Interstellar (Complete Score Edit) – Hans Zimmer

This is a complete edit of the Interstellar soundtrack. All is preserved in lossless, except for the mp3 file from Paramount Guilds website.

Breakdown:

Disc 1 – FYC disc 1

Disc 2 – FYC disc 2 & Helix’s End Credit Stereo Blu-ray rip.

Disc 3 – Day One (Suite), 1M2alt Chasing Drone [Cornfield Chase], 02M6alt Decoding the Message [Dust], – from OST ‘Day One’

Murph (Suite), Tick-Tock (Suite), Stay (Suite), Organ Variation (Suite), Day One (Original Demo), 06M26alt No Time For Caution (Alternate), First Step (Teaser Music) – from ISP Edition

Day One Dark (Suite), Endurance (Suitev1), Endurance (Suitev2), 06M26 No Time For Caution (Film Version), 07M29 Landing In Tesseract (Film Version), 08M32 What Happens Now (Film Version) – from TylerakaSyn

06M26alt No Time For Caution (Alternate).mp3 – from Paramount Guilds site

and the Track Listing –

https://mega.co.nz/#!xJUQEZIR!5GZK6sdGcmfHokvnKuob9C5FVaq4NPfCbv4Uipp Ilc8

Nice to have a lossless compilation of all the music we’ve gathered so far.

What a collection.
Great to have TylerakaSyn work in there, too.

Isn’t Tyler also working on a film edit?

I think so, yeah.

He probably won’t be able to get every bit of music off of the film, though.

Thank you share!

Thanks

I think so, yeah.

He probably won’t be able to get every bit of music off of the film, though.

Hey, whatever he’s able to pull off I know will be worth the wait and all his effort. Editing is a labor of love and no small feat, but I don’t need to tell you that.

Well, he was able to squeeze out NTFC from the Blu-ray no problem, so maybe the rest of the music will be the same way! We’ll see, though…

Editing is a labor of love and no small feat, but I don’t need to tell you that.

I think I may have done more DVD rips than anyone else here.

Except maybe Garage.

Well, he was able to squeeze out NTFC from the Blu-ray no problem, so maybe the rest of the music will be the same way! We’ll see, though…

8m31 Quantifiable Connection is nearly SFX free. There’s very very subtle wind. After I ripped it, I listened to it through my external desktop speakers. And then I plugged in my headphones and that’s when my head sank. Too good to be true. But again, it’s ever so subtle. So I’m confident he’ll be able to clean it up 🙂

Thanks Lockdown!

Thanks, Lockdown!

8m31 Quantifiable Connection is nearly SFX free. There’s very very subtle wind. After I ripped it, I listened to it through my external desktop speakers. And then I plugged in my headphones and that’s when my head sank. Too good to be true. But again, it’s ever so subtle. So I’m confident he’ll be able to clean it up 🙂

Tyler and I talked about the wind.
There’s no way to get around it so it’s better left as-is.

Personally, I think it fits the nature of the OST with the first track having wind open up the album.

There will always be wind. Even in Tyler’s version. Wind.

Tyler and I talked about the wind.
There’s no way to get around it so it’s better left as-is.

Personally, I think it fits the nature of the OST with the first track having wind open up the album.

There will always be wind. Even in Tyler’s version. Wind.

And I can deal with it. You’re right about it fitting the nature of the album. And it’s not just 1m01 Dreaming of the Carsh that has wind. 8m33 Where We’re Going also has it. And it’s subtle. It’s not in-your-face.

Thank you!!

amazing… let’s give him an applause!!!

amazing… let’s give him an applause!!!

And holyfuckinshitballs, it’s in FLAC!! Just for you, I’m sure.

Not.

Beautiful! Thanks!!

😀

Not.

I don’t see how we have to do this everytime he posts.
The point is quite clear by now.
I could even make fun of you for making fun at a predicted rate.

Thanks a lot for this. I appreciate it very much!

Thank you, sir Lockdown! I will give you reputation as soon as the site allows! 🙂

Thank you for sharing this masterpiece.

Good grief. You really did mean complete. Well done.

Thanks

Thank you Lockdown.

Thank you!

Thanks!!

The unreleased "First Handshake" cue is basically the first 15-25 seconds of "Down for the long nap", I can probably have an edit done by tomorrow when I can approximate it. But someone else can post one if they do it first, should be pretty simple.

Also, thanks for acknowledging my work, it means a lot, and I love the album cover.

You know, I thought I heard that cue during that scene. But since the slates don’t jump (they go from 3m14 to 3m15, so maybe "First Handshake" is 3m14a or 3m15a?) I thought maybe it was just my imagination. And I don’t think anybody will mind waiting for your edit 😉

Yeah I was just talking about that earlier, I wasn’t even sure what the slate would be because like you said, there’s no gap.

Also, the Day One Dark edit of mine he included has the thunder and rain effects from the part of the movie where Cooper gives Romilly his headphones added to the beginning. If you put it right after the end credits in your track list, it crossfades almost perfectly because the end of the end credits also ends with the wind effects.

Amazing. Thanks lockdown!

Amazing. Thanks lockdown!

It has to be either 14a or 15a. It wouldn’t be anything else

Awesome compillation, thank you Lockdown.

Thanks for this gift ^^

thank you

I ripped ‘Rage Against the Dying of the Light’ from the blu-ray because it’s one of my favorite pieces of music from the score and I wasn’t happy with the quality of the FYC version. Unfortunately for some reason almost the same happens as the FYC version, when it gets louder near the end it start to distort a little bit, not sure why, maybe incompetent software (I used tsmuxer, Bigasoft video converter 4 and Premier Pro 6), because when I just watch the blu-ray, there is no distortion. Anyway, here are links for the 5.1 and stereo versions of it in what should be lossless quality. (Technically it’s a 4.1 version since I just muted the center channel to remove dialogue).

Surround:
https://mega.co.nz/#!voFhCboS!NbU9US_k958qjXAhzc1FkN3AgJXULeLjG6f5NPE jSyw

Stereo:
https://mega.co.nz/#!v8kmjCQS!B6_U08VWyD4C2M3soiIeD-ThURoXRmh8uKETHzegx78

(I don’t know yet how to hide or shorten links on this forum)

Thank you

Thanks a lot 🙂

Thanks a lot! I really need to see this film.

Thanks for the compilation Lockdown! I was thinking I was gonna have to do something along these lines by myself. 🙁

Thanks a lot! I really need to see this film.

Yes you do. 🙂

thanks ！！！

Thanks a lot! I really need to see this film.

It’s ok. You’ve at least seen Inception now, which we all voted should’ve been the first of the two. You save the best for last

Thanks for the effort Lockdown! Amazing compilation for the people that wants to get it all at once 🙂

So guys finally the bluray rip of QC that Ive been asking is included in here right?
And Day One Dark (edit) that Tyler is talking about in here aswell?

Then my life is complete 🙂

Thanks for the effort Lockdown! Amazing compilation for the people that wants to get it all at once 🙂

So guys finally the bluray rip of QC that Ive been asking is included in here right?
And Day One Dark (edit) that Tyler is talking about in here aswell?

Then my life is complete 🙂

08M31 Quantifiable Connection. Track 14 on Disc 2, taken from the FYC. So, nope. And the only Day One Dark i can see is Day One Dark Suite.

thanks

https://www.youtube.com/watch?v=VQc4C-B7_jU

Thanks!

Thank you!

08M31 Quantifiable Connection. Track 14 on Disc 2, taken from the FYC. So, nope. And the only Day One Dark i can see is Day One Dark Suite.

But Tyler was talking about it above of this page. And in the first page, they were talking about wind sounds in QC that cannot be edited further (I dont mind at all) and it was still good. So where is the file? I thought it is included in the compilation 🙂

But Tyler was talking about it above of this page. And in the first page, they were talking about wind sounds in QC that cannot be edited further (I dont mind at all) and it was still good. So where is the file? I thought it is included in the compilation 🙂

QC using the fyc for the first half and the bluray source for the second half, center channel muted so that means some stems are quieter than they should, and you lose some of the mastering/punshiness (Except for the piano part, which had no dialogue and is therefore complete in all its glory) : https://mega.co.nz/#!qV5HETSS!TlofQBcltNGh0Lls09YNkc4o8xmK4l3F6chb6Z1 uF8A

I ripped ‘Rage Against the Dying of the Light’ from the blu-ray

What software did you use?

Tyler, every time I see you post I get excited and think you’re gonna have your complete edit ready for us. The wait is killing me :p

Well if you want stuff earlier you have to get on Skype, I usually send demos to people for analysis before I release stuff here.

QC using the fyc for the first half and the bluray source for the second half, center channel muted so that means some stems are quieter than they should, and you lose some of the mastering/punshiness (Except for the piano part, which had no dialogue and is therefore complete in all its glory) : https://mega.co.nz/#!qV5HETSS!TlofQBcltNGh0Lls09YNkc4o8xmK4l3F6chb6Z1 uF8A

Thank you. Is this the final version? Will you continue for further improvements?

Thread 185463 You may update the link inside this thread with the new work, I guess. 🙂

QC using the fyc for the first half and the bluray source for the second half, center channel muted so that means some stems are quieter than they should, and you lose some of the mastering/punshiness (Except for the piano part, which had no dialogue and is therefore complete in all its glory) : https://mega.co.nz/#!qV5HETSS!TlofQBcltNGh0Lls09YNkc4o8xmK4l3F6chb6Z1 uF8A

Nice, although looks like the bluray has the peak at 15734Hz

I’m not satisfied with that version, someone else can take it over, the source is so shitty that it’s basically a waste of my time trying to salvage it and make something out of nothing, I can’t be proud of any of the work I’d be publishing with it. Besides, I’m better at the actual job of music editing and production than I am at being a scoring mixer / engineer / mastering, (or repairing damaged sources) two completely different worlds. I can turn something terrible into something heavenly, musically, if the source can be worked with, and that has plagued a lot of the interstellar material (lack of sources). Quantifiable Connection may be a job for someone else. Not to mention the track is a snooze fest to me at this point.

I’m not satisfied with that version, someone else can take it over, the source is so shitty that it’s basically a waste of my time trying to salvage it and make something out of nothing, I can’t be proud of any of the work I’d be publishing with it. Besides, I’m better at the actual job of music editing and production than I am at being a scoring mixer / engineer / mastering, (or repairing damaged sources) two completely different worlds. I can turn something terrible into something heavenly, musically, if the source can be worked with, and that has plagued a lot of the interstellar material (lack of sources). Quantifiable Connection may be a job for someone else. Not to mention the track is a snooze fest to me at this point.

I agree, QC is a good track (although all the editing I did on the FYC version made me fed up of it), but every source seems to have something wrong with it (here is your track with the peak removed) (https://mega.co.nz/#!k15TyQiC!IPPff9eW–VZfPrL0QvOo2MqvTUvwiwxVo6JXo813P8), i’ll see if I can sort out the wind sounds by repairing those parts in the fyc version in RX4.

I’ll be streaming my editing all night long tonight at http://www.hitbox.tv/yourfavoratemusic

I’ll be doing a massive "complete score crossfaded as is in the film" and a few other wild interstellar editing tonight.

I’ll be streaming my editing all night long tonight at http://www.hitbox.tv/yourfavoratemusic

I’ll be doing a massive "complete score crossfaded as is in the film" and a few other wild interstellar editing tonight.

http://i.imgur.com/bZb1ehK.gif

I’ll have what he’s having.

The guy in the blue shirt, Yankees ballcap, glasses. Him.
I’ll just sit and watch in wondermant.

i can’t hear anything right now though.

Yeah, is there supposed to be any sound?

I got no audio either, but I don’t think Tyler wants to give us a VO of every single detail lol

Aw, NOW there’s sound!

This is really cool.

Fascinating!
About a 3 second delay.
Like real life seconds, not internet time lol.

———- Post added at 04:16 PM ———- Previous post was at 04:12 PM ———-

:laugh: Every time I see "Where we’re going" makes me think of Event Horizon.

———- Post added at 04:25 PM ———- Previous post was at 04:16 PM ———-

:laugh: :rofldata:

Quick everyone add Tyler to Skype.
The frequent skyping would add to the tense workflow going on with the selected music. :laugh:

Omg I just unmuted my speakers and then I hear a voice that sounds like Matt Damon, thinking it’s Tyler. And I thought wow, he sounds older than I thought and also just like Matt Damon lmao

:rofldata::rofldata::rofldata:

Is it me, or is it very strange seeing someone else browse the shrine?

First Handshake (Missing Cue from Interstellar)

https://mega.co.nz/#!PMQwBRaZ!ZBlmA2Pw_hQZSW3HssUCcu4FPBsndOo5XwZZLTF zlUE

First Handshake (Missing Cue from Interstellar)

https://mega.co.nz/#!PMQwBRaZ!ZBlmA2Pw_hQZSW3HssUCcu4FPBsndOo5XwZZLTF zlUE

Nice. I see you chose 14b as the cue number 😉

Yeah, I was just thinking "Through the Wormhole" is A simply because both cues take place during the wormhole sequence.

My thoughts exactly.

"Complete Score as Crossfaded in the film" – With the film versions of most of the cues.

Acts III & IV (No End Credits, Sorry, forgot)

https://mega.co.nz/#!SE4gkYyD!NbgRlurQbchHWWKFdlw2YiyM-f7wCLde2G71wAbCRc0

And he uploads it as I’m getting into bed. Outstanding.

http://i.imgur.com/bZb1ehK.gif

Is that… Is that my buddy Wazowski?!

amazing. Thank you

Thanks for this Lockdown, great to finally have everything in one place. The only thing I’ve swapped out is the FYC Quantifiable Connection for the bluray sourced version.

Very much appreciated.

08M31 Quantifiable Connection. Track 14 on Disc 2, taken from the FYC. So, nope. And the only Day One Dark i can see is Day One Dark Suite.

Now I have checked the compilation… 08M31 Quantifiable Connection in this compilation made by Tyler! 🙂 As he gave me the link in this thread in flac format is same as the alac in this compilation. 😉

Thank you guys for all your work on this! It’s fantastic.

Thanks so much, this is a good reason why I come here. To hear incredible music and for us to work together to a marvellous end.
Well done!
C

Are these the official recording sessions?

Are these the official recording sessions?

Dude, learn to read. No offense.

Dude, learn to read. No offense.

It says complete score- which is only in the recordings sessions.

From what I understand, this is a mash of various sources- most are fan edits and rips. So I find it’s title misleading. It should be titled "Compiled Complete Score" or something like that.

So, we got complete scores to Man Of Steel and Interstellar. Fingers crossed for The Amazing Spider-Man 2.

So, we got complete scores to Man Of Steel and Interstellar. Fingers crossed for The Amazing Spider-Man 2.

We didn’t get a complete score for this though. At least not an official one. This one is all fan-made edits and rips, compiled with the lossy FYC and the other soundtrack releases.

There is a recording sessions for this with 52 cues.

Yeah… we got unusually lucky with Interstellar. No leaks; the FYC just had all the tracks, so Paramount dumped everything on its website.

We didn’t get a complete score for this though. At least not an official one. This one is all fan-made edits and rips, compiled with the lossy FYC and the other soundtrack releases.

There is a recording sessions for this with 52 cues.
52? Is this about Interstellar? Because The Amazing Spider-Man 2 has 54 cues in the complete score. Between 78 and 80 in the recording sessions.

Yeah… we got unusually lucky with Interstellar. No leaks; the FYC just had all the tracks, so Paramount dumped everything on its website.

With the exception of 3m14b First Handshake, which we now have thanks to Tyler

It says complete score- which is only in the recordings sessions.

From what I understand, this is a mash of various sources- most are fan edits and rips. So I find it’s title misleading. It should be titled "Compiled Complete Score" or something like that.

So you did read the first post? Why then did you ask when you knew full well it wasn’t the sessions?

And Lockdown has confirmed it is complete. Complete doesn’t automatically mean sessions. Complete just means complete, whatever format that might be. And no, most of this is NOT fan edits and rips. Maybe you didn’t read that first post after all. I’m confused. Go back and re-read it, please.

———- Post added at 03:42 PM ———- Previous post was at 03:40 PM ———-

52? Is this about Interstellar? Because The Amazing Spider-Man 2 has 54 cues in the complete score. Between 78 and 80 in the recording sessions.

Wait, what? Between 78 and 80 cues? Are you talking about Intslr or ASM2??

So you did read the first post? Why then did you ask when you knew full well it wasn’t the sessions?

And Lockdown has confirmed it is complete. Complete doesn’t automatically mean sessions. Complete just means complete, whatever format that might be. And no, most of this is NOT fan edits and rips. Maybe you didn’t read that first post after all. I’m confused. Go back and re-read it, please.

———- Post added at 03:42 PM ———- Previous post was at 03:40 PM ———-

Wait, what? Between 78 and 80 cues? Are you talking about Intslr or ASM2??
TASM2

So you did read the first post? Why then did you ask when you knew full well it wasn’t the sessions?

And Lockdown has confirmed it is complete. Complete doesn’t automatically mean sessions. Complete just means complete, whatever format that might be. And no, most of this is NOT fan edits and rips. Maybe you didn’t read that first post after all. I’m confused. Go back and re-read it, please.[COLOR="Silver"]

The main post is confusing. It lists all these sources where this "complete" thing is derived from, but I don’t know which of those sources are real and non fan-made or ripped.

Then it says it’s lossless, but the FYC leaked is lossy.

Ok just so we’re all clear on one thing: the "sessions" listed on sheeto/pianofiles are fake as shit. FILM CUES BOX is Garage. We all know who Garage is, yes? Need I post the links to all of his Blu-ray rips as a reminder?

The main post is confusing. It lists all these sources where this "complete" thing is derived from, but I don’t know which of those sources are real and non fan-made or ripped.

Then it says it’s lossless, but the FYC leaked is lossy.

*sigh* Do I really need to explain this?

The original post lists all the sources, yes. Glad to see you’ve re-read it. The fact that it lists all the sources for each disc is the opposite of confusing. It makes it all very clear. How is it confusing?

You don’t know which of the sources are real? If it says a cue is from the FYC or the OST (or even the Paramount website), then it’s clearly not fan-made or ripped from the DVD. How is this in any way confusing? Lockdown has made a very clear effort to explain all of this. Maybe go back and re-read it again, this time a bit slower?

Oh, and about the lossless thing, if the FYC was lossy (which it was – glad to see you at least picked that up), but Lockdown has said this is lossless, then he’s clearly transcoded all the sources to one lossless format to preserve whatever quality the sources originally were and to make the tracks all with the same format. I’d rather that than a random mix of formats.

Just the first couple of sentences of the original post make all of this very clear:

This is a complete edit of the Interstellar soundtrack. All is preserved in lossless, except for the mp3 file from Paramount Guilds website.

———- Post added at 04:16 PM ———- Previous post was at 04:09 PM ———-

Ok just so we’re all clear on one thing: the "sessions" listed on sheeto/pianofiles are fake as shit. FILM CUES BOX is Garage. We all know who Garage is, yes? Need I post the links to all of his Blu-ray rips as a reminder?

Please, no.

———- Post added at 04:18 PM ———- Previous post was at 04:16 PM ———-

TASM2

So what are you referring to when you say ‘complete’ score? Are you counting the cues as heard in the film (ie not including all the alternates from the sessions)?

So, we got complete scores to Man Of Steel and Interstellar. Fingers crossed for The Amazing Spider-Man 2.

The only reason we got INTS is because Paramount decided to post damn near the entire score on the FYC Guilds site. And we got MoS because someone decided to post it in the requests section and I then brought it to the main page. I don’t think TASM2 will surface for a long time, if ever. I don’t even think it was obtained in the Sony hack

I don’t even think it was obtained in the Sony hack

People are saying that it was, but how the hell would they know?

I don’t think TASM2 will be leaked in a loooong time. I wonder if anyone here at all even has it. But maybe in the future we’ll get an official expanded/complete release. I honestly think that’s more likely.

Are these the official recording sessions?
Maybe explaining this a second time would make things more clear.

Disc 1 is sourced from Disc 1 of the FYC (I actually bought the FYC [crazy] and ripped it in flac and shared it with all of you here a couple of months ago, even though it was unfortunately lossy sourced, the sound quality is slightly better than the 192k files on Paramount Guilds website) I would have added First Handshake to this as well (had Tyler made an edit prior to me posting my compilation, but he didn’t and that’s okay. I added it to my edition anyways.

Disc 2 is mostly sourced from the FYC’s Disc 2 (I forgot to mention, that Quantifiable Connection is the edit that Tyler posted on YouTube about a week ago, and it’s basically free of sfx, and it sounds way better than the corrupt one on the Disc and any other previous edits. It is sourced from the Blu-ray audio. The End Credits, which Helix posted a couple weeks ago, is obviously sourced from the Blu-ray as well. I grabbed his stereo version and added it to this release to make it more complete.

Disc 3 is probably where you got confused, all it is is suites and some official and unofficial alternates of some cues, none of it having any SFX, though. Day One Suite was taken from the OST, and it was originally titled ‘Day One’ (DO NOT confuse this with Day One (Original Demo)).. Murph Suite was taken from the Illuminated Star Projection edition. Tick-Tock Suite was taken from the Illuminated Star Projection edition. Stay Suite was taken from any of the official releases. Day One Dark Suite was posted in lossless a few months ago by TylerakaSyn, and it is indeed lossless. Organ Variation Suite was taken from the Illuminated Star Projection edition. Endurance Suite v1 and v2 were sourced from TylerakaSyn’s custom mix of Tick-Tock and No Time For Caution and put into a suite together, both are different, and both have some of his own arrangements added into the music, which I think sound great. He posted flac links on his YouTube description for all of his material that I used, which was very nice of him to PRESERVE them in lossless. Day One Original Demo was taken from the Illuminated Star Projection edition. 1M2alt Chasing Drone was taken from the OST (it has a different mix than the film version of the cue [or the FYC version]) 2M6alt Decoding the Message was originally titled ‘Dust’ on the OST, and has a different mix than the film version. 6M26 No Time For Caution (Film Version) was taken from TylerakaSyn’s YouTube, and he provided a flac link for that as well. It is his most recent edit, which came out about a week ago. There are two alternates of No Time For Caution that I had included. The alt that is lossless, is from the OST, the alt that is mp3 192k is from the Paramount Guilds site. They one on Disc 2 is sourced from the FYC discs. They all have different mixes, so I thought I would include them for completeness sake, though probably no one cares about them much, they prefer TylerakaSyn’s film edit the most, I would think. The Endurance Edit of No Time For Caution was also from TylerakaSyn’s most recent upload of this on YouTube, sourced from his flac link as well, to preserve the quality. I think he used material from Day One Dark Suite to make it have a more epic sound to it, and it does, he also added his string arrangement in the second half of the cue, which is unofficial of course, but still sounds great imo. You can hear that in the Endurance Suite that he made. Landing in Tesseract Film Version is sourced from TylerakaSyn’s YouTube channel as well, it has a different mix, and sounds way better than the FYC version. What Happens Now? Film Version is also sourced from TylerakaSyn’s YouTube channel, or he privately sent me it. It is in a lossless format, to preserve the quality of course from further deteriorating the music. And, compared to the FYC version, it has a totally different ending. First Step was taken from one of the official releases, and is the teaser music (shorter version of the Day One theme) that you hear in one of the trailers of Interstellar.

I hope that this will clear up some things, and I think that this compilation that I made is fine, and I do not really care if the sessions are around or leak, because I am completely happy with having the complete score already, which seems to be a rare thing. Also, I will contact one of the moderators on the forum to change the thread title to something more appropriate. I agree that it is misleading and I apologize for that, I already submitted the thread before regretting that decision. And seeing as I can’t change the thread title myself (which I kind of find absurd, that should be a feature, and it would prevent the moderators from being bothered with another load of requests)

Well, I really have no other way to explain it to you Zodiac, I tried to put it into step by step for you, what each track is sourced from. It’s all apple lossless (except for the mp3 from Paramount Guilds website) And, I hope you know that what you see on Sheeto / Pianofiles, from the member FILM CUES BOX, is most likely a compilation like mine, he is Garage. They are the same person, and I don’t want you to be fooled into trading or trying to get what he has, because I guarantee that it isn’t real.

Gulp

Fun fact: I compiled my own Interstellar through the Illuminated Star Projection edition, and filled in the gaps with the FYC and Tyler’s edits. Since the FYC sounds kind of crappy I thought it’d be more prudent to use an official soundtrack than just the FYC.

It’s kind of absurd to me how everyone is pulling their Interstellar tracks from all these different sources… if the sessions were to leak I think I’d honestly just stay with what I’ve got. I mean come on, what would the sessions have that we don’t at this point (especially with Tyler’s full film edit coming up in the near future)?

I’ve also compiled my own version. It basically has everything this one does, but I added Confidential Music’s View from the Voyager to my set. It’s the piece from trailer 3, the best one imo. I’m not nuts about the Two Steps from Hell Piece. Or was it Audiomachine? It was one of em. Anyway, it’s the full piece which runs 3:06 and it’s in AIFF

Fun fact: I compiled my own Interstellar through the Illuminated Star Projection edition, and filled in the gaps with the FYC and Tyler’s edits. Since the FYC sounds kind of crappy I thought it’d be more prudent to use an official soundtrack than just the FYC.

It’s kind of absurd to me how everyone is pulling their Interstellar tracks from all these different sources… if the sessions were to leak I think I’d honestly just stay with what I’ve got. I mean come on, what would the sessions have that we don’t at this point (especially with Tyler’s full film edit coming up in the near future)?

The FYC gives you the film versions though. 🙂

The FYC gives you the film versions though. 🙂

I’ll take not-so-stellar sounding film edits over hq album edits any day

I’ll take not-so-stellar sounding film edits over hq album edits any day

You an’ me both. 🙂

If you included the Endurance Edit, change it to this one: FLAC: https://mega.co.nz/#!yMQQCKwR!b3EB1_skbjbgiATikgB0ijjAdaxHmF-saX8e1Xna2yI

It’s newer, fixing several technical bugs (tempo / Sequencer related) and the organ at the end was adjusted significantly.

I posted it to soundcloud but haven’t updated it on youtube. I wouldn’t count on another rendition of it after this, unless a major breakthrough occurs, like HZ releases the stems or something.

If you included the Endurance Edit, change it to this one: FLAC: [url]https://mega.co.nz/#!yMQQCKwR!b3EB1_skbjbgiATikgB0ijjAdaxHmF-saX8e1Xna2yI[/url
Done and done! 🙂

Fun fact: I compiled my own Interstellar through the Illuminated Star Projection edition, and filled in the gaps with the FYC and Tyler’s edits. Since the FYC sounds kind of crappy I thought it’d be more prudent to use an official soundtrack than just the FYC.

I basically did the exact same thing. Took the Star Projection set and added Spectre8750’s remastered FYC tracks and Tyler’s latest recreations of NTFC and QC. Then I just added some fade-ins/outs and applied replay gain for volume consistency.

I’ll take not-so-stellar sounding film edits over hq album edits any day

I take the best sounding and or most complete versions of a cue regardless of what made it into the film or onto the album.

If you included the Endurance Edit, change it to this one: FLAC: https://mega.co.nz/#!yMQQCKwR!b3EB1_skbjbgiATikgB0ijjAdaxHmF-saX8e1Xna2yI.

Hey, could you please upload in ALAC so I can add it to Itunes. 🙂

If you included the Endurance Edit, change it to this one: FLAC: https://mega.co.nz/#!yMQQCKwR!b3EB1_skbjbgiATikgB0ijjAdaxHmF-saX8e1Xna2yI

It’s newer, fixing several technical bugs (tempo / Sequencer related) and the organ at the end was adjusted significantly.

I posted it to soundcloud but haven’t updated it on youtube. I wouldn’t count on another rendition of it after this, unless a major breakthrough occurs, like HZ releases the stems or something.

May I ask what’s different between this and the NTFC on Disc 2? Everything sounds glorious to me, but I haven’t listened to it super loud yet. This whole is overloading my pleasure centers, I’m loving every piece of it. Thank you both so much for your work! I wish there were people as dedicated as you for every OST I’m obsessed with. :p

Hey, could you please upload in ALAC so I can add it to Itunes. 🙂

*iTunes

Thanks 🙂

*iTunes

yeah yeah yeah…whatever Mr. Know-it-all. 😉

yeah yeah yeah…whatever Mr. Know-it-all. 😉

Haha sorry. It just bugs me. Like Spiderman. :p

Thanks, great work.

Noob-ish question…I use MP3Gain to equalize my music so I don’t need to be adjusting my volume constantly…were these set to specific levels in the process? Should I be leaving them alone?

Thank you so much for this share!

Haha sorry. It just bugs me. Like Spiderman. :p

You mean *Spider-Man?

You mean *Spider-Man?

My point precisely. Thank you. Glad to know someone else out there knows how to spell his name. 🙂

My point precisely. Thank you. Glad to know someone else out there knows how to spell his name. 🙂

Well if we’re ultra critical, it’s *Peter Parker.

…Spider-Man related puns are easy, you can find them on the web…

Well if we’re ultra critical, it’s *Peter Parker.

…Spider-Man related puns are easy, you can find them on the web…

*in the web 😛

*in the web 😛

Anyway, back on topic… Isn’t Interstellar great? Lol

It’s…….quite a stellar soundtrack :awsm:

Guys, I see stars.

Thanks a lot

Thank you very much for this version !

Am I the only one missing track 15 from disc 2 and track 17 from disc 3?

Am I the only one missing track 15 from disc 2 and track 17 from disc 3?

Re-download it …. and see if that works

Re-download it …. and see if that works

I did. The files aren’t even in the archive…

Am I the only one missing track 15 from disc 2 and track 17 from disc 3?

I noticed just now that I’m missing those tracks too…

First off, just so much respect and gratitude to TylerakaSyn, Lockdown and whoever else contributed toward the existence of these numerous incarnations. I know this is late but I was wondering if I could get confirmation on something:

1. "No Time For Caution – 708-1" file (https://mega.co.nz/#!yMQQCKwR!b3EB1_skbjbgiATikgB0ijjAdaxHmF-saX8e1Xna2yI) is the latest version of NTFC Endurance Edit.
2. "No Time For Caution – Final Film Mix 6 – No Strings" ( https://mega.co.nz/#!zMI1CR5K!IAWvBjTABZiVjpAu403hp43aD0X9mWrwaRYge4k V1es ) on the other hand is the latest version of the NTFC As-Close-To-Film-As-It-Can-Be

Further question: what are the "No Time For Caution – Final Film Mix – bluray 2", "No Time For Caution – 70" and "No Time For Caution – 70 faster"? I’m guessing old edits, but would love to know which versions are the updated ones (only because TylerakaSyn keeps updating so much! jk boss you’re great <3)

I’m sorry if this will give somebody headaches. Again, so thankful all for these combined efforts. Up until Interstellar I had been quite critical of the scores HZ recycled every year (TDK I enjoyed but only because of JNH’s influence on the sound) but in Interstellar there was such a different, refreshing sound – being a Glass follower, I loved the somewhat minimalist approach. I thought it would’ve been without contenders at the Oscars considering J???hannsson’s TTOE was far too sappy imo (and the best cue from the movie wasn’t even theirs) and Desplat’s GBH as perfect as it was for the film (in that way it reminded me so much of The Social Network, no other music could have accompanied the film in a better way) sounded too much like a retrace of Fantastic Mr Fox.

Again, thank you. I cannot tell you how FRIGGIN EXCITED I am about all of this. More or less along these lines, https://www.youtube.com/watch?v=qUccjCBuByE.

Thanks!!

Finally got round to watching the movie last night. Now I can truly appreciate this. 🙂

Finally got round to watching the movie last night. Now I can truly appreciate this. 🙂

Soooo…. did you like the movie? Had you listened to the score beforehand?

Soooo…. did you like the movie? Had you listened to the score beforehand?

A couple cues here and there. But now they mean SO much more!!!!

The movie was…

It was…

Hmm. Give me a year or two to think of a suitable adjective.

It was stellar?

I’m afraid not even that adjective does it true justice. I still don’t understand the details of half the movie, but it was incredible nonetheless. Absolutely incredibly unbelievably mind-bendingly fantastically amazingly brilliant. How about that?

The word will come to you when you understand the other half of the movie. AIUMFAB will suffice for now.

"Complete Score as Crossfaded in the film" – With the film versions of most of the cues.

Acts III & IV (No End Credits, Sorry, forgot)

https://mega.co.nz/#!SE4gkYyD!NbgRlurQbchHWWKFdlw2YiyM-f7wCLde2G71wAbCRc0
Thanks for your hard work! I’m just wondering where Acts I and II are.

I’m afraid not even that adjective does it true justice. I still don’t understand the details of half the movie, but it was incredible nonetheless. Absolutely incredibly unbelievably mind-bendingly fantastically amazingly brilliant. How about that?

I didn’t understand half of it the first time I saw it either. :p

Thanks for your hard work! I’m just wondering where Acts I and II are.

Acts I and II have no crossfades cues

I still don’t understand the details of half the movie, but it was incredible nonetheless.

I’m pretty sure I understand it all… the only thing I don’t quite get is the significance of the drone in the beginning.

I listened to the score a couple times before watching the film, and I was like, "okay, this is all right I guess…". But the score really clicks together with the film so perfectly that afterwards it becomes so much more enjoyable to listen to. It’s probably one of my favorite Zimmer scores.

If I’m being honest I don’t think I understand it 100%. Hell, it took me years to understad Inception

This is quite an endeavor! I look forward to hearing the fruits of your labors. Thanks for sharing. 🙂

I had no problem with inception expect the ending which required a couple of viewings, but this one, was a bit,,,,,,,I still dont know where the black hole came from, who put it there, why not closer to earth, and the tesarack thingy I dont know where to go with that (a good idea for a creepy stalker movie though)…. maybe someone can share their thoughts that make sense.

I had no problem with inception, but this one, was a bit,,,,,,,I still dont know where the black hole came from, who put it there,, and the tesarack thingy I dont know where to go with that…. maybe someone can share their thoughts that make sense.

1.) "They" put the black hole there.

2.) Tesseract. T.A.R.S. originally tells Cooper it was being closed by the "bulk beings", which Cooper then tells him "it’s us". "A civilization that’s evolved past the 4 dimension that we know"

"They" are just technologically advanced humans in the far future who save their ancestors by placing that black hole there and letting Cooper and co. find a new home… but wouldn’t that be a paradox? I can’t even put it into words it’s so confusing.

Time travel makes my head hurt.

Time travel

plus

4 dimension

equals

my head hurt.

But more so …
4th dimension. Carl Sagan saw to that.

… the only thing I don’t quite get is the significance of the drone in the beginning.

It was something left over from the original idea that was never used in the final version of the movie. But, they had to get Cooper to the secret NASA base somehow. it doesn’t make any sense now because the incredible Chris Nolan forgot to plug in the holes after tearing up the original idea.

Also guys, use them spoiler tags.

First off, just so much respect and gratitude to TylerakaSyn, Lockdown and whoever else contributed toward the existence of these numerous incarnations. I know this is late but I was wondering if I could get confirmation on something:

1. "No Time For Caution – 708-1" file (https://mega.co.nz/#!yMQQCKwR!b3EB1_skbjbgiATikgB0ijjAdaxHmF-saX8e1Xna2yI) is the latest version of NTFC Endurance Edit.
2. "No Time For Caution – Final Film Mix 6 – No Strings" ( https://mega.co.nz/#!zMI1CR5K!IAWvBjTABZiVjpAu403hp43aD0X9mWrwaRYge4k V1es ) on the other hand is the latest version of the NTFC As-Close-To-Film-As-It-Can-Be

Further question: what are the "No Time For Caution – Final Film Mix – bluray 2", "No Time For Caution – 70" and "No Time For Caution – 70 faster"? I’m guessing old edits, but would love to know which versions are the updated ones (only because TylerakaSyn keeps updating so much! jk boss you’re great <3)

I’m sorry if this will give somebody headaches. Again, so thankful all for these combined efforts. Up until Interstellar I had been quite critical of the scores HZ recycled every year (TDK I enjoyed but only because of JNH’s influence on the sound) but in Interstellar there was such a different, refreshing sound – being a Glass follower, I loved the somewhat minimalist approach. I thought it would’ve been without contenders at the Oscars considering J???hannsson’s TTOE was far too sappy imo (and the best cue from the movie wasn’t even theirs) and Desplat’s GBH as perfect as it was for the film (in that way it reminded me so much of The Social Network, no other music could have accompanied the film in a better way) sounded too much like a retrace of Fantastic Mr Fox.

Again, thank you. I cannot tell you how FRIGGIN EXCITED I am about all of this. More or less along these lines, https://www.youtube.com/watch?v=qUccjCBuByE.

Endurance Edit – 708-1
Film Edit – "Bluray 2"
The older film version uses placeholder sounds but doesn’t have sfx, I’d like to change them but the Salisbury Cathedral sample library they used for the film is like 600-1.5k dollars and I’m not buying it just to restore the organ.

I’m pretty sure I understand it all… the only thing I don’t quite get is the significance of the drone in the beginning.

I listened to the score a couple times before watching the film, and I was like, "okay, this is all right I guess…". But the score really clicks together with the film so perfectly that afterwards it becomes so much more enjoyable to listen to. It’s probably one of my favorite Zimmer scores.

I was literally thinking the exact same thing about the drone just before I read your post. I’m not sure it has any bearing on the rest of the film…

———- Post added at 01:15 AM ———- Previous post was at 01:01 AM ———-

"They" are just technologically advanced humans in the far future who save their ancestors by placing that black hole there and letting Cooper and co. find a new home… but wouldn’t that be a paradox? I can’t even put it into words it’s so confusing.

Time travel makes my head hurt.

What I want to know is why mankind needs saving in the first place. We’ve clearly evolved past the 4 dimensions that we already know in order to place the wormhole in space so that past humans can save themselves, right? But presumably the only reason it was placed there was because humans would have died out otherwise. If that was the case, humans never got the chance to ‘evolve’ past four dimensions. We died out before we could get the chance to do so! Does that make sense?!

———- Post added at 01:16 AM ———- Previous post was at 01:15 AM ———-

It was something left over from the original idea that was never used in the final version of the movie. But, they had to get Cooper to the secret NASA base somehow. it doesn’t make any sense now because the incredible Chris Nolan forgot to plug in the holes after tearing up the original idea.

Also guys, use them spoiler tags.

The drone doesn’t help them get to the secret NASA base…does it?

———- Post added at 01:17 AM ———- Previous post was at 01:16 AM ———-

1.) "They" put the black hole there.

2.) Tesseract. T.A.R.S. originally tells Cooper it was being closed by the "bulk beings", which Cooper then tells him "it’s us". "A civilization that’s evolved past the 4 dimension that we know"

I thought "they" put the wormhole there, not the black hole?

Does it have to have any bearing on the film? It gave us some character development: Coop’s obsession with anything space related. It gave us the way the gravity field affected their navigational system (including all those farm machines). And no, i have no urge to know what the original idea was 🙂 i know what i need to know about the film. The rest is my mind filling in the blanks since there is NO WAY any director (including Nolan) can give us the blueprints on how this works. All theoretical.

And of course it’s a paradox 😉 as have been established earlier and in the film – TIME is the fourth dimension and that is what we have to wrap our heads around before we can evolve any further. Time isn’t linear. Everything happens at the same time, but not at the same place is one theory. Not getting into any forum discussion about that though 😛 but it IS what i choose to think

Tesseract thingy? didn’t really exist, but was just there to help Coop understand the concept of the 4th and 5th dimension?

What I want to know is why mankind needs saving in the first place. We’ve clearly evolved past the 4 dimensions that we already know in order to place the wormhole in space so that past humans can save themselves, right? But presumably the only reason it was placed there was because humans would have died out otherwise. If that was the case, humans never got the chance to ‘evolve’ past four dimensions. We died out before we could get the chance to do so! Does that make sense?!

Perhaps not to disrupt the time-space continuum? 😉

The drone doesn’t help them get to the secret NASA base…does it?

the gravitation was what they used to communicate through time and that affected the navigational systems of the machines somehow

I thought "they" put the wormhole there, not the black hole?

Correct. They put a wormhole there, not a black hole.

Nice to have a lossless compilation of all the music we’ve gathered so far.http://financehotela.com/yellow/images/30.gif http://financehotela.com/yellow/images/71.gif

Hmmm interesting thoughts/theories. 🙂

The other thing I’m not sure about is when Cooper supposedly gives Murph the coordinates for the secret NASA base when inside the tesseract-thingy. Firstly, I don’t remember him doing this in the movie. But maybe my memory is just crap. Secondly, how does he even know the coordinates in order to give them to Murph and his younger self so that they can find the secret base? He can’t have just remembered them from when he found them in the bedroom at the beginning of the movie, because that was himself giving them. So where did his future self get the coordinates to give to his younger self in the first place? Thirdly, why the heck would he want to give Murph and his younger self the coordinates, knowing what would happen as a result? I thought he was yelling at them from the tesseract-thingy to STAY!!! Not go. Any thoughts on this? Maybe we should start a new thread.

———- Post added at 01:33 AM ———- Previous post was at 01:32 AM ———-

Nice to have a lossless compilation of all the music we’ve gathered so far.

Did you just copy and paste TheSkeletonMan’s first post on the first page??

It’s officially called a tesseract. Not a "tesseract-thingy" and this is not the first film where the tesseract is an important part of the plot 😉

not the first film where the tesseract is an important part of the plot 😉

It’s not something one buries. ~Schmidt

Does anyone know the answer to my question? 🙁 A refresh:

Noob-ish question…I use MP3Gain to equalize my music so I don’t need to be adjusting my volume constantly…were these set to specific levels in the process? Should I be leaving them alone?

I used the gain anyway, and the first track is insanely bassy. It makes my speakers rattle and it sounds awful, which I’m assuming can’t be the work of this magnificent compiler. I dun goofed?

But seriously, any thoughts on my questions?!

so I don’t need to be adjusting my volume constantly…were these set to specific levels in the process? Should I be leaving them alone?

It’s not an easy question.
All music that’s published (except sessions) were set to specific levels.

But that doesn’t mean you don’t have to adjust volume.

You can adjust these if you want so you don’t have to play with the volume all the time.
It’s not like Zimmer is going to track you down and kill you.

If you’re concerned about volume, forget about "intended listening" volume (the mastering; besides, some mastering is not done well and needs a remaster from members here).

There are multiple ways to adjust volume.

If I were you, using lossless sources, encode to lossy format with Foobar2000 and a nice DSP.

R128Norm – EBU R128 Compressor/Normalizer DSP (http://www.foobar2000.org/components/view/foo_r128norm)

Implements a simple normalizer DSP based on gated ITU-R BS.1770 Loudness calculation.

Version 1.11 highlights: Restructured to use a sliding gated loudness window, with a sufficient look-ahead. It should now be almost as good as running a R128Gain scan on the source material.

This way you don’t have to play with volume all the time on the encoded files.
Keep the lossless source archived in case you want to re-encode again.

Alternatively, you can use ReplayGain when encoding. But that opens a whole new door of testing and experimenting with different encodes.

Stick with R128Norm for now.

What I want to know is why mankind needs saving in the first place. We’ve clearly evolved past the 4 dimensions that we already know in order to place the wormhole in space so that past humans can save themselves, right? But presumably the only reason it was placed there was because humans would have died out otherwise. If that was the case, humans never got the chance to ‘evolve’ past four dimensions. We died out before we could get the chance to do so! Does that make sense?

It’s one of the classic paradox scenarios. The first time humans evolved, this entire chain of events happened. When Cooper realized it was humans, the knowledge was passed down through the years until we knew we had to go back and set these things up for ourselves. Then the process repeats. Not a very satisfying answer, but time travel doesn’t often have concrete ones. I happen to love it though. 😀

The other thing I’m not sure about is when Cooper supposedly gives Murph the coordinates for the secret NASA base when inside the tesseract-thingy. Firstly, I don’t remember him doing this in the movie. But maybe my memory is just crap. Secondly, how does he even know the coordinates in order to give them to Murph and his younger self so that they can find the secret base? He can’t have just remembered them from when he found them in the bedroom at the beginning of the movie, because that was himself giving them. So where did his future self get the coordinates to give to his younger self in the first place? Thirdly, why the heck would he want to give Murph and his younger self the coordinates, knowing what would happen as a result? I thought he was yelling at them from the tesseract-thingy to STAY!!! Not go. Any thoughts on this? Maybe we should start a new thread.

He does give the coordinates, in the tessarect. He moves his hand and manipulates the gravity, like we saw happening at the beginning. Once he realizes that "them" is actually "him", he knows he needs to follow the same pattern of events that happened, and gives them the coordinates. For the why, it’s because TARS says they have the data they need to fix the gravity equation. He chooses to sacrifice the time with his daughter to save the race. As for remembering the coordinates, he asks TARS to give him the coordinates in binary.

It’s not an easy question.
All music that’s published (except sessions) were set to specific levels.

But that doesn’t mean you don’t have to adjust volume.

You can adjust these if you want so you don’t have to play with the volume all the time.
It’s not like Zimmer is going to track you down and kill you.

Hahaha, I know, I wasn’t worried about Zimmer, more like Lockdown and Tyler. :p I was wondering if their mixes had specific volumes it should be kept at, which I’m guessing is true since a couple of the track feel like they want to blow out my sub. I’ll probably just revert those. Thanks for your recommendation by the way, I’m checking it out now.

So much for using spoiler tags.

Endurance Edit – 708-1
Film Edit – "Bluray 2"
The older film version uses placeholder sounds but doesn’t have sfx, I’d like to change them but the Salisbury Cathedral sample library they used for the film is like 600-1.5k dollars and I’m not buying it just to restore the organ.

Thank you so so much for clearing that up. Every single version you’ve touched is simply amazing. Keep it up! I’ll be following your work in the future 🙂

What’s with the End Credits title: "8m34 End Credit Day One v10.03 / End Credit 2 Day One v7.09 / End Credit 3 08M32"??

I’d love an explanation. 🙂

———- Post added at 05:19 AM ———- Previous post was at 04:58 AM ———-

It’s one of the classic paradox scenarios. The first time humans evolved, this entire chain of events happened. When Cooper realized it was humans, the knowledge was passed down through the years until we knew we had to go back and set these things up for ourselves. Then the process repeats. Not a very satisfying answer, but time travel doesn’t often have concrete ones. I happen to love it though.

But if we managed to get to that high state of complexity where we could go beyond 4 dimensions, so that we could then go back in time and warn our past selves, there clearly wasn’t any threat to human survival or we’d never have got to that high state of complexity in the first place. See what I’m getting at??

This movie makes BTTF look like addition compared to trigonometry.

What’s with the End Credits title: "8m34 End Credit Day One v10.03 / End Credit 2 Day One v7.09 / End Credit 3 08M32"??

It means it uses two different alternates/arrangements/versions (whatever) of Day One and 08M32 What happens now? as source material when they edited them together to create the final End Credits cue

It means it uses two different alternates/arrangements/versions (whatever) of Day One and 08M32 What happens now? as source material when they edited them together to create the final End Credits cue

But End Credits is from the bluray source. How come these sources are used to create it? I dont understand. Are you saying that End credits from this compialtion is different from the Helix’s rip of bluray 5.1?

But End Credits is from the bluray source. How come these sources are used to create it? I dont understand. Are you saying that End credits from this compialtion is different from the Helix’s rip of bluray 5.1?

When did anyone say the End Credits were different? I’m just telling him what sources the RCP music editors used to produce the end credits, based on the information from the cue sheets.

I don’t know how to explain it any better than that.

——–

Updated Acts III & IV Crossfaded as in the film with End Credits added, in FLAC

https://mega.co.nz/#!rAAUAI4J!Pvuet8li9K_wThLPHCgYQQgO_bVmmqHB2yqKjtQ 0zRo

But if we managed to get to that high state of complexity where we could go beyond 4 dimensions, so that we could then go back in time and warn our past selves, there clearly wasn’t any threat to human survival or we’d never have got to that high state of complexity in the first place. See what I’m getting at??

That really bothered me also. I’ve read a bunch of different explanations on any number of different sites but none seem to actual explain how it’s possible for the wormhole to be there if mankind never survived to put it there in the first place. Makes no sense to me…

Btw for the blackhole thing.. There were 2 plans A and B. "Others" couldnt carry out the plan A which is to evacuate people of earth to other planets, instead they had to build mankind from scratch wtih embryos and stuff. Then these people evolved to higher dimension human beings and/or understand the 4th dimension physics etc Then they were sad about their ancestors "us" that we didnt survived and they came up with an idea of this blackhole and wormhole that leads to blackhole. In the end, they found Cooper that the only person on Earth who can manage to do what "They" want to do because "they" cant talk to us or get in touch, but Cooper on the other hand and his daughter have "quantifiable connection" between them and this is the answer with the 5th dimesions (its love regarding the movie and as Cooper said in the bonus scenes). 🙂 Its all about love.

@Xtreme512But to repopulate using embryos they still need to get to a planet that can sustain life. Which only happens because of the wormhole existing. How can it exist BEFORE they evolve to create it?

@Xtreme512But to repopulate using embryos they still need to get to a planet that can sustain life. Which only happens because of the wormhole existing. How can it exist BEFORE they evolve to create it?

They didnt need to go to a black hole to learn the gravity equations, they developed the equations by themselves. Then they would able to create one with these equations.

Prof. Brand said that Murph’s generation would be the last to survive on earth. Also the gravity equation allows for gravity to be controlled. I don’t think it enables us to create inter-dimensional wormholes. Only the "super evolved" humans could do that.

That really bothered me also. I’ve read a bunch of different explanations on any number of different sites but none seem to actual explain how it’s possible for the wormhole to be there if mankind never survived to put it there in the first place. Makes no sense to me…

Yes!! Somebody gets it! It’s not just me!

———- Post added at 08:01 AM ———- Previous post was at 07:58 AM ———-

Btw for the blackhole thing.. There were 2 plans A and B. "Others" couldnt carry out the plan A which is to evacuate people of earth to other planets, instead they had to build mankind from scratch wtih embryos and stuff. Then these people evolved to higher dimension human beings and/or understand the 4th dimension physics etc Then they were sad about their ancestors "us" that we didnt survived and they came up with an idea of this blackhole and wormhole that leads to blackhole. In the end, they found Cooper that the only person on Earth who can manage to do what "They" want to do because "they" cant talk to us or get in touch, but Cooper on the other hand and his daughter have "quantifiable connection" between them and this is the answer with the 5th dimesions (its love regarding the movie and as Cooper said in the bonus scenes). 🙂 Its all about love.

I see what you’re getting at, but I have to agree with Jason. It still doesn’t solve the problem.

Yeah, I’m pretty sure it’s a paradox.

The only movie I’ve seen where time travel even makes a little bit of sense is Prisoner of Azkaban, Groundhog’s Day, and Star Trek: The Voyage Home (if you take some liberties with Kirk’s glasses).

Did you just copy and paste TheSkeletonMan’s first post on the first page??

Maybe cgjj and I share a hive mind.

No offense — but how is any of this relevant to the Complete Score?

No offense — but how is any of this relevant to the Complete Score? Agreed. Is anyone else missing the two tracks I mentioned?

Didn’t Man of Steel have that problem also? Missing tracks? Some people got everything, but others reported missing tracks, all from the same link.

I think it’s the question mark in the filenames that may somehow be keeping MEGA from sending those two tracks. It makes no sense, but if MEGA has to send something with strange punctuation then it sometimes doesn’t download for some reason, even if everything’s in one compressed file.

I find downloading mega files using chrome it has an 100% success rate as to when I use safari I tend to have 1 or 2 tracks missing

thank you

As complete as it can get. thank you so much.

MEGA in Chrome has always worked very well for me. Whenever I try using it in Safari, I get a message telling me that Safari is not 100% compatible with MEGA.

———- Post added at 02:14 PM ———- Previous post was at 02:13 PM ———-

Yeah, I’m pretty sure it’s a paradox.

The only movie I’ve seen where time travel even makes a little bit of sense is Prisoner of Azkaban, Groundhog’s Day, and Star Trek: The Voyage Home (if you take some liberties with Kirk’s glasses).

Maybe cgjj and I share a hive mind.

Groundhog Day is such a fun movie. Love it.

The BTTF Trilogy works fairly well, don’t you think?

The BTTF Trilogy works fairly well, don’t you think?

Never saw ’em.

Though I read about a scene in one of them where a character is nearly hanged, but the actor wasn’t acting.

MEGA in Chrome has always worked very well for me. Whenever I try using it in Safari, I get a message telling me that Safari is not 100% compatible with MEGA.

That’s because it’s not. No one should be using Safari anymore. There’s no excuse lol. Google Chrome is the future

That’s because it’s not. No one should be using Safari anymore. There’s no excuse lol. Google Chrome is the future

Yep, I never use Safari. I fell in love with Chrome when it came out and I’ve never looked back to Firefox or Safari… or IE…

———- Post added at 03:19 PM ———- Previous post was at 03:06 PM ———-

Never saw ’em.

Though I read about a scene in one of them where a character is nearly hanged, but the actor wasn’t acting.

That’s odd. I certainly don’t remember any scene like that…

Anyway, I’d highly recommend them! They’re great fun! 🙂

I switch between Opera, Chrome, and Firefox, because for some reason, they start to slow down after a month or two of use. (?) Been on Firefox for a while now, still faster and more efficient than Chrome and Opera at the moment, for me at least, on my machine.

That’s odd. I certainly don’t remember any scene like that…

Number three, apparently. (http://www.cracked.com/article_20589_6-amazing-performances-by-actors-who-werent-acting-part-2.html)

I think it’s the question mark in the filenames

Filenames with illegal Windows characters (by "illegal" I mean characters that Windows forbids to use, it’s a common term in Windows technology/support), will get renamed or omitted entirely when extracted by a proper archive program.
WinRar, WinZip, 7z will all either rename all invalid characters (usually an underscore "_") or omit them entirely (deleted).
This is an automatic process.

If it’s a single file to download from the MEGA browser, then your web browser should do the same, or at least warn you about it and force you to rename the file when you "save it".

This happens when Mac users don’t care about who they’re sharing with.
No one cares about operating systems or learning and would rather keep the "original filenames".

Illegal Windows characters:
< (less than)
> (greater than)
: (colon)
" (double quote)
/ (forward slash)
\ (backslash)
| (vertical bar or pipe)
? (question mark)
* (asterisk)

———- Post added at 04:26 PM ———- Previous post was at 04:23 PM ———-

Google Chrome is the future

Firefox.
It has more security plugins that Chrome will never have.
NoScript being the largest one of importance.

I haven’t bothered to check if it has "HTTPS Everywhere" or "Disconnect".
There are plenty more plugins but eventually slow down browsing, even on SSD (instead of HDD).

———- Post added at 04:29 PM ———- Previous post was at 04:26 PM ———-

Number three, apparently. (http://www.cracked.com/article_20589_6-amazing-performances-by-actors-who-werent-acting-part-2.html)

For The Mummy (1999), Brendan Fraser passed out from a similar scene.
The rope was too tight. No idea if he was harnessed in the back for support or how they shot that scene.
But, eventually he wasn’t acting any more and then just passed out.
:laugh: Probably scared the hell out of everyone. Stephen Sommers was probably ready to quit directing.

For The Mummy (1999), Brendan Fraser passed out from a similar scene.

I knew that looked too good to be mere acting!! :p

I knew that looked too good to be mere acting!! :p

ikr. haha

Number three, apparently. (http://www.cracked.com/article_20589_6-amazing-performances-by-actors-who-werent-acting-part-2.html)

Ah yes, I remember that bit! How ironic that he actually passed out while filming!!

I downlaoded the compialtion with IE and after download it said its not compatible then ruined the whole download lol 😀

Then I downloaded it again with Chrome, it was successful. No missing tracks or whatever.

1.) "They" put the black hole there.

2.) Tesseract. T.A.R.S. originally tells Cooper it was being closed by the "bulk beings", which Cooper then tells him "it’s us". "A civilization that’s evolved past the 4 dimension that we know"

so that civilization, are they other human beings from another dimensions, or the ones that survived on that halo ring/planet. If a civilization wants to help and can bend time, why not just go earlier and prevent the fuck ups from the get go.

Is it just me, or is there faint sfx near the end of Quantifiable Connection and at the beginning of What Happens Now?? Or are those noises part of the score?

so that civilization, are they other human beings from another dimensions, or the ones that survived on that halo ring/planet. If a civilization wants to help and can bend time, why not just go earlier and prevent the fuck ups from the get go.

From the movie, it seems like the other dimensional humans have a hard time trying to change the past. Maybe they decided to only change one thing so to not mess up their future. Moreover, they also needed help changing it; that’s why they needed Cooper to find a point in time to help the humans on earth.

But why did they needed Coop’s daughter? I could list a number of possible reasons, but it all comes down to one thing: it’s a story told from imperfect humans.

Hi! Thank you so for sharing the complete score. 🙂
This is my favorite movie. I want to say ever lol. I didnt think anything would be more emotional than Inception but this movie really opens up a lot. It really feels like love is the fifth dimension and Christopher Nolan is the only one who can tell us that with this movie.
I really hope this movie opens up a lot for other movies. It makes me think of Event Horizon and Stargate lol.
I hope Stargate remakes will use the math and science of this movie for their gates.
I also want to see the science in this movie used in the Black Hole remake. There’s so much in this film that could help make movies so much better. 🙂

Thank you for the gorgeous pack! Much appreciated!

Jeez! Thank you very much for your efforts!

Is it just me, or is there faint sfx near the end of Quantifiable Connection and at the beginning of What Happens Now?? Or are those noises part of the score?

Just thought I’d repeat my question… anyone?

The little bit in Quantifiable Connection is SFX. As your probably well aware the version from the FYC was badly damaged, so a Blu-Ray edit was done. The part in What Happens Now is part of the score. 🙂

The little bit in Quantifiable Connection is SFX. As your probably well aware the version from the FYC was badly damaged, so a Blu-Ray edit was done. The part in What Happens Now is part of the score. 🙂

I wasn’t aware of that, no. So is that track completely from the Blu-Ray, or only partly? What was the problem with the FYC track?

So the part in What Happens Now is like the opening of 1m1?

I wasn’t aware of that, no. So is that track completely from the Blu-Ray, or only partly? What was the problem with the FYC track?

So the part in What Happens Now is like the opening of 1m1?

Completely from the Blu-ray. It’s so subtle I barely notice it. It could have been worse.

The FYC version was skippy and choppy. It was damaged. That’s how it was on the Guilds site and that’s how Paramount pressed it on to the disc….and in lossy format, too. They done fucked up, big time.

1m01 Dreaming of the Crash, 2m08 Stay, 8m32 What Happens Now? and 8m33 Where We’re Going all have the wind/breeze SFX. It’s part of the score. It’s on the OST and FYC because that’s how it is in the film. You’ll notice it once you watch it the 2nd time and more things are noticeable

^
What he said. 🙂

GUESS WHAT I JUST GOT?!?! :awsm: 😀

A new haircut? 😉

Perhaps Interstellar on vinyl?

Perhaps Interstellar on vinyl?

That was my second guess

A new haircut? 😉

He doesn’t need a haircut. 😉

GUESS WHAT I JUST GOT?!?! :awsm: 😀

Star Wars Episodes 7, 8, and 9 sessions in FLAC?

Oh! Oh! OHH! The Amazing Spider-Man 2 Sessions!! Or Winter Soldier…

GUESS WHAT I JUST GOT?!?! :awsm: 😀

It better be TASM2

Perhaps Interstellar on vinyl?

HOUSTON, WE HAVE A WINNER

HOUSTON, WE HAVE A WINNER

Yay! Post some photos…

Niiice…

That looks great.

How exciting!

Holy fuck. Instead of numbers, each disc is labeled in morse code. This is so cool

Before it gets pulled, here’s a taste of Detach 😉

https://vimeo.com/126427831

Before it gets pulled, here’s a taste of Detach 😉

https://vimeo.com/126427831

It just loads indefinitely…

Something I did just for fun. 🙂

<A HREF="">
<IMG HEIGHT=400 WIDTH=800 SRC=""></A>

oh boy… 1.4 gb just to get one theme… but whatever, ONWARDS!

Nice try to combine all tracks in 1 release, but quality leaves much to be desired

In my opinion your edit is the best. Thanks!

Been working on the recordings from Interstellar Live again, here are a few samples:

Dreaming Of The Crash (https://soundcloud.com/techtuts/dreaming-of-the-crash-interstellar-live)
No Time For Caution (https://soundcloud.com/techtuts/no-time-for-caution-live)
Stay (https://soundcloud.com/techtuts/stay-interstellar-live)
Mountains (https://soundcloud.com/techtuts/mountains-interstellar-live)

Not quite finished, but should be getting the other tracks done soon

Been working on the recordings from Interstellar Live again, here are a few samples:

Dreaming Of The Crash (https://soundcloud.com/techtuts/dreaming-of-the-crash-interstellar-live)
No Time For Caution (https://soundcloud.com/techtuts/no-time-for-caution-live)
Stay (https://soundcloud.com/techtuts/stay-interstellar-live)
Mountains (https://soundcloud.com/techtuts/mountains-interstellar-live)

Not quite finished, but should be getting the other tracks done soon

Fantastic…you did what I couldn’t :-/ I was right by the aisle next to a big security guy. I’d be interested to know what recorder you used. I had a Zoom H6 on standby but I’d never have got away with it.

Fantastic…you did what I couldn’t :-/ I was right by the aisle next to a big security guy. I’d be interested to know what recorder you used. I had a Zoom H6 on standby but I’d never have got away with it.

Wish I had a decent recorder, I used my Nexus 5’s mic with active noise cancellation disabled (I don’t know why it exists, the mic has very low noise). Pretty inconspicuous sitting on my lap, initially I wasn’t going to record but I thought why not.
Soundcloud seemed to compress them a little too much, so i’ll upload some FLACs tomorrow plus a few adjustments. (Here is Dreaming of the Crash for now) (https://dl.dropboxusercontent.com/u/5527081/Dreaming%20of%20the%20Crash-clip.flac)
My favourite so far is probably Dreaming of the Crash, plus the organ towards the end of mountains

I actually bought the H6 specifically for Interstellar live. Spurred on by how disappointing my iPhone recording of ‘Hans Zimmer Revealed’ was. Incidentally, I just found a documentary on that here:

http://youtu.be/jEu-ESPmqs8

I’m really enjoying the documentary, thanks for the link mr merrick. 🙂

http://www.youtube.com/watch?v=TKILNbrWxBQ

A friend of mine just shared this, I watched it and it was really great… 🙂

https://www.youtube.com/watch?v=TKILNbrWxBQ

I have been working on the recordings from Interstellar Live, pretty much finished the talk and part 1 of the showing. Although the talk has more noise than I would like, so I may not upload that one until later (If you really want it now PM me).

For part 1, I made two versions; the original mono version which is clearer on speakers, and a stereoized version (made using iZotope Ozone 5) which is better for headphones/earphones. Probably best to download both versions and decide for yourself.
Plus I am uploading the files I put on the soundcloud account in FLAC. Here (https://mega.co.nz/#!fN81wJqK!5L7X6ZQd8lauKTlf9xdJk7vs7J0PHjCDImW3mFU JGEE)

Part 1 Mono (https://mega.co.nz/#!bcEWESyZ!VMJZC8K4LKGsz_HTq5ok7b23hxmWSyxwYgYF907 Qh6Q)
Part 1 Stereo (https://mega.co.nz/#!rN0nQBBK!znGWEnBdlCpQJ2CglK5S__bAq7eiEgwwXmgOmRB K6VY)

The intro is 5 minutes long, so skip to 5 minutes to get straight to the film.

If you find a particularly bad part, PM me the timestamps and i’ll redo that part.

I’ll probably make my own thread once i’ve finished part 2. Will upload a better stereoized version too.

I have been working on the recordings from Interstellar Live, pretty much finished the talk and part 1 of the showing. Although the talk has more noise than I would like, so I may not upload that one until later (If you really want it now PM me).

For part 1, I made two versions; the original mono version which is clearer on speakers, and a stereoized version (made using iZotope Ozone 5) which is better for headphones/earphones. Probably best to download both versions and decide for yourself.
Plus I am uploading the files I put on the soundcloud account in FLAC. Here (https://mega.co.nz/#!fN81wJqK!5L7X6ZQd8lauKTlf9xdJk7vs7J0PHjCDImW3mFU JGEE)

Part 1 Mono (https://mega.co.nz/#!bcEWESyZ!VMJZC8K4LKGsz_HTq5ok7b23hxmWSyxwYgYF907 Qh6Q)
Part 1 Stereo (https://mega.co.nz/#!rN0nQBBK!znGWEnBdlCpQJ2CglK5S__bAq7eiEgwwXmgOmRB K6VY)

The intro is 5 minutes long, so skip to 5 minutes to get straight to the film.

If you find a particularly bad part, PM me the timestamps and i’ll redo that part.

I’ll probably make my own thread once i’ve finished part 2.

This sounds fucking amazing, thank you! (Literally – it’s the clearest version of Interstellar Live we’ll ever get)

I have been working on the recordings from Interstellar Live

Really thx for your great work!!!

Have just finished part 2, posted my thread here (Thread 191033) (updated stereo part 1)

Can I get this but in flac format?

Can I get this but in flac format?

There’s no point in FLAC since so many tracks are lossy-sourced (REALLY lossy) in the first place.

Didn’t see the reply sorry.

…

:facepalm:

I would make a dark curse against it….but even magic has a limit.

Thankyou. Yes mr gold turning into rumpel. I loved the one before but this seemed better.

Thanks so much for this. There’s so much Interstellar stuff out there it’s hard to pinpoint the DEFINITIVE version but this looks like it might be close!

Thanks so much for this. There’s so much Interstellar stuff out there it’s hard to pinpoint the DEFINITIVE version but this looks like it might be close!

So far, this IS the definitive edition soundtrack.

Guys is it just me?… I purchased ATH-A500X Audiophile monitor headphones and Interstellar sounds very very good but except for No Time For Caution… I listened the 24-bit HDTracks version and there is some errors I guess in the song. I think that explains why its released much later the album.

When the organ hits 2:35 you can hear its a bit distorted at some degree. Can anyone has headphones confirm this?

When the organ hits 2:35 you can hear its a bit distorted at some degree. Can anyone has headphones confirm this?

The better the quality, the more room for error.

Just enjoy the music and don’t let it bother you. Nothing can be done to "fix" it.

so, sorry for this probably stupid question.
Is the best place to download this in the original post at the beginning of this thread?

so, sorry for this probably stupid question.
Is the best place to download this in the original post at the beginning of this thread?

You mean the best place to get the Interstellar soundtrack?

If you want as much material from the film as possible, then yes.

Thanks for replying 🙂

Acts I and II have no crossfades cues

I remember that "Message From Home" is faded before the cue’s end. And I think that the cue used in the movie is the OST, while the FYC one in an alternate.

Thank you for the link!

This truly magnificient great post!

Thank you OP

thx so much!

Thank for your sharing. I’ve been looking for a complete score album like this one a long time.

Thank you very much!

thanks!

Just a heads up – I just finished an major edit of the film version of "Imperfect Contact".

The film version of 06M25 Imperfect Contact differs greatly from the version heard on the commercial / finished version found on the OST.
I released a version of this privately, but since then I’ve made significant changes towards removing as much of the SFX as possible. The only remaining SFX is near the middle of the track, while the beginning and the end are completely clean.

(I also put a lot of extra work into the mixing/engineering so that it actually sounded like normal stereo instead of it sounding like the center channel was clearly missing, since this was sourced from a 5.1 mix)

FLAC: https://mega.nz/#!PZ4UHCxA!x9aEPxpRY3tiXPRn6ehb6vfNtmMYxFGKY7uGrNGfBPU

WITH SFX: https://mega.nz/#!WZJmCbJb!eOERMndaPn6i_CxM2yIhZsVJGnTfinNbb9OpXoNzasw

I’m probably going to be revisiting and updating a few of my interstellar tracks to a higher resolution pretty soon now that we have much better audio sources for the sourced material. (some of the older edits were dependent upon lossy audio from the leaked dvd-screener, etc.)

Just a heads up – I just finished an major edit of the film version of "Imperfect Contact".

I’m probably going to be revisiting and updating a few of my interstellar tracks to a higher resolution pretty soon now that we have much better audio sources for the sourced material. (some of the older edits were dependent on on lossy audio from the screener, back when that leaked, etc.)

Great work again TylerakaSyn!
Look forward to hearing your updates when they drop 🙂

Cheers, Paul

Thank you!

Just a heads up – I just finished an major edit of the film version of "Imperfect Contact".

I’m probably going to be revisiting and updating a few of my interstellar tracks to a higher resolution pretty soon now that we have much better audio sources for the sourced material. (some of the older edits were dependent on on lossy audio from the screener, back when that leaked, etc.)
Thanks man!!

I’m probably going to be revisiting and updating a few of my interstellar tracks to a higher resolution pretty soon now that we have much better audio sources for the sourced material. (some of the older edits were dependent on on lossy audio from the screener, back when that leaked, etc.)

Great! 🙂 I’m a big fan of your YouTube channel, it’s awesome to see your new works!
Hope you will be able to re-up some links… many are dead.
Good luck for your projects!

Thanks!!

Thank you for the score 🙂

Yes…. Geat Score, Geat Movie… ^^ Many Thanks

Amazing. Thanks so much Lockdown!

Any chance of a re-up?

Could you re-upload this album, please.

Re-up, please.

A re-up would be great if possible!

Reup? Would be very much appreciated

a reup please

Re-upload please!!

I’m in, please reupload it guys!

Re upload this 🙂

Re upload please!!! :'(

re up please !

Is it possible to have the link.
Please

Anyone have a working link they can PM please?

Good day!!! Please, send me the link!

Does anyone have a working link for this? Would be much appreciated. Thanks!

I’d also like a reup, if possible.

Yes please – reup would be amazing!

Link no longer working. Anyone got a download link, please?

Can somebody reup this great collection? Many thanks.

I’m in. Re-Up, please!

re-up needed
thanks!

A reupload will be highly appreciated.
Thanks in advance.

Could use an updated link for this. Thanks 🙂

The link isn’t working. Please re-upload.

The link is gone… time to move on, citizens.

Is this still available in any way?

Is this still available in any way?

No.

Hello everyone, so this is my first time uploading links on this forum, so I’m hoping this goes well. I got this version a while back with a different account when the link were working, so all credit goes to the original uploader (Lockdown).

With that being said, here are the new links:

Disc 1

http://www.mediafire.com/file/m8cicasl3mg18t1/Disc+1.zip

Disc 2

http://www.mediafire.com/file/s69ftsih37ry8wj/Disc+2.zip

Disc 3

http://www.mediafire.com/file/d13rxo3k8hbbtng/Disc_3.zip

And by the way, give Lockdown a big thanks for uploading this amazing set to one of Hans Zimmer’s best scores, best luck to all of you.

Peace Out!

Dark Knight 86… just like Lockdown, you’ve earned yourself a rep.

Thanks a lot for sharing this! 🙂

Thanks guys, I’m glad it worked out. 🙂

Thanks!

Thanks, Dark Knight 86!

Thanks Dark Knight, awesome!

Hello everyone, so this is my first time uploading links on this forum, so I’m hoping this goes well. I got this version a while back with a different account when the link were working, so all credit goes to the original uploader (Lockdown).

With that being said, here are the new links:

Disc 1 http://www.mediafire.com/file/5d1izrsi8f3bken/Disc+1.zip

Disc 2 http://www.mediafire.com/file/og8bd8ch76dk58g/Disc+2.zip

Disc 3 http://www.mediafire.com/file/vlj8vtch2efg32l/Disc+3.zip

And by the way, give Lockdown a big thanks for uploading this amazing set to one of Hans Zimmer’s best scores, best luck to all of you.

Peace Out!

Hey man, can you please reupload disk 3. Thank you.

All files are re-uploaded, have a great day! 🙂

And if the file says "Permission Denied", just click on the link again (try 3 or 4 times) and it will take you back to the actual link, I don’t know why it does that. And if that doesn’t work, I’ll try something else.

I just can’t seem to download your set, Dark Knight 86… Any other tricks in your bag? This score is amazing and I’ve been looking for a link since my computer blew up (Litterally)!

Here are the alternative links:

1 https://mega.nz/#!yzwEBb6T!-XEXY8KalOye2lA0RgjXs4EmIUtFle_3fovHHdfzx6o
2 https://mega.nz/#!b2RmlLQA!jc_zw6ZwAy4o1rUVtDIlg5re1Al6ct50jHb2IUntLtU
3 https://mega.nz/#!TygFTaLB!EGyVhW_KbH9KQ1fD1yGVIDpOYIceCZ8ZzBg1khGF4J0

Good luck to you all! 🙂

Thanks a lot, mate!

Anytime. 🙂

.

I just made an account to thank you Dark Knight 86. I will make a backup of a backup so i will never lose this again.

Says file link unavailable and please could you upload this complete score in MP3 .
Thanks

Reupload

Says file link unavailable on mega pls reup

brilliant!

Thans to both Dark Knight 86 and Lockdown for this great collection and making it available

Here are the alternative links:

1 https://mega.nz/#!yzwEBb6T!-XEXY8KalOye2lA0RgjXs4EmIUtFle_3fovHHdfzx6o
2 https://mega.nz/#!b2RmlLQA!jc_zw6ZwAy4o1rUVtDIlg5re1Al6ct50jHb2IUntLtU
3 https://mega.nz/#!TygFTaLB!EGyVhW_KbH9KQ1fD1yGVIDpOYIceCZ8ZzBg1khGF4J0

Good luck to you all! 🙂

Thank you so much. This is one of my favourite soundtracks. I do a lot of writing with this one, so getting a 3 CD version is just wonderful.

———- Post added at 06:10 PM ———- Previous post was at 06:08 PM ———-

Thank you!!

Thank you very much Lockdown and Dark Knight 86! Great upload!

Here are the alternative links:

1 https://mega.nz/#!yzwEBb6T!-XEXY8KalOye2lA0RgjXs4EmIUtFle_3fovHHdfzx6o
2 https://mega.nz/#!b2RmlLQA!jc_zw6ZwAy4o1rUVtDIlg5re1Al6ct50jHb2IUntLtU
3 https://mega.nz/#!TygFTaLB!EGyVhW_KbH9KQ1fD1yGVIDpOYIceCZ8ZzBg1khGF4J0

Good luck to you all! 🙂

Thank you so much!!

Thank you. Hero. Sounds amazing!

Absolutely fantastic! Thanks

Fantastic! Thank you for reposting new links.

Many Thanks to both Dark Knight 86 and Lockdown for this great collection

Thank you very much! Beautiful music

Thank you Lockdown and Dark Knight 86, cheers.

Would love another reupload if someone can, thank you.

I’d also be super grateful to anyone who could reupload this!

thanks for share the music… but link is dead… can reupload’

following the thread for a reupload

Me too.

The mediafire links at #283 still work, its just sometimes you have to click on them about 5 to 7 times to go through the "Permission Denied" stage.

I still don’t know why that happens, but still, the mediafire links still work. If you still have problems, I’ll see what I can do.

The mediafire links at #283 still work, its just sometimes you have to click on them about 5 to 7 times to go through the "Permission Denied" stage.

I still don’t know why that happens, but still, the mediafire links still work. If you still have problems, I’ll see what I can do.

I completely missed that- thank you for letting me know!

The mediafire links at #283 still work, its just sometimes you have to click on them about 5 to 7 times to go through the "Permission Denied" stage.

I still don’t know why that happens, but still, the mediafire links still work. If you still have problems, I’ll see what I can do.

Yeah noticed it for the Disc 1 file.
after opening it, close and open a new tab. it works with wonder.
Thanks!

The mediafire links at #283 still work, its just sometimes you have to click on them about 5 to 7 times to go through the "Permission Denied" stage.

I still don’t know why that happens, but still, the mediafire links still work. If you still have problems, I’ll see what I can do.

Thank you, I didn’t see your links 🙂

It’s a very strange behavior from Mediafire, though…

It’s a very strange behavior from Mediafire, though…

Indeed

Awesome release, thank you very much (mediafire links still work). Anyone knows, why some tracks on disc 2 & 3 are in 24bit/48 khz? Was there a real hd source or is it just to preserve the source quality as much as possible? I read all the thread but nobody was wondering about differing bit depth and sample rate… I never heard about the ISP Edition was released in high def, only the deluxe and standard edition.

Best regards

maybe from bluray? because end credits etc. are taken from bluray source and deluxe edition OST is released in 24-bit/44.1kHz on web.

maybe from bluray?

At first I asumed that, but f.e. the suites on disc 3 are not used in the movie a.f.a.i.k. and the digital high res web download (which I have as well) is in 24/44.1, and you never convert 44.1/88.2/176.4 and so on to 48/96/192 since you???ll get rounding errors which is not very good for the sound.

Best regards

yes, thanks a lot, great!