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Tracks:
01. Estancia, Op. 8: Scene 2: Los Trabajadores Agricolas [0:02:52.20]
02. Estancia, Op. 8: Scene 2: Danza del Trigo [0:03:07.02]
03. Estancia, Op. 8: Scene 3: La Doma [0:02:01.28]
04. Estancia, Op. 8: Scene 3: Idilio Crepuscular [0:02:49.12]
05. Estancia, Op. 8: Scene 5: Danza Final: Malambo [0:03:31.46]
06. Suite de danzas criollas, Op. 15 (arr. S. Cohen for orchestra): I. Adagietto pianissimo [0:01:55.57]
07. Suite de danzas criollas, Op. 15 (arr. S. Cohen for orchestra): II. Allegro rustico [0:00:38.69]
08. Suite de danzas criollas, Op. 15 (arr. S. Cohen for orchestra): III. Allegretto cantabile [0:01:54.04]
09. Suite de danzas criollas, Op. 15 (arr. S. Cohen for orchestra): IV. Calmo e poetico [0:01:43.60]
10. Suite de danzas criollas, Op. 15 (arr. S. Cohen for orchestra): V. Scherzando – Coda: Presto ed energico [0:03:00.64]
11. Panambi, Op. 1: Danza de los Guerreros [0:01:56.34]
12. Panambi, Op. 1: Juego de las Deidades del Agua [0:02:09.05]
13. Panambi, Op. 1: Invocacion a los Espiritus Poderosos [0:01:17.59]
14. Panambi, Op. 1: Danza del Hechicero [0:02:10.15]
15. Panambi, Op. 1: El Amanecer [0:05:01.01]
16. Ollantay, Op. 17*: I. Paisaje de Ollantaytambo [0:04:10.58]
17. Ollantay, Op. 17*: II. Los Guerreros [0:03:05.17]
18. Ollantay, Op. 17*: III. La Muerte de Ollantay [0:05:11.29]
19. Popol vuh, Op. 44: I. La Noche de los Tiempos [0:05:33.00]
20. Popol vuh, Op. 44: II. El Nacimiento de la Tierra [0:04:32.60]
21. Popol vuh, Op. 44: III. El Despertar de la Naturaleza [0:05:00.72]
22. Popol vuh, Op. 44: IV. El Grito de la Creacion [0:00:25.39]
23. Popol vuh, Op. 44: V. La Gran Lluvia [0:03:15.46]
24. Popol vuh, Op. 44: VI. La Ceremonia Magica del Maiz [0:02:33.08]
25. Popol vuh, Op. 44: VII. El Sol, la Luna y las Estrellas [0:01:35.63]
26. Popol Vuh, Op. 44: VIII. El Amanecer De La Humanidad [0:01:15.32]
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For the five works on this disc, Ginastera drew upon Argentine and other Meso- and South American subjects. Evocative of native influences, the life of the gaucho on the pampas, and influenced by the music of his time, they span the composer’s entire creative life, from his first acknowledged work, the ballet score Panamb�, and the Inca-inspired Ollantay, to the Mayan mythological compendium Popol Vuh, which occupied him for about eight years and remained unfinished. These exciting, richly orchestrated works abound in the beauty and energy of dance.