Alan Silvestri – Avengers: Endgame (Chronological Edit, ALAC, 16/44)

Chronological edit of the OST, assembled with the help of Kadron and Iamtommie44.
Having seen the film multiple times each, they assisted me with an accurate breakdown of the OST.
Some pieces were conjoined which shouln’t have been (like the Zimmer OSTs of yore), this corrects that.
It’s not 100% perfect, some parts I crossfaded to avoid harsh/jarring edits.
Quality is 16-bit, 44.1kHz Apple Lossless. I did not make the cover.
Pardon the tracklist, I threw it together in a matter of seconds.
Questions, input, tips, all other inqueries welcome. Enjoy 🙂

August 2019 update: the final 3 tracks from the film have been ripped and added to the archive

We’re in the Endgame now (https://mega.nz/#!bxUHhazL!TGpIB-_XDNMfYFonNUZotyLSZH7HhmjQLTHtGv00vEI)

Thank You!!!

cool

Thanks so much for this. Was a little annoyed by it not being in chronological order. Your work is much appreciated!

Thank you.

End Credits music is not complete. Can someone share the complete end credits music?

Thank you!!

Wow! Thanks so much for this!!!

Great work. Thanks mate.

End Credits music is not complete. Can someone share the complete end credits music?

It’s not complete because we’re missing more material. This is far from complete. However, this edit of the end credits is longer than what’s on the commercial release.

Thank you for sharing

Wow, thanks for sharing DAK! 😀

Thank You Very Much

What do the + symbols on the ends of some tracks signify? Other themes used in those cues?

Great share, mate! Cheers!

Gracias por compartir….

What do the + symbols on the ends of some tracks signify? Other themes used in those cues?

†Contains a theme from Thor: Ragnarok written by Mark Mothersbaugh

Thank you very much

For some reason these are not working for me. Anybody else having issues?

Thank you so very much!! Looking forward to hearing the score presented this way.

Thanks for this!! I always prefer my albums chronological

Thanks for the information!

Thanks a lot!

Thank you very much!

big thanks can you also do Avengers: Infinity War

Haven’t seen the film yet but do apprciatercwhat you have done here

Thanks very much.

Many thanks for this!

I’ve got a good quality source audio track of the film if it’s any help? It’s a stereo, 384kps, AAC file, 492MB in size.

Thank you!

I’ve got a good quality source audio track of the film if it’s any help? It’s a stereo, 384kps, AAC file, 492MB in size.

Was it recorded from a cellphone? Lol

Everyone knows that cue as "Portals" – you can’t just change that title now.

Everyone knows that cue as "Portals" – you can’t just change that title now.

Then change it to your liking. Do what you want. Rename the whole set for all I care. I’ve never been fond of Silvestri’s cue titles so I change them to my liking. “Tres Amigos” imo is also stupid and makes no sense. This is not a Spanish film. So it became “The Trio”.

Thank you!!

Thank you so much!

01 – Dear Mr. Fantasy
02 – Dream About You
03 – Arrival
04 – No Trust
05 – Where Are They
06 – Becoming Whole Again
07 – I Figured It Out
08 – Perfectly Not Confusing
09 – Supersonic Rocket Ship
10 – You Shouldn’t Be Here
11 – Hawkeye Back In Time.
12 – Doom And Gloom
13 – The How Works
14 – One Shot
15 – I Can’t Do This�
16 – Watch Each Other’s Six
17 – So Many Stairs
18 – New York 2012
19 – He Gave It Away
20 – I’m Totally from the Future�
21 – Come And Get Your Love
22 – The Tool of A Thief
23 – This Is Your Future
24 – In Plain Sight
25 – Whatever It Takes
26 – A Soul for A Soul
27 – Hey Lawdy Mama
28 – Not Good
29 – Morning After Again
30 – I Was Made for This
31 – Below the Rubble
32 – The Trio
33 – He Won’t Let Me
34 – Worth It
35 – Assemble
36 – Him Or A Tree
37 – You Took Everything from Me
38 – The One
39 – You Did Good
40 – The Real Hero
41 – Five Seconds
42 – Go Ahead
43 – It’s Been A Long, Long Time
44 – End Credits

Thanks

Thank you!

Was it recorded from a cellphone? Lol

No, it’s direct line audio recorded from a digital source. Here’s a sample:-

https://mega.nz/#!nYRWiQgb!JPbg_mtKxM__UTxfnU-R38VB-L9Re5xEnRQ70hbVGL8

… I’ve never been fond of Silvestri’s cue titles so I change them to my liking. “Tres Amigos” imo is also stupid and makes no sense. This is not a Spanish film. So it became “The Trio”.

Not to burst your bubble but that decision to name as such probably happened to steer clear of spoiler and as such makes perfect sense don’t you think?

End Credits music is not complete. Can someone share the complete end credits music?

We have to wait until a rip of the End Credits on the future BluRay release 😉

a huge thank you brother..

No, it’s direct line audio recorded from a digital source. Here’s a sample:-

https://mega.nz/#!nYRWiQgb!JPbg_mtKxM__UTxfnU-R38VB-L9Re5xEnRQ70hbVGL8

Well damn then, I’ll take the whole thing. THANK U SHARE!1

Not to burst your bubble but that decision to name as such probably happened to steer clear of spoiler and as such makes perfect sense don’t you think?

You’re not bursting any bubble, it makes perfect sense. And now that I and 99% of the rest of the world have seen the film, I renamed it to something that’s not stupid.

This is a sample of a scene in the movie, right. The music you hear is the opening of Perfectly Not Confusing.

So why is this special.

Well damn then, I’ll take the whole thing. THANK U SHARE!1

You should know from all my previous uploads, I don’t share or offer rubbish LOL! Will upload and post so you and others have something proper to check your chronological edits of the score with.

Never mind. I understand!

Thank you

Source Audio (Direct Line):-

https://mega.nz/#!bUx1RA5J!Dyi9naEVvgRn-2hSnkbjsKNM-FLCOS1WG9rhbTpBpRY

Source Audio (Direct Line):-

https://mega.nz/#!bUx1RA5J!Dyi9naEVvgRn-2hSnkbjsKNM-FLCOS1WG9rhbTpBpRY

Dang, you musta plugged that right into the sound rack for the projector at the theater…lol

Fabulous work, Thanks!

Do you have this is MP3? Thanks so much for doing all this work btw.

Thank you!

Thanks for this!

Thanks for the share. Appreciate your work.

Thanks for all the work and for sharing!

Dang, you musta plugged that right into the sound rack for the projector at the theater…lol

Some would say he pulled a "Nebula" and hijacked that panel while no one was looking…

Not to burst your bubble but that decision to name as such probably happened to steer clear of spoiler and as such makes perfect sense don’t you think?

In that spirit, I just realized that ‘Worth It’ is meant to stand in for "worthy". Well played, Silvestri.

pretty great edit! We just need an Infinity War edit 🙂

01 – Dear Mr. Fantasy
02 – Dream About You
03 – Arrival
04 – No Trust
05 – Where Are They
06 – Becoming Whole Again
07 – I Figured It Out
08 – Perfectly Not Confusing
09 – Supersonic Rocket Ship
10 – You Shouldn’t Be Here
11 – Hawkeye Back In Time.
12 – Doom And Gloom
13 – The How Works
14 – One Shot
15 – I Can’t Do This†
16 – Watch Each Other’s Six
17 – So Many Stairs
18 – New York 2012
19 – He Gave It Away
20 – I’m Totally from the Future†
21 – Come And Get Your Love
22 – The Tool of A Thief
23 – This Is Your Future
24 – In Plain Sight
25 – Whatever It Takes
26 – A Soul for A Soul
27 – Hey Lawdy Mama
28 – Not Good
29 – Morning After Again
30 – I Was Made for This
31 – Below the Rubble
32 – The Trio
33 – He Won’t Let Me
34 – Worth It
35 – Assemble
36 – Him Or A Tree
37 – You Took Everything from Me
38 – The One
39 – You Did Good
40 – The Real Hero
41 – Five Seconds
42 – Go Ahead
43 – It’s Been A Long, Long Time
44 – End Credits
Why i’m seeing 44 tracks when the upload only includes 40? Where are the other 4 tracks?

Why i’m seeing 44 tracks when the upload only includes 40? Where are the other 4 tracks?

He included the 4 source cues I happened to not have. I had 2 (from TWS and GotG) so I included them.

01 – Dear Mr. Fantasy (S)
02 – Dream About You
03 – Arrival
04 – No Trust
05 – Where Are They
06 – Becoming Whole Again
07 – I Figured It Out
08 – Perfectly Not Confusing
09 – Supersonic Rocket Ship (S)
10 – You Shouldn’t Be Here
11 – Hawkeye Back In Time.
12 – Doom And Gloom (S)
13 – The How Works
14 – One Shot
15 – I Can’t Do This†
16 – Watch Each Other’s Six
17 – So Many Stairs
18 – New York 2012
19 – He Gave It Away
20 – I’m Totally from the Future†
21 – Come And Get Your Love
22 – The Tool of A Thief
23 – This Is Your Future
24 – In Plain Sight
25 – Whatever It Takes
26 – A Soul for A Soul
27 – Hey Lawdy Mama (S)
28 – Not Good
29 – Morning After Again
30 – I Was Made for This
31 – Below the Rubble
32 – The Trio
33 – He Won’t Let Me
34 – Worth It
35 – Assemble
36 – Him Or A Tree
37 – You Took Everything from Me
38 – The One
39 – You Did Good
40 – The Real Hero
41 – Five Seconds
42 – Go Ahead
43 – It’s Been A Long, Long Time (S)
44 – End Credits

(S) Source Musics

"It’s Been A Long, Long Time" is truncated.

Yes it is. It’s TWS film edit. It’s all I had.

Brilliant! Many thanks.

Many thanks, Dak. Much appreciated.

———- Post added at 04:18 PM ———- Previous post was at 04:12 PM ———-

Source Audio (Direct Line):-

https://mega.nz/#!bUx1RA5J!Dyi9naEVvgRn-2hSnkbjsKNM-FLCOS1WG9rhbTpBpRY

Thank you.

Not my favorite score, but thanks!

Thanks dak!

Chronological edit of the OST, assembled with the help of Kadron and Iamtommie44.
Having seen the film multiple times each, they assisted me with an accurate breakdown of the OST.
Some pieces were conjoined which shouln’t have been (like the Zimmer OSTs of yore), this corrects that.
It’s not 100% perfect, some parts I crossfaded to avoid harsh/jarring edits.
Quality is 16-bit, 44.1kHz Apple Lossless. I did not make the cover.
Pardon the tracklist, I threw it together in a matter of seconds.
Questions, input, tips, all other inqueries welcome. Enjoy 🙂

We’re in the Endgame now (https://mega.nz/#!nwdTSazI!d0ZSn09kyXa1CEnfFPgNIsQK6296UG1cQwFmjDsiSGk)

Great share ! 😉 Lots Of Thanks !

Thanks

Nice!!!

Great! However, I have a doubt: the tracks are credited by being by Alan Silvestri and the London Symphony Orchestra. But how do you know that the LSO performed the Endgame score? Where did you get this information from?

The movie is out on digital now, so I sat through the entirety of the end credits (which wasn’t a fun experience) to see if there’s any information about which orchestra performed the score and where it was recorded. But the only information on the credits is that they used London Voices (which isn’t exactly interesting, a lot of Hollywood movies uses the London Voices, including many Marvel ones) as a choir and that Mark Graham helped conduct the score – I assume Silvestri conducted much of the score himself, unlike Infinity War, in which he couldn’t participate on the recording sessions due to his duties on Ready Player One.

It would be pretty great if this score was indeed performed by the LSO, their biggest blockbuster movie since Deathly Hallows Part 2, if I’m not mistaken. On the past, the power of the orchestra was used on a lot of classics by Williams (Superman, Raiders, the first six Star Wars movies), Horner (Aliens, Legends of the Fall, Braveheart, Willow) and others, but these days only Patrick Doyle and Alexandre Desplat are using them.

Thank you for this share.

Great! However, I have a doubt: the tracks are credited by being by Alan Silvestri and the London Symphony Orchestra. But how do you know that the LSO performed the Endgame score? Where did you get this information from?

The movie is out on digital now, so I sat through the entirety of the end credits (which wasn’t a fun experience) to see if there’s any information about which orchestra performed the score and where it was recorded. But the only information on the credits is that they used London Voices (which isn’t exactly interesting, a lot of Hollywood movies uses the London Voices, including many Marvel ones) as a choir and that Mark Graham helped conduct the score – I assume Silvestri conducted much of the score himself, unlike Infinity War, in which he couldn’t participate on the recording sessions due to his duties on Ready Player One.

It would be pretty great if this score was indeed performed by the LSO, their biggest blockbuster movie since Deathly Hallows Part 2, if I’m not mistaken. On the past, the power of the orchestra was used on a lot of classics by Williams (Superman, Raiders, the first six Star Wars movies), Horner (Aliens, Legends of the Fall, Braveheart, Willow) and others, but these days only Patrick Doyle and Alexandre Desplat are using them.

https://en.m.wikipedia.org/wiki/London_Symphony_Orchestra_filmography

https://en.m.wikipedia.org/wiki/Avengers:_Endgame_(soundtrack)

https://m.facebook.com/WRCJ909/posts/10158604481086978

I researched. Saw it on their twitter months ago. Plus, you don�t record at Abbey Road and not use the LSO.

https://en.m.wikipedia.org/wiki/London_Symphony_Orchestra_filmography

https://en.m.wikipedia.org/wiki/Avengers:_Endgame_(soundtrack)

https://m.facebook.com/WRCJ909/posts/10158604481086978

I researched. Saw it on their twitter months ago. Plus, you don�t record at Abbey Road and not use the LSO.

Wow, they also performed the original Avengers? How about that.

Wow, they also performed the original Avengers? How about that.

Of course they did! Silverstri uses The Hollywood Studio Symphony and The London Symphony Orchestra. I couldn’t find anything on which orchestra performed IW though.

Thanks for that.

I searched for the LSO tweet, but couldn’t find it, just this one from May 2012, around the time the first Avengers was released, where they say it’s the first time they collaborate with Silvestri since Roger Rabbit in 1988 – therefore confirming that the first movie indeed utilized the LSO:

https://twitter.com/londonsymphony/status/197679438761168899

However, no Avengers movie is listed on their selected filmography on their website, which is very odd. I mean, these movies made tons of billions of dollars at the box office and were well received by the critics, so why not put it on their resume? Instead, they highlight stuff like Suburbicon, Suffragette and Jack Ryan Shadow Recruit, which weren’t exactly hits with audiences and critics.

https://lso.co.uk/orchestra/history/lso-and-film-music.html

My guess is that Marvel/Disney are to blame on this case. For some reason, they are VERY secretive with their MCU scores. I mean, how many featturettes about the scores, with footage of the sessions, have you ever seen for a Marvel movie? Of course, there are a few pics and videos posted by the composers themselves (like Pinar Toprak, who posted a pic of the Captain Marvel sessions on her Facebook, or Giacchino posting his Homecoming orchestra performing the 60s Spidey theme) or the filmmakers (Gunn posted on Twitter a video of the orchestra recording the Dad cue from GOTG 2), but never something from Marvel itself.

I dunno, maybe Marvel forbade the orchestra to post on social media they were recording the Avengers, because blah blah blah secrets yada yada spoilers… But, it’s pretty sad. I would love a video of Silvestri conducting the Avengers theme with the LSO.

As would I. I also had a thought that it was most likely individual contracted musicians who performed IW. That happens all the time. Take Man of Steel and Jurassic Park, for example. HZ usually uses The Hollywood Studio Symphony (and sometimes the LSO or even The London Session Orchestra [who did Iron Man and several MCU films, btw]), while John Williams usually uses the LSO, but sometimes the HSS. Can’t find any info on either. I’ve come to the conclusion both scores were performed by contracted musicians and not a full orchestra.

Yeah, Infinity War was most likely a studio orchestra made of musicians individually contracted, like most MCU scores. Since Silvestri was busy with Ready Player One, he couldn’t conduct the score, so they had to use a studio orchestra. For the first one and Endgame, he was more available for conducting, so they used the LSO.

I have updated the set with the final 3 tracks from the film: It’s Been A Long, Long Time, End Credits, pt. I & Make Way for Tomorrow Today (End Credits, pt. II).
It’s Been A Long, Long Time has SFX when the car drives by at the beginning of the cue, it was in all channels. Maybe the version from TWS can be used in place where there’s SFX, not sure. The tracks all flow into each other so they play one right after the other. These 3 tracks have been included in the main archive, located on page 1.

I also changed "Where Are They?" to The Garden and "The One" to Inevitable

Thank you!

Please reupload?

Thanks for that.

I searched for the LSO tweet, but couldn’t find it, just this one from May 2012, around the time the first Avengers was released, where they say it’s the first time they collaborate with Silvestri since Roger Rabbit in 1988 – therefore confirming that the first movie indeed utilized the LSO:

https://twitter.com/londonsymphony/status/197679438761168899

However, no Avengers movie is listed on their selected filmography on their website, which is very odd. I mean, these movies made tons of billions of dollars at the box office and were well received by the critics, so why not put it on their resume? Instead, they highlight stuff like Suburbicon, Suffragette and Jack Ryan Shadow Recruit, which weren’t exactly hits with audiences and critics.

https://lso.co.uk/orchestra/history/lso-and-film-music.html

My guess is that Marvel/Disney are to blame on this case. For some reason, they are VERY secretive with their MCU scores. I mean, how many featturettes about the scores, with footage of the sessions, have you ever seen for a Marvel movie? Of course, there are a few pics and videos posted by the composers themselves (like Pinar Toprak, who posted a pic of the Captain Marvel sessions on her Facebook, or Giacchino posting his Homecoming orchestra performing the 60s Spidey theme) or the filmmakers (Gunn posted on Twitter a video of the orchestra recording the Dad cue from GOTG 2), but never something from Marvel itself.

I dunno, maybe Marvel forbade the orchestra to post on social media they were recording the Avengers, because blah blah blah secrets yada yada spoilers… But, it’s pretty sad. I would love a video of Silvestri conducting the Avengers theme with the LSO.

There is a video in the making of Doctor Strange about Michael Giacchino in the bluray, maybe 10 minutes. We can see him conducted the orchestra, and an interview.

———- Post added at 02:20 AM ———- Previous post was at 02:15 AM ———-

Now the Endgame BR is out, I hope a reel complete score will be surface, with the reprise of the themes of Ant-Man, Captain Marvel…

So DAK was just given a three-week ban by our beloved admin for simply asking if anyone had a score owned by Fox. Simple mistake, simple fix: ban the guy, obviously. *sigh*

Hence my sharing the new link here for you all of his updated version of the album, now that the BR has come out:

https://mega.nz/#!XlFREALQ!I2WNQpopx55wc3ji7WRgbGAWB31Odpp5raJEQwXLumk

Some of the source cues and clean score have been ripped from the BR, and DAK and I decided on a couple new cue names for some of the tracks that better represent the scenes they score. Obviously all source cues are film edits.

List of updates:

"Dear Mr Fantasy" opening with the thunderclap.
Captain Marvel’s appearance added to the end of "Dream About You".
"Where Are They?" renamed to "The Garden".
"Becoming Whole Again" renamed to "Five Years Later".
"Perfectly Not Confusing" split into the three original cues that it was comprised of: "Perfectly Not Confusing", "He Made It For You", & "Don’t Say That Name".
"Supersonic Rocket Ship" (Source Cue), placed chronologically.
"Come and Get Your Love" Source Cue, including Chris Pratt’s solo).
"The One" renamed "Inevitable" (I prefer "The One", personally).
"It’s Been a Long, Long Time" (Source Cue)
"End Credits pt. I" (Main On Ends + Credits Suite)
"Make Way For Tomorrow Today" (End Credits pt. II)

Enjoy. DAK will be back at some point with another update.

Thank you!!!

thanks