James R. Horner
August 14, 1953 – June 22, 2015
I know there are already several threads around with links to various news articles about the recent tragic passing of James Horner, but I feel it is only appropriate that we have one main thread in memory of him and his incredible legacy of work. So I hearby name this thread as the official memorial thread to James Roy Horner, one of the greatest film composers this world has been blessed to have.
Please share your thoughts below. Any discussion of the man and his music is welcomed.
Thank you, James Horner. Thank you.
James Horner: Oscar-winning Titanic composer dies in crash – BBC News (http://www.bbc.co.uk/news/entertainment-arts-33235271)
some of my all time favorite scores are his.
what a gift, to be able to create something, melodies, that touch people. Maybe we will hear some of his not-yet-written-music in another dimension of existence.
wherever you are, Mr Horner, thx, and be well.
I am also writing a piece of music dedicated to horner. it will be a piano piece and I will upload it later on in the day.
To grieve for someone whom you’ve never met, but had such a profoundly positive impact upon one’s life…
My fondest memory is watching ‘Glory’ in history class and being awestruck by the music…the next day, I collected up all the money I could find and went to HMV in London’s Oxford Street to purchase my first ever soundtrack cassette.
I can only repeat what JHFan has put so eloquently…Thank you James.
James Horner was not on my top list of film composers (like Herrmann, Rosza, Goldsmith, Williams), but there are many, many scores I enjoyed very much, and I have a small collection of scores I don’t want to miss anymore. Every so often, there were scores he did which were a pleasent surprise, like "House of Sand and Fog" (which is a very relaxing experience!), or "House of Cards", which is also a great, moving piece of work.
———- Post added at 05:49 AM ———- Previous post was at 05:48 AM ———-
"He’s really not dead, as long as we remember him."
In 1997 Titanic was the soundtrack to my life during my high school career. I remember watching Titanic 3 times when it was released then again when the 3D release came out a few years ago all because of the wonderful music James Horner composed. I cannot think of any other soundtracks he worked on as I am too shocked at the devastating news today.
My first Scores were The LOTR and Titanic. The last one was special to me, i saw the movie in 97, again in 2012 with the 3D and i had the chance to see the performance with Horner last april in London. The irony is that this morning i decided to listen to a building panic from Titanic and then i got the news on my phone. It’s weird when you think about it, he opened a new world to me when i was 17 in 2007 and now he just said goodbye to me while i was listening to one cue from my very first score.
I ve loved horner as much as I hated him, his music was often very similar but when a theme striked I knew he was the man.
I was hoping he would make his triumphant return with Avatar 2 3 and 4 but it wont happen but it’s not that bad after all, his music will live on and on and I ll keep my memories of what he has brought to me.
https://www.youtube.com/watch?v=P6Y1TS4l5ts
This performance is taking me to another level now. I hope you will all enjoy it.
My heart goes out to the families of those directly impacted from the tragedy. May James and the others in the accident rest in peace.
Theank you for all the wonderful Music.
I’m gonna miss you Mr. Horner.
A very sad Day…
a terrible lost
James Horner we always love your music
and will never foggot you
Angel in Heaven Rest in Peace will miss you
THANK YOU THANK YOU THANK YOU
English would be great. Then we can understand and agree with you. 🙂
I almost feel as if I lost a family member. This is devastating.
:'(
His music was one of my main inspirations of choosing film scoring as a hobby, a love for such art. I’ll compose a piece in his honor, a tribute for the loss of an incredible composer. Rest in piece Sir Horner, your musical legacy will live on for the future generations of film scoring and in our hearts.
Odd how the past few weeks I’ve been thinking about doing somewhat of a film edit of Avatar. It’d be a monumental task, but I’d try my very best. And now I really feel like I should. I know JHFan has his amazing edit, but that’s more his taste than a film-accurate mix. And I know I will most definitely need his help with it. But I think I should do it, anyone agree with me?
But what affects me deeply is reading about the loss endured by others here, on facebook & FSM. I don�t have words to console you and I know that words won�t be enough.
to my mind he’s not altogether gone but his music will continue to live on. among his fans and even fellow composers who surely equally adores his talent and rich contributions in the industry.
thanks for the music you shared to us. R.I.P. JH
Thank you for all the wonderful Music.
You will be missed, but never forgotten.
I would say of the scores I have heard from him the Zorro ones are my favourite. And of course a mention to Braveheart which is my most watched movie of all time. RIP.
Thanks creating this memorial thread, I did not know him personally but like you said if a person transmits you something with his music for me I consider like a friend, and partly because it is not just music, are many years transmitting sensations (for all of us).
My favorite soundtrack of him is The Perfect Storm (2000) (https://www.youtube.com/watch?v=aViB8BMtzww&list=PLF8F6E920DDA734E5) and this afternoon I will spend 1 hour, 19 minutes and 08 seconds hearing it complete again doing nothing more than listening the soundtrack in my chair in his honor.
Rest in peace my friend, it goes for you.
https://www.youtube.com/watch?v=zMvyHKgOMG4
Here we are in the grays of winter
Here we are just me and you
Hold my hand
Let’s face tomorrow
Tomorrow still holds out its hands to you
This precious time we’ve only borrowed
The autumn winds have blown on through
A quiet thought will tell our story
Tomorrow still holds out its hands to you
Yes tomorrow still holds out its hands to you
Here’s some wings
They’re yours forever
And here’s some dreams that will come true
Take these tears to wash away your sorrow
Tomorrow still holds out its hands to you
Yes tomorrow still holds out its hands to you
Yes tomorrow still holds out its hands to you
Over time, his style and my tastes didn’t match, so he dropped from #1 to #2, but that was still a rarefied place in my list of composers and it’s not a criticism of his work; it’s an indication of where my interests were. His music moved me and shaped my feelings. I will always appreciate the years of joy he provided.
Over time, his style and my tastes didn’t match, so he dropped from #1 to #2, but that was still a rarefied place in my list of composers and it’s not a criticism of his work; it’s an indication of where my interests were. His music moved me and shaped my feelings. I will always appreciate the years of joy he provided.
Well said, ssosmicin! That’s astonishingly close to how I experienced him the years following 1982 (the year, of course, when I was first introduced to him hearing Star Trek II!). His strongest works were in the late 70ies and the 80ies!
Rest in peace, maestro.
Thanks for this beautiful thread, Sulley.
I’ve been a film score collector since 1988 and while I never considered him an absolute favorite of mine I’d still consider my collection incomplete without Braveheart, Titanic and Legends of the Fall.
Ever since hearing the news last night I was hesitant to play any of his music because it just didn’t feel real. I might not be the hugest fan but still feel that loss and I sympathize with anyone who feels the same or more.
Instead of listening to any of my favorites that I listed, I’ve chosen Avatar as a fitting tribute.
It has a sense of wonder, adventure and radiates like a tribute to life itself.
Farewell, Mister Horner.
I thank you for your music and the places it took me.
One of my all-time favorite James Horner moments. This scene is where I learned how powerful music can be.
Thank you, James Horner. Your music will be greatly missed.
From Hans Zimmer:
What a sad day for all of us. A great composer gone – and with him the world will be a little less beautiful, less soulful. We lost an artist that everyday created music that touched our hearts and souls, invented memories for us to share and who’s music brought us closer together.
James, we miss you.
Hans
From John Debney:
No words. My sadness is so deep that it is difficult to process. Perhaps God needed someone to help write His music. Godspeed Maestro.
From Michael Giacchino:
You were one of my childhood heroes, James. Thank you for the inspiration, you will be greatly missed.
From David Arnold:
Top 5 James Horner Scores for me : Rocketeer,Aliens,Field of Dreams,Glory,Star Trek 2: Wrath of Khan. All amazing and all hugely influential
Im not surprised he loved to fly so much, his music constantly seems to take off, like we’re about to embark in one of those adventures you had as a kid.
He left us his music filled with magic, can’t imagine anyone leaving a better testament
There are so many more, but here are just a few comments from fellow composers:
From Hans Zimmer:
From John Debney:
From Michael Giacchino:
From David Arnold:
agree with Arnolds top 5, great choices
Just listened to possibly my favourite Horner cue of all time. (https://www.youtube.com/watch?v=_1nzSzZmMHs)
2 months ago I was in London for Titanic Live. A dream became true ! I met him… and enjoyed Titanic score with the orchestre… Definitely it will stay my best memory…
But I don’t forget the last 23 years…listening to scores like Braveheart, Casper, Jumanji, Troy…and in particulary Willow which made me love movie scores when I was young. Willow was the beginning of all these, until now, 23 years of passion. It was my very first CD of soundtrack. Horner shared with us a lot of emotions through his music. I needed his music when I felt bad… Something comforting in it…
How I feel when I learned his accident ? Sad … Very sad… No shame to tell you I cried in the car, listening to Willow, going to work… As I said to a friend today : I think a little part of me disappear with him, because movie scores, as James Horner composed, have made me the adult I am today. Music is and will stay a big part of my life.
R.I.P. James Horner
My Horner Selection :
– Unable to stay, unwilling to leave / A Building Panic (Titanic)
– A gift of a Thistle / Betrayal & Desolation (Braveheart)
– Casper’s Lullaby (Casper)
– Elora Danan (Willow)
– The destruction of Hometree (Avatar)
Especially about his family and his many friends and the fact that you mentioned JHfan as well, because fans are important. I am sure that artists are also very much stimulated by their fans, such as JHfan, to keep on producing what they do best!
Mr. Horner will be dearly missed
James Horner was a very kind hearted man who had many different talents that he gave to the world. I am unfamiliar with a lot of his scores, but the ones I do know, I cherish and love. They mean so much to me, and I listened to them constantly, not now knowing that he’s gone. He will not be forgotten. He left a legacy of amazing things behind him. And he is up in heaven composing with the greats, Mozart, Beethoven, Vivaldi. Just imagine the music he is making for God. I am going to try and collect all of his scores physically someday if I can. I hope everyone will go out of their way and buy the Southpaw score. I believe it is his last completed score for a film. I could be wrong, but that score will mean so much more to me, and I haven’t even heard it. My heart goes out to his family and his friends, he had many, and that makes me feel good that he can leave this Earth loved and truly missed. My heart goes out to JHFan as well, hang in there buddy, listen to his music, it’s all we have left of him. And I’m sure it will make you feel like he is still around. We will always have his music to remember him by, you can’t say that about many people. I don’t know how I could cope if Hans Zimmer, Stephen Endelman, Nathan Furst, or John Williams died. They are probably my top composers, among some others. But, James Horner was one of the most talented composers of our generation, and I am glad that he was able to share with us his talent as long as he did. He was active for over 30 years, and he gave us some of the most beautiful music that I’ve ever heard in my entire life. Thank you, James.
No words. My sadness is so deep that it is difficult to process. Perhaps God needed someone to help write His music. Godspeed Maestro.
This is the best one. It’s so moving. To me, anyway. I’d like to think God did need help writing music. If anyone was needed, it was Horner.
"There is nothing that shaped my movie-going experience more than the musical genius of James Horner. He will live on through the ages."
"I’m so sad to hear about James Horner. He scored the first movie I did, Star Trek 2… Great composer, great person, huge loss."
"We lost a MASTER today. R.I.P. James Horner, your music will live on forever."
"R.I.P. James Horner, thank you for the beautiful music. We will miss what beautiful music was yet to come."
"Brilliant composer James Horner, friend and collaborator on seven movies tragically died in a plane crash. My heart aches for his loved ones."
James was such a lovely person with a huge heart. Everybody he worked with while creating a beautiful score for a movie loved him. Although the above quotes aren’t from fellow composers, it just proves what a kind and heartwarming soul he had towards everybody he worked with. I hate to say it again since everybody already has, but R.I.P. James Horner.
Nobody will forget the beauty of your music.
Hi.
And how much money they lost due to piracy.
I feel the same way. I want him/his family and friends to know just how devastated we are. Music is a strange thing. What it does to us is a mystery, but it is one of the most amazing gifts God has given us. A medium so versatile and immeasurably deep, with seemingly endless creative possibilities. And when crafted a particular way it can connect people together in the most incredible way even if they’ve never met. The only gift greater than the music itself is people who can craft it in those ways. And James was one of them. As many others have said, his music, almost more than any other composer, touches the heart in a unique way. I am heartbroken that we will no longer have the music that he had left inside him to give to the world.
I still can’t quite believe he’s gone. I’m beginning to tear up again. And those messages from the other composers made me tear up for sure. It’s so special seeing this film music community, composers and fans alike, coming together like this to celebrate and mourn the life of one of the most gifted musicians we’ve known.
I listened to Apollo 13 more than once all the way through today. It will never mean the same agin. But it’s not a bad thing. In a sense, it is now more special than it was before. The same with all his music from now on. I couldn’t let myself listen to anyone else’s music today.
James Cameron’s James Horner Tribute: "The Orchestra Loved Him" – Hollywood Reporter – The Hollywood Reporter (http://www.hollywoodreporter.com/news/james-camerons-james-horner-tribute-804563)
I’ve found myself at the edge of tears many times today. To know I’m not alone and that Horner’s music has affected so many of us in such positive ways has made the past 24 hours a little better.
R.I.P James Horner
Night all.
Willow, Legends of the Fall, The Rocketeeer, Glory, Krull, Titanic, Zorro, Apollo 13,,, are not far behind.
I’ll probably be listening to his scores for the next few days, it’s the only way to honor him, through the incredible music he gave us.
He was really one of the greats, and stayed true to his old fashioned way of writing music until the end!
R.I.P. James, you will be missed!
What a day to come back.
What a time.
I remember seeing The Land Before Time in theaters. I remember the style of music and getting excited over it.
Shit. I don’t like this one bit, no sirree.
I know he gets criticized for ripping off other artists and mostly himself, but fuck!
I remember getting Legend of Zorro on CD for my birthday.
It was a combo actually. Got the soundtrack on CD and the movie on VHS. :laugh: VHS. Those were the days.
*sigh* Oh man.
I’m going to dig up Willow.
To this day, I’m still waiting for a proper release of the Nelwyn music.
There really needs to be a CD single of their jam!
It would go complete with The Lord of the Rings (Flaming Red Hair).
I should also dig up Krull.
There’s another trip down memory lane.
God bless and goodspeed on his musical journey with the other artists.
I would love to see a mural one day with a lot of the great composers that have passed and left us their grand work.
The Goldsmiths, Wojciech Kilar, John Barry. 🙁 And now Horner.
When next I drink, I shall raise my goblet in his honor.
I remember as a kid when I first watched this movie, I fell in love with it just the same as a lot of Horner’s other work.
Nothing will ever beat the first time you hear something…
https://www.youtube.com/watch?v=qx9DoYAEmsY
Good night, sweet prince.
Agreed. I never thought I’d physically be meeting someone from the internet simply because of our fondness for music, but that will soon be happening.
I’m listening to Avatar now as I type this up and get into bed. First Horner I’ve listened to since he passed. First Horner I’ve listened to in kind of a while, actually. Casper will probably be on the drive back home on Thursday, unless I’m still in my Avatar mood, which I probably will be.
One of the first soundtracks that affected me. I was probably 13 at the time, and never knew that "soundtracks" were even a thing. They were just part of a movie. And then napster came out and I found a track or two. A theme from this movie or that, and my addiction and collection began.
But Legends started it all. It inspired so much. Listening to it now brings backs those memories, and how it fueled creativity in my heart. Made me want to be storyteller. Helped me dream.
This is a huge loss that I can’t quite comprehend. But what a legacy he leaves behind. One of the all time greats.
The track "Through the Window" really set the tone (and got stuck in my head for a while), and I thought it was a fascinating movie to watch. Just like E.T. 🙂
But the score that made me buy a soundtrack from him for the first time was, of course, "Titanic".
On that time I was an adolescent and I remember I went to the cinema with my school class to see the movie. All the kids from my class were there.
Now, I didn’t know at that time if it was the story or the score, but there were some moments I let the tears escape (because someone in the room thought it was a good idea to peel an onion, "or something" 😉 )
I mean, even the brats in my class shed some tears, which the rest of us noticed after the movie had ended. Of course, the guys who pointed it out got pushed on the side by the brats, but you could say that a bit of that magic that made them shed a tear or two was because of Mr. Horner.
The songs from "Titanic" that really made it a magical experience for me when I watched the film was "Southampton", the beginning of "Hard to Starboard" (0:00-0:20)I just played it on the piano, it really is an quiet, emotional part of the track) and this one right here:
https://www.youtube.com/watch?v=jIaVJTrZLpQ
Much love, Mr.Horner.
… and look what James says around the 15:44 mark. Maybe he had some kind of premonition.
I thank you for bringing a romantic freedom with your music to William Wallace, that still resonates as a true classic amongst film scores.
Every piece of music you wrote for whatever film it may be, you gave the scenes on screen life. Be it the storm of the century taking a fishing boat, Earth’s darkest days as a comet approaches, a robotic Robin WIlliams, Chaos and love in wars or twilight and mist for the Legends of the Fall. All the music in the films you worked on, big or small, will always be remembered. I’ll miss seeing future films have your name down as the composer, but I’ll always have the great ones you did and your collection forever. I thank you for helping bring Pandora to life, and flying past floating mountains in Avatar, one of my favourite films and scores ever. But lastly, for the grand and beautiful trip you took me on many years ago in the cinema that really burnt your name into my soul as the best musician to me. Back then you created what is my most treasured score of all time, still to this day and never ceases to be. You crafted a sweeping classic of haunting vocals, piano and synthesizer along with a grand orchestra that made the ship and her passengers come alive in a time of hope and disaster. I personally thank you for breathing life, love and tragedy to the ill fated voyage of Titanic and the pro founding emotion that your music helped resonate on screen and my own journey through life.
May you rest in peace, and your music live on forever. You will be missed but shall not be forgotten and my ears will never tire of your scores that will play on and on. Thank you for the memories and the music James Horner, 1953-2015.
When I remember the time when I became a soundtrack-fan, James Horner’s music was a big part of it.
First it started with John Williams’ STAR WARS and Morricone’s ONCE UPON A TIME IN THE WEST in the late 70’s and began to grow in the early 80’s with Goldsmith, Bernstein and Delerue. And then, in 1983, came KRULL! And BRAINSTORM! Two LPs I listened over and over and over again and loved so much! Then there was GORKI PARK and NAME OF THE ROSE, and from then on it was always exciting to wait for the next "new Horner"!
I loved this period from the 80’s and 90’s. James Horner wrote such wonderful scores! WILLOW, ROCKETEER, ALIENS, AMERICAN TAIL, COCOON, BRAVEHEART, TITANIC, just to name a few…
(And 2 of my favorites, quiet ones: TO GILLIAN ON HER 37th BIRTHDAY and THE SPITFIRE GRILL.)
It’s so sad to know that James Horner is gone, too early and too young!
I’ll be thankful for all his music that touched my heart and my soul! – May he fly up there in the sky with his beautiful melodies…
P.S.: I had the pleasure to see Mr Horner live at the HOLLYWOOD IN VIENNA concert two years ago. What a great moment! – Here’s a link to a small and very touching clip they created:
https://www.youtube.com/watch?v=4D22nRhXbX4&feature=youtu.be
… and look what James says around the 15:44 mark. Maybe he had some kind of premonition.
I watched selections from that interview yesterday, including the 15:44 mark. It’s gutting to watch it now.
———- Post added at 06:46 AM ———- Previous post was at 06:32 AM ———-
I want to use this place too, that Sullivan created (thanks, bro!), to pay my tribute to Mr Horner.
I had the pleasure to see Mr Horner live at the HOLLYWOOD IN VIENNA concert two years ago. What a great moment! – Here’s a link to a small and very touching clip they created:
https://www.youtube.com/watch?v=4D22nRhXbX4&feature=youtu.be
It was the least I could do for him.
Thanks for the YouTube link. I’ve just had another cry. It was very moving.
It Is A Shame Regarding Mr Horner Another Excellent Person Gone. A Man Of Real Talent Who Inspired Many People And Helped Transport People To Another World (Literally With The Score to Avatar)
RIP Mr Horner And Thankyou For The Music
It Felt Fitting to Post This Pic As Its Is One Of My Favourite Films Composed By Horner!
Thanks for Creating This Thread Sulley!
And Thanks To All Who Have Re-Upped & Re-Posted His Classic Ans New Scores This Way He Will Never Be Missed Never Forgotten
"This Ship Will NOT Sink!"
R.I.P Mr. Horner
Pff, yeah ok.
https://www.youtube.com/watch?v=3f8kTY-8tkU
Another tragic loss for film score lovers, just like when Poledouris and Jerry Goldsmith left. on the plus hand, there is probably some really, really good music in heaven right now.
https://www.youtube.com/watch?v=3f8kTY-8tkU
That link was what it took for me to finally hear what all the hype is really about. I’ve just listened to the entire Titanic soundtrack lying in bed. I obviously already knew the theme song and piano theme, but I had never really listened to the score before. Ever.
It is incredible. Even though the choir is all synth, it is almost indescribably amazing. There’s something about it that I can’t put my finger on. For now, I’ll just call that something "the Horner effect".
I’m glad I have this place to share these thoughts – I don’t have too many friends that are into film scores, so this is a unique and special place for me, the only place I know to hang out where there’s a bunch of people who share my interest. It’s nice to see the outpouring of thoughts here, but sad. Too sad.
We’ll miss you mightily, James.
It is incredible. Even though the choir is all synth, it is almost indescribably amazing. There’s something about it that I can’t put my finger on. For now, I’ll just call that something "the Horner effect".
FYI:
It was James Horner himself performing the synthesized choir. Ian Underwood and Simon Franglen programmed all the MIDI rigs, while Horner played the parts in himself after recording the sparse orchestral sections.
It was James Horner himself performing the synthesized choir. Ian Underwood and Simon Franglen programmed all the MIDI rigs, while Horner played the parts in himself after recording the sparse orchestral sections.
I didn’t know that, but it doesn’t surprise me. That makes it all the more special. Like when he plays all the solo piano parts in The Amazing Spider-Man. It makes it even more personal.
———- Post added at 03:35 AM ———- Previous post was at 03:34 AM ———-
Just out of curiosity, how much do we have of Titanic? Just the OST? Or is there an expanded out there?
———- Post added at 03:35 AM ———- Previous post was at 03:34 AM ———-
Just out of curiosity, how much do we have of Titanic? Just the OST? Or is there an expanded out there?
The OST and the follow-up album "Back To Titanic".
You should check out my customized version of the score, I’d argue it’s much better from an audio perspective than the OST.
The complete score is one of the holiest of Holy Grails for years, teased at but never made a reality.
All the specialty soundtrack labels have tried to get it with no success, because Sony Music refuses to license the music citing costs. That’s why they just re-released the OST and follow-up album with some source music back in 2012 for the 3D release, titling it an "Anniversary Edition".
Horner’s close friend and electronic music arranger / programmer Simon Franglen made an interesting comparison regarding the electronics of "Titanic" to the electronics of "Avatar":
On Titanic, Franglen said he had two tons of equipment – rack after rack of MIDI keyboards and other rigs…on Avatar he used one Mac Pro computer.
Thread 134823
the quality isnt the best but there s no sfx
Now that James is gona you can be sure that the greedy sony officials will release a new edition. A post mortem album a la michael jackson..
Thank you, thank you James Horner.
Wow – just those two? Is there any new score material on "Back To Titanic"?
You should check out my customized version of the score, I’d argue it’s much better from an audio perspective than the OST.
Apart from audio quality, how have you customized it?
The complete score is one of the holiest of Holy Grails for years, teased at but never made a reality.
And don’t I know it! It’s all any Horner fan talks about!! At least now I understand why. 🙂
All the specialty soundtrack labels have tried to get it with no success, because Sony Music refuses to license the music citing costs. That’s why they just re-released the OST and follow-up album with some source music back in 2012 for the 3D release, titling it an "Anniversary Edition".
That’s good that other labels have tried to get it. But how in the world would costs be an issue?! It’s one of the best selling albums of all time and the highest selling orchestral soundtrack ever produced for heaven’s sake!! Costs cannot possibly be the real reason. What is stopping them??
And that’s just insulting and mean to rerelease the OST as an "Anniversary Edition" if there’s nothing new on it. How utterly despicable. If they don’t now release the complete score as a fitting tribute to James and his work (of which Titanic is undisputedly his most popular) I will be very, very angry and upset.
Horner’s close friend and electronic music arranger / programmer Simon Franglen made an interesting comparison regarding the electronics of "Titanic" to the electronics of "Avatar":
On Titanic, Franglen said he had two tons of equipment – rack after rack of MIDI keyboards and other rigs…on Avatar he used one Mac Pro computer.
That’s quite a crazy comparison! Wow! Shows just how technology has advanced in less than 20 years…
In terms of actual film score? One cue: "A Building Panic". The remaining pieces of music on "Back To Titanic" are special arrangements performed by the London Symphony Orchestra, some of the film’s source songs, and a piano solo.
Apart from audio quality, how have you customized it?
Well….(spoiler-tagged for space reasons, and this is just a copy of an old post)
TITANIC – Custom Soundtrack (https://mega.co.nz/#!dttjwZaK!ZAE60Q8RfYpmx7tLYnfYF18QxXZqIg4hf8ikvL8 eOD8)
I finally finished the thing, downmixing all six channels from the SACD (like A Beautiful Mind) to 2-channel stereo (which took a LOT of precise editing to achieve, not nearly as simple as it may seem because of an issue with the original recording) but this time I took the extra effort to make the score sound a little larger and fuller as a result, without compromising the overall details in the mix as best as I could. It was a very difficult balance but I am happy with it…for now.
This is a downconversion at 44/16, downconverted from the source 88.2/24 which I upconverted to 96/24 originally.
Apple Lossless of course.
I restructured the tracklist a little bit. It is as follows:
1. Never an Absolution
2. Distant Memories
3. Southampton
4. Rose
5. Leaving Port
6. Take Her To Sea, Mr. Murdoch
7. The Portrait
8. Hard To Starboard
9. Unable To Stay, Unwilling To Leave
10. A Building Panic (edit)
11. The Sinking
12. Death Of Titanic
13. A Promise Kept
14. A Life So Changed
15. An Ocean Of Memories
16. Hymn To The Sea
17. My Heart Will Go On (song)
18. End Credit
For "A Building Panic" I removed the tracked piece from "The Sinking" that was inserted into this cue, it always bothered me and never really fit.
I’ve also included as a bonus, several cues that eliminate either all the electronics, or just the synthesized choir…and no, this isn’t just the center channel on it’s own either. They are in a separate folder included. They make for an interesting listen.
Well….(spoiler-tagged for space reasons, and this is just a copy of an old post)
TITANIC – Custom Soundtrack (https://mega.co.nz/#!dttjwZaK!ZAE60Q8RfYpmx7tLYnfYF18QxXZqIg4hf8ikvL8 eOD8)
I finally finished the thing, downmixing all six channels from the SACD (like A Beautiful Mind) to 2-channel stereo (which took a LOT of precise editing to achieve, not nearly as simple as it may seem because of an issue with the original recording) but this time I took the extra effort to make the score sound a little larger and fuller as a result, without compromising the overall details in the mix as best as I could. It was a very difficult balance but I am happy with it…for now.
This is a downconversion at 44/16, downconverted from the source 88.2/24 which I upconverted to 96/24 originally.
Apple Lossless of course.
I restructured the tracklist a little bit. It is as follows:
1. Never an Absolution
2. Distant Memories
3. Southampton
4. Rose
5. Leaving Port
6. Take Her To Sea, Mr. Murdoch
7. The Portrait
8. Hard To Starboard
9. Unable To Stay, Unwilling To Leave
10. A Building Panic (edit)
11. The Sinking
12. Death Of Titanic
13. A Promise Kept
14. A Life So Changed
15. An Ocean Of Memories
16. Hymn To The Sea
17. My Heart Will Go On (song)
18. End Credit
For "A Building Panic" I removed the tracked piece from "The Sinking" that was inserted into this cue, it always bothered me and never really fit.
I’ve also included as a bonus, several cues that eliminate either all the electronics, or just the synthesized choir…and no, this isn’t just the center channel on it’s own either. They are in a separate folder included. They make for an interesting listen.
That’s interesting. So the special arrangements are just arrangements of previously released cues? Is the piano solo you mentioned "The Portrait"? If so, isn’t that an original cue that wasn’t on the first album?
Thanks so much for your custom soundtrack! So "A Building Panic" had part of "The Sinking" stuck in the middle? How strange.
Is your custom soundtrack chronological?
Thanks so much for your custom soundtrack! So "A Building Panic" had part of "The Sinking" stuck in the middle? How strange.
Is your custom soundtrack chronological?
My custom album is chronological, though it’s a relative term when placing "A Building Panic", because of how much the score was edited in the film. In this presentation the placement makes a lot of musical sense and is a logical and I say chronological fit.
This is the "Back To Titanic" tracklist with details added by me:
1. Titanic Suite – a 19 minute arrangement of all the Titanic themes, performed by the LSO just for this album
2. An Irish Party in Third Class – the title says it all, this is the big party music performed by Gaelic Storm, and is FULL of dialogue from that sequence from the film.
3. Alexander’s Ragtime Band – a source cue performed by I Salonisti.
4. The Portrait – this is indeed a piano solo performed by James Horner, but it is NOT the actual cue heard in the film, as that was actually a demo track. This is a performance made for this album.
5. Jack Dawson’s Luck – this is not the Irish music used in the film, but rather two traditional Irish pieces arranged for this album
6. A Building Panic – the lone score cue, not a re-recording or special arrangement.
7. Nearer My God To Thee – a source cue performed by I Salonisti.
8. Come Josephine In My Flying Machine – with minor use of dialogue, this is performed by Enya’s sister Maire (Moya) Brennan.
9. Lament – this is another piece made for this album, using a traditional Irish piece.
10. A Shore Never Reached – this is the second of three pieces performed by the LSO for this album.
11. My Heart Will Go On (with dialogue from the film) – this is the bigger "Radio Version" of the song, with a lot of dialogue mixed in.
12. Nearer My God To Thee – a solo violin performance of the piece made for this album, performed by Eileen Ivers.
13. Epilogue – The Deep and Timeless Sea – the third and final piece performed by the LSO for this album. This is a different series of arranged themes from the film.
LE BLOG DE CHIEF DUNDEE: James Horner (http://chiefdundee.blogspot.co.uk/search/label/James%20Horner)
LE BLOG DE CHIEF DUNDEE: James Horner (http://chiefdundee.blogspot.co.uk/search/label/James%20Horner)
Thanks for the link! I’ll check those out. 🙂
This is the "Back To Titanic" tracklist with details added by me:
1. Titanic Suite – a 19 minute arrangement of all the Titanic themes, performed by the LSO just for this album
2. An Irish Party in Third Class – the title says it all, this is the big party music performed by Gaelic Storm, and is FULL of dialogue from that sequence from the film.
3. Alexander’s Ragtime Band – a source cue performed by I Salonisti.
4. The Portrait – this is indeed a piano solo performed by James Horner, but it is NOT the actual cue heard in the film, as that was actually a demo track. This is a performance made for this album.
5. Jack Dawson’s Luck – this is not the Irish music used in the film, but rather two traditional Irish pieces arranged for this album
6. A Building Panic – the lone score cue, not a re-recording or special arrangement.
7. Nearer My God To Thee – a source cue performed by I Salonisti.
8. Come Josephine In My Flying Machine – with minor use of dialogue, this is performed by Enya’s sister Maire (Moya) Brennan.
9. Lament – this is another piece made for this album, using a traditional Irish piece.
10. A Shore Never Reached – this is the second of three pieces performed by the LSO for this album.
11. My Heart Will Go On (with dialogue from the film) – this is the bigger "Radio Version" of the song, with a lot of dialogue mixed in.
12. Nearer My God To Thee – a solo violin performance of the piece made for this album, performed by Eileen Ivers.
13. Epilogue – The Deep and Timeless Sea – the third and final piece performed by the LSO for this album. This is a different series of arranged themes from the film.
Wow, thanks for all that info. What a pity everything is so complicated with disingenuous track names when it didn’t need to be.
Downloading your custom soundtrack now…
Balto, "Heritage of the Wolf" – 1:29 onwards, particularly 1:42. This is the pivotal point in the film and is stunningly beautiful and moving.
Apollo 13, "16m1 Re-Entry & Splashdown" – 2:33 onwards, particularly 2:53. This again is the pivotal, emotional point in the film.
Titanic, "Death to Titanic" – 6:00 onwards, particularly 6:16. From the cue title, and knowing the story, I presume it’s a pretty emotional moment.
Balto, "Heritage of the Wolf" – 1:29 onwards, particularly 1:42. This is the pivotal point in the film and is stunningly beautiful and moving.
Apollo 13, "16m1 Re-Entry & Splashdown" – 2:33 onwards, particularly 2:53. This again is the pivotal, emotional point in the film.
Titanic, "Death to Titanic" – 6:00 onwards, particularly 6:16. From the cue title, and knowing the story, I presume it’s a pretty emotional moment.
It has its roots in Gustav Mahler’s music, and was also used for a brief moment in "The Perfect Storm", and was eventually the main theme of the film "Enemy At The Gates"
In Titanic you hear it when the stern of the ship is suspended for a few seconds before finally sinking completely.
Perfect Storm features it when the para rescue workers come to the realization that they can’t refuel their chopper in the air with the massive wind and rain.
Debate raged over the Internet for years with fans claiming (incorrectly) that Horner "stole" the theme from John Williams and Schindler’s List but both have their origins in Mahler.
In Titanic you hear it when the stern of the ship is suspended for a few seconds before finally sinking completely.
Perfect Storm features it when the para rescue workers come to the realization that they can’t refuel their chopper in the air with the massive wind and rain.
Debate raged over the Internet for years with fans claiming (incorrectly) that Horner "stole" the theme from John Williams and Schindler’s List but both have their origins in Mahler.
Mahler, you say? Do you know which piece/symphony? I’d be interested to listen to it. So nobody ever asked James directly about it?
I still need to see The Perfect Storm.
I still need to see The Perfect Storm.
Symphony No. 8, known as the "Symphony Of A Thousand".
Brilliant, thanks. I’ll look it up. Any idea which movement?
First movement, "Veni Creator Scriptus".
Thanks! Just listened to it. I heard that theme in various forms throughout. It’s good to understand what inspired Horner and Williams, and it’s also good to know that nobody stole from anyone! :p
Apparently it was a synth choir because James wanted to avoid a church sound that real choirs usually produce. I thought it sounded kinda strange to begin with, but I really love it now. Particularly because James himself is playing the synth. 🙂
As for the other electronic sounds, like the pulsating bass line in "Southampton" and also "The Launch" from Apollo 13, that’s just there because it’s frickin’ awesome. Makes my spine tingle every time.
What I HAVE been listening to the last couple of days is the new Wolf Totem score and man is it wonderful. It’s the most unique thing I’ve heard from him in awhile and shows, so clearly, just how much greatness he still had in him. Such a huge bummer.
Remembering James Horner, Composer to Composer | Playboy (http://www.playboy.com/articles/remembering-james-horner-composer-to-composer)
Which composer will select cameron to score the films?
I think that deserves a seperate thread.
—
That tribute was written beautifully by Mr McCreary, and it brought yet another tear to my eyes…
God dammit.
I wouldn’t, Hunter. EliteSoundtracks is known for making bootleg copies of scores (meaning they basically took a leaked session and burned it on CDs)
It is the ‘real deal’ per say, but it is not legal or an actual official release.
Does that make sense?
It is the ‘real deal’ per say, but it is not legal or an actual official release.
Does that make sense?
Yeah, I don’t know why I asked, especially since I already found the files on these forums. http://www.discogs.com/Christopher-Young-Spider-Man-3-Complete-Motion-Picture-Score/release/2520066 But this still interests me. (It’s kind of off-topic, but whatever)
It is the ‘real deal’ per say, but it is not legal or an actual official release.
Does that make sense?
They even took MY CUSTOM of "THE PERFECT STORM" and put it up for sale, so…nope. Not legitimate.
Arranged Records is not a real record label I’m pretty sure.
I remember seeing some custom artworks from Arranged Records.
So they made their own artwork and burned the sessions/bootlegs on CD-r. What’s the point?
So they made their own artwork and burned the sessions/bootlegs on CD-r. What’s the point?
I very much doubt that "Arranged Records" (the artwork site run by the wonderful NewtonHoward/Luis M. Rojas) is responsible for that site. I imagine whoever is behind it has simply named it after Luis’ covers and is using the covers on the scores he sells.
That sucks, but I’ll don’t see any listings for it on the website. I guess I’ll keep listening to your edition of The Amazing Spider Man Soundtrack and go buy something else.
———- Post added at 07:08 PM ———- Previous post was at 07:00 PM ———-
I remember seeing some custom artworks from Arranged Records.
So they made their own artwork and burned the sessions/bootlegs on CD-r. What’s the point?
To try and trick people into thinking what they sell is something of worth? I don’t know. I guess I still want the Soundtrack if only because it’s not available anywhere else and has one composition not on the sessions for Spidy 3. It also helps that it’s more organized to my tastes.
———- Post added at 07:12 PM ———- Previous post was at 07:08 PM ———-
CDRareScore :: TITLES LIST – (founds: 1767) (http://leolor.cogia.net/?op=dl) Should I be careful of this website also?
If you really want to buy a score album, just buy one from a legitimate label (La-La Land, Intrada, or something off of Amazon). Why the desire to buy only a bootleg?
It’s been a weird summer for me so far, so my mind has been all over the place. These forums has provided a lot of goodies, so bootlegs shouldn’t matter. We should go back to the actual purpose of this thread, and not focus on other stuff. I’m sorry for bringing up the obvious.
A few years ago I was fooled into thinking that site sold legit releases of complete scores. Never again. The artwork was printed badly on photo paper, and was different to the artwork listed on the site, the case was cheap, and the disc had a couple of errors on it. They avoided giving me a refund and only sent me another disc. Idiots.
Anyway, yes, back on topic for now I think.
Soundtrack Review: Southpaw | Soundtrack Geek V2 (http://www.soundtrackgeek.com/v2/soundtrack-review-southpaw/)
Really talented guy.
Fav:

http://vignette3.wikia.nocookie.net/avp/images/8/8c/Aliens_Score_01.jpg/revision/latest/scale-to-width-down/250?cb=20131016121122

http://www.viz4u.net/v3/img/cover/thumb/Legends%20of%20the%20Fall%20(Original%20Motion%20P icture%20Soundtrack).jpg

http://www.moviemusic.com/imgcover/285/brainstorm.gif



Is It Feasible That Fuqua?s MAGNIFICENT SEVEN Remake Might Have Some Form Of James Horner Score?? (http://www.aintitcool.com/node/72424)