tangotreats
08-09-2015, 09:36 PM
A Herr Salat / Tangotreats Co-Production
Ole' Herr Salat's taste is diverse, to say the least - and I mean that as a genuine and passionately felt compliment. Even knowing this, I can quite honestly say that this - a splendid slice of late 70's orchestral disco - I was not expecting. Successful in its time, this album has nonetheless been overlooked for re-release and thus exists only in its original 1978 vinyl pressing on CTI Records.
DAVID MATTHEWS
DUNE
plus, in arrangements by David Matthews
"Space Oddity" by David Bowie
"Silent Running" main theme by Peter Schickele and Diane Lampert
"Princess Leia's Theme" and "Main Theme from Star Wars" by John Williams
Session Orchestra, leader Sanford Allen

DAVID MATTHEWS - DUNE
1. Arrakis (6:04)
2. Sandworms - (4:56)
3. Song Of The Bene Gesserit (2:48)
4. Muad'Dib (6:43)
5. David Bowie - Space Oddity (6:06)
6. Peter Schickele and Diane Lampert - Silent Running (3:19)
JOHN WILLIAMS - STAR WARS
7. Princess Leia's Theme (2:56)
8. Main Theme (3:30)
My transfer from Herr Salat's vinyl. Tagged in English. Both versions include full high resolution scans in .PNG format. Playing time 36:24.
FLAC (at compression level 8) - https://mega.nz/#!Rl5kDB5T!4Cj2upu-vRfUW6k7AvxeQ9b-rpLJVashb05noKin4VY(230mb)
MP3 (LAME 3.99.5 -V0) - https://mega.nz/#!8tpRSADK!VVM8z59jNnpPsLePrCQQ0uUBGA6B8oOigkxYAI_mrMA (81mb)
Side A is given over entirely to David Matthews' "Dune" - a twenty-minute disco tone poem (for lack of better terminology) based on Frank Herbert's phenomenally popular 1965 novel of the same name. It has nothing to do with David Lynch's 1984 film adaptation, or either of the Sci-Fi Channel miniseries'. The four "movements" play continuously without a break.
Side B is a pot-pourii of popular tunes as arranged by Matthews. The first track is a slightly syrupy (but immensely enjoyable) cover of David Bowie's "Space Oddity". The second is a short arrangement of Peter Schickele's theme from Silent Running. The final two tracks belong to John Williams. It seems that in the late 1970s it was almost illegal to release a disco album without throwing on a funked-up Star Wars cover or two - this album is no exception. First up, Princess Leia's theme - it begins with sensitive woodwind interplay and light string accompaniment before the main melody appears as a sultry trombone solo. The track develops into a shamelessly over-cooked disco love song with strings that soar up there with the best. The finale is, as it could only be, the main theme itself - it begins with the famous fanfare before the disco beat kicks in, significantly shifting away from the expected march rythym. A middle section complete with ear-splitting R2D2 synthesiser noises leads to a segment of original melody on electric guitar whilst the high strings play an accompaniment that is derived from a slowed-down sequence of notes from Williams' march. Guitar solo out of the way, the B section of the march re-appears accompanied by the full ensemble; a big brassy finish leaves a hanging note in the strings over which the synthesizer noises re-appear briefly, before a fade-out.
Purists will cry... but in all honesty this is all such ludicrously good fun, and the arrangement comes off with a panache rarely seen in such ventures. The band is excellent, as you would expect with names like David Sanborn, Cliff Carter, and Grover Washington Jr - all soloist-grade performers of the highest order. Sanford Allen, formerly a member of the New York Philharmonic, leads the string section. No conductor is credited.
This album has never been released on CD.
Original transfer 11th November 2014. Restoration and final assembly 30th November 2014. Scans 12th November 2014. Yes, it's really taken me that long to post it. Sorry Herr Salat - one more still to come as well...
Ole' Herr Salat's taste is diverse, to say the least - and I mean that as a genuine and passionately felt compliment. Even knowing this, I can quite honestly say that this - a splendid slice of late 70's orchestral disco - I was not expecting. Successful in its time, this album has nonetheless been overlooked for re-release and thus exists only in its original 1978 vinyl pressing on CTI Records.
DAVID MATTHEWS
DUNE
plus, in arrangements by David Matthews
"Space Oddity" by David Bowie
"Silent Running" main theme by Peter Schickele and Diane Lampert
"Princess Leia's Theme" and "Main Theme from Star Wars" by John Williams
Session Orchestra, leader Sanford Allen

DAVID MATTHEWS - DUNE
1. Arrakis (6:04)
2. Sandworms - (4:56)
3. Song Of The Bene Gesserit (2:48)
4. Muad'Dib (6:43)
5. David Bowie - Space Oddity (6:06)
6. Peter Schickele and Diane Lampert - Silent Running (3:19)
JOHN WILLIAMS - STAR WARS
7. Princess Leia's Theme (2:56)
8. Main Theme (3:30)
My transfer from Herr Salat's vinyl. Tagged in English. Both versions include full high resolution scans in .PNG format. Playing time 36:24.
FLAC (at compression level 8) - https://mega.nz/#!Rl5kDB5T!4Cj2upu-vRfUW6k7AvxeQ9b-rpLJVashb05noKin4VY(230mb)
MP3 (LAME 3.99.5 -V0) - https://mega.nz/#!8tpRSADK!VVM8z59jNnpPsLePrCQQ0uUBGA6B8oOigkxYAI_mrMA (81mb)
Side A is given over entirely to David Matthews' "Dune" - a twenty-minute disco tone poem (for lack of better terminology) based on Frank Herbert's phenomenally popular 1965 novel of the same name. It has nothing to do with David Lynch's 1984 film adaptation, or either of the Sci-Fi Channel miniseries'. The four "movements" play continuously without a break.
Side B is a pot-pourii of popular tunes as arranged by Matthews. The first track is a slightly syrupy (but immensely enjoyable) cover of David Bowie's "Space Oddity". The second is a short arrangement of Peter Schickele's theme from Silent Running. The final two tracks belong to John Williams. It seems that in the late 1970s it was almost illegal to release a disco album without throwing on a funked-up Star Wars cover or two - this album is no exception. First up, Princess Leia's theme - it begins with sensitive woodwind interplay and light string accompaniment before the main melody appears as a sultry trombone solo. The track develops into a shamelessly over-cooked disco love song with strings that soar up there with the best. The finale is, as it could only be, the main theme itself - it begins with the famous fanfare before the disco beat kicks in, significantly shifting away from the expected march rythym. A middle section complete with ear-splitting R2D2 synthesiser noises leads to a segment of original melody on electric guitar whilst the high strings play an accompaniment that is derived from a slowed-down sequence of notes from Williams' march. Guitar solo out of the way, the B section of the march re-appears accompanied by the full ensemble; a big brassy finish leaves a hanging note in the strings over which the synthesizer noises re-appear briefly, before a fade-out.
Purists will cry... but in all honesty this is all such ludicrously good fun, and the arrangement comes off with a panache rarely seen in such ventures. The band is excellent, as you would expect with names like David Sanborn, Cliff Carter, and Grover Washington Jr - all soloist-grade performers of the highest order. Sanford Allen, formerly a member of the New York Philharmonic, leads the string section. No conductor is credited.
This album has never been released on CD.
Original transfer 11th November 2014. Restoration and final assembly 30th November 2014. Scans 12th November 2014. Yes, it's really taken me that long to post it. Sorry Herr Salat - one more still to come as well...