
Not a fan of this score, but it works better in film than on album. Nevertheless I do like the mixing of the elements in this 7.1 mix, extracted from the Dolby Atmos track to 48kHz / 24-bit 7.1 WAV.
I’ve done nothing but fade in the opening.
The channel configuration is as follows (If you place the file into Audacity)
Left
Right
Center
LFE
Side Left
Side Right
Rear Left
Rear Right
Download Here (https://mega.nz/#!dgMCyDTQ!kWFrnH7RqcsSCgeH4Ysml3BfbJtneHeeV64cbnQFji8)
Folding it down to stereo is super easy, you can do it yourself in like a minute.
———- Post added at 08:37 PM ———- Previous post was at 08:32 PM ———-
Nevertheless I do like the mixing of the elements in this 7.1 mix, extracted from the Dolby Atmos track to 48kHz / 24-bit 7.1 WAV.
I assume you mean you extracted this from the Atmos core?
Been wanting to take a look at all of the channels myself. Both scenes when we hear Wonder Woman’s theme in full (when Bruce sees the photo of her and later on when Diana sees it) are pretty clean.
He said he’d look at them. No one sees that music is clean in the rear channels and says "Okay well I’m never ripping that".
If they’re clean, yes. Unless Antovolk or someone else beats me to it. Someone more experienced.
He said he’d look at them. No one sees that music is clean in the rear channels and says "Okay well I’m never ripping that".
Lol exactly
Download (or rip) the film in MKV, extract the audio in FLAC using Audacity and then some people will continue to use Audacity from there. I hate it, it’s the poor man’s Audition – which is what I use. I use it to tweak my vinyl rips, make my film mixes, extract audio (somewhat – it’s the third step for me).
> Can’t use files of different bitrates and depths
> Waits forever for audio to load
> Probably doesn’t even use a tenth of the features Audition offers
> Calls it superior to Audacity
Come now DAK
> Waits forever for audio to load
> Probably doesn’t even use a tenth of the features Audition offers
> Calls it superior to Audacity
Come now DAK
> So that you have an entire project of the same bitrate and depth
> Depends on the size of the file, doesn’t take nearly as long as Audacity when loading FLAC film audio
> Some call it superior. I just like it better
Reason with me now, Skelly
PS Audition is what I used in film school, it’s what I’m used to. Audacity just has a "cheap" feel to it.
It all comes out in the same format anyway, so it really doesn’t matter what filetypes go in.
I like Audacity’s bare-bones layout. It’s easier to navigate than super flashy software with hundreds of menus.
All the more better!!! 😀
To each their own. Now get off the shrine and go watch the movie.
You’re the child who looks at something and says "I don’t" like it!" before trying it :laugh:
I can’t wait for Ghostbusters
I can’t wait for Ghostbusters
You’ve gotta be kidding me.
But I Have Always Prefered DC To Marvel.
I took the BDMV folder of the full Blu-ray disc (nearly 45 GB in size) and extracted the Atmos core (yes, correct) which is TrueHD 7.1 to WAV, not FLAC.
I don’t use FLAC for anything. I never use it.
I used a program called HD-DVD / Blu-ray Stream Extractor, but only after using TSMuxer to save just the film’s ending as a separate file smaller to work with than the 3 hour total film.
Audacity is cheap because it’s well, free.
I only use Audition for effects like reverb and filtering sounds (to make surround upmixes) pitch-shifting, and for confirming if something is lossless or not.
ALL editing I do and have always done, is with Audacity. Literally everything I’ve ever edited. I can throw anything into it and it works. I can’t do that with Audition and it’s too overly complicated for my day-to-day needs.
Audacity is not a long import for me. I can load an entire 5.1 mix of a movie that’s over two hours in length, meaning a big file, in under a minute. I love Audacity and always will. Audition I rarely use now that Audacity does a lot of what I used Audition for.
If that and all my projects I’ve done make me poor….I am. I make no apologies for it either.
You mean a project file or an actual audio file?
It always takes me ~20 minutes to import any film-length 5.1 file. More like 1 or 2 when it’s saved as a project.
Audacity 4ever! :love:
I will fold this down myself, as I like to control the volume of each set of channels, since the front stereo (typically) overpowers and drowns all the remaining channels out.
———- Post added at 09:06 PM ———- Previous post was at 09:05 PM ———-
You mean a project file or an actual audio file?
It always takes me ~20 minutes to import any film-length 5.1 file. More like 1 or 2 when it’s saved as a project.
Audacity 4ever! :love:
Actual audio file. I never use project files or even save projects.
That’s incredible. Either my FFMPEG plugin is severely outdated or you have a much nicer computer than I do.
(Saving projects is incredibly demanding of hard drive space, I don’t like to do it either)
I will fold this down myself, as I like to control the volume of each set of channels, since the front stereo (typically) overpowers and drowns all the remaining channels out.
Just curious: when you fold down stuff, do you ever keep the LFE in? I like to sometimes if it’s, for instance, trailer music where the point is to be loud and proud. I guess RCP music is supposed to have that same atmosphere?
(Saving projects is incredibly demanding of hard drive space, I don’t like to do it either)
I think it’s only because my OS is on a SSD not a regular hard drive.
Just curious: when you fold down stuff, do you ever keep the LFE in? I like to sometimes if it’s, for instance, trailer music where the point is to be loud and proud. I guess RCP music is supposed to have that same atmosphere?
When I fold down music (Titanic, A Beautiful Mind, Dark Knight Trilogy end credits, this) I always keep the LFE unless it’s just silent. What I do is I’ll listen to (as an example, sometimes I’ll do this with different pairs of channels to play with) Front Left and Rear Right and gauge the levels in volume and adjust where I need to, sometimes lowering the front, sometimes just raising the rear, that kind of thing. I try to make them as balanced as possible to hear everything.
I can’t play 7.1
About the "Audacity v Audition" discussion I’m for Audacity: it’s free, easy to use and it’s comfortable for my editings (mostly custom suites).
I never happened to use one of the recent versions of Audition, but even the old versions looked overly complicated for me (also because I couldn’t find a language pack for Italian) 😛