tangotreats
04-09-2016, 06:44 PM
PETER RACINE FRICKER
Symphony No. 1 (Op. 9)
The Louisville Orchestra
conducted by
Robert Whitney

My transfer from vinyl. FLAC @ Compression Level 8. Scans, including typo-ridden back cover of very dry and academic programme notes by the composer himself, included. Restoration removes vinyl noise only; room sound and the occasional dodgy analog edit remain intact.
Solidfiles: https://www.solidfiles.com/v/v8LLzZzWRLMnR
MEGA: https://mega.nz/#!MwQhSBwA!jIGuLHEdA3n-pK132NZzqZmYxrfvNm2qdgTDE97C5yo
YouTube: https://www.youtube.com/watch?v=P-8UlmhKOzM
Peter Racine Fricker remains virtually unknown, even in his native England. Only a handful of recordings exist on CD - of his symphonies, only No.2 and No. 5 were released - the former in a coupling with Robert Simpson and Robin Orr on EMI, and the latter in somewhat poor quality from amateur radio recordings on Lyrita Itter Broadcast Collection.
This is the only commercial recording of Symphony No. 1 - made in 1967 and released by RCA. This transfer comes from a mint Italian pressing made ten years later. (It was advertised as "EX" - my expectations were accordingly low. It turned out to be the quietest, cleanest piece of vinyl I've ever had - outclassing even brand new records. Despite being unsealed, the recortd itself appears to be unplayed. They really don't make 'em like they used to.) The RCA Gold Seal record was not over-filled (the symphony runs just over thirty minutes) meaning a comfortable portion of dead wax on each side and good quality sound throughout. It's a dense work, occasionally a little claustrophobic (in the good way) that sits balanced precariously on the narrow line between tonal and atonal. I really love the piece. If you're a fan of well-orchestrated, angular music that retains a loose tonal centre, do give Fricker a try.
Fricker moved to the United States in 1964, hence the somewhat unusual choice of American orchestra on this recording. The conductor is the legendary Robert Whitney, who founded the Lousville Orchestra in 1937, and remained chief conductor until 1967.
Interest in Fricker seems to be reinvigorating of late, so perhaps we will see more recordings - or at least CD releases of existing ones - in the future.
Symphony No. 1 (Op. 9)
The Louisville Orchestra
conducted by
Robert Whitney

My transfer from vinyl. FLAC @ Compression Level 8. Scans, including typo-ridden back cover of very dry and academic programme notes by the composer himself, included. Restoration removes vinyl noise only; room sound and the occasional dodgy analog edit remain intact.
Solidfiles: https://www.solidfiles.com/v/v8LLzZzWRLMnR
MEGA: https://mega.nz/#!MwQhSBwA!jIGuLHEdA3n-pK132NZzqZmYxrfvNm2qdgTDE97C5yo
YouTube: https://www.youtube.com/watch?v=P-8UlmhKOzM
Peter Racine Fricker remains virtually unknown, even in his native England. Only a handful of recordings exist on CD - of his symphonies, only No.2 and No. 5 were released - the former in a coupling with Robert Simpson and Robin Orr on EMI, and the latter in somewhat poor quality from amateur radio recordings on Lyrita Itter Broadcast Collection.
This is the only commercial recording of Symphony No. 1 - made in 1967 and released by RCA. This transfer comes from a mint Italian pressing made ten years later. (It was advertised as "EX" - my expectations were accordingly low. It turned out to be the quietest, cleanest piece of vinyl I've ever had - outclassing even brand new records. Despite being unsealed, the recortd itself appears to be unplayed. They really don't make 'em like they used to.) The RCA Gold Seal record was not over-filled (the symphony runs just over thirty minutes) meaning a comfortable portion of dead wax on each side and good quality sound throughout. It's a dense work, occasionally a little claustrophobic (in the good way) that sits balanced precariously on the narrow line between tonal and atonal. I really love the piece. If you're a fan of well-orchestrated, angular music that retains a loose tonal centre, do give Fricker a try.
Fricker moved to the United States in 1964, hence the somewhat unusual choice of American orchestra on this recording. The conductor is the legendary Robert Whitney, who founded the Lousville Orchestra in 1937, and remained chief conductor until 1967.
Interest in Fricker seems to be reinvigorating of late, so perhaps we will see more recordings - or at least CD releases of existing ones - in the future.