DICEY69
10-12-2014, 09:52 PM
FLAC
2003
no scans
12 tracks = 148 MB
no mirrors, nor lossy crap
PM for PW
"I felt incredibly lucky. Writing music is quite simply the best job to have on a film. We composers get to come in at the very end and add a layer of emotion and energy that, if you don't screw it up, can literally transform a movie."
"I never think of myself as a female composer when I write, but just as a composer."
�I like working on subjects that have heart, I�m equally drawn to the unusual and the eccentric and the bold, but heart is probably the biggest factor.�
�I�ve always enjoyed challenges, and if it hasn�t been stepping out of my comfort zone to write music for a scary movie like �The Manchurian Candidate,� it was to dip my toe into the classical world to write an opera. I just wanted to broaden my experience. I�ve really learned a lot, and it�s interesting how it makes me feel about film. It makes me love and adore film more than ever.�
�Melodies are hard to write, but they�re so worth writing� They have a strange way of working with film that I find intriguing.�
plus very short interview: Interview: Rachel Portman (http://www.boxofficemojo.com/features/?id=1259&p=.htm)
"If you are in the Forum for 3 years and still have under 36 posts, don't bother asking for the password."
<a href="http://vkng5q51tn.1fichier.com/" target="_blank">
5 Questions With ... Rachel Portman | GRAMMY.com (http://www.grammy.com/news/5-questions-with-rachel-portman)
Rachel Portman Interview on BETA TV - YouTube (http://www.youtube.com/watch?v=sOP19NbUycs)
Rachel Portman interviewed at the 2010 BMI Film/TV Music Awards - YouTube (http://www.youtube.com/watch?v=wMUqxfuGcbA)
GURU Player (http://video.bafta.org/services/player/bcpid1089742060001?bckey=AQ~~,AAAABxWZS7k~,uLPjGID NpTm4SaHbu0n1-QlyJhJ3l3ls&bctid=1797994383001)
2003
no scans
12 tracks = 148 MB
no mirrors, nor lossy crap
PM for PW
"I felt incredibly lucky. Writing music is quite simply the best job to have on a film. We composers get to come in at the very end and add a layer of emotion and energy that, if you don't screw it up, can literally transform a movie."
"I never think of myself as a female composer when I write, but just as a composer."
�I like working on subjects that have heart, I�m equally drawn to the unusual and the eccentric and the bold, but heart is probably the biggest factor.�
�I�ve always enjoyed challenges, and if it hasn�t been stepping out of my comfort zone to write music for a scary movie like �The Manchurian Candidate,� it was to dip my toe into the classical world to write an opera. I just wanted to broaden my experience. I�ve really learned a lot, and it�s interesting how it makes me feel about film. It makes me love and adore film more than ever.�
�Melodies are hard to write, but they�re so worth writing� They have a strange way of working with film that I find intriguing.�
plus very short interview: Interview: Rachel Portman (http://www.boxofficemojo.com/features/?id=1259&p=.htm)
"If you are in the Forum for 3 years and still have under 36 posts, don't bother asking for the password."
<a href="http://vkng5q51tn.1fichier.com/" target="_blank">
5 Questions With ... Rachel Portman | GRAMMY.com (http://www.grammy.com/news/5-questions-with-rachel-portman)
Rachel Portman Interview on BETA TV - YouTube (http://www.youtube.com/watch?v=sOP19NbUycs)
Rachel Portman interviewed at the 2010 BMI Film/TV Music Awards - YouTube (http://www.youtube.com/watch?v=wMUqxfuGcbA)
GURU Player (http://video.bafta.org/services/player/bcpid1089742060001?bckey=AQ~~,AAAABxWZS7k~,uLPjGID NpTm4SaHbu0n1-QlyJhJ3l3ls&bctid=1797994383001)