] (http://www.imdb.com/title/tt1502712)
Audio-Compression: ALAC
Source: Qobuz Store
Package Format: RAR
Size: 36 MB
Download: unavailable
Password: ostgems
Reputation Points and Likes are appreciated 🙂
This is the bonus track, in lossless purchased on qobuz, from the digital release of the soundtrack, which is not included on the cd release.
However it was available as part of the iTunes release of the album shared by Sparktank here (Thread 192237).
If you want the album in lossless, you can grab the CD release shared martymarin here (Thread 192280).
I still haven’t listened to a note of this score.
I still haven’t listened to a note of this score.
Judging from how the film is underperforming, neither will anyone else.
Judging from how the film is underperforming, neither will anyone else.
It is incredibly conventional, courtesy of Marco Beltrami, Glass being a barely-there afterthought.
As far as the film goes, I have yet to see it though I’m disheartened by the overreaction it’s provoked from most "reviewers". (Film critique is an exercise of a completely different nature). Far too many of these reviews are beyond hyperbolic absurdity, they only read as if they were trying to test how well a properly scathing review could be written. Rotten Tomatoes shouldn’t indulge in the caprice of just about anyone – though I was, admittedly, disappointed by Morris’ lack of depth in his review on Grantland. The numbers it’s gathering are reminiscent of Tommy Wiseau and, on paper, this film shouldn’t be anywhere near that kind of judgment.
I am certain the film will be harrowingly expository (inevitable with the 100 minute timer Fox stuck on it) but I am just as certain that the vociferously vitriolic lead-up to it was a major source of bias… Green Lantern received better reviews and it was directed by Greg-fucking-Berlanti. All in all, it’s just a shame because it tarnishes a number of promising careers. Though I believe Chronicle to be wildly overrated, Trank is still only a kid who may have gotten lucky the first time around but does have discernible talent, and the movie and what’s come from its coverage could prove to be major setbacks in his career. After a successful indie film, he found himself hurled at the helm of a $120-plus million movie his producers HAD to make for no better reason than "studio politics", ripe for target practice and pontification of the highest order by imbeciles justifying defamation (with bonus undertones of white supremacy) for the sake of a comic book character’s skin color and a profit. Quite frankly, no matter however poor the movie may be, the extent to which tabloid media have gone (and been enabled by their readers) to crucify Trank is simply undignified.