laohu
08-07-2013, 12:13 AM
Paramount Pictures 90th Anniversary Memorable Scores - Various Artists (2002, 320)
(http://imageshack.us/photo/my-images/90/tpq5.jpg/)
Tracklist:
CD1
01. Saving Private Ryan 'Hymn To The Fallen' - John Williams
02. Double Indemnity 'Prelude' - Miklos Rozsa
03. The Lost Weekend 'Finale' - Miklos Rozsa
04. The Heiress 'Departure / Morris Suggests Love / The Proposal / Finale' - Aaron Copland
05. Sunset Boulevard 'Prelude' - Franz Waxman
06. The Ten Commandments 'Prelude' - Elmer Bernstein
07. Breakfast At Tiffany's 'Moon River' - Henry Mancini
08. Hatari! 'Baby Elephant Walk' - Henry Mancini
09. Rosemary's Baby 'Main Title (Vocal)' - Christopher Komeda
10. Romeo & Juliet 'Love Theme From Romeo & Juliet' - Nino Rota
11. Once Upon A Time In The West 'Once Upon A Time In The West' - Ennio Morricone
12. Love Story 'Theme From Love Story' - Francis Lai
13. The Godfather 'Main Title (The Godfather Waltz)' - Nino Rota
14. The Godfather 'Love Theme From The Godfather' - Nino Rota
15. Chinatown 'Love Theme From Chinatown (Main Title) - Jerry Goldsmith
16. The Godfather - Part II 'End Title' - Nino Rota
17. Star Trek: The Motion Picture 'End Title' - Jerry Goldsmith
18. Raiders Of The Lost Ark 'Raiders Of The Lost Ark' - John Williams
19. Terms Of Endearment 'Theme From Terms Of Endearment' - Michael Gore
20. Flashdance 'Love Theme From Flashdance' - Giorgio Moroder
21. Beverly Hills Cop 'Axel F' - Harold Faltermeyer
CD2
01. Witness 'Building The Barn' - Maurice Jarre
02. Children Of A Lesser God 'Main Title' - Michael Convertino
03. The Untouchables 'The Strength Of The Righteous (Main Title)' - Ennio Morricone
04. Fatal Attraction 'Fatal Attraction' - Maurice Jarre
05. The Addams Family 'Main Title' - Marc Shaiman
06. Dead Again 'Winter 1948' - Patrick Doyle
07. Indecent Proposal 'Flashback & Photos' - John Barry
08. The Firm 'How Could You Lose Me?-End Title' - Dave Grusin
09. Clear And Present Danger 'Main Title / A Clear And Present Danger' - James Horner
10. Braveheart 'For The Love Of A Princess' - James Horner
11. Primal Fear 'Courtroom Montage' - James Newton Howard
12. Mission: Impossible 'Zoom B' - Danny Elfman
13. Star Trek: First Contact 'End Credits' - Jerry Goldsmith
14. Titanic 'Hard To Starboard' - James Horner
15. The Rugrats Movie 'Baby Shower Happenings' - Mark Mothersbaugh
16. The Talented Mr. Ripley 'Italia' - Gabriel Yared
17. Rules Of Engagement 'Semper Fidelis (Always Faithful)' - Mark Isham
18. Mission: Impossible 2 'The Bait' - Hans Zimmer
19. Lara Croft: Tomb Raider 'Main Titles' - Graeme Revell
20. Vanilla Sky 'To The Roof' - Nancy Wilson
21. The Sum Of All Fears 'The Mission' - Jerry Goldsmith
22. Forest Gump 'I'm Forrest ... Forrest Gump' - Alan Silvestri
Link
https://mega.co.nz/#!RdkQhBLa!GfiRxGbYhu7c0HvK8kaL0VgX_PVvK_VLrA8IEP8 QSec
---------- Post added at 12:13 AM ---------- Previous post was at 12:13 AM ----------
Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West. Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones.
(http://imageshack.us/photo/my-images/90/tpq5.jpg/)
Tracklist:
CD1
01. Saving Private Ryan 'Hymn To The Fallen' - John Williams
02. Double Indemnity 'Prelude' - Miklos Rozsa
03. The Lost Weekend 'Finale' - Miklos Rozsa
04. The Heiress 'Departure / Morris Suggests Love / The Proposal / Finale' - Aaron Copland
05. Sunset Boulevard 'Prelude' - Franz Waxman
06. The Ten Commandments 'Prelude' - Elmer Bernstein
07. Breakfast At Tiffany's 'Moon River' - Henry Mancini
08. Hatari! 'Baby Elephant Walk' - Henry Mancini
09. Rosemary's Baby 'Main Title (Vocal)' - Christopher Komeda
10. Romeo & Juliet 'Love Theme From Romeo & Juliet' - Nino Rota
11. Once Upon A Time In The West 'Once Upon A Time In The West' - Ennio Morricone
12. Love Story 'Theme From Love Story' - Francis Lai
13. The Godfather 'Main Title (The Godfather Waltz)' - Nino Rota
14. The Godfather 'Love Theme From The Godfather' - Nino Rota
15. Chinatown 'Love Theme From Chinatown (Main Title) - Jerry Goldsmith
16. The Godfather - Part II 'End Title' - Nino Rota
17. Star Trek: The Motion Picture 'End Title' - Jerry Goldsmith
18. Raiders Of The Lost Ark 'Raiders Of The Lost Ark' - John Williams
19. Terms Of Endearment 'Theme From Terms Of Endearment' - Michael Gore
20. Flashdance 'Love Theme From Flashdance' - Giorgio Moroder
21. Beverly Hills Cop 'Axel F' - Harold Faltermeyer
CD2
01. Witness 'Building The Barn' - Maurice Jarre
02. Children Of A Lesser God 'Main Title' - Michael Convertino
03. The Untouchables 'The Strength Of The Righteous (Main Title)' - Ennio Morricone
04. Fatal Attraction 'Fatal Attraction' - Maurice Jarre
05. The Addams Family 'Main Title' - Marc Shaiman
06. Dead Again 'Winter 1948' - Patrick Doyle
07. Indecent Proposal 'Flashback & Photos' - John Barry
08. The Firm 'How Could You Lose Me?-End Title' - Dave Grusin
09. Clear And Present Danger 'Main Title / A Clear And Present Danger' - James Horner
10. Braveheart 'For The Love Of A Princess' - James Horner
11. Primal Fear 'Courtroom Montage' - James Newton Howard
12. Mission: Impossible 'Zoom B' - Danny Elfman
13. Star Trek: First Contact 'End Credits' - Jerry Goldsmith
14. Titanic 'Hard To Starboard' - James Horner
15. The Rugrats Movie 'Baby Shower Happenings' - Mark Mothersbaugh
16. The Talented Mr. Ripley 'Italia' - Gabriel Yared
17. Rules Of Engagement 'Semper Fidelis (Always Faithful)' - Mark Isham
18. Mission: Impossible 2 'The Bait' - Hans Zimmer
19. Lara Croft: Tomb Raider 'Main Titles' - Graeme Revell
20. Vanilla Sky 'To The Roof' - Nancy Wilson
21. The Sum Of All Fears 'The Mission' - Jerry Goldsmith
22. Forest Gump 'I'm Forrest ... Forrest Gump' - Alan Silvestri
Link
https://mega.co.nz/#!RdkQhBLa!GfiRxGbYhu7c0HvK8kaL0VgX_PVvK_VLrA8IEP8 QSec
---------- Post added at 12:13 AM ---------- Previous post was at 12:13 AM ----------
Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West. Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones.