FURY ROAD
| END CREDITS |
Tom Holkenborg A.K.A Junkie XL
Lossless 7.1 channel Surround and Premium Stereo
The 7.1 Surround version – FLAC, 8 channels, lossless, 48KHz, 24-bit
UPDATED JUNE 2019
https://multiup.org/7322628ef78b757c37c55965b648d144
The Stereo lossless version – FLAC, 2 channels, lossless, 48KHz, 24-bit
UPDATED JUNE 2019
https://multiup.org/f22311e894d4c29c62ec0508eb316f4f
The process – Lossless extraction of complete audio from Blu-ray 7.1 channel track in 7.1 and 2.0 WAVs using eac3to 3.29.
No post-processing/effects of any kind were applied. Took me quite awhile to figure out how to work with 8 channel audio and huge WAVs.
Cut the unnecessary parts out. Converted to consumer-friendly formats. Tagged.
Note that the Apple Lossless version, due to the unusual multi-channel configuration, is not guaranteed to work on every Apple device natively.
Likes/reps/comments are appreciated.
Credit and link back if mirrors are upped.
Use Adblock and/or JDownloader.
If you get an executable file, you clicked the wrong link.
If one mirror dies, try another.
If it doesn’t work with one browser, try another.
Try to use common sense.
Where’d that neat image come from?
Makes me wonder what Fury Road would be like as a 16-bit game.
Only the very best…:)
Where’d that neat image come from?
Makes me wonder what Fury Road would be like as a 16-bit game.
Found it somewhere awhile back when I was searching for some source material for custom covers. Thought it’d work as a banner until I get a proper cover up.
you
https://33.media.tumblr.com/1909c1ae7bbdef4581dfa55a23659bfe/tumblr_mgdmn1PDZF1r331r3o2_250.gif
you
Please don’t run around the forum trying to pull people down.
Life (and gravity) does that for free.
Short, sweet, to the point.
I concur.
:yesssnicholson:
Average bit depth per channel is 20 with one channel having a bit depth of 21.
I find this to be a common trait with all Dolby Atmos movies. :noonecares:
eac3to v3.29
command line: eac3to "MadMax-EndCredits.mka" "MadMax-EndCredits.flac"
——————————————————————————
MKA, 1 audio track, 0:07:18
1: FLAC, 7.1 channels, 2:00:23, 24 bits, 48kHz
Track 1 is used for destination file "MadMax-EndCredits.flac".
[a01] Extracting audio track number 1…
[a01] Decoding FLAC…
[a01] Encoding FLAC with libFlac…
[a01] Creating file "MadMax-EndCredits.flac"…
[a01] Original audio track, L+R+C+BL+BR+SR: max 24 bits, average 20 bits.
[a01] Original audio track, LFE: constant bit depth of 20 bits.
[a01] Original audio track, SL: constant bit depth of 21 bits.
eac3to processing took 23 seconds.
Done.
You could have cut down the huge WAV files by remuxing just the end credits with MKVtoolnix.
1) Convert audio stream to FLAC first. This reduces size significantly. It’s all lossless.
(requires MPC-HC, for the shortcut and frame numbers to work)
2) play the movie and find the frame you want where the end credits start.
Pause at the point you want (like a second or two before end credits start to be safer)
When you have it paused, use "CTRL+G" to view the timecode + framenumbers and copy the frame numbers only.
Not the FPS rate.
(click images to expand to full size)
(http://imgur.com/5BTpRC1)
Frame: 169884
(not time code — 01:5805.583 — frames work best)
3) round down to nearest thousand to be safest.
(9000 in this case): 169000
4) then CTRL+G again and paste the new number in frames: 169000 to confirm it starts earlier.
(http://imgur.com/gYWwEKz)
5) Then import FLAC audio stream into MKVtoolnix.
(http://imgur.com/xEqmTWm)
6) Go to the tab "Global" and look in the middle of that tab for:
"Split mode: no splitting" (Default: no splitting)
and change it to:
"Split mode: split by parts based on frame/field numbers"
then input the frame number: 169000
(http://imgur.com/KDGSUMR)
7) Save to a new spot, it will automatically be named ".mka" for output. (Matroska container with audio_only)
eac3to can still read this.
8) use eac3to to convert the newly remuxed end credits into a WAV file.
Audacity, Sony Sound Forge, they all read multichannel WAV files.
No need to split into separate mono wave files for each channel (unless you’re using older software).
It should be a lot easier to open since it will be under the 2GB/4GB limit for Windows applications.
I trimmed a lot of the useless silence and ended up with:
6:40.001 (19 200 041 samples)
I added up to a few seconds of silence to fill up to 6:40 even (with an extra ms).
I created a 5.1 AAC track, as well as 2.0 AAC.
Still have not had time to post them, nor finish that Mad Edit with ambiophonic conversions.