Evil Dead (2013, Expanded Score, 256k) – Roque Ba�os Re-Up

Service: OneDrive
http://sh.st/vEJBx.

Moved to new thread.

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Thank you codyap09 for reuploading and thank you Sparktank for pointing me in its direction 🙂

Thank you!

THank a lot

Thanks soo much for this.

Thanks for the share.

Thanks for sharing. I wasn’t a big fan of his music until his score for Regression grabbed my attention, so I figured I’d go through his past work and see if there were other scores of his that I might like.

Thank you.

Thank you!!!

Okay! I’ve been reading some discussions here and there as to what we do and what we don’t have from this score (considering we’ve got four different releases of it), so I’ve decided to make a list explaining and describing how each release differs from the others. As some tracks have varying titles from one release to another, I opted to use the original ones from the expanded promo, which is the most complete version of this score so far. The alternative titles each track has received (if it has) are also specified. Here’s what I got:

I’ll Rip Your Soul Out (Exorcism)

The same on all versions (except for the digital version, as it’s been mixed together with "The Evil Dead Main Theme" on that one).

Big Brother / Sad Memories

Both have been mixed together on the digital version and LLLR’s deluxe edition. "Big Brother" has an extra cue from the unrated edition of the movie at the end of the track on both promos. "Sad Memories" is the same on all versions.

Finding the Book (The Basement) / Don’t Say It, Don’t Write It, Don’t Hear It (The Invocation)

Both tracks have also been mixed together on LLLR’s release. "Finding the Book" is the same on all versions. "Don’t Say It, Don’t Write It, Don’t Hear It" features an extended ending in the 46-minute promo, and is missing from the digital version.

Demon Rape (Demon Possession / The Possession)

It’s exactly the same on both LLLR’s version and the expanded 78-minute promo. The digital version of the track cuts off its first two minutes, leaving only the second half. The 46-minute promo version features a teeny tiny, one second addition in the middle (which makes it the only complete film version of the track).

Get Me Out of Here

The same on both promos. It’s missing from the digital version, and the retail shortens 14 seconds of repetitive bits in the middle.

You Are All Going to Die Tonight (Vomiting)

It’s the only track in the expanded promo that’s missing from LLLR’s edition. It’s the same on both promos and is also missing from the digital version.

She Tried to Kill Me (Cutting Out the Face)

Another one missing from the digital version, although it is exactly the same on all other releases.

He Won’t Let You Out (Mia’s Call)

It’s exactly the same on all but the 46-minute promo, which abruptly cuts out its second half.

Bloody Kiss

It’s missing from the digital version, but it’s the same on all the rest.

Three Ways to Save Her Soul (Three Ways of Saving Her Soul)

Missing from the 46-minute promo. As with "Get Me Out of Here", both the digital version and LLLR’s retail shorten up small repetitive parts on a few spots. The expanded promo version is the most complete yet.

Why Does My Face Hurt? (Natalie Hunting)

Also missing from the 46-minute promo and the digital version, and little bits from the middle section were also cut on the retail.

I’ll Do What I Gotta Do / Finding Mia

Both are missing from the 46-minute promo. They’ve been mixed together on both the retail and digital releases (although the digital one cuts off its first minute and last three minutes). Both tracks are presented in their entirety as standalone cues on the expanded promo.

Come Back to Me

Missing from the 46-minute promo. It’s the same on all other versions. Both the expanded promo and LLLR’s edition feature an alternate take of this cue as a bonus track.

He’s Coming

It’s missing from both the digital version and the 46-minute promo. It’s the same on both two other releases.

The Rising Abomination’s Rising (Abominations Rising / Final Scene)

It’s featured on all four releases, although only the 46-minute promo presents it in its film version entirety. All three other releases feature the same, slightly trimmed down version (which also features an alternate mix from the film version).

The Pendant / Evil Tango (Final Evil Tango)

Featured on all four releases. It’s the same on all of them.

The Evil Dead Main Theme

Appears in all releases but the 46-minute promo. In the digital version, however, it appears mixed to the ending of the opening track.

Bottom line: all four releases have some outstanding pecurialities definitely worth noting (the shortened versions from the digital and retail are great if you’re looking for better musical flow as opposed to completion), and by combining the best from all of them we can get something very close to a complete score.