Source:
http://www.hans-zimmer.com/index.php?rub=disco&id=1530
My opinion is: I’ll wait and see. I hope he uses Zimmer’s theme extensively. On a related note, if Warner Brothers is intent on sticking to RCP composers, then they should definitely bring Lorne Balfe in at some point. I’d like to see what he does.
Penny for ya thoughts?
———- Post added at 07:54 PM ———- Previous post was at 07:52 PM ———-
(Also, the first time I’ve started a thread. Woop woop.)
So am I! Only 218 days to go. (*sigh*)
And I just realised I can start making custom covers. Aw yeah.
Or until the next official trailer.
http://www.slashfilm.com/wonder-woman-trailer-2/#more-381891
Or until the next official trailer.
http://www.slashfilm.com/wonder-woman-trailer-2/#more-381891
Nope. Won’t watch it. For movies I’m excited about I only ever watch one teaser trailer, then I ignore anything after that. It’s difficult, but it usually pays off.
We need more female Hollywood composers in general, to be fair.
My point exactly. You’re going to be hitting the "change channel" button a lot in the coming year.
The worst case is when I’m in a cinema. I always bow my head and close my eyes. (Like I’m saying a prayer before eating my popcorn :laugh:.)
We don’t need more female composers, but I would hope that talented women in music are not being denied advancement in the film industry due to their sex.
My earlier post was essentially me stating that I wished they’d gotten a female composer so that one of the woman I mentioned could write for it. Ritmanis in particular could write a killer score to this film. I’m getting goosebumps just thinking about the possibilities.
My earlier post was essentially me stating that I wished they’d gotten a female composer so that one of the woman I mentioned could write for it. Ritmanis in particular could write a killer score to this film. I’m getting goosebumps just thinking about the possibilities.
Ah, I see. What I meant was I’d like to see more female composers in Hollywood. It wasn’t so much a call for equality, just my desire. Aaanyway, Hollywood certainly mustn’t forget about the scoring veterans. Animated films like The Killing Joke is cool and all, but composers really get to flex when it comes to big budget affairs.
Her work for the ’90s Batman and Superman are what I would hope she would do for a theatrical film. Especially "Little Girl Lost".
Amen to that. I hope RGW rips the roof off with his score.
Setting WW’s first adventure with WWI as the backdrop is a good choice. It’s little wonder – no pun intended – that it was called "the war to end all wars" and that experience would drive Diana to conceal her identity.