Thought I would share this in lossless since it won the Best Original Score Oscar just now.



This is the FYC, messed up on the title, sorry.

Decided to add link to original post here: https://mega.nz/#!kVczxAbR!U0FqgdV6MSSA1-jlURa1LhHiSjhelb-11OxOggcrglA

ENJOY!!

Hi.
Could you send me the link, please?
Thanks!!

Yes please! and congrats to Ennio, still kicking ass after all these years. I had a feeling it would win

He's a crafty one.

It was like watching a political thriller.
He literally backstabbed Williiams. :laugh:

I'd like a link please :)

Could you send me the link?

Thank you!

LINK PLEASE!! So glad the Maestro took it home. :D Thank you for sharing!

Can you send me a link as well please?

Cheers!

--

Thank you :)

would love the link, thanks lockdown

i just write this, because i happy about DiCaprio!!!!!!!!!!!!!!!!!!!!!!

I'll have what their having, barkeep.

Decided to add link to OP. ENJOY.

Thank you

Great! Thanks!

Thank you

Thank you! :)

Many thanks but Im hearing a strange warbling artefact through all of the tracks. Anyone else?

Can you send me the link please? Many thanks.

Thanks! I'd like a link!

Is this different from the OST?

thank you very much Lockdown

Great!
Thank you, Lockdown!

Thank You Very Much

Thank you very much Lockdown!!! :)

Thanks!!

many thanks for the share!

Thanks a lot for sharing it!

Thanks very much

Thanks a lot Lockdown :-)

Thank you!!

Thank you very much.

Does anyone have the official FYC front cover?
My cover artwork:
(http://postimg.org/image/u86gizqtx/)
(click on image for 1200x1200)

Thanks! :D

Great!! Thank you!!

Thank you!

Lockdown, you're really bringing it this week! Thank you for the great shares.

Thanks!

Thank you, Lockdown!
But is this really lossless? I mean only 129MB?!?

But is this really lossless? I mean only 129MB?!?

Yes. It's a really short soundtrack and all the music is extremely quiet.
It's not brickwalled death metal so it doesn't need any bitrate at all.

Thank you kindly for the share, Lockdown.

Thank you so much Lockdown and Viva Morricone!!

Thousand thanks for the direct lossless link, Lockdown!!!... :)

Once again, thank you very much, Lockdown! :D

Thank you!

Thank you very much!

Many thanks, Lockdown! :)

Thanks again Lockdown !!! :D

Thank you share!

Many thanks!

Does anyone have the official FYC front cover?

You can find my recreation here (Thread 90457).

Thank you!

Thanks for sharing. :)

Thanks for posting this in lossless and for Exodus as well. I have some listening to do over the next few days.

Thanks Lockdown!

And what a great night, Morricone finally recognized for his work!

Thanks!

I would appreciate a link for this score, regards.

Thanks very much!

Thank you :)

Thank a Lot for share

Thanx, appreciated!!

Has anyone compared this to the OST?
I want to combine the OST and FYC but I don't know the score well enough...

Then you obviously don't want to lol

Not the case. I haven't listened to it in a while but as it won, I thought I'd listen to the best version available (FYC+OST).

Thank you Lockdown for this FYC, you are still the King! :)

Has anyone compared this to the OST?
I want to combine the OST and FYC but I don't know the score well enough...

This score is extremely repetitive; it may not be worth the effort! Why did this win an Oscar?

Thank you I really appreciate it !

He's a crafty one.

It was like watching a political thriller.
He literally backstabbed Williiams.

I don't get it... how so?

To be honest, I was disappointed that this won (even though I knew it was going to happen). Regardless of whether Morricone deserved an Oscar for previous accomplishments in his career, like with Scorcese he should not have won for one of his weaker efforts. The Force Awakens was clearly the deserving score (with Jupiter Ascending a close second), but the highly politicized nature of the Academy doesn't allow for this. The last time they chose the correct winner was way back in 2003 with The Return of the King.

To be honest, I was disappointed that this won (even though I knew it was going to happen). Regardless of whether Morricone deserved an Oscar for previous accomplishments in his career, like with Scorcese he should not have won for one of his weaker efforts. The Force Awakens was clearly the deserving score (with Jupiter Ascending a close second), but the highly politicized nature of the Academy doesn't allow for this. The last time they chose the correct winner was way back in 2003 with The Return of the King.

I would argue that there is never a correct winner, since opinions vary (and I didn't think much of RotK at all, preferred FotR myself). I thought Star Wars The Force Awakens was a pretty average score from a formerly great composer who has become average himself (to simplify my thoughts, basically the new themes were weak, the underscore lacked any character, and the original motifs were essentially tokenism).
On the other hand, The Hateful 8 (to me) was very satisfying in that it gave us a new memorable theme that not only had the hallmarks of Morricone's style, but could easily be confused as a score from his golden era of spaghetti western soundtracks. That, to me, is the most impressive achievement, since I find modern filmmusic to be largely lacking in those key areas of memorable motifs and overall character.

Dare I say, my favourite score of the year is (strangely) Mad Max Fury Road, since I also found a lot of memorable themes and the update of the "braaaaaaahhhmm" sound added immeasurably to the movie, essentially making it a character all on its own. I can appreciate why it has its fair share of detractors, and admittedly I am a little surprised that I like it so much, as its not usually my cup of tea, but it remains the most repeated album for me for the entire year. Obviously it was never going to be in contention for Best Score though. My other favourite score of the year, and again not nominated, was Daniel Pemberton's score for Steve Jobs. This guy is one I am very excited to hear more from, and his score for Steve Jobs was quite amazing in its versatility, and often echoed Philip Glass at times. But I remain in awe of how well he managed to create an "8-bit" sound that slightly evolved with each new Apple release! Again, I am really surprised at how much I have come to love this score.

Thank you, Lockdown!!

I would argue that there is never a correct winner, since opinions vary (and I didn't think much of RotK at all, preferred FotR myself). I thought Star Wars The Force Awakens was a pretty average score from a formerly great composer who has become average himself (to simplify my thoughts, basically the new themes were weak, the underscore lacked any character, and the original motifs were essentially tokenism).
On the other hand, The Hateful 8 (to me) was very satisfying in that it gave us a new memorable theme that not only had the hallmarks of Morricone's style, but could easily be confused as a score from his golden era of spaghetti western soundtracks. That, to me, is the most impressive achievement, since I find modern filmmusic to be largely lacking in those key areas of memorable motifs and overall character.

Dare I say, my favourite score of the year is (strangely) Mad Max Fury Road, since I also found a lot of memorable themes and the update of the "braaaaaaahhhmm" sound added immeasurably to the movie, essentially making it a character all on its own. I can appreciate why it has its fair share of detractors, and admittedly I am a little surprised that I like it so much, as its not usually my cup of tea, but it remains the most repeated album for me for the entire year. Obviously it was never going to be in contention for Best Score though. My other favourite score of the year, and again not nominated, was Daniel Pemberton's score for Steve Jobs. This guy is one I am very excited to hear more from, and his score for Steve Jobs was quite amazing in its versatility, and often echoed Philip Glass at times. But I remain in awe of how well he managed to create an "8-bit" sound that slightly evolved with each new Apple release! Again, I am really surprised at how much I have come to love this score.

I think I enjoyed the score for Fury Road more than The Hateful Eight. Like you said, there are a host of themes with some really standout tracks (my favorites being "Let Them Up" and "Brothers in Arms"). With The Hateful Eight, there are only two or so "themes" that are seemingly repeated throughout the entirety of the score. While it's enjoyable enough, the music itself is not very complex or fresh, and just doesn't hold my interest through the whole album. That said, I haven't seen the film so maybe that's part of it.

I guess we'll just have to agree to disagree about The Force Awakens. I think it's just as strong as anything he's ever done (my favorite of his since Revenge of the Sith). I'm not a big fan of Pemberton either, though Steve Jobs is the closest I've come to enjoying his work.

2015 was a somewhat weak year for scores, hopefully this year will be fuller.

Thanks!!

Thanks for sharing, Lockdown!

Thanks for the link Lockdown!!!

Thanks!

Thanks for sharing this

Stunning. I would love to see a "Roadshow" 2 CD version of this score one day. Containing the original Decca release as well as this, with the additional music from The Exorcist II and The Thing included. Crystal Gale's "Ready for the Time's to Get Better", that was used during the Intermission of the Roadshow Presentation, would be a fantastic addition as well.

Thank you so much for sharing, Lockdown!! :D

http://www.planetsmilies.com/smilies/happy/happy0065.gif

Thanks for the share.

Thank you.

Thanks!

May I get a link for this as well, please?

Thank you so much!

any chance of the link many than ks

Joining the choir and asking for a link :)

Hi there, the link is dead. Any chance for a re-up or can you email the link please? Thanks!