Fast & Furious 6 (Recording Sessions) – Lucas Vidal (2013)

Fast & Furious 6 (Recording Sessions) – Lucas Vidal (2013)

Music by Lucas Vidal.
44 tracks, Runtime : 01:44:36, Quality : mp3 320kbps.

Enjoy !
And don’t forget to leave some reputation ! 🙂

Tracklist :

1m3a Race To The Hospital
1m3b Birth Pangs
1m4 Russian Devastation
1m5 Enhanced Interrogation
1m6 Dom Reflects
1m7 I Need Your Team
1m10 Hong Kong Call
2m12 Brian, Mia, and Baby Jack
2m13 You’re Strong Together
2m14 The Deal
2m15 Team vs Team Part One
2m16 Team vs Team Part 2
3m17 You Don’t Turn Your Back
3m18 Find Their Weaknesses
3m20 Breaking It Down
3m26a And The Pants Too
3m26b Shaw Evesdrops
3m30 Pawn Shop Punchout
4m31 Hand To Hand
4m32 A Blank Page
4m34 The Braga Connection
4m35 Firm Grip
4m36a Into Supermax
4m36b Face Plant
4m38a Brian Unleashed pt1
4m38b Brian Unleashed pt2
5m41a I’m Here For You
5m41b Weak Spot
5m42a There’s Always Something
5m42b Orders From Hobbs
5m43 For Her
6m45a Tank Part 1a
6m45b Tank Part 1b
6m45c Tank Part 1c
6m46 Tank Part 2
6m47 Tank part 3
6m48 You Were Never In The Game
7m49 Antonov Part 1
7m50 Antonov Part 2
7m51a Antonov Part 3a
7m51b Antonov part 3b
7m52 Antonov part 4
8m54 Feels Like Home
8m56 Tokyo Tag

Link :

PM please.

OH MY GOD!!!!!!!!!!!!!!!!!

Thanks!!!

This is awesome. Thank you very much!!!!

awsum share hail’s friend 🙂

And so it surfaces – it’s been going around for a while. I’m not fond of Brian Tyler so maybe I’ll enjoy this one. Thanks 🙂

Now…..bring on SH2. We all know it’s been passed around like a filthy whore :p

Thanks

Many thanks !!!

thank you!!! 🙂

Thanks!

Thanks.

This score was mostly not written by Vidal… He was doing shit (according to the producers) and they kicked him out. Kept his name for the spanish tax break. Lorne Balfe wrote most of this…

This score was mostly not written by Vidal… He was doing shit (according to the producers) and they kicked him out. Kept his name for the spanish tax break. Lorne Balfe wrote most of this…

Sounds good to me!

thanks

Complete Score =/= Recording Sessions

Thanks for sharing.

Thank you very much btw. these are my personal covers which I�ve made, choose the one you want and like it!

Complete Score =/= Recording Sessions

No one seems to understand this logic….or lack there of. I’m tired of preaching to people that a complete score is different than sessions. A spider is not an insect, it’s an arachnid. So why complete = sessions I have no idea

No one seems to understand this logic….or lack there of. I’m tired of preaching to people that a complete score is different than sessions. A spider is not an insect, it’s an arachnid. So why complete = sessions I have no idea

"Sessions" doesn’t even exist… "Recording Sessions", it’s the moment the score is being recorded, it’s in no case a result…

The only true word is "Final Mixes"… That’s all… Then you either have ALL the final mixes, or you don’t… Then the "complete score" is made with these…

Thank You! Awesome score..

Thanks for sharing !!!

"Sessions" doesn’t even exist… "Recording Sessions", it’s the moment the score is being recorded, it’s in no case a result…

The only true word is "Final Mixes"… That’s all… Then you either have ALL the final mixes, or you don’t… Then the "complete score" is made with these…

Yeah I’m aware a "session" is when it’s actually being recorded (like what you see on scoringsessions.com)

I’ve seen some things labeled as "Final", so I guess those are the most complete

Now…..bring on SH2.

what is sh2?

Thanks

Oh Jesus!!! What a wonderful surprise!
Many many thanks for this share!

wonderful
thank you!!!

what is sh2?

That, sir, would be Sherlock Holmes: A Game of Shadows

Thank you very much for this

This score was mostly not written by Vidal… He was doing shit (according to the producers) and they kicked him out. Kept his name for the spanish tax break. Lorne Balfe wrote most of this…

Where did you read this? I would like to find out more info. I felt that much of the score had a weird RC tinge that went beyond the normal temp score influence.

Where did you read this? I would like to find out more info. I felt that much of the score had a weird RC tinge that went beyond the normal temp score influence.

I can say the same thing about The Raven, another heavy-sounding RCP score done by Vidal. Perhaps that’s why I love it

This score was mostly not written by Vidal… He was doing shit (according to the producers) and they kicked him out. Kept his name for the spanish tax break. Lorne Balfe wrote most of this…

I had not heard this, therefore….

"The Original Motion Picture Soundtrack Recording Sessions". Jesus. That’s a new one -_-

"The Original Motion Picture Soundtrack Recording Sessions". Jesus. That’s a new one -_-

See, that’s why I don’t like having superfluous text on my covers. It’s often shit like that. :p

Thank you so much! You are awesome!

You guys would be a riot at a party…

Huge thanks!

WOW

You guys would be a riot at a party…

Bitch, please. I AM the party

…at a party of one. #QualityBurn

thanks!

Thank you just saw this and Furious 7 really enjoyed. Have a Great Weekend!

Finally! thanks for this one!

I got dismayed the first time I heard Tyler would no longer be doing the music for FF6, but then learning about Lucas Vidal and his composing chops in the veins of Tyler I immediately felt that he would be a good replacement and he did. Vidal is a classically trained composer, and that’s a good thing for me since I’m tired of hearing the RCP generic temps from all the Zimmer clones.

And Sylvos, btw how about sharing the link to where you read the article about Vidal being kick out of the poject?

HOLY SHIT…. YOUR THE MAN FOR POSTING THIS!!

And btw I would take it "recording sessions" are every cue recorded for the films, including multiple takes/recordings, all the alternate takes etc.

Whereas "complete score" many times posted here as "recording sessions" means all the cues as they appear in the films but doesn’t always include all the different takes and alternates from the sessions.

BUT WHO THE HELL CARES WHEN YOU HAVE THE BEST PART (2:05 INTO ANTONOV PART 1!!)

Hybrid credits it all to Balfe (with unspecified contributions from Stephen Hilton & Gary Dworetsky). Think that’s accurate?

Holy fuck, what is up with the tagging of all the files?

Fast and Furious 6 – 1m3a Race To The Hospital.mp3 is no way for a cue to be tagged. I’m gonna post a mirror

Hybrid credits it all to Balfe (with unspecified contributions from Stephen Hilton & Gary Dworetsky). Think that’s accurate?

It may very well be. ASCAP credits Vidal and Brian Tyler for every single cue. They’re all on there, all 44. So either Tyler’s themes appear in every cue or….idk. There’s definitely more to it than that. I had heard that Balfe was involved in this, though. And it does sound like RCP. Hell, 1m03a Race to the Hospital sounds exactly like 4m59 The Drop from TF2. And wouldn’t you know it, that’s a Balfe cue…..

That makes you wonder if the other RC influenced works by Spanish composers scoring Hollywood films filmed in Spain are actually written by RC folks, using the names of spanish composers to avoid breaking the Spanish tax law.

At least it explains why Vidal never mentioned anything from the score on Facebook.

Thanks for the share.

That makes you wonder if the other RC influenced works by Spanish composers scoring Hollywood films filmed in Spain are actually written by RC folks, using the names of spanish composers to avoid breaking the Spanish tax law.

Like….say Harry Gregson-Williams doing "additional work" on Exodus?

At least it explains why Vidal never mentioned anything from the score on Facebook.

And it never got a commercial release, did it?

Like….say Harry Gregson-Williams doing "additional work" on Exodus?

And it never got a commercial release, did it?

Not just Gregson-Williams but also Federico Jusid (Whose cues would have being better in 300 if Junkie XL didn’t replaced him). And no, there wasn’t any score release.

And didn’t Fernando Valazquez do Wrath of the Titans? That must’ve been why also.

It’s really fascinating, the intricate and complicated world of film scoring. So much that the average person would not know

Fernando Velazquez did Hercules, and Javier Navarrete did Wrath Of The Titans. Now Roque Ba�os is scoring Risen (he scored The Machinist, Sexy Beast and The Girl In Rio, due to the spanish tax law). Really hoping they get �ngel Illarramendi to score one since he worked in two spanish-british productions before. And yes, film music is very complicated and it’s getting weirder.

Dario Marianelli got replaced on Pan, when he didn’t even recorded the score and the producers only listened the demos. And same happened with Michael Nyman’s replacement score for Oldboy (and Ba�os replaced him too). But at least we’re getting Powell. And there’s also the composer duets joining forces (Iglesias/HGW/Jusid, Zimmer/Junkie XL, Tyler/Elfman -including additional music by Chris Bacon-, Beltrami/Glass).

Thank you for sharing

Right, Javier Navarrete. Too many Spaniards to keep track of, I’m just an ignorant American lol. Roque Ba�os also did Evil Dead

I’m just an ignorant American lol.

lol. It would be North American, since both of us are american. Ba�os also scored Ron Howard’s In The Heart Of The Sea, which it was filmed in Spain. For Evil Dead, he was only hired because the director Fede Alvarez fought with the producers to let him write the score.

Thanks, Lubrick!

Thanks!

Where did you read this? I would like to find out more info. I felt that much of the score had a weird RC tinge that went beyond the normal temp score influence.

You can’t find that info on "links"… Even Lorne himself won’t "clearly" admit it. But he was playing a very bad hide & seek game there… In the end credits he’s credited Technical Score Advisor… Seriously ? Lorne ! And having his whole team credited with him (Kelly Johnson & Max Aruj (I have never seen tech advisors having their ASSISTANTS credited on a film end credits, + Gary Dworestky as music programmer)… That was the worst idea. Either you TOTALLY remain hidden or you just put the truth… And yes, Vidal won’t talk about this score, Lorne neither, and that’s why no one fought to get this score released… Rather keep the dirty little secret buried…

Oh, and if anyone knows Lorne’s style a little, the score is full with his usual samples (high strings & all)…

Thanks for sharing this. A nice surprise.

You can’t find that info on "links"… Even Lorne himself won’t "clearly" admit it. But he was playing a very bad hide & seek game there… In the end credits he’s credited Technical Score Advisor… Seriously ? Lorne ! And having his whole team credited with him (Kelly Johnson & Max Aruj (I have never seen tech advisors having their ASSISTANTS credited on a film end credits, + Gary Dworestky as music programmer)… That was the worst idea. Either you TOTALLY remain hidden or you just put the truth… And yes, Vidal won’t talk about this score, Lorne neither, and that’s why no one fought to get this score released… Rather keep the dirty little secret buried…

Oh, and if anyone knows Lorne’s style a little, the score is full with his usual samples (high strings & all)…

Yup, sounds like what I’ve heard before.

The last time I was on HZ.com (which is hardly ever) I saw some schmuck claiming that HZ himself was heavily involved in TRON: Legacy. I don’t doubt it and it kinda goes with what you said about remaining hidden (although he’s thanked in the booklet along with Christophe Beck, Harry Gregson-Williams, John Powell and Brian Loucks), and the whole score has a very RCP sound to it.

I’ve also heard that Stardust is almost entirely Henry Jackman and not Ilan Eshkeri

I’ve also heard that Stardust is almost entirely Henry Jackman and not Ilan Eshkeri

LOL

Sorry, but that’s total bullshit. Whoever told you that knows nothing.

THANK YOU

Maybe the cover artists should out Lorne’s involvement here, if confirmed. Certainly a co-composer credit, like INCEPTION.

thanks a lot

Fernando Velazquez did Hercules, and Javier Navarrete did Wrath Of The Titans. Now Roque Ba�os is scoring Risen (he scored The Machinist, Sexy Beast and The Girl In Rio, due to the spanish tax law). Really hoping they get �ngel Illarramendi to score one since he worked in two spanish-british productions before. And yes, film music is very complicated and it’s getting weirder.

Dario Marianelli got replaced on Pan, when he didn’t even recorded the score and the producers only listened the demos. And same happened with Michael Nyman’s replacement score for Oldboy (and Ba�os replaced him too). But at least we’re getting Powell. And there’s also the composer duets joining forces (Iglesias/HGW/Jusid, Zimmer/Junkie XL, Tyler/Elfman -including additional music by Chris Bacon-, Beltrami/Glass).

T.J. Lindgren & Paul Mounsey also provided additional music for Avengers. Apparently they’ve done the same job on many of Elfman’s recent films. Sheesh. The music for that film is a mess.

Thanks!

LOL

Sorry, but that’s total bullshit. Whoever told you that knows nothing.

The person who told me this is the same person who told me about the Elfman/Tyler debacle on AoU

T.J. Lindgren & Paul Mounsey also provided additional music for Avengers. Apparently they’ve done the same job on many of Elfman’s recent films. Sheesh. The music for that film is a mess.

And Bates had a lot of help on GotG. I forget their names, but it’s at least 3 other guys

The person who told me this is the same person who told me about the Elfman/Tyler debacle on AoU

AoU? Not sure what that is… edit: ah.. Age of Ultron.

Anyways, he lied to you about Stardust.

The person who told me this is the same person who told me about the Elfman/Tyler debacle on AoU

And Bates had a lot of help on GotG. I forget their names, but it’s at least 3 other guys

Kurt Oldman, Timothy Williams, and Dieter Hartmann. They worked with Bates inWatchmen, 300, and Conan The Barbarian. I assume they pretty much write additional music or orchestral arragements. Sven Falcouner and Chris Bacon have being writting a lot of additional cues in JNH’s recent scores. Tim Davies wrote half of the Book Of Life score. David Buckley wrote the Bliss cue in the 50 Shades of Grey score. And the Ministry scenes in HP5 are actually scored by Alastair King.

thank you for this!

Kurt Oldman, Timothy Williams, and Dieter Hartmann.

Yep, that’s them

YES, Thanks a lot

Thank you!

Thanks!

Thanks!

The discussion in this thread is massively interesting, so thank you for that. FFShrine has some awesomely geeky posters.

Thanks.

what is sh2?

SH2 is a structurally conserved protein domain contained within the Src oncoprotein and in many other intracellular signal-transducing proteins.

Awesome!!!!! Thanks for this score

Thank you!!!

Thanks!

In the end credits he’s credited Technical Score Advisor….

That reminds me of the "Score Overproduced by Hans Zimmer" on The Curse of the Black Pearl soundtrack…. when i see "stuff" like that my mind always goes to RCP

That reminds me of the "Score Overproduced by Hans Zimmer" on The Curse of the Black Pearl soundtrack…. when i see "stuff" like that my mind always goes to RCP

Didn’t HZ pretty much do all of PotC1?

I knew it! Thanks for this.

Yeh there’s no way that Lucas Vidal guy scored all of fast 6 (haha if any for that matter) and it’s very interesting to know how many scores you think were done by one person actually turn out to be multiple composers, still I love the idea that the pirates, transformers films etc. all have different guys chipping in as Hanz Zimmer really has brought together some talented modern sounding composers.

Awesome …Thank you so much.

Didn’t HZ pretty much do all of PotC1?

I know he wrote the main theme and several of the famous motifs for PotC1( the main theme is a direct derivative-not to say borrowed heavily- from Gladiator ) but he didn’t have the time to work on the film so he said to the director that Badelt can do it.
I also remember i was watching the film on commendary by Verbinski and Depp and Gore said "it was chaos, at one point there were 8 composers working on the film"…
PotC1 is a controversial score anyway you look at it….

My god. Thank you so much 😀
I was hopping for this 😀

Does anyone have the score (not the VA soundtrack) from FAST 5?

Didn’t HZ pretty much do all of PotC1?

It’s very murky. Some say Zimmer just wrote the main themes while other say he did nearly all of the score but was forbidden from taking the main credit by another studio. There’s lots of stories.

Wow, awesome! How the heck did i miss this for the past 2 months?! was hoping for it for ages!

It’s very murky. Some say Zimmer just wrote the main themes while other say he did nearly all of the score but was forbidden from taking the main credit by another studio. There’s lots of stories.

This is the one that I believe most. I think one of the "other" stories I’ve heard is that he was supposed to be working solely on The Last Samurai and Tom Cruise found out he was doing CotBP on the side or something, idk….

just a question. I saw somewhere that teh soundtracks was not in total by lucas vidal. some music was by lorne balfe and a third individual.
Is that true? if so, is there a way to identify which tracks are who?

It’s very murky. Some say Zimmer just wrote the main themes while other say he did nearly all of the score but was forbidden from taking the main credit by another studio. There’s lots of stories.

That’s definitely the story as far as Zimmer, Badelt and others will talk about it. Pieced together from various interviews etc, Zimmer wrote a suite of themes as a favour to Gore Verbinski after Alan Silvestri got fired. This is the "Pirates, Day One, 4:56AM" demo track which eventually found its way onto the bonus disc of the Soundtrack Treasures Collection box set. It contained most of the themes as they ended up in the film (with the notable exception of the jiggy cello theme I seem to remember), and sounds a lot like passages from "Gladiator" and other bits and pieces from Zimmer’s back catalogue going as far back (sorry!) as "Backdraft."

Zimmer then turned his attention back to "The Last Samurai" which he was contractually obligated to score (and forbade him to work on PotC at the same time) and the score was turned over to the rest of the RCP team, most of which are credited as Additional Music composers in the CotBP booklet. Ramin Djawadi, Steve Jablonsky, Trevor Morris, Nick Glennie-Smith, Blake Neely, Geoff Zanelli, James McKee-Smith and Jim Dooley all worked on it. Geoff Zanelli wrote a lot of the big action stuff, including the "Barbossa is Hungry" ‘Broadside’ sequence, the "Moonlight Serenade" and he also did the arrangement of "He’s a Pirate" as it was heard in the film.

Why Badelt got the main credit I don’t know. This is my own speculation, but I feel this is one of the reasons Badelt eventually parted ways with RCP: all the exposure he got for Potc, not very much of it was actually his music.

Why Badelt got the main credit I don’t know. This is my own speculation, but I feel this is one of the reasons Badelt eventually parted ways with RCP: all the exposure he got for Potc, not very much of it was actually his music.

That could be and I would have to agree. But who knows. It’s all politics, if you ask me. What was the last score he and HZ collaborated on, Gladiator? CotBP was 2 years later, so I guess it was.

I also wanna know what ever happened with Silvestri. I’ve heard that Bruckheimer being the powerful producer he is, got his way and canned Silvestri and secretly "brought on" HZ. Then I’ve heard that HZ claimed he was busy with The Last Samurai and recommended Badelt, but we all know how that turned out. It’s fascinating, all the behind-the-scenes stuff like this you hear about. Somewhere in a parallel universe Silvestri scored Pirates and James Horner is still alive.

Anyway, I’m glad we got the eventual score that we got. I’ll get some heat for this, but I couldn’t be happier that Pirates eventually went to RCP. It’s one of my favorite scores to come from them and it gets daily listening from me. If I had to pick though, AWE gets my vote for best score of the trilogy. That’s right, I said trilogy.

Thanks Lubrick for the share! 😀

many thanks for the share!!

thank you

Thank you! 🙂

How do I PM someone for this – I’ve been searching for this score for years

———- Post added at 10:23 AM ———- Previous post was at 10:01 AM ———-

Or could someone re-upload the score?

Link recieved! Many thanks!