2015 - 1975 JAWS 40th Anniversary Collector's Edition DTS-CD Surround - John Williams
(2015, AmbroTrax� 16Bit~44.1kHz 5.1 DTS Surround)
Remastered by Spectre][SoundLab� � Nov. 2015 and Published by AmbroTrax� �2015
Engineered and Mastered for 5.1 Surround by Spectre][SoundLab� �2015
CD CODE NUMBER: ATrX 0075-SSL16DTS


Track List:

01 - Main Title and First Victim
02 - The Empty Raft
03 - The Pier Incident
04 - The Shark Cage Fugue
05 - Shark Attack
06 - Ben Gardner's Boat
07 - Montage
08 - Father and Son
09 - Into The Estuary
10 - Out to Sea
11 - Man Against Beast
12 - Quint's Tale
13 - Brody Panics
14 - Barrel Off Starboard
15 - The Great Shark Chase
16 - Three Barrels Under
17 - Between Attacks
18 - The Shark Approaches
19 - Blown to Bits
20 - End Title

Duration : 51:15.878 (135 646 208 samples)

1975ATrX 0075-SSL16DTS[DTS5.1WAV].rar (https://mega.co.nz/#!oolTUDrC!pqhiRxgoZmM1nogV_Z_kKBUi45ghJCZ5yvxuDSn 1BXA) Mega Link 649.6 MB Uploaded

PW=spectre8750

Scans Included

================================================== ================
2015 - 1975 JAWS - John Williams - (40th Anniversary Collector's Edition Soundtrack)
(2015, AmbroTrax� 16Bit~44.1kHz Pro � Logic II 5.1 Surround)
Remastered by Spectre][SoundLab� � Nov. 2015 and Published by AmbroTrax�
Engineered and Mastered for 5.1 Surround by Spectre][SoundLab�
CD CODE NUMBER: ATrX 0075-SSL16PLII


Track List:

01 - Main Title and First Victim
02 - The Empty Raft
03 - The Pier Incident
04 - The Shark Cage Fugue
05 - Shark Attack
06 - Ben Gardner's Boat
07 - Montage
08 - Father and Son
09 - Into The Estuary
10 - Out to Sea
11 - Man Against Beast
12 - Quint's Tale
13 - Brody Panics
14 - Barrel Off Starboard
15 - The Great Shark Chase
16 - Three Barrels Under
17 - Between Attacks
18 - The Shark Approaches
19 - Blown to Bits
20 - End Title

Duration : 51:16.131 (135 657 384 samples)

1975ATrX 0075-SSL16PLII[PLII5.1WAV].rar (https://mega.co.nz/#!w48GzR4b!HK7mzYaS0AmgP8fm-5Hf8D3QBqAR6SuuqikUDcWRLOo) Mega Link 419.3 MB Uploaded

1975ATrX 0075-SSL16PLII[PLII5.1FLAC].rar (https://mega.nz/#!0oFnmKCb!dBozycXJOaCZ8nZI_TNIzHSBDCgNob23cM-cUmDjtBU) Mega Link 375.1 MB Uploaded

PW=spectre8750

Scans Included

NOTE:
This is another restoration project I've been waiting to do for a while now. This project as usual is to restore and remove the
recording's glitches, bad or worn spots and to bring new life to the sound of the recording. Please let me know what you think,
positive or negative. And I ask to keep intact the tag info so everyone knows where the set came from. Likes and Reputation
Points are very appreciated. I hope you enjoy this set as I have and thanks for downloading.

NOTE 2:
For reference: 24/192 Music Downloads
...and why they make no sense (http://xiph.org/~xiphmont/demo/neil-young.html)

Thanks in advance! I'm assuming this is a restoration of the 2000 release?

Yes, which reminds me:

Japanese submarine slammed two torpedoes into our side, Chief. We was comin' back from the island of Tinian to Leyte... just delivered the bomb. The Hiroshima bomb. Eleven hundred men went into the water. Vessel went down in twelve minutes. Didn't see the first shark for about a half an hour. Tiger. Thirteen footer. You know, you know that when you're in the water, chief? You tell by lookin' from the dorsal to the tail. Well, we didn't know. 'Cause our bomb mission had been so secret, no distress signal had been sent, huh. They didn't even list us overdue for a week. Very first light, chief. The sharks come cruisin'. So we formed ourselves into tight groups. You know it's... kinda like 'ol squares in battle like uh, you see on a calendar, like the battle of Waterloo. And the idea was, the shark goes to the nearest man and then he'd start poundin' and hollerin' and screamin' and sometimes the shark would go away. Sometimes he wouldn't go away. Sometimes that shark, he looks right into you. Right into your eyes. You know the thing about a shark, he's got... lifeless eyes, black eyes, like a doll's eye. When he comes at ya, doesn't seem to be livin'. Until he bites ya and those black eyes roll over white. And then, ah then you hear that terrible high pitch screamin' and the ocean turns red and spite of all the poundin' and the hollerin' they all come in and rip you to pieces. Y'know by the end of that first dawn, lost a hundred men! I don't know how many sharks, maybe a thousand! I don't know how many men, they averaged six an hour. On Thursday mornin' chief, I bumped into a friend of mine, Herbie Robinson from Cleveland. Baseball player, Bosun's Mate. I thought he was asleep, reached over to wake him up. Bobbed up and down in the water, just like a kinda top. Up ended. Well... he'd been bitten in half below the waist. Noon the fifth day, Mr. Hooper, a Lockheed Ventura saw us, he swung in low and he saw us. He's a young pilot, a lot younger than Mr. Hooper, anyway he saw us and come in low. And three hours later a big fat PBY comes down and start to pick us up. You know that was the time I was most frightened? Waitin' for my turn. I'll never put on a lifejacket again. So, eleven hundred men went in the water, three hundred and sixteen men come out, the sharks took the rest, June the 29, 1945. Anyway, we delivered the bomb.

Thanks. Waiting for the link.

What's the password?

As usual, lol. PW: Spectre8750

I will listen it. Thank you

OK, it's officially uploaded

Thanks for your work on this project and for sharing it.

You're welcome

As usual, lol. PW: Spectre8750

That's what I thought, but it wasn't working because the archive got corrupted the first time I downloaded it. Trying again!

Weird, I'm not showing any downloads for this one at Mediafire.

Thanks, Spectre8750! Great work!

you have done a great job spectre!!

Thanks

Thanks.

You're welcome

am really interested in this but the links seem to be dead or not working. could you take a look please?

The link to the flac version is working great, btw THANK YOU Spectre8750 for your work on this one :-)

You're welcome

Any possibility of releasing the 32/192 version?

I dumped them for lack of space as there's no advantage sound wise, unless you're a Bat. 24-bit 48khz is more than needed for the Human ear. I don't know why you would want them other than to profit from them.

I dumped them for lack of space as there's no advantage sound wise, unless you're a Bat. 24-bit 48khz is more than needed for the Human ear. I don't know why you would want them other than to profit from them.

For starters, because I'm a completist. If there's a 32/192 version out there you're damn right I'm going to ask for it. And yes, I can hear the difference.

Spectre, first The Good, The Bad And The Ugly...now this.

Sir, you are fast becoming my favourite poster here! Thank you, one hundred times over :)

For starters, because I'm a completist. If there's a 32/192 version out there you're damn right I'm going to ask for it. And yes, I can hear the difference.

You can here above 22,000hz?

---------- Post added at 04:16 PM ---------- Previous post was at 03:29 PM ----------

you're welcome EasterHay

Good afternnon Spectre8750,

Thank you very much for your work and for sharing that great score.

Sincerely.

Daniel.

You're welcome Daniel

Links don't work

All links tested and working. Are you touching the blue part or the white?

Spectre,

I just tried all 3 links and none of them are working for me,either.

OK, let me see what I can do.

---------- Post added at 02:45 AM ---------- Previous post was at 02:20 AM ----------

OK I'm uploading them to Sendspace. The Flac's will be in 2 parts. The MP3 and the M4A is up, and the Flac's will be done in 15-20min.

---------- Post added at 03:17 AM ---------- Previous post was at 02:45 AM ----------

All re-upped

Thanks for this great contribution, Spectre! I had issues with your first upload too, but download from sendspace was perfect.

Now looking forward to hear what you've done with this classic score (which is one of the most iconic and best scores from the maestro, and in my top 10 of best scores ever!).

You're welcome, and I agree my friend

Now trying the Sendspace links. Thanks for the share and for re-uploading so quickly!


For starters, because I'm a completist. If there's a 32/192 version out there you're damn right I'm going to ask for it. And yes, I can hear the difference.

No, you can't.

Now trying the Sendspace links. Thanks for the share and for re-uploading so quickly!



No, you can't.

Yes, I can. Sorry if you're listening on crap PC speakers.

You can hear above 22,000hz macdev? You can hear the difference in the files maybe, but Humans can't hear above 21,000hz and very few at that, most hear from 16,000 to 18,000hz if they have good hearing, But hearing the difference in a
48,000 and 96,000hz files only means the amplitude of the mix is different. 192,000 is just a waste of space unless your storing a file for later mastering. I myself would store 96,000 for archiving, but when I reduce to 48,000 I can't tell the difference
when properly down sampled. But hey, each to his own.

You can tell the difference between a 48 and a 96, but not really tell between a 96 and 192. It's not about hearing the frequencies, it's more about the harmonics. You get a good system and you'll be able to hear it.

I don't know, I'm a Sound Engineer and I'm pretty sure frequency, resolution and amplitude is the source of your harmonics, which if I remember correctly means nothing to the human ear above audible range. I guess if you have some Sound system made for bats, that's cool.

We can't all be the hero Gotham needs...

Are these up-scaled from 16bit-44.000 or are they from a better source

We can't all be the hero Gotham needs...

Well said! Besides, all this mumbo-jumbo-technobabble-double-talk gives me a headache! Gentlemen, lets just enjoy the music! :)

You can tell the difference between a 48 and a 96, but not really tell between a 96 and 192. It's not about hearing the frequencies, it's more about the harmonics. You get a good system and you'll be able to hear it.

Bullshit.

Humans cannot hear that, so either you're not human or full of bullshit. :awsm:

In order to capture audio covering the entire 20–20,000 Hz range of human hearing, audio waveforms are typically sampled at 44.1 kHz (CD), 48 kHz (professional audio), 88.2 kHz, or 96 kHz. The approximately double-rate requirement is a consequence of the Nyquist theorem. Sampling rates higher than about 50 kHz to 60 kHz cannot supply more usable information for human listeners.

There has been an industry trend towards sampling rates well beyond the basic requirements: such as 96 kHz and even 192 kHz. This is in contrast with laboratory experiments, which have failed to show that ultrasonic frequencies are audible to human observers; However in some cases ultrasonic sounds do interact with and modulate the audible part of the frequency spectrum (intermodulation distortion). But intermodulation distortion is not present in the live audio and so it represents an artificial coloration to the live sound.

In order to capture audio covering the entire 20–20,000 Hz range of human hearing, audio waveforms are typically sampled at 44.1 kHz (CD), 48 kHz (professional audio), 88.2 kHz, or 96 kHz. The approximately double-rate requirement is a consequence of the Nyquist theorem. Sampling rates higher than about 50 kHz to 60 kHz cannot supply more usable information for human listeners.

There has been an industry trend towards sampling rates well beyond the basic requirements: such as 96 kHz and even 192 kHz. This is in contrast with laboratory experiments, which have failed to show that ultrasonic frequencies are audible to human observers; However in some cases ultrasonic sounds do interact with and modulate the audible part of the frequency spectrum (intermodulation distortion). But intermodulation distortion is not present in the live audio and so it represents an artificial coloration to the live sound.
Uhh... thank you, Mr. Spock... I mean, Mr. Spetragl. ;)

Thank you once again, my friend.
Your SoundLab is fantastic!

And of course I want to congratulate Macdev for his superhuman abilities!

Are these up-scaled from 16bit-44.000 or are they from a better source

Rocklegend2000, 20-bit~48khz Mastering @32-bit~192khz

Listen, compare and tell me. sounds good or not. keep or not.
'nuff said! ;)

Bullshit.

Humans cannot hear that, so either you're not human or full of bullshit. :awsm:

Oh really? Maybe you should use real speakers for a change. Lots of documentation on this subject.

EDIT: http://www.hdtracks.com/music/hires/index/?bit_rate=33&utm_source=iContact&utm_medium=email&utm_campaign=!HDtracks%20Newsletters&utm_content=20140506_vip_f

Oh, and this...if you can handle it (which I doubt any of you can)
http://www.wescottdesign.com/articles/Sampling/sampling.pdf

Thank you, Spectre8750 for posting this great soundtrack. You did an excellent job and I rate this the best sounding version that I own. Thanks again for all your hard work on this project.

What a nice attitude, and I've read it. It talks about proper sampling and filtering, nothing about bat people hearing above 21,000hz. I listen to different sample rates all day, and if properly down sampled from 192khz or 96khz to a 24-bit 48khz sample you can't hear the difference. If you're wanting to manipulate then high sample rates give you better range or room to master with. I'm sorry, but I don't have the 192khz files anymore. They were up-sampled anyway for mastering, I down sampled them and saved them. Sorry. And if hdtracks wants to sell 352khz files and people want them super. I have no need for playing music to attract or bother the local wildlife. It's not a big deal anyway, and I do understand that getting a high sample rate is great, that way you can down sample and properly dither rather than taking someone else's. That said, either it sounds good or not. take it or leave it. I refer to soundtrekker's comment in post#47.

---------- Post added at 09:12 PM ---------- Previous post was at 09:11 PM ----------


Thank you, Spectre8750 for posting this great soundtrack. You did an excellent job and I rate this the best sounding version that I own. Thanks again for all your hard work on this project.

Thanks for the compliment pjmontana, and you're welcome.

What a nice attitude, and I've read it.

Any better of an attitude than accusing someone of profiting off your work?

I wasn't accusing You of that, It was a rhetorical statement that those sample rates are for mastering by companies who sell music. It's cool man, settle down a little. I would be guilty too if that was the case. I have high sample rate music too. Have you tried the Jaws release I did? Is it that awful?

That's some bad hat harry.....

I guess if you have some Sound system made for bats, that's cool.
It's been a long time since I havn't laughed like that for a post ! :D Sorry Mcdev no offense, but this reply was too funny ! :)
Thank you a lot Spectre8750 for this works and instructive thread ;)

Rocklegend2000, 20-bit~48khz Mastering @32-bit~192khz

Where did you manage to get the Hi-Res files to master this .... or is the Audio taken from the CD

Stellar Work by the way.... had a listen ---- impressive

Thanks all. Some stuff I've done was up-sampled from CD, some from ADAT Tape (16-bit~44.1 and 48kHz) (20-bit~48kHz), ADAT Hard Drive systems from a ways back, sometimes LP's and Reel to Reel. Not really allowed to give sources away. I've done a few personal jobs transfering personal collections to preserve their collections. Access is somewhat limited and it's getting harder to get anything anymore. I've been doing this type of work myself Computer based since 1995. If you know what you're doing you can master or remaster just about any decent lossless source. Anyway I'm glad you like the release.

Is the m4a format Lossless or Lossy?

Nevermind, It says Lossy but it Hybrid Lossless VBR.

Very cool, thank you Spectre8750. :D

My mistake all. I'm replacing the M4A with true ALAC Apple Lossless, replacing the AAC. It'll be uploaded soon. Give me 2 hours.

---------- Post added at 03:19 PM ---------- Previous post was at 02:40 PM ----------

Mega M4A Link 24-bit~48khz 496 Megs Uploaded

Thank you for this!

...Temporarily Down Pending New Upload, New Remaster 24-bit~96kHz, replacing others too.

OK, I'm done with 2.0

Another great thread by Spectre!!!

Way,way above the call of duty to provide 5 different codec versions to this amazing John Williams score. BTW, this movie score has never sounded better or IMHO,as good as what Mark has done with it here. Simply awesome. Saying thanks isn't enough.

That's amazing,thank you!

Thank you for the terrific job of mastering done here. It will be interesting to do blind tests of the different versions to see if anyone can really hear the difference on a high end system. I probably can't, my ears are too old now.

That would be interesting Inntel

Thanks. I'll try the 24-bit / 48Khz.

Thanks!

To Spectre8750, Very nice. We drink to our legs then! We may need a bigger boat! Blow up! Kaboom! Vary cool and awesome music. Thank you for another fine share.

Thank for High Resolution version, Much Apprecciate

Very welcome

I dumped them for lack of space as there's no advantage sound wise, unless you're a Bat. 24-bit 48khz is more than needed for the Human ear. I don't know why you would want them other than to profit from them.

Is this from the CD version? Sounds pointless for a 24b/48k version if it is.

Then I guess any 24 bit Remasters anywhere are pointless. I guess it would depend on what was done to Tracks during mastering. If you think it's pointless, don't DL them.

Then I guess any 24 bit Remasters anywhere are pointless. I guess it would depend on what was done to Tracks during mastering. If you think it's pointless, don't DL them.

As I said before, I'm so not a technical expert in these matters that any technical based remark by me one way or the other would be rather pointless. But what I CAN say is this: it "sounds" awsome even on my small 50,- Euro in-ear phones plugged into my computer, more intense than any other version of Jaws I have collected so far (including original CD's and downloads). That's rather subjective, of course, but it's all that matters for me - regardless of any technical specifications. Thanks, Spectre, for having done this!

Compared to 44,100 CDs, the restoration carried out by you is superb with regard to high frequencies that have had an increase in olografic image, losing in Ambience, like it was recorded in a smaller room
Of course it is my impression.
However it is a great job

Thanks zelig, that helps me out. I want to do some adjustments to this one and also a DTS version.

Spectre8750,

Thanks for the JAWS!!!!! Happy Halloween!

TRXSCOR

You too!

thanks so much for this one man-
total classic

cheers

Cheers

.

Added - 2015 - 1975 JAWS - John Williams - (40th Anniversary Collector's Edition Soundtrack)
DTS and Pro � Logic II are uploaded.

NOTE:
Anyone that's downloaded this before today will need to redownload the Soundtrack.

Thank you !!

You're welcome realdexter. This is my own concoction, just a heads up.

Although he had to make a down-mix of the material (to DTS at Stereo, losing (part of) the spirit of restoration), for system requirements, the DTS material is very attractive, balanced sound message, not inflated and powerful bass, mids very advanced but not exaggerated, the high frequency in some give moments of incredible lashes.
listening music, field variables are so many that you lose count, that's why I try to make all the plays always with the same Stereo (apart from the wax in the ears)
For the material analogue 70' Years (from audio Cinematographic studios) is remarkable.
I wonder what the source material ?.
Thank for Share
Hi From Italy

zelig

Thanks much for the review, much appreciated! The Original 2000 Soundtrack CD release was used. This release is the first of an even newer process I've developed to create true Hi Resolution Mastering,
Balancing the frequency range better than past releases. Although many of them could be tweaked to balance those releases too.

We're gonna need a bigger boat. Intrada is releasing a remastered TWO DISC Definitive Release set NEXT WEEK!

http://www.jwfan.com/?p=8193

Well I'm ordering it.

http://i.ebayimg.com/00/s/MTYwMFgxNjAw/z/mMYAAOSwe-FU7X0M/$_35.JPG

Ready The ship, Now we hope for an even more spectacular edition

Amazing Sound, listen on my THX Sound System, Thanks Spectre8750!

THANX!

Thanks and you're welcome.

When I try to open the Rar file it tells me it can't be opened because the content is incomplete. I've downloaded it 5 times now. No problem downloading and opening other files.

Strange. I just DL'd both releases and they check out, tested with no errors.

Gracias, a verificarlo.

dang! Great DTS Sound! keep up the good work!!

Man !! I'm having a shit day today.

I downloaded this...and got an album of STATIC.

wtf ?

I'm not joking... STATIC WHITE NOISE.

missionmonkey, if that is really your name.

It's DTS. You cannot play DTS in anything without a DTS decoder.

Thanks

Thank you so much spectre8750 for all of your work along these years :)

You're welcome

missionmonkey, if that is really your name.

It's DTS. You cannot play DTS in anything without a DTS decoder.

oh !! Right.

I got Hi-Rez player...but was only using my windows media to check it. lol

erm,... Not the name I was given at birth,...but my name for this forum. {!!!!} Why, do you know another missionmikey ??

No, just was being stupid, An old joke. Glad it's working now.

can i get the link for this one in the flac format..thanks!

1975ATrX 0075-SSL16PLII[PLII5.1FLAC].rar Mega Link 375.1 MB Uploaded

Thanks!

You're welcome

Many thanks Spectre :)

You're welcome