I really liked the "What Was Thor Doing During Civil War?" short.
:this:
He’s a veteran Shakespearean director/actor.
A lot of his movies share the same operatic drama.
Frankenstein looked larger than life.
Hell, he even made Jack Ryan look like a soap opera.
I’d still watch it again.
But it feels more like it’s oriented towards a TV series.
Late night drama for the newage housewives.
His entire focus for Thor was the relationship between the brothers.
Everyone else got pushed down only to play the pawns.
Even Odin got vastly underplayed. He’s moved about as much as Heimdall moved.
The supporting cast only were there to fill the screen and add to key scenes.
Other than that, it was written only for two chess pieces that weren’t pawns.
I’d still watch Thor again. But probably only about every 2-3 years.
The score suits the overdramatic undertones the director and writer gave the movie.
Thor Dark World was exciting.
It still felt like Natalie Portman just walked through the set.
She was the biggest pawn ever for that plot.
I think most of the big names hated doing the Thor movies.
Natalie Portman did, Idris Elba did, and Anthony Hopkins said he doesn’t want to do it again.
The action was all for the brothers. Again.
The score was great.
They seem to have been doing good picking the right composers for the right directors/writers.
Mothersbaugh is a refreshing surprise. But pleasant.
I really look forward to hearing it.
He’s very underrated. Not that mainstream.
So this should be a very interesting change for Phase 3.
Then you should check out one of the director’s recent movies, "Hunt for the Wilderpeople" – An off-beat black comedy/drama with alot of heart. One of the most charming movies I’ve ever seen! And a little of that same humor wouldn’t hurt "Ragnarok", I think.
….The supporting cast only were there to fill the screen and add to key scenes…..Mothersbaugh is a refreshing surprise. But pleasant.
I really look forward to hearing it.
I, too, hope they’ll develop the other characters in this movie – I gotta be honest when I say that it will be a small relief that Portman won’t be in this movie. I mean, think of all the creatures that Thor has met in his lifetime, why fall for that one trope from Earth? That was abit too much 90’s romance/drama for me. Hopefully it’ll be a bit more complex storytelling between the characters, apart from Loki and Thor.
When it comes to Mark Mothersbaugh, I have the same expectation for him as I had for Michael Giacchino’s participance in Doctor Strange – and I enjoyed the latter score.
I hope he works wonders.
liamdude5: did you experience any electronic music from the first "Thor"? As far as I’ve heard, it’s only been at most orchestral in the Thor-movies..
There are a few cues in the first ‘Thor’ that have crappy synth pads in them. I suspect temp-tracking and RCP worshiping by producers was a factor.
It’s a Marvel movie, George� to them, "fresh" is as French as fra�sche.
The MCU’s two great weaknesses are its lack of compelling villains – with the exception of Loki – and its frequently generic sounding scores. (There are some that standout but there seem to be the exception rather than the rule.)
Giacchino’s Dr. Strange had some good cues but it’s not, IMO, a standout score.
Oh, I forgot that Marvel still has to give his music their ‘approval’…
How many times do you think it takes to watch someone walk off the top of a building before it becomes clear it’s not good for their health?
In today’s society, they’re probably too busy recording the fall on their phones and then posting it to draw the obvious conclusion.
Both of you offer valid points.
You’re right! I listened to the score earlier today, and the tracks "Hammer Found", "The Compound", amongst others (mainly the Earth/Shield-related scenes) has electronic elements.
Didn’t noticed that from earlier listenings..
P.S: The composer, Patrick Doyle, participated in a debate in 2012 with other composers talking about many things, like the use of temp-tracking, so you can check it out here if you’re interested!
I’m proud