Shin Godzilla Music Collection – Shiro SAGISU – FLAC

Here is my personal lossless rip of Shin Godzilla Music Collection!
You should use 7zip file manager to open split 7zip archives.

TRACK LISTING

01. Persecution of the masses (1172)/上陸
02. ゴジラ上陸/「ゴジラ」/進化
03. 11174_rhythm+melody_demo/対峙
04. Early morning from Tokyo (short)/報道1
05. 11174_light_edit_demo/索敵
06. EM20_rhythm_GZM/組織結成
07. EM20_Jerry_GZM/情報供与
08. ゴジラ復活す/「キングコング対ゴジラ」/再上陸
09. ゴジラ登場/「メカゴジラの逆襲」/脅威
10. Black Angels (Feb_10_1211)/作戦準備
11. Fob_01/タバ作戦
12. Defeat is no option (1197)/進攻
13. Who will know (24_bigslow)/悲劇
14. SS_103_GZM (Famously)/報道2
15. EM20_Godzilla/再始動
16. EM20_CH_alterna_01/巨災対
17. EM20_CH_alterna_03/報告
18. EM20_CH_alterna_04/共闘
19. 宇宙大戦争/「宇宙大戦争」/ヤシオリ作戦
20. Under a Burning Sky (11174_battle)/特殊建機第1小隊
21. Under a Burning Sky (11174_orchestra)/特殊建機第2・3小隊
22. Omni_00/終局
23. ゴジラ・タイトル/「ゴジラ」/終曲その1
24. メインタイトル/「三大怪獣・地球最大の決戦」/終曲その2
25. メインタイトル/「怪獣大戦争」/終曲その3
26. メインタイトル/「ゴジラVSメカゴジラ」/終曲その4
27. Under a Burning Sky (11174_rhythm_united_choir) (ボーナストラック)
28. Early morning from Tokyo (ボーナストラック)
29. EM20_rhythm_GZM_full (ボーナストラック)
30. EM20_Jerry_GZM_full (ボーナストラック)
31. Who will know (24_bigslow_strings) (ボーナストラック)
32. Under a Burning Sky (11174_united_choir) (ボーナストラック)

Enjoy!

DOWNLOAD
http://www.mediafire.com/download/2m5nmbzcmdm4zu2/SGMC.7z.001
http://www.mediafire.com/download/m1h09eysnsdf3fs/SGMC.7z.002
http://www.mediafire.com/download/1nhy7y8j4ow9cb2/SGMC.7z.003

SCANS
http://www.mediafire.com/download/gnp5hlm1nccqxgv/SGMCScans.7z

PASS
SAGISU

OMG~!! thx megiddoryu1 for this~! n its in lossless~!! looking forward to the link for both of CD n BK~

Nice, very curious about this. I wanted to listen to it before I order the CD. The song used in the first trailer was mindblowing.

Can not wait to hear the new music.

Thanks for the share…

Can not wait to hear the new music.
You mean Decisive Battle from evangelion in 20 slight variations?

Thank you so much!!!!

Thanks a lot for this, megiddoryu1!

You mean Decisive Battle from evangelion in 20 slight variations?

This is so damn true it hurts :laugh: Though Evangelion and Anno fans like my bro love that, some others just don’t like that it’s not original. I agree in that aspect.

This is for you, Clonemaster:

https://www.youtube.com/watch?v=iXNNAFwogP8

Right, I had heard a sample of that a couple of days ago. I became a little excited, then realized just today that they sound more like demos, and they are rather short. Regardless, I appreciate that it’s included here.

Moreover, I still greatly prefer these renditions: The Longest Day III (http://216.227.134.162/ost/rebuild-of-evangelion-evangelion-1.0-you-are-not-alone-original-soundtrack/xtmsblsnli/18-the-longest-day-iii.mp3), Bataille D�cisive (http://216.227.134.162/ost/rebuild-of-evangelion-evangelion-1.0-you-are-not-alone-original-soundtrack/cmucjqxvvz/20-battaille-decisive.mp3)

In consideration that, if Sagisu was going to re-use older material, he should’ve gone all-out. I mean with longer duration, and actually performed with an orchestra as like the tracks above. I’m a bit disappointed.

Thank you

thank you for this share 🙂

Though Evangelion and Anno fans like my bro love that

Yet, can you call yourself an Evangelion fan, even if you haven’t seen the series? Or by this point am I mistaken

You mean Decisive Battle from evangelion in 20 slight variations?

You mean a cue that probably wasn’t even made by the composer himself? He was rather lucky to have gotten away with it then, but the Bond estate really needs to sue him if that’s still the case.

———- Post added at 08:59 AM ———- Previous post was at 08:58 AM ———-

Yet, can you call yourself an Evangelion fan, even if you haven’t seen the series? Or by this point am I mistaken

Maybe? I might know more than Ponyo does, but I still haven’t seen it.

Yet, can you call yourself an Evangelion fan, even if you haven’t seen the series? Or by this point am I mistaken

I’ve never called myself an Evangelion fan. I’ve barely ever seen anything Evangelion related much. My bro is the one that loves it, an Anno stuff, ever since he saw it at the age of 13 and it fucked him up badly, left him like WTF all the time.. cuz it was shown in TV at the time of juvenile shows.. so he thought it was something normal and then WOAH FUCK’S THIS? XD My bro loves Evangelions and its music so I’ve already passed him the links for these two new Sagisu albums, hope he appreciates it and loves it. I hope one day I will watch Evangelion for the first time ever with my bro so he can watch my WTF IS THIS SHIT face, but not today, my brain is not prepared for that fuckery

———- Post added at 10:04 AM ———- Previous post was at 10:03 AM ———-

You mean a cue that probably wasn’t even made by the composer himself? He was rather lucky to have gotten away with it then, but the Bond estate really needs to sue him if that’s still the case.[COLOR="Silver"]

Maybe? I might know more than Ponyo does, but I still haven’t seen it.

Hunter, none of those two replies you quoted were directed at you, at all, and you got it all wrong? The cue has nothing to do with Bond. The cue we’re talking about, Decisive Battle, is featured in Evangelion, and was an original composition by Shiro Sagisu himself. It’s not stolen. It’s just him using a variation of his theme for Evangelion at the request of Anno or because he liked it too, I dunno. Some just don’t like that he didn’t go all original.

You mean a cue that probably wasn’t even made by the composer himself? He was rather lucky to have gotten away with it then, but the Bond estate really needs to sue him if that’s still the case.

Are you saying, that one of my most favored cues from Neon Genesis Evangelion (this one, this one right here (http://216.227.134.162/ost/neon-genesis-evangelion-i/vmjwhnpbdm/16-decisive-battle.mp3)), is from a James Bond film?

Are you saying, that one of my most favored cues from Neon Genesis Evangelion (this one, this one right here (http://216.227.134.162/ost/neon-genesis-evangelion-i/vmjwhnpbdm/16-decisive-battle.mp3)), is from a James Bond film?

No, he just got all confused in the brain.. out of nowhere.

[QUOTE=. It’s not stolen..[/QUOTE]

You’ve not heard the 007 theme, then…

The hell is this then? (https://youtu.be/BKCEiNk198E)

I know it’s not exactly the same, but come on! Tje resemblance is there.

You’ve not heard the 007 theme, then…

The fuck’s Decisive Battle have anything to do with Bond?!

Seriously.

Listen to the 007 theme from From Russia With Love or Thunderball.
Tell me it’s not "inspired by"

Thank you very much!!

It looks similar, yeah, but I’d say inspired by.

If it’s that similar I’m pretty sure Sagiru would have been sued already.. Evangelion and Sagiru are pretty known.

They either don’t care or think it’s just inspired by.

and actually performed with an orchestra as like the tracks above.

Well, the strings sound like they may be real, and they sound good, but I can’t be certain for any other aspect (I’m mainly talking about "EM20_Godzilla/再始動".)

All in all, more effort could’ve been put forth for this film. The score, I mean. I don’t know anything about how well the film itself was done.

I’ve sent that cue to my bro I wanna know what he thinks of that "rip off"

I’m pretty sure he’ll be like "fucking badass genious" XD

It looks similar, yeah, but I’d say inspired by.

If it’s that similar I’m pretty sure Sagiru would have been sued already.. Evangelion and Sagiru are pretty known.

They either don’t care or think it’s just inspired by.

Inspired by?! They changed enough of the tune to not get detected easily, but it’s still the damn same tune!

I know when two tunes are similar, but ultimately different

This ain’t it.

Inspired by?! They changed enough of the tune to not get detected easily, but it’s still the damn same tune!

I know when two tunes are similar, but ultimately different

This ain’t it.

Literally shut up. There’s no reason to get so worked up over it.

HunterTech, the two cues do take a bit of a different direction. A different key, not the same chord progression, etc. Very similar, but not the same. It definitely sounds as if he was inspired by it, or it’s a coincidence altogther.

There ain’t, but it’s funny that one of the composers most famous tunes was still in an earlier product not made by him.

It’s fact.

Imitation is a sincerest form of flattery?

It’s not an arrangement of the exact same tune, it’s another composition that is similar. Doesn’t matter what it is, you shouldn’t be so life upset over it, it doesn’t affect you. Chill.

HunterTech, the two cues do take a bit of a different direction. A different key, not the same chord progression, etc. Very similar, but not the same. It definitely sounds as if he was inspired by it, or it’s a coincidence altogther.

Coincidence is more likely, though I wonder what his inspiration. Considering anime can take a lot of western influence, maybe Shiro listened to Barry? Who knows.

Seriously Who Cares…..

I Have Music From Stuff That Sounds Like Williams….

Seriously….

Seriously Who Cares…..

I Have Music From Stuff That Sounds Like Williams….

Seriously….

:this:

It’s not an arrangement of the exact same tune, it’s another composition that is similar. Doesn’t matter what it is, you shouldn’t be so life upset over it, it doesn’t affect you. Chill.

Still too damn similar.

Maybe it’s because I’m having flashbacks of a silly lawsuit between two artists that had a diapute that one of them should’ve had credit for a tune that sounded similar to a tune they made in an earlier group.

The fans clearly had no idea what the actual situation was, and neither knew what sampling was.

I was pissed.

Oh how about we just enjoy some music and thats it?

How the crap do I open these files though?

EDIT: Got it, nevermind. Im just gonna blast these awesome Sagisu score and not complain cause it sounds cool

https://m.popkey.co/6ca8fe/AoOww.gif
To….

Another Episode Of…..

Pointless FFShrine Arguments!

Still too damn similar. Maybe it’s because I’m having flashbacks of a silly lawsuit between two artists that had a diapute that one of them should’ve had credit for a tune that sounded similar to a tune they made in an earlier group. The fans clearly had no idea what the actual situation was, and neither knew what sampling was. I was pissed.

Still stupid to get so mad over it. Who the hell cares. It’s still good. 😀

It’s still good. 😀

I know this cue from the back of my head. It’s something I play almost every time I get out the keyboard. :p

Is it hard to play? No. Frankly, it’s one of the most simple things you can play on a piano or keyboard.

If we’re gonna complain about something legit, let’s complain about the score of Godzilla Resurgence and how the score has nothing new

Still stupid to get so mad over it. Who the hell cares. It’s still good. 😀

I’m actually not mad. I’m still making the point though. I quite enjoyed the two tunes. I’m probably more likely to listen to Russia With Love before Evangelion though.

Anime music has yet to reach me, outside of a couple opening themes.

———- Post added at 09:46 AM ———- Previous post was at 09:43 AM ———-

If we’re gonna complain about something legit, let’s complain about the score of Godzilla Resurgence and how the score has nothing new

I heard people complain about how Thomas Newman’s Spectre was a repeat of Skyfall. Don’t know if it counts though.

If we’re gonna complain about something legit, let’s complain about the score of Godzilla Resurgence and how the score has nothing new

"Persecution of the masses (1172)/上陸" and "Who will know (24_bigslow_strings) (ボーナストラック)" don’t sound necessarily new, but I know they’re not re-used. Perhaps just a little similar to a cue or two from Rebuild 2.0.

Awesome upload!

Going to avoid the hate comments and not judge the movie.

USA out of ideas for movies, Japan out of ideas for movies.

Really puts Pacific Rim, King Kong and Godzilla cross-over into perspective. 🙂

Bitches ain’t got no time to bitch!

Anime music has yet to reach me, outside of a couple opening themes.

Neon Genesis Evangelion is the only Anime score I’ve heard and enjoyed in thorough. I’d say it’s one of my favorites, and one of the best scores in general.

How is this compared to older Toho?
Godzilla Toho, more precisely. I’m aware Toho has done more than Godzilla.

Neon Genesis Evangelion is the only Anime score I’ve heard and enjoyed in thorough. I’d say it’s one of my favorites, and one of the best scores in general.

I like the first cue in End of Eva, when NERV headquarters are under attack. Simple but effective.

I deleted it before even listening to it lol.

I like the first cue in End of Eva, when NERV headquarters are under attack. Simple but effective.

I agree.

End of Eva

The only thing about The End of Evangelion that bothered me was the way they pronounced ‘Eva’. They spoke it as you would with an ‘e’ instead of an ‘a’. The latter being how it should be pronounced.

I don’t get it, was it a miscommunication between the staff and voice actors?

I agree.

The only thing about The End of Evangelion that bothered me was the way they pronounced ‘Eva’. They spoke it as you would with an ‘e’ instead of an ‘a’. The latter being how it should be pronounced.

I don’t get it, was it a miscommunication between the staff and voice actors?

I’ve been meaning to listen to that particular soundtrack. But because I’ve been rather nervous to listen to things I’m not familiar with recently, it’s on hold. I want to pick the right moment. I don’t want to all come tumbling down, tumbling down, tumbling down.

I noticed that with the English trailer alone. Was it like that in the show and/or the Rebuild series?

How is this compared to older Toho?
Godzilla Toho, more precisely. I’m aware Toho has done more than Godzilla.

According to a Kotaku review, too much political talk, too much ugly dudes talking, not much Godzilla

I’ve been meaning to listen to that particular soundtrack. But because I’ve been rather nervous to listen to things I’m not familiar with recently, it’s on hold. I want to pick the right moment. I don’t want to all come tumbling down, tumbling down, tumbling down.

I noticed that with the English trailer alone. Was it like that in the show and/or the Rebuild series?

The series and rebuild films got it right. The End of Evangelion (somehow) did not.

According to a Kotaku review, too much political talk, too much ugly dudes talking, not much Godzilla

So it’s a repeat of the recent American Godzilla? Damn. What’s the original Gojira like then?

According to a Kotaku review, too much political talk, too much ugly dudes talking, not much Godzilla

I meant the score.

"too much ugly dudes", who the fuck runs Kotaku?

They’ll probably reboot Godzilla with effeminate Jpop stars.

I’m fine with the movie being like that.
Some of the older Godzilla movies didn’t show much Godzilla and was largely human story.
Godzilla was first an afterschool special with a moral at the end.
They do have a lot of rock ’em sock ’em flicks.
But the story ones can be just as entertaining.

Biolante wasn’t a box office action movie and I find it to be one of the finest Godzilla movies.

Anyone in this thread an actual Godzilla fan?
or just riding the coattails of youtube commentaries?

So it’s a repeat of the recent American Godzilla? Damn. What’s the original Gojira like then?

Dunno. Watch it yourself and make your own opinion..

What’s the original Gojira like then?

Excellent.
Just like Gareth Edwards interpretation.

I recommend finding a megapack and watching a few.
One from each company.

A few of them have really touching moments.
Godzilla vs. Destoroyah made me cry.
That’s a masterpiece of a Godzilla movie.
It’s the last one in the Heisei series.

Godzilla 2000 is the next film which starts the Millenium series.

Well, you can look more here about the franchise:
https://en.wikipedia.org/wiki/Godzilla_(franchise)

Ignoring the complete and utter idiocy in this thread aside, thanks for the lossless, megiddoryu1. I really appreciate it.

Er, sorry, novice here. What program do I use to open these files? Eagerly looking forward to listening to this!

Thank you so much for sharing the link, megiddoryu1!!!… 🙂

Ignoring the complete and utter idiocy in this thread aside, thanks for the lossless, megiddoryu1. I really appreciate it.

Really? What was me agressively pointing out the similarities between two tracks before eventually going back to this topic was dumb?

Man do I piss off people when I’m tired.

Clearly….. lol

Really? What was me agressively pointing out the similarities between two tracks before eventually going back to this topic was dumb?

Man do I piss off people when I’m tired.

You really gotta think twice before you talk, chill, and count to ten.

Clearly….. lol

I don’t like being called an idiot, but when autism gets really poorly treated in the internet, I guess that’s what happens.

———- Post added at 02:38 PM ———- Previous post was at 02:37 PM ———-

Am I gonna have this conversation again? Come on! I keep telling everyone I don’t want to hear the same shit! I get it already! Leave me alone!

._.

Ooookay.

:facepalm:

Stop Talking About It Then…..

I want my counselor. I don’t want to approach Mr. Gold levels in how helpless I feel? Can’t just everything go okay? Ugh…

Okay.

I’ve tried opening these using a variety of apps but I keep getting messages like "you cannot open this file" or "There is nothing in this file." Anyone else able to get this open?

1st of all thanks for sharing, should be interesting.

To unpack, download and install 7-zip, and then right click on the first file and choose 7-zip’s extract function. Haven’t used 7-zip in ages….

First off, thanks for the share. I enjoy me some Saigisu and GOJIRA.

Secondly…

What the fuck happened in this thread? Also did someone quote Kotaku as a reliable source of information at that? WHAT.

First off, thanks for the share. I enjoy me some Saigisu and GOJIRA.

Secondly…

What the fuck happened in this thread? Also did someone quote Kotaku as a reliable source of information at that? WHAT.

I made a point that one of the composers most famous cues sounded like a John Barry one. I wasn’t willing to let go of the fact until I did. You thought this was bad, you should’ve seen today’s T2 thread and the general discussion.

That wasn’t an actual Kotaku quote, I believe.

Edit: Nevermind. It actually is. That’s too mean spirited.

THANK YOU VERY MUCH, FELLA!!!!!

Osamu Koike is assuredly the tenor saxophone on the Morning in Tokyo jazzy track. That;s one of his first call session musicians. A top-notch player. Strings are undoubtedly real… Sagisu is well known for using full orchestras. Thank you for this rip, OP!

Strings are undoubtedly real… Sagisu is well known for using full orchestras.

Yeah, I realized that about the strings earlier, though I don’t think it sounds like he’s using a full orchestra. It sounds more partial. :p

Wow this is weird. Was this much retracked Ifukube music actually used in the film? Or is it just a literal "collection" of Godzilla themes with the new stuff interspersed?

(uhh, I hate to bring this up but yeah, that bass line is pretty much "Lector". The main melody is different tho. However, due to HunterTech, when I see this film and everytime that cue comes up, I will be seeing Sean Connery in a sailor suit and cap shooting flare guns at pursuing gunboats…thanks pal 🙂 )

Domo Arigato, megiddoryu1 ! 😀

Bill

Thanks!!

I’ve tried opening these using a variety of apps but I keep getting messages like "you cannot open this file" or "There is nothing in this file." Anyone else able to get this open?
I’m having the same problem even with 7-zip on my computer. The files don’t want to open properly. Or at all.

You mean a cue that probably wasn’t even made by the composer himself? He was rather lucky to have gotten away with it then, but the Bond estate really needs to sue him if that’s still the case.
Whichever, really. Whichever one you associate with the one Sagisu overused in this Godzilla. 🙂

When this release was in pre-production, it was called an "Original Soundtrack" later changed to "Music Collection" as there apparently wasn’t enough original material composed for the movie to see a full soundtrack. Sagisu is no stranger to including variants, edits and the like on his works — he tends to dump the cutting room floor onto the discs!

I’ll agree the EVA music is a cheap tie-in albeit fan service to EVA fans.

Also, not surprisingly, King Records is going full price on this and the Outtakes from Evangelion which can too be criticized for having few original tracks on it.

I really like the evening news/jazz track, reminds me a lot of Sagisu’s Skull Man soundtrack.

When this release was in pre-production, it was called an "Original Soundtrack" later changed to "Music Collection" as there apparently wasn’t enough original material composed for the movie to see a full soundtrack.
I don’t really know about that theory. I mean "ongaku shu" was pretty much the standard before "original soundtrack" so this might as well be a throwback or whatever random reason. I guess it doesn’t matter to me.

thanks

Thank You ! And i made 2 covers

<a href=”http://imgur.com/wDbzrOb”>

Thanks a lot

You know what’s funny is that he’s been recycling a lot of old music that doesn’t belong in the production it’s featured in. The score to Evangelion 3.0 lifts quite a few pieces from Nadia: The Secret of Blue Water and the production codes for it make me think he’s borrowed from some of his other works too.

Just out of curiosity, was this recorded in London with a studio orchestra like Evangelion? Sounds like the same choir, at least.

Thank you very much.

Are the Ifukube tracks new recordings or literally the same ones recorded back in the day (I haven’t had a chance to listen yet, myself)? As GGC said, Sagisu does recycle tracks from time to time but they’re almost always new recordings. 3.0’s Nadia tracks, for instance, are thoroughly re-arranged and beefed up compared to the originals.

Are the Ifukube tracks new recordings or literally the same ones recorded back in the day
They’re stock tracks from the older Godzilla movies.

Same with Kare Kano, which has interloped Evangelion Rebuild soundtracks. Another note since I don’t have the credits, "Jerry" is noted bass and drummer/percussionist Gerry Brown, another Sagisu first call musician.

Well, Gerry, or "Jerry" does a pretty kickass job on the percussion in those tracks. :p

———- Post added at 01:27 PM ———- Previous post was at 01:02 PM ———-

Here’s something I thought I would try: a combination of the tracks "EM20_Jerry_GZM_full (ボーナストラック)" and "EM20_Godzilla/再始動". This is an excerpt from the section of "Jerry" that "Godzilla" can play over. I like it much better, it feels like a more complete variation, and less like a stem, which most of the EM20s seem to be. It’s like only having percussion and piano in one while missing the strings, which reside in another.

This was extremely easy to do, because – as I mentioned before, their similar being to stems, therefore you could pretty much just throw some or all of the EM20 tracks into Audacity, have them synced up to each other, and make a more complete variation.

https://drive.google.com/open?id=0B18GQkZXWsEVZmxyUzNxS3J0QVk

I could’ve also easily done this with "EM20_rhythm_GZM_full (ボーナストラック)" instead, but just decided to choose this one, as it has a bit of a different beat than what you normally hear this melody with.

Thanks!

Thank you

Shiro Sagisu really likes EM20 from Rebuild of Evangelion, doesn’t he? He could have included a few variants of it on the Outtakes disc (like the full version of the one they used in Rebuild 2.0)

Makes me wonder if he’s in an Evangelion composer mindset at the moment, which hopefully means we’ll hear some news on that soon (the last Rebuild was supposed to have been completed by the end of last year, but it got delayed when Anno agreed to do Shin Godzilla)

I really like EM20 as well, "The Longest Day" variants are my favorite. I like their slower tempo which in turn makes them sound ‘noble’ and ‘honorable’, to myself, at least. I can see why he would like the composition so much and why it’s used so often. 🙂

I really like EM20 as well, "The Longest Day" variants are my favorite. I like their slower tempo which in turn makes them sound ‘noble’ and ‘honorable’, to myself, at least. I can see why he would like the composition so much and why it’s used so often. 🙂

On the topic of the version I mentioned before (2EM13), there is a ‘short’ version on the first disc of the Evangelion 2.0 CD, but an earlier version at full length can be heard in the "Rebuild of Evangelion 2.02" feature on the DVD and Blu-Ray. I ripped it out when constructing my chronological Evangelion sets.

Ah, you mean "Sin from Genesis". That’s a kickass version of the cue. The way in which the strings sound during the section of the track wherein there’s just strings and percussion – I just love.

That’s interesting. How does it differ from the film edit and full version from the soundtrack?

Ah, you mean "Sin from Genesis". That’s a kickass version of the cue. The way in which the strings sound during the section of the track wherein there’s just strings and percussion – I just love.

No that’s 2EM31, I’m talking about 2EM13, which is this:

https://www.youtube.com/watch?v=x2zhHvqLrLk

Oh! THAT variation! An even further kickass version of the cue! I’d be very interested in hearing that in extension.

Sorry for the misunderstandings. :p

Oh! THAT variation! An even further kickass version of the cue! I’d be very interested in hearing that in extension.

Here you go: https://www.mediafire.com/?d59ncx1c70yfg9b

Thank you! I’ll check it out when I’m at my computer next. 🙂

Wow, that variation of 2EM13 is fucking amazing! The percussion especially… there’s so much activity, it exceeds from what is on the released version, and further enhances the track, and just- wow. I don’t know what else to say…

Thank you once again, ggctuk2005! I haven’t an idea why in the hell they didn’t release that track, or better said, made available on a soundtrack instead of where it’s sourced from.

Wow, that variation of 2EM13 is fucking amazing! The percussion especially… there’s so much activity, it exceeds from what is on the released version, and further enhances the track, and just- wow. I don’t know what else to say…

Thank you once again, ggctuk2005! I haven’t an idea why in the hell they didn’t release that track, or better said, made available on a soundtrack instead of where it’s sourced from.

You’re most welcome 🙂

I’m hoping Outtakes Volume 2 includes demos from the first two Evangelion Rebuild films – that feature on the DVD also includes earlier versions of a few other pieces as well.

That’d be great! Any alternate version of cues I like would be interesting to hear.

they already did a lot for the music of Evangelion Rebuild
double CDs for 2.0 (one with the flim mixes and one with the sessions)
a double CD for all the music from 3.0 and another DVD bonus with the film mixes
didnt think there was still stuff left

Thanks a lot

Thank you very much !

Thanks a lot 😀

they already did a lot for the music of Evangelion Rebuild
double CDs for 2.0 (one with the flim mixes and one with the sessions)
a double CD for all the music from 3.0 and another DVD bonus with the film mixes
didnt think there was still stuff left

There’s always a lot left, particularly if you consider that the film mixes of several tracks unavailable on the main OSTs tend to cut down or alter quite a bit. Just listen to the 2EM13 I posted and compare it to the 2EM13 in the film mix of Evangelion 2.0.

Thanks!!

I’m having the same problem even with 7-zip on my computer. The files don’t want to open properly. Or at all.

I’m assuming you’ve gotten something like this?

I could use some help with this too.

I’ve not had any problems. What I would like though is a translation of the track titles from Japanese to English, if anybody has them, please.

I am also having the same problem, no matter what I do I cannot open any of them.

It seems some people are having trouble opening the files. Here’s my copy of it, (https://mega.nz/#!tlEX1BQB!tqH2M-aVD9QO7R3Xw7D-8JFDH2aXcdByAHWtGG3DWg8) which is fully tagged and edited. Hopefully it will work for you guys. It’s in .mp3 format, but it was transcoded from the lossless files in this thread, so it sounds fantastic.

Hah, just realised EM21 isn’t the only piece he took from Evangelion. There’s Famously, which was written for Evangelion 3.0.

It seems some people are having trouble opening the files. Here’s my copy of it, (https://mega.nz/#!tlEX1BQB!tqH2M-aVD9QO7R3Xw7D-8JFDH2aXcdByAHWtGG3DWg8) which is fully tagged and edited. Hopefully it will work for you guys. It’s in .mp3 format, but it was transcoded from the lossless files in this thread, so it sounds fantastic.

Thank you very much!

It seems some people are having trouble opening the files. Here’s my copy of it, (https://mega.nz/#!tlEX1BQB!tqH2M-aVD9QO7R3Xw7D-8JFDH2aXcdByAHWtGG3DWg8) which is fully tagged and edited. Hopefully it will work for you guys. It’s in .mp3 format, but it was transcoded from the lossless files in this thread, so it sounds fantastic.

Thank you!

The only thing about The End of Evangelion that bothered me was the way they pronounced ‘Eva’. They spoke it as you would with an ‘e’ instead of an ‘a’. The latter being how it should be pronounced.

I don’t get it, was it a miscommunication between the staff and voice actors?

It just occurred to me: End of Eva was done by a different distribution company.

In North America, ADV Films, the license holder and distributor for the Neon Genesis Evangelion TV series, declined to license The End of Evangelion and the associated films, with Manga Entertainment "reportedly [paying] around 2 million dollars" for the rights. Rei Ayanami’s English voice actress Amanda Winn Lee wrote the film’s script for its English subtitled and dubbed adaptations, and produced and directed the dub. The cast consisted of mostly voice actors reprising their roles from ADV’s English adaptation of the TV series, with several supporting roles recast because the original actors were unavailable. To accommodate voice actors living in different parts of the country, the dub was recorded in three locations: Los Angeles, Houston and New York City.

While that might explain it, you’d think Lee and the other principal voice actors from before would’ve known better.

I’ve updated the OP with scans!

Thanks a lot my brother!!!!!!!

Thanks!

Sweeeet!!! Many thanks, man! 😀

Thank You very much!

Many thanks megiddoryu1 for this amazing share of Shin Godzilla Music Collection – Shiro SAGISU 😉 I gave you a rep. Rated thread: excellent! 😉

Awesome! Thank you very much. Rep. added.

Thank you.

It seems some people are having trouble opening the files. Here’s my copy of it, (https://mega.nz/#!tlEX1BQB!tqH2M-aVD9QO7R3Xw7D-8JFDH2aXcdByAHWtGG3DWg8) which is fully tagged and edited. Hopefully it will work for you guys. It’s in .mp3 format, but it was transcoded from the lossless files in this thread, so it sounds fantastic.

Thanks.
—————
FYI in general;
If you’re not aware by reading this thread, the soundtrack reuses songs from other sources.

The titles, as I read them, follows. Your mileage may vary.
1
Persecution of the Masses (1172)
Shiro Sagisu
4:26

2
Godzilla Comes Ashore (From "Godzilla")
Akira Ifukube
1:26

3
11174_Rhythm+Melody_Demo
Shiro Sagisu
2:17

4
Early Morning from Tokyo (Short)
Shiro Sagisu
0:54

5
11174_Light_Edit_Demo
Shiro Sagisu
1:10

6
EM20_Rhythm_GZM
Shiro Sagisu
1:46

7
EM20_Jerry_GZM
Shiro Sagisu
1:34

8
Return of Godzilla (From "King Kong VS Godzilla")
Akira Ifukube
1:43

9
Godzilla Appears (From "Terror of Mechagodzilla"]
Akira Ifukube
1:22

10
Black Angels (Fob_10_1211)
Shiro Sagisu
2:41

11
Fob_01
Shiro Sagisu
3:52

12
Defeat Is No Option (1197)
Shiro Sagisu
3:50

13
Who Will Know (24_Bigslow)
Shiro Sagisu
3:06

14
SS_103_GZM (Famously)
Shiro Sagisu
1:30

15
EM20_Godzilla
Shiro Sagisu
1:02

16
EM20_CH_Alterna_01
Shiro Sagisu
0:59

17
EM20_CH_Alterna_03
Shiro Sagisu
1:20

18
EM20_CH_Alterna_04
Shiro Sagisu
1:00

19
Battle in Outer Space (From "Battle in Outer Space")
Akira Ifukube
3:56

20
Under a Burning Sky (11174_Battle)
Shiro Sagisu
1:39

21
Under a Burning Sky (11174_Orchestra)
Shiro Sagisu
2:38

22
Omni_00
Shiro Sagisu
3:38

23
Godzilla Title (From "Godzilla")
Akira Ifukube
1:30

24
Main Title (From "Ghidorah, the Three-Headed Monster)
Akira Ifukube
1:20

25
Main Title (Godzilla vs. Mechagodzilla II – Finale Part 3)
Akira Ifukube
1:40

26
Main Title (Godzilla vs. Mechagodzilla II – Finale Part 4)
Akira Ifukube
1:38
—
Bonus Tracks
27. Under a Burning Sky (11174_rhythm_united_choir)
28. Early morning from Tokyo
29. EM20_rhythm_GZM_full
30. EM20_Jerry_GZM_full
31. Who will know (24_bigslow_strings)
32. Under a Burning Sky (11174_united_choir)

—–

Trivia
The North American release of the soundtrack erroneously mislabels Main Title – Godzilla vs. Mechagodzilla II – Finale Part 4 as "Main Title – (From Invasion of the Astro Monster), Pt. 2", and in turn labels the previous track before it as "Pt. 1" rather than "Part 3", despite the theme of Pt. 2 being from Godzilla vs. Mechagodzilla II, and not Invasion of the Astro Monster.
Besides Decisive Battle from Evangelion being reused, Sagisu also redid tracks from his Bleach and Evangelion 3.0 OST for the film.
The track Famously is reused in the film, only using the first minute.
The track Black Angels is also a Bleach track called What Can You See In Their Eyes.
Unlike most composers, Sagisu uses English vocals throughout the score, to make it seem unsettling and ambient.

Thanks.

Thanks for sharing! 😀

———- Post added at 02:29 PM ———- Previous post was at 02:20 PM ———-

By the way, I was trying to identify the sources of some tracks of the Eva 2.0 and 3.0 scores. The track titles feature slates, which are helpful, but they’re not enough.
Recently I found out from a JWfan thread that 3.0 uses three cues from Sagisu’s "Nadia: The Secret of the Blue Water", and just yesterday I found out that the "KK" in many cues of Eva 2.0 indicates the cues that use material from his score for the "Kareshi Kanojyo" show.

I’m still trying to figure out the meaning of "YAMASHITA" in one of the 2.0 tracks, as well as the meaning of "SS" (which is also used in the Shin Godzilla OST, look at track 14), "SD2", "P" and a "E-03", all from 3.0.

Any help is most welcome! 😀

I’m not sure SS is referring to any previous work in particular here given both are adaptations of "Famously…" from Evangelion 3.0’s soundtrack and that does not have the same initials or any indicator in the booklet as to any other potential origin. It could be that SS_103 is the original slate for "Famously…".

In this instance, I think the simplest deduction is SS simply stands for "Sagisu Shiro", perhaps indicating that he might have performed in those pieces. Alternatively, it could be referring to one of the "Shiro’s Songbook" series, but everything I’ve heard in the ones I’ve listened to definitely doesn’t fit.

I’ve done some work with the scans. I was told that the Google Translator app can translate images, so I installed it. Unfortunately, the Eva 3.0 releases don’t feature any detailed notes for each cue as the Eva 2.0 did… but Shin Godzilla did have some, so I used Google Translator for the notes of track 14 "SS_103_GZM (Famously)".

I have to say that I cannot really 100% trust its translation… since it varied a bit. But I found interesting that at some points in that translation is mentioned "source sound". I’d add this possibility to "Shiro Sagisu" and "Shiro’s Songbook".

———- Post added at 08:59 PM ———- Previous post was at 08:19 PM ———-

they already did a lot for the music of Evangelion Rebuild double CDs for 2.0 (one with the flim mixes and one with the sessions)
a double CD for all the music from 3.0 and another DVD bonus with the film mixes didnt think there was still stuff left

There’s always a lot left, particularly if you consider that the film mixes of several tracks unavailable on the main OSTs tend to cut down or alter quite a bit. Just listen to the 2EM13 I posted and compare it to the 2EM13 in the film mix of Evangelion 2.0.

Wait, so it’s 100% sure that the "Original Soundtrack" releases feature the film mixes? Like, for all cues of all the releases? I did notice that the 3.0 feature the film mix of the "Beethoven / The Wrath of God" tracks, but I was wondering if all those releases were indeed the film mixes…

Yeah, "Original Soundtrack" is the film mixes while the "Music From…" releases are the unaltered cues. The only exception to this is the special edition of Evangelion 2.0’s soundtrack which features the "Music From…" release as its second disc (it was never released separately from what i can tell, much like the Evangelion 3.0 Original Soundtrack was only ever released with the Japanese blu-ray release of the film)

Wow… Great!
I did indeed make a comparison of each and every cue (only those who were provided with slates, so I didn’t count the songs and some of the "Music From…" of 3.0 Disc 2) of the 6 releases… Good to know those are the film mixes! 😀

Actually, I did start those comparisons in order to make a combined set for each film… But it will take some time, I wouldn’t know what to do with some things. Like, wheter to keep only the original version or also the film mixes, if I’d want to take film mixes tracks and restore them to the original lenth but with the film version insert (like The Wrath of God from 3.0) and so on.

By any chance does anybody have that film version release of Shin Godzilla’s soundtrack? I’d be interested in taking a look at it.

There is a film version/mix release for Shin Godzilla as for the Rebuilds of Evangelion films? :O

There is a film version/mix release for Shin Godzilla as for the Rebuilds of Evangelion films? :O

Yup. I’ve seen it on YouTube.

https://www.youtube.com/watch?v=VQ8GQCO58L4&list=PLsymDmsUy3c5N3b1mmG–WkRiH5fM4-XT

(The same channel also has "Welcome To The Stage", the Yoko Takahashi album that features three different versions of "Who WIll Know" – Takahashi sung at the Shin Godzilla vs Evangelion concert, performing as the ‘soprano’ in the live version of "Who Will Know")

Seems the pre-visual reel for Shin Godzilla has ‘different’ music, much like the Evangelion 2.02 pre-visual reel has earlier versions of Evangelion 2.0 cues. It has EM20_Jerry Full with the Evangelion timpani as opposed to the Shin Godzilla timpani, plus guitars in the same place as EM20 in Evangelion 1.0 (given this I’m going to assume it’s actually from Evangelion 1.0). Will report back to see if it has any other alternates and I will rip it once I’ve done.

EDIT: Seems that it’s largely EM20s. However, there is that one unreleased Evangelion 1.0 EM20 Jerry variant.

So, in order so far:

EM20_Jerry (Evangelion 1.0) – Unreleased.
EM20_rhythm_GZM_full (Shin Godzilla) This is the same one as the OST, with the following track mixed over the end of it.
EM20_Godzilla (Shin Godzilla) This is played twice.
EM20_CH_alterna01 (Shin Godzilla) This is played twice.
EM20_CH_alterna03 (Shin Godzilla)
EM20_CH_alterna04 (Shin Godzilla)
EM20_rhythm_GZM (Shin Godzilla)
Battle In Outer Space – News Spreads Worldwide
Godzilla/Angilas Depart from Godzilla: Monster Island, or the main title of Battle In Outer Space (same composition but different recordings)

Seems it’s only worth ripping it for that EM20_JErry variant for Evangelion 1.0.

Epic sounding, thanks a lot for the upload!

much obliged!

Thanks!

Thank you very much.