by John Barry
1. Main Title
2. Chinon/Eleanor's Arrival (http://www.youtube.com/watch?v=tKjqrEMzlbA)
3. Allons Gai Gai Gai
4. To the Chapel
5. Christmas Wine
6. God Damn You
7. To Rome
8. Herb Garden
9. Eya, Eya, Nova Gaudia
10. How Beautiful You Make Me
11. Media Vita in Morte Sumus
12. We're Jungle Creatures
All Tracks @ 320 Kbps
Deposit Files (http://depositfiles.com/files/ghx4c768y)
Eleanore, Reginae Anglorum,
Salus et vita
Some time ago in the hunt thread, someone asked which are the best John Barry scores. Many answered that his best works were for the Bond movies, while others suggested soundtracks like Out of Africa or Dances with Wolves. I even answered without hesitation the soundtrack of The Lion in Winter, presented here.
This is the first to a series of historical films that Barry scored early in his career, followed by
The Last Valley, Mary Queen of Scots, and finally Robin and Marian.
From the very first notes of the strident 'Main Title', and accompanied by a portentous chorus singing in Latin, it clearly shows that John Barry wanted to create and experiment different genres of the so called "Spy Music", whom he was himself one of the main responsibles of the popularity of that kind of sound.
And that goal was achieved in my opinion, because the bulk of the score evoke an ancient gothic ambience that we can identify with the Middle Age, especially with the use of the choir present in every track of the soundtrack. It is ometimes dark and violent has in tracks like the 'Main Title' and 'Media Vita in Morte Sumus' (a choir that even Goldsmith would be proud to use in a Omen movie sexpot), but in the other hand beautiful and ethereal by a female choir singing in 'Eleanor's Arrival' or in 'Eya, Eya, Nova Gaudia'.
Overall one of the top of John Barry scores in his career.