Prepaid Card
No Deposit
Instant Withdrawal
Download
Password: Material Defender
FLAC
Size: 1.46 GB
Sample rate: 44.1 kHz
Sample depth: 16 bits
MEGA (https://mega.nz/#!HkU3kJDa!NwjhQaJ7AofWjEHZsCwaUrIRroELzue6iRfcpAUNzMg)
MP3
Size: 482 MB
Sample rate: 44.1 kHz
Bit rate: V0 (~240 kbps)
MEGA (https://mega.nz/#!Px1zTBDS!XBOUBKlwBlfup3lmsMY7QONx6IcOYQ6KoSq3MkVE6Lg)
Tracklist
Disc 1 – Descent (1:04:14)
Primitive Rage
Outerlimits
Robotic Menace
Virtual Tension
Time for the Big Guns
Mystery Metal
Hydraulic Pressure
Not That Button!
Industrial Accident
Overdrive
A Big Problem
Ether in the Air
The Escape
Disc 2 – Descent 2 (1:04:45)
Descent II
Crawl
Glut
Gunner Down
Cold Reality
Ratzez
Crush
The Well (Mark 2)
Haunted (Instrumental Remix)
Are You Descent?
Techno Industry
Robot Jungle
Transmode Containment (Mark 1)
Pain
Rusty
Base Return
Final Mission
Disc 3 – Descent MIDIs (1:25:25)
Descent
Briefing
Lunar Outpost
Lunar Scilab
Lunar Military Base
Venus Atmospheric Lab
Venus Nickel-Iron Mine
Mercury Solar Lab
Mercury Core
Mars Processing Station
Mars Military Dig
Mars Military Base
Io Sulfur Mine
Calisto Tower Colony
Europa Mining Colony
Europa CO2 Mine
Titan Mine
Hyperion Methane Mine
Tethys H20 Mine
Miranda Mine
Oberon Mine
Oberon Iron Mine
Oberon Platinum Mine
Neptune Storage Depot
Escape
Ending
Credits
Disc 4 – Descent 2 MIDIs & Bonus (34:41)
Descent II
Briefing
Ahayweh Gate
Turnabout Bore
Wenl Mine
Robby Station
Credits
Vampyro
Descent II Title Redux
Vampyro Title Remastered
Vampyro Briefing Remastered
Vampyro Credits Remastered
Total Time: 4:09:36
First off, 90% of the credit for this one goes to Iron Ian. All of the tracks here originally come from his Descent Complete Music Collection. What’s the point of this, then? Well, there is one small complaint I have with the music in Iron Ian’s release: there’s way too much of it! It’s not just that there are several variations of each track, but the exact same track is often duplicated from multiple sources. This soundtrack is largely just a compilation of the most complete (read: longest) versions of each track.
Besides that, I made a few changes to the tracks themselves. I got rid of the jerky editing in the Descent 1 MacPlay tracks, and re-edited/remastered most of the Descent 2 tracks to have a dynamic range closer to the original PC release. The MIDI tracks were recorded by Brandon Blume on a real SC-55 (with the exception of Vampyro, which was made with a soundfont). Blume intended for these tracks to loop, and so they cut off abruptly rather than having tails. To remedy this, I rendered each track with an SC-55 soundfont, and spliced the tails into Blume’s recordings. Then I looped and faded the tracks that didn’t have proper endings.