ribonucleic
01-25-2015, 10:32 PM
Director Paul Schrader, known for using relatively experimental composers for his soundtracks, chose Johnson to score his examination of the Patty Hearst incident, and the resulting music follows a similar path. The title track uses Natasha Richardson's gasped "Mom? Dad?" as a rhythmic source while finding a melodic theme in her desolate plaint, "I'm not being starved or beaten or unnecessarily frightened." Along with other dialogue and sounds from the movie, Johnson weaves a compellingly dramatic score. His music often has the bravado and exuberance of early fusion bands like the Mahavishnu Orchestra, but he's as capable of subtlety as flashiness. Scored for string quartet with percussion and electric keyboards, Johnson's strident, anxious guitar frequently soars over the mix, providing an appropriate bite. - Brian Olewnick, AllMusic.com

1. Mom Dad (5:00)
2. Persistence of Vision (3:19 )
3. Motel TV (2:26 )
4. Closet (9:26)
5. My Real Crime (2:36)
6. Rest Home (2:38)
7. Pistol/Rope (1:48)
8. Young Once (3:35)
9. Cinque's Vision (2:32)
10. Pen Chorale (1:36)
11. Dad Mom (0:58)
12. Blindfold (4:15)
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1. Mom Dad (5:00)
2. Persistence of Vision (3:19 )
3. Motel TV (2:26 )
4. Closet (9:26)
5. My Real Crime (2:36)
6. Rest Home (2:38)
7. Pistol/Rope (1:48)
8. Young Once (3:35)
9. Cinque's Vision (2:32)
10. Pen Chorale (1:36)
11. Dad Mom (0:58)
12. Blindfold (4:15)
Please PM for link.