xSkyUchiha
09-04-2014, 04:44 AM
This soundtrack came out today.

VPCG-84985 | Sengoku BASARA Judge End Original Soundtrack - VGMdb (http://vgmdb.net/album/46891)

kokobeng
09-08-2014, 08:23 PM
Seconding this request!

Orie
09-10-2014, 02:39 AM
thank god it's not Hiroyuki Sawano again. I can't stand so much copy paste of such a bad lazy composer.... I don't even consider him a composer.-

Soultrigger
09-10-2014, 10:06 AM
thank god it's not Hiroyuki Sawano again.

Nice knowing the tracklist isn't made up of annoying gibberish. lol

Orie
09-10-2014, 10:19 AM
like someone said somewhere .. Sawano is a Troll when it comes to naming tracks.
Seriously

JJShanny
09-10-2014, 03:39 PM
like someone said somewhere .. Sawano is a Troll when it comes to naming tracks.
Seriously

i know what you mean Sawano word plays
look (Thread 179399) back again at my recent post you'll be surpised :)

Orie
09-10-2014, 05:16 PM
I learned to dislike Sawano. Fanboys are going to hit me down, but he is bad, uninspiring, and flip the disk you hear the same. Sengoku Basara was the soundtrack that made be interested in trying the dude. I have been finding out my own way that all music he did in sengoku basara are not that original. "This is a fight to change the world" is Klaus Badelt's Ultraviolet main theme. and some other toilet paper list of things. I just don't get why people don't notice that sawano is always doing the same exact formula for his soundtracks. I did like sengoku basara music he did, although I felt so damn bland, and when the movie soundtrack came, I was honestly rundown to "is this all he can do? nothing new, just recycling stuff already existed of him... this is not interesting at all." :(
Sawano Sucks!

About the trolling naming tracks. At some point it is interesting, but having ALL DAMN SOUNDTRACKS with that, it's not original anymore. Its just him trying hard to be original. Enough is enough.
your post is interesting yeah, but its about time he stops and move on. it's no funny anymore.

and bout this soundtrack, of this thread.
I am curious to listen it.

JJShanny
09-10-2014, 10:23 PM
I wouldn't say i'm a hardcore Hiroyuki Sawano fanboy nor will i defend or rebluff your claim of disliking his music i enjoy some of his compositions but hearing the same background instruments mainly the drums or high pinch violin and other sythcs through tracks gets annoying indeed another composer with the same bad habbit would be Tatsuya Katou and many others not listing other wise i'd be hit down hard to lol i'm only pointing out nameing the tracks as the main discussion here not the whole music in its self or perhaps it due to being able to recongise the composers style the feeling does not change its to be execpted from such. Me to didn't know this soundtrack (above) was released and also glad Mr. recycled Hiroyuki Sawano is not composing it seeing as Masahiro Tokuda who did the music for psycho-pass this owt to be good fingers crossed.

Orie
09-10-2014, 11:10 PM
At least you understand why I don't like him. There were some tracks I really liked of him, but they lost all the magic, like my issue with "this is a fight to change the world".
Glad to see someone else complaining of Tatsuya Katou. I don't like his music too.
This new wave of music composers seems all so incredibly "plastic", if know what I am trying to say. I feel nothing with his music. Its like, I hear once, and then I delete because I will not revisit it for sure. It is all the same. some friends of mine who started to like Katou, after I told him why I did not like his music, they started to give me reason as they lost interest in him very fast, because... it's almost the sawano issue.
Masahiro Tokuda is fairly new, and I always like to give chances in listening new japanese composers. I did that with "RAINBOW Nisha Rokubou no Shichinin" with music by Yu Takami, and I absolutely loved it.

LeatherHead333
09-11-2014, 01:22 AM
Personally I think Tatsuya Kato is at least improving in comparison to Sawano. Buddy Complex was a very good score (though most of the good stuff was only on the second disc). He has shown that he is capable of drawing up a decent mech score though his habits like the string shrieking you hear in just about EVERY DAMN TRACK or adding an annoying electronic beat to everything still show up.

He's composed for a decent amount of anime but he's still fresh meat that I think will improve in due time. Horizon in the middle of nowhere is still his best work in my opinion. But I think the guy simply composes for to much stuff. He typically scores for two shows a season almost having 2 discs worth of music every time. But a large chunk of the music is forgettable. Him as well as Masaru Yokoyama need to chill and take it one score at a time. Doing these rush jobs every season isn't doing them any favors.

As for Sawano...........well I think we all have our guilty pleasures right? But hell yes the man does things that annoy me to no end. The second half of AD2014-7.5/7.9-OA is nearly unlistenable. Why does he insist on adding those annoying crackling sound effects? He did that in Unicorn too.

Still I'd say he fills that certain niche for me. That over top style is something I've wanted more of in the Eastern scene. Sawano fills that role for me. I don't necessarily care anymore that he scores the same kind of music. Since it's been working for his popularity I don't see why he would change it now. Calling him a sellout wouldn't be a good enough term for him.

However I can't say I don't have a blast every time I listen to his work. It's fun high energy stuff that I love. And I don't care if that never changes.
I'd describe my infatuation with Sawano like this. People don't allows watch anime for something deep and compelling. Some people just watch for fun. I feel music is the same way. I don't listen to a Sawano score expecting Yoko Kanno or Amano. I listen to it expecting loads of mindless fun. In the same way that I don't care that Akira Senju or Kaoru Wada tend to still recycle their stuff I am to much in love with their particular styles to care. Ignorance is bliss I suppose? :P

Kharaxel
09-11-2014, 04:33 AM
I agree with the things you two are saying. However, no matter how bad those two might be (I honestly enjoy Tatsuya Kato's music more), they will never be as bad and fucking boring as Kaoru Wada.
Now, feel free to disagree with me but... as much as I like some of his tracks, his shit mostly sounds the fucking same and is for the most part uninspired.
There.

JJShanny
09-11-2014, 07:47 AM
@ Leatherhead333
All 'n' all i respect both if not all composers who do anime genre stuff i agree they do bring us at least 2CD worth of music, and yes worth that amounts only to X when either disk 1, or 2 sucks with recycled or no change althrough the type of music they do since they like big orchestra, symphony case thats best suited in my opinion for MOVIES or longer than 5 minute OVA film. but by definition music is ("Experimental") look how many genre their are out there, an styles they should mix and match like sweets bags to bring new stuff in i'm not asking to change there individually or distinguished styles but add something new or break the norm of consistency through out some of there work thats yet to come in the future.

Its the same if an anime series gets another season change composers as you said you're self they have to at least to see clips to get a good idea of music that best suits that certain feel or emotion of a scene if it sounds same to that said composers work or previous season change. Producers these days seriously need to go back to basics and point of origins to bring this change forth. calling you're self ignorant far from it dude i do agree on most points you have made no fault done :)

@Kharaxel
I'm give 'n' take with Kaoru Wada althrough i don't mind his/her forgot gender lol, work on scores for various genre but not on my high list class composer for me.

Orie
09-11-2014, 01:53 PM
oh kaoru wada, Kaoru wada- Don't get me started on that piece of crap of non-originality and master of recycling. Kaoru is a Guy, JJShanny. :p
There is a Orie Hate Club because of how Much I hate Kaoru Wada and despite I point out all the reasons why he is such an overrated musician (my ass is better composer then him), when his fame should NOT exist in first place. But hey, fanboys/girls appear defending him as the best composer ever.
The same person who has been composing the same thing over and over and over again for 40 years. Ninja Scroll, 3x3 eyes and kishin heidan, at the time, because I knew nothing of the man, were soundtracks I really liked. Today, those same soundtracks annoy me. Jesus!!!! I went to see Kishin Heidan again, because I love the anime, but dammit... the soundtrack was getting on my nerves, and I mean NERVES, I had to mute the video and read only the subtitles. That is HOW annoying he his.
I started to watch , last year, Tekkaman Blade, and it was a suffering to watch it with Kaoru Wada soundtrack, because I am listening 3x3 eye, ninja scroll kishin heidan, silent mobius... what the hell am I saying, all those are copy paste of the copy pastes existed already in there.
not to mention the freaking compositions that were wonderful... when you first hear it, and then it's in ALL OF HIS SOUNDTRACKS. I don't care if he calls it theme of hope or anything, it's the same exact shit.
I have to be offensive with those fanboys/girls and say that their brains are awfully dead or have brain damage in a such a level of stupidity that does not allow them to admit the reality of what Kaoru Wada does. Almost like saying that "hitler was a very bad person, but what he did was for a reason, a good reason". Shut the Fuck Up!!! I was a murderer, and you can't paint that with soft words and teletubies. Just like those fanboys/girls do about Kaoru Wada.

Take the vocal image song of the first movie of silent mobius. and then compare to the vocal track of kishin heidan sung by maria Kawamura. and then start a journey on your Kaoru Wada collection to see where more that composition appears.

I find so hard to accept that GUNNM was actually the only original worked idea he had. Yet it does still recycle those taiko drums AGAIN, but you have some new compositions he never made, and you would feel the guy was evolving, right?
Wrong!!! he got back to it's 4 feet walking.
Did you get it? It's a SYMBOLISM!!!! Because babies walk in "4" and babies when they like a sound they try to repeat it over and over again till they find out what it is. THAT'S KAORU WADA!!!!!

Samurai 7 was odd enough to sound good, UNTIL, he got back to recycling shit and that stupid theme of hope again.
STOP it DUDE!!!


I agree with the things you two are saying. However, no matter how bad those two might be (I honestly enjoy Tatsuya Kato's music more), they will never be as bad and fucking boring as Kaoru Wada.
Now, feel free to disagree with me but... as much as I like some of his tracks, his shit mostly sounds the fucking same and is for the most part uninspired.
There.

To support your comment....

If I am in a room, and they make chose between Hiroyuki Sawano, Tatsuya Katou and Kaoru wada......... I chose sawano or tatsuya. Because I don't have the HATE level I have with Kaoru Wada.

this was nice to spit out.

Kharaxel
09-11-2014, 02:38 PM
Comparison with Hitler might be a bit much in my opinion, but I get what you're saying here.
Kaoru Wada is a hack. That much is certain.

kokobeng
09-11-2014, 02:42 PM
A lot of new replies, but where is the OST?

Kharaxel
09-11-2014, 03:25 PM
A lot of new replies, but where is the OST?

At the store.

JJShanny
09-11-2014, 04:19 PM
A lot of new replies, but where is the OST?

Haha good question but then again the hate on this thread keeping it at top instead of the annoying (BUMPING) only comments replyed, most request get knock down the list with new seasons OST incoming we should change this thread from request OST to hatred of composers discussion lol.

@ Orie
Thank you for clarifying the gender thats how much i don't research said composer

---------- Post added at 04:19 PM ---------- Previous post was at 04:16 PM ----------


oh kaoru wada, Kaoru wada- Don't get me started on that piece of crap of non-originality and master of recycling. Kaoru is a Guy, JJShanny. :p
There is a Orie Hate Club because of how Much I hate Kaoru Wada and despite I point out all the reasons why he is such an overrated musician (my ass is better composer then him), when his fame should NOT exist in first place. But hey, fanboys/girls appear defending him as the best composer ever.
The same person who has been composing the same thing over and over and over again for 40 years. Ninja Scroll, 3x3 eyes and kishin heidan, at the time, because I knew nothing of the man, were soundtracks I really liked. Today, those same soundtracks annoy me. Jesus!!!! I went to see Kishin Heidan again, because I love the anime, but dammit... the soundtrack was getting on my nerves, and I mean NERVES, I had to mute the video and read only the subtitles. That is HOW annoying he his.
I started to watch , last year, Tekkaman Blade, and it was a suffering to watch it with Kaoru Wada soundtrack, because I am listening 3x3 eye, ninja scroll kishin heidan, silent mobius... what the hell am I saying, all those are copy paste of the copy pastes existed already in there.
not to mention the freaking compositions that were wonderful... when you first hear it, and then it's in ALL OF HIS SOUNDTRACKS. I don't care if he calls it theme of hope or anything, it's the same exact shit.
I have to be offensive with those fanboys/girls and say that their brains are awfully dead or have brain damage in a such a level of stupidity that does not allow them to admit the reality of what Kaoru Wada does. Almost like saying that "hitler was a very bad person, but what he did was for a reason, a good reason". Shut the Fuck Up!!! I was a murderer, and you can't paint that with soft words and teletubies. Just like those fanboys/girls do about Kaoru Wada.

Take the vocal image song of the first movie of silent mobius. and then compare to the vocal track of kishin heidan sung by maria Kawamura. and then start a journey on your Kaoru Wada collection to see where more that composition appears.

I find so hard to accept that GUNNM was actually the only original worked idea he had. Yet it does still recycle those taiko drums AGAIN, but you have some new compositions he never made, and you would feel the guy was evolving, right?
Wrong!!! he got back to it's 4 feet walking.
Did you get it? It's a SYMBOLISM!!!! Because babies walk in "4" and babies when they like a sound they try to repeat it over and over again till they find out what it is. THAT'S KAORU WADA!!!!!

Samurai 7 was odd enough to sound good, UNTIL, he got back to recycling shit and that stupid theme of hope again.
STOP it DUDE!!!



To support your comment....

If I am in a room, and they make chose between Hiroyuki Sawano, Tatsuya Katou and Kaoru wada......... I chose sawano or tatsuya. Because I don't have the HATE level I have with Kaoru Wada.

this was nice to spit out.

Glad you got that off your chest read through it twice to get the point hehe :P

Orie
09-11-2014, 10:50 PM
I admit, and I am sorry if I offended anyone with my comparison to hitler issue. My excuse for it, it was the heat of the moment.


At the store.

and your avatar illustrates a bit more the sentence. :D

@JJShanny
You read twice? or I was confusing it and the second time you got it, or I must be a very interesting guy to be read. xD




He's composed for a decent amount of anime but he's still fresh meat that I think will improve in due time. Horizon in the middle of nowhere is still his best work in my opinion. But I think the guy simply composes for to much stuff. He typically scores for two shows a season almost having 2 discs worth of music every time. But a large chunk of the music is forgettable. Him as well as Masaru Yokoyama need to chill and take it one score at a time. Doing these rush jobs every season isn't doing them any favors.

I can't agree with you in this leathy. I am going back in time, to where, Koh Ohtani, Kenji Kawai, Matsuo Hayato, Tohshihiko Sahashi, Takanari Arisawa and Yoko Kanno. and I am going to place between 1992 to 2002 (because those are the years I know best about). During those times, all those composers wrote scores for THOUSANDS of anime, in the same speed of Tatsuya Katou having almost no rest at all. Movies, OVas and Tv series in which these composers worked at the same time in 1 year. I could list you by year how much they did, but I will not bug you with that. My point is that they did compose so DAMN much per year, specially Kenji kawai and Koh Ohtani, that released an insane amount of soundtracks during 1 year. You would expect 2 soundtracks of each of him per month, when it was 2 each week. And they never loss the inspiration or interest in their compositions, and all anime the wrote scores were stand out incredibly good. The soundtracks you could differ, even from the same composer, which anime it belong, because of the style, mixture and something that doe snot exist nowadays called... Main Theme. No I am talking about Vocal main theme. I am talking about Main theme of the score, the soundtrack.
Composers fresh meat of today some are very flat and not that interesting, and you might a bunch of soundtracks of the composer, and there is no "signature" to which you might identify the anime it belongs too. Working in too much anime in 1 year, is not an excuse for lazy compositions, because I just pointed out the reason why. It was done before by other composers in such awesome ways the blow your mind. (not literally. I like to have my head intact xD )

I consider Masaru Yokoyama, which it has been growing on me very much, that he does less soundtracks compared to others. Unless you know something I dont. I think he only releases 3 soundtracks a year... or not?

But hey. You like Sawano and Tatsuya. That is fine by me. I am not saying you have bad taste at all. I respect your taste and your ears, and your head, and your leather. xD
I just don't get what is teh fuss about when those 2 release new music, because..... not going to beat the dead horse anymore. Even you can point the serious issues about them.

LeatherHead333
09-11-2014, 11:22 PM
I consider Masaru Yokoyama, which it has been growing on me very much, that he does less soundtracks compared to others. Unless you know something I dont. I think he only releases 3 soundtracks a year... or not?

Masaru is on par with Tatsuya most of the time scoring for two shows nearly every season. You also have to consider the fact he does a hefty number of TV dramas and movies as well. His total number of score releases for shows this year alone are 6 (only counting anime).........which is almost two shows every season. I've been seeing Masaru on the composer board for new season music for a while now and it really just worries me. I mean i like the guy a whole bunch but he really needs to chill out a little. That's what I like about the way Taku does it. He typically scores for about one show a season and even if he ends up skipping a season it's usually because he is already scoring a 2 cour show. I think this allows him to continue giving us such variety in his scores which is something I love about Taku. He can tackle any style of music for a show and make it sound good. Something Sawano and Tatsuya can't do very well at this point. I admit I've sort of given up on Sawano changing his style of music but Tatsuya still has a chance. I don't think he will ever be considered legendary like Kenji or Toshihiko Sahashi (making that comparison in the first place is really unfair Orie!) but I think he has the ability to be a interesting composer when his compositions mature a bit.

Orie
09-11-2014, 11:47 PM
Sahashi evolved a lot in 2 years when he started, in 92 to 94. He was going to way Kaoru wada was already, and he was recycling his own compositions . Yet, he did actually evolve and tried a lot of stuff and mixtures, staying to his soul, Symphonic. And I was not talking about Legends. Sahashi, actually started very bad in composing music but that was because of his already known Mentor, Kaoru Wada. You get his very first soundtracks and you are getting Kaoru Wada themes. When Kaoru wada left him,. Sahashi started to work and compose on his own accord with not strings connected to Kaoru anymore. yet he evolved beautifully. Tatsuya is around since 2009 and I have yet to listen something and say "He can be a great music composer".
Taku knows what he does. He experiments everything, every style, and amazingly, even styles I don't like he make me like it. Crap, Dubstep Opera!!! That is a new one!!! Taku can always be felt fresh and appealing.

JJShanny
09-12-2014, 09:57 AM
@JJShanny
You read twice? or I was confusing it and the second time you got it, or I must be a very interesting guy to be read. xD

@ Orie
haha no not at all my old latin english finds its way into my sentences some times and others are like WHAT? but yeah interesting read i'm perhaps one of few who likes wall text hehe lol.
Kow Otani i really enjoyed the work he did with Shakugan no SHANA and Another but his recent work for me has lowered the bar for me. Kenji Kawai work for Higurashi no Naku Koro ni brought this composer to my ears and thought WOW his suspence themes and emotional key tones really hit the mark i know hes done alot of mecha anime scores but i rarely watch those kinds, Matsuo Hayato I'm another fan of mostly for scores like Hellsing and The World God Only Knows, Tohshihiko Sahashi now this guy can compose alot of music over 100+ tracks not long cues but each one is straight to point no messing around, Takanari Arisawa and Yoko Kanno the latter two i'm 50/50 on not sure way but then again Yoko kanno work for wolf rain and most recent Zankyō no Terror. Then again these composers really do need a comeback they are starting to fade away in back light with about aformentioned composers have done. then again the composers mentioned on this thread in my opinion have not surpassed Joe Hisaishi work yet or even come close.

Hitomi Kuroishi, Kotaro Nakagawa, Hiromi Mizutani, Kenji Fujisawa & Yasuharu Takanashi what are your thoughts about these composers? favourites of mine but scores they do sound to similar to previous works they have done that i rarely listen to there music as often these days.

@
LeatherHead333
I can't really find much fault in Taku but then again for me are the various anime scores that puts me off now and then are mostly indian vocals or instrumentals in almost every score he does but hats off to him for not doing a butt load of scores every season like Masaru & Tatsuya but still latter two are a fav for me in some way or other, i did have hope that he wouldn't have them in his recent work with Mahouka Koukou no Rettousei but then again he did i hope the second score does not have any or much init or future projects.

Orie
09-13-2014, 02:44 PM
Koh Ohtani is one of those composers with a distinctive style and signature, that if you listen something random you immediately point out it's his work. Him doing 1 soundtrack per year is enough for me. And I prefer it. Shakugan no Shana was awesome. You have yet to hear birdy the mighty (Thread 55173), Outlaw Star, Darkstalkers OVA. Those are my total favorite soundtracks of him.
I got introduced to Kenji Kawai back in the 90ts with Blue Seed, which I still say it is best anime soundtrack ever. If we go to horror movies live action, Ring 2 and dark water.
Kenji Kawai is my top because since kid I identified myself with him. I was always an enthusiastic of horror compositions, and blue seed was the first I heard of him. Again he also have his stylish sound, and I really love it. It's his identity.
Matsuo Hayato, was in Magic Knights Rayerth where I first hear them. He is a BIT like Taku Iwasaki, always trying to experience something, though, sometimes it does not work very good, and then we have bad results. Hellsing Ultimate was the best soundtrack I heard from him. since EVER. I am still waiting a for a full release of the soundtracks of all episodes. :(
I am so glad Sahashi did not follow Kaoru Wada's footsteps. Fatal fury and rayearth ova made me so afraid. the soundtracks are all Sahashi, yeah, but you are getting again shoved in your face Kaoru's typical recycling music. For me Sahashi stood out incredibly with Gundam Seed/Destiny. Those are my favorite work of him so far. And you are right, although little he gets to the point, not like tsuneyoshi saitou in which my biggest issue is that the music ends before starting; the moment you feel the music is going to enter epic climax,... it ends.
Yoko Kanno was so good back in the 90ts, although I know it is not really her fault, but producers find the she sales more when doing vocal based soundtracks like she did in cowboy bebop and ghost in the shell sac. That just bores me because that is not her good self. I missed for so many damn years her actual good symphonic scores. Zankyou no Terror was the gods answering my shouts.

Hitomi Kuroishi I only know of Last Exile, the original LAST exile of 2003. I was just mad that we had unreleased tracks in 2 soundtracks. I like her voice and her music sounding, original in her way. But I have not much to say about her. Just that I like her.

Hiromi Mizutani, Kenji Fujisawa and Yasuharu Takanashi has the same mentor, Daisuke Ishiwatari, known for his heavy metal soundtracks on his own game series Guilty Gear.
the 3 of them were part of Daisuke band, it you easily get the notions of guilty gear heavy riffs in guitar in what they work on.
Yasuharu Takanashi I first heard him Naruto Shippuden, and I was amazed because he did GOOD what Kaoru Wada sucked. Traditional japanese music instruments. Ayakashi, Mononoke and Jigoku Shoujo set him immediately has an interesting composer. Again, it was his horror mood compositions that got my attention. After 2007 I started to follow him religiously, till he made me get in love with Toward The Terra, my favorite soundtrack of him. In heavy guitar he is greatly influenced by Daisuke Ishiwatari, but he manages to give his own "signature" so to say. When new bad composers were emerging, Takanashi left its footprint deep in. He manages to play very emotions in his music, and you feel those emotions, you feel that the music was done with those same emotions. He got himself to precure shit and I lost hope on him. Though Log Horizon was a good comeback.
Kenji Fujisawa is a clone of Takanashi. They sound the same, and even the ideas are the same. His compositions are mostly based in electric and acoustic guitar, and they are good ones. I guess he needs to make a score all by himself so I can say if he really is good or not.
Hiromi Mizutani SUCKS!! Even Daisuke had no high hopes for him. I first heard Mizutani in Guilty Gear 2 Overture, and oh my god, what a damn annoying synth compositions are there. 2 cds of music, but I barely get through the first. Hiromi Mizutani is incredibly bad in composing with synths and damn annoying, but he has budget for things like "Non Non Biyori" then he has potential, though he is mostly rather boring composer. Other that, he follows Takanashi footsteps.
I will use Jigoku Shoujo soundtracks to point them out. Jigoku shoujo was composed by the 3 of them. Kenji Fujisawa is typically composing the guitar base funky style, while Takanashi does the horror mood and violent epic tracks, while the most dull boring tracks are Mizutani, and I mostly feel that Mizutani is trying to emulate Takanashi.
And the "kakugo" theme of the first and second series were totally destroyed in the 2008 version for the worthless third season of jigoku shoujo. This time he tried to emulate Hikaru Nanase.... EPic fail dude.
Kotaro Nakagawa, I know less of him... I know he is good, and the horns are is signature. But he tends to re-do too much of his own stuff.... I don't know. He does have potential, but I feel he has been making music with very less inspiration or motivation to it.

Other composers I absolutely love, but not very known are Tatsumi Yano (which is going to release a soundtrack of Abarenbou Rikishi!! Matsutarou this month. almost 20 years later he is back?), Osamu Tezuka, Osamu totsuka, Osamu Shoji, Hiromoto Tobisawa, Jun'ichi Kanezaki, Kouji Makaino, Kentaroh Haneda, Megumi Ohashi (Kentaroh's pupil) Seiji Yokoyama, Hiroshi Miagawa, Takashi Kudou, Anzai Fumitaka, Kuniaki Haishima, Kohei Tanaka, Yoshihiro Ike, Ichirou Nitta, Hiroya Watanabe, Hiroyuki Namba, Masahiro Kawasaki, Kou Nakagawa, Koji Endou, Toshiyuki Omori, Toshiyuki Kimori, Kei Wakakusa, Ken'ichi Sudou, Hikaru Nanase (aka Masumi Itou), Michiru Oshima, Noriyuki Asakura, Norimasa Yamanaka, Takehito Nakazawa, Ichizo Seo, Michiaki Wtanabe.

I used to like Shiroh Sagisu, but for some years now I am sick of him. Composing the same damn way since evangelion remakes. Flip the disc and you hear the same. I did not hear Black Bullet yet because I don't know if it's even worth downloading it. Last berserk music was boring.

About Joe Hisashi:
I am very much fond of 80ts Joe Hisaishi. I also like his 90ts stuff till 2005. After that... It started to be predictable and uninteresting. :/ for me he lost its spark

JuneDAMM
09-13-2014, 09:02 PM
I really like this music too

Orie
09-13-2014, 11:02 PM
10 days, and no one dares share this? :/

Orie
09-19-2014, 02:59 AM
yet. no news. I have not found it shared in the web yet
anyone bought it ?

kokobeng
09-23-2014, 07:19 PM
Bumping.

Orie
09-23-2014, 09:30 PM
I downloaded something which was a lie.
The file had the catalog number and such and it had the japanese name of the album, but it was another drama cd of Basara.

It is here to buy in digital (http://mora.jp/package/43000037/VPCG-84985/)

Orie
10-01-2014, 12:41 PM
no shares anywhere yet?

xSkyUchiha
10-02-2014, 01:45 AM
Still looking for this but it seems no one has uploaded it D:

JJShanny
10-02-2014, 10:59 AM
enjoy


download here (http://forums.ffshrine.org/f91/sengoku-basara-judge-end-original-soundtrack-180477/#post2785120)

0X98
10-10-2014, 05:42 AM
I learned to dislike Sawano. Fanboys are going to hit me down, but he is bad, uninspiring, and flip the disk you hear the same. Sengoku Basara was the soundtrack that made be interested in trying the dude. I have been finding out my own way that all music he did in sengoku basara are not that original. "This is a fight to change the world" is Klaus Badelt's Ultraviolet main theme. and some other toilet paper list of things. I just don't get why people don't notice that sawano is always doing the same exact formula for his soundtracks. I did like sengoku basara music he did, although I felt so damn bland, and when the movie soundtrack came, I was honestly rundown to "is this all he can do? nothing new, just recycling stuff already existed of him... this is not interesting at all." :(
Sawano Sucks!

About the trolling naming tracks. At some point it is interesting, but having ALL DAMN SOUNDTRACKS with that, it's not original anymore. Its just him trying hard to be original. Enough is enough.
your post is interesting yeah, but its about time he stops and move on. it's no funny anymore.

and bout this soundtrack, of this thread.
I am curious to listen it.

I just listened to the Ultraviolet main theme and I have to say it's nothing like "This is a fight to change the world". There's a choir and it's dramatic action music... that's where the similarities end.

While I like some of the tracks on Judge End I have to say I found Hiroyuki Sawano's work to be more catchy...

Orie
10-10-2014, 01:19 PM
sorry. that does not change the fact that the main theme of ultraviolet is there on sawano. paint it as much as you want, it's there.