As for me, I tend to keep things rather simple: two big folders, one for movie soundtracks and one for video games music, then separate folder for each entry. If it’s a series, then a general folder (for example "The Godfather") and another few inside for each part ("The Godfather, Part I", "The Godfather, Part II" and so on, same with the games). All sorted alphabetically, by title. As for bitrate, I always prefer a 320 MP3 since it takes less space than FLAC, but as long as the track is good to listen to, I’m okay if it’s lower than that. Unless it’s really low, that is, by which I mean less than, say, 128 or 192.
What about you, fellow Shriners?
If a thread like that already exists, I’m sorry, I couldn’t find anything quite like that.
As for bitrate, I always prefer a 320 MP3 since it takes less space than FLAC, but as long as the track is good to listen to, I’m okay if it’s lower than that.
If you want to save even more space, in the future I suggest that, when converting to MP3, you convert to VBR-0 instead of 320k. Exact same quality, except it takes up less space.
Collect and store Music in Flac, convert it to VBR0 for listening Purposes.
Media Player of Choice is good old Winamp, Let the Media Library scan and identify all the songs, then everything in one Playlist on Shuffe.
At the moment i am at around 39.000 Tracks, which is about 1620 hours of Music, or 2 months and a week roughly. Thanks again to everyone.
Absolutely, abandon 320kbps… but it is NOT "exactly" the same quality. It’s pretty much the same – in a handful of cases it’s a little better, in a handful of cases it’s a little worse, but basically you won’t notice the difference… but you WILL invariably notice the disc space you save, making it the preferred choice overall. Different techniques of compression (hitting a target BITRATE with 320kbps, hitting a target level of quality deviation from the original with -V0) are at work here and they each have their own pros and cons.
As for my music collection… It’s very, VERY disorganised at the moment. I have CDs (about 1,000), cassettes (500), LPs (250-ish), shellac (200-ish), and open reel tapes (about 20) vying for physical space as well as about 10TB of digital music in a variety of formats. My plan of organisation for the digital music is pretty pedestrian – stick everything in folders named for the artist (or composer, for film, game, and classical albums) and then each album in a folder within that structure.
Foobar2000 is my music player of choice and it I will eventually use its music library when I have sorted everything out. (A project that could, frankly, take YEARS at the current rate…)
[Movie-Soundtrack]/[TV-Series]/[Game-Rip]/[Anime]~Respective products’ titles – Self-explanatory. In the case of movies which spawned sequels, each sequel gets its own folder.
[Drama] – For releases such as this (http://vgmdb.net/album/3111).
[OST] – Every official video game-related music album release, doesn’t matter if it is the actual soundtrack or an arrangement from the "company’s" artists.
[Collection] – A few folders for my favourite game franchises, including official albums, fan-arrangements and in the case of Final Fantasy Ⅶ, Resident Evil and Metal Gear also official game(s) guides, comics, hentai doujinshi, artbooks, personal photos of other kind of merchandise I’ve purchased throughout the years.
As far as bitrate goes, I’m really not picky: I collect and rip stuff in lossless (APE, TAK, FLAC), MP3 – have quite a few personal rips encoded at 320 kbps and I’m too lazy to grab the CD again for a VBR change, difference in quality is hardly noticeable for me and the music’s filesize never was a serious problem.
In regards to bitrate and illegal+free of charge downloads: I couldn’t care less about the quality "you" throw at me. With that I mean you aren’t likely to see me bitch at you because of your share’s quality, you’re taking a risk by uploading copyrighted material and who ends up with the chance to sample an album? A John Doe like me; in the case I’m not satisfied with someone’s share, I simply keep my mouth shut out of respect and go about tracking a copy of the CD for myself. I can take 96/128/192 and I’d give a heartfelt "Thank you" in each case… I’m just glad I get stuff for free.
I swear, sometimes I feel nowadays’ average downloaders forget which kind of risks one may "face" by sharing music.
As far as quality goes, I try to have the highest possible. I won’t sync it to any of my iOS devices just so I can save space, but I still garb hq stuff when I can. I guess I’m ok with the bitrate of any song, as long as it doesn’t sound like shit. I have bad hearing, so I can’t tell the difference anyway. Sometimes I think it’s all in someone’s head, the difference between let’s say…a 24-bit/192kHz FLAC copy of one song vs a 16-bit/44.1kHz mp3 copy of the same song.
Again, quality-wise, same as DAK. If someone uploads something I want, I don’t care if it’s low-spectrum MP3. Heck, the sessions to my all-time favourite score are only 128k and I’m happy with that. Obviously if a lossless version turns up at some point I’ll grab it. But until then, I’m content, and my ears really don’t notice that much difference.
I use Collectorz Music Collector (http://www.collectorz.com/music/) as my database of choice.
On iTunes I sort all of my music, regardless of genre, alphabetically by album artist compressed from lossless to AAC (nowadays MP3 no longer has any real reason to exist). I rarely store full albums on my iTunes. With regards to pieces of which I’ve only been able to download lower constant-bitrate versions, I actually don’t. I hate this kind of OCD and I really wish I could work around it to have the ATLA and LOK soundtracks on my iTunes but I can’t. I get the feeling that most won’t agree but I just stream them from YouTube or Soundcloud if I want to hear them.
My archives, on the other hand, consist of the full albums catalogued first by artist and then by year. I have a separate archive for classical music (including contemporary) that follows the often thematic grouping adopted by existing numbering systems for composers – it gets tricky because I have at least three different recordings per work though five on average and in rare (extreme) cases even nine. Both archives are APE lossless. Most of my classical music exists on vinyl along with several other records I occasionally hunt down (Brel, Piaf, Trenet) though I rarely waste my time trying to get modern compositions on vinyl. The turntable is sacred!
My collection: 88.5GB, 261 hours 50 minutes 40 seconds, 6044 songs. But I also have much, MUCH more I haven’t tagged and sorted yet, so they remain unaccounted for at this time. I also keep 2 backups of my collection on 2 separate external hard drives, so that means I have 4 copies at all times.