Music From
Mickey Spillane’s Mike Hammer (1984) [TV Series]
Checkmate (1960) [TV Series]
Shotgun Slade (1959) [TV Series]
Mr. Lucky (1959) [TV Series]
The Untouchables (1959) [TV Series]
Johnny Staccato (1959) [TV Series]
Hawaiian Eye (1959) [TV Series]
Bourbon Street Beat (1959) [TV Series]
Peter Gunn (1958) [TV Series]
Naked City (1958) [TV Series]
77 Sunset Strip (1958) [TV Series]
M Squad (1957) [TV Series]
Richard Diamond, Private Detective (1957) [TV Series]
https://mega.co.nz/#!6ZwR2RqZ!1VmLbX7IOktU05fcqokk-8VhbrXm_QUKngRPAJQW57Q
http://s09.flagcounter.com/count/5pU9/bg_FFFFFF/txt_000000/border_CCCCCC/columns_4/maxflags_170/viewers_0/labels_1/pageviews_1/flags_0/ (http://info.flagcounter.com/5pU9)
———- Post added at 02:21 AM ———- Previous post was at 02:21 AM ———-
Film scholar David Butler reckons that by the early 1950s movie jazz had become “a convenient way to impart specific meanings to the audience.” In particular, jazz served as a cinematic signal for sex and violence. Hollywood habitually associated this music with crime and if not crime then vice and if not vice then at least delinquency or degeneracy of some sort. In movies and TV, jazz accompanied the entire sordid range of police-blotter behavior, from gambling, prostitution and drug addiction to theft, assault, murder and capital punishment.
During the remainder of the decade, Hollywood’s hothouse of havoc cultivated a full-grown (some would say overgrown) musical subspecies. Ultimately, crime jazz was a developmental dead end, one of those branches on the evolutionary tree that led nowhere. Yet this infertile offshoot gave 1950s jazz a notoriety that was impossible to ignore. For jazz, however briefly, crime paid.
‘Crime jazz captured the mood not only of our post-war cities, but of a character as distinctly American as the cowboy – that soulful, solitary seeker of justice, the private eye.’
Remastered and collected here for the first time in their entirity this Unique and rare collection showcases some of the finest music and memorable U.S TV shows of a generation…
Introducing for the first time ever on CD!
CHECKMATE ~ JOHNNY WILLIAMS ORCHESTRA
SHOTGUN SLADE ~ STANLEY WILSON ORCHESTRA
THE NAKED CITY ~ GEORGE DUNING
RICHARD DIAMOND ~ PETE RUGOLO
BOURBON STREET BEAT ~ DON RALKE
The box set also includes:
77 SUNSET STRIP & HAWAIIAN EYE ~ WARREN BARKER
M~SQUAD ~ STANLEY WILSON
STACCATO ~ ELMER BERNSTEIN
MICKEY’S SPILLANES MIKE HAMMER ~ STAN PURDY ORCHESTRA
MUSIC FROM MIKE HAMMER ~ SKIP MARTIN
THE UNTOUCHABLES ~ NELSON RIDDLE
PETER GUNN & MR LUCKY & MR LUCKY GOES LATIN ~ HENRY MANCINI
The 1950’s a new style of musical score was introduced to film soundtracks & T.V… Previously, film music meant sweeping orchestral themes or traditional Broadway-style musicals. With the growing popularity of bebop and hard bop as the sound of urban cool, studios began latching onto the now beat as a way to make their movies seem gritty or “street.” Jazz was used for all sorts of film and television shows, it seemed to meld best with stories of danger—hard-nosed detective tales, studies of urban corruption, or spy thrillers.
I’ve been waiting for this one,my friend. I can’t possibly thank you enough,Sir.
Mr laohu rates 10 out of 10 for sharing this treasure load of gems.
Edit: The vast majority of this 8 CD compilation is in true stereo. 12 tracks from CD7 were recorded fat mono,remastered into stereo. Only 5 tracks from CD3,all of CD4 and 13 tracks from CD7 are in dead mono. What a bonanza of a find for me.
The Original Jazz on Film… Film Noir (Vol.1)
High Quality MP3 Digital Download of complete 5-CD Box Set
A set of 7 of the most exciting movie scores in the Hollywood Film Noir era.
A Streetcar Named Desire (Alex North)
Private Hell 36 (Leith Stevens)
The Man with the Golden Arm (Elmer Bernstein)
Sweet Smell of Success(Elmer Bernstein/Chico Hamilton)
Touch of Evil (Henry Mancini)
Anatomy of A Murder (Duke Ellington)
Odds Against Tomorrow (John Lewis)
HERE (http://torcache.net/torrent/6F60387A2927423B2446ECDFDE5FEACEFB81775C.torrent?t itle=[kickass.to]jazz.on.film.film.noir) Torrent
The Original Jazz on Film… Beat, Square & Cool (Vol.2)
High Quality MP3 Digital Download of complete 5-CD Box Set
A set of 8 of the greatest jazz film scores ever made.
The Wild One (Leith Stevens/Shorty Rogers)
Crime in the Streets (Franz Waxman)
I Want to Live (Johnny Mandel)
Les Tricheurs (Norman Granz’ JATP)
Paris Blues (Duke Ellington)
The Subterraneans (Andr� Previn)
Shadows (Charles Mingus)
The Connection (Freddie Redd)
French New Wave
Original Remastered Jazz On Film Recordings 1957-62
Collected together here for the first time in a specially themed 5-CD box set are seven of the essential jazz film scores recorded in the revolutionary New Wave era of French cinema between the late 1950s and early 1960s.
No Sun in Venice (Modern Jazz Quartet)
Lift to the Scaffold (Miles Davis)
Les Liaisons Dangereuses/ Des Femmes Dispairaissent (Art Blakey & the Jazz Messengers)
Breathless (Martial Solal)
Un Temoin Dans La Ville (Barney Wilen)
Eva (Michel Legrand)
Music From
Mickey Spillane’s Mike Hammer (1984) [TV Series]
Checkmate (1960) [TV Series]
Shotgun Slade (1959) [TV Series]
Mr. Lucky (1959) [TV Series]
The Untouchables (1959) [TV Series]
Johnny Staccato (1959) [TV Series]
Hawaiian Eye (1959) [TV Series]
Bourbon Street Beat (1959) [TV Series]
Peter Gunn (1958) [TV Series]
Naked City (1958) [TV Series]
77 Sunset Strip (1958) [TV Series]
M Squad (1957) [TV Series]
Richard Diamond, Private Detective (1957) [TV Series]
https://mega.co.nz/#!6ZwR2RqZ!1VmLbX7IOktU05fcqokk-8VhbrXm_QUKngRPAJQW57Q
http://s09.flagcounter.com/count/5pU9/bg_FFFFFF/txt_000000/border_CCCCCC/columns_4/maxflags_170/viewers_0/labels_1/pageviews_1/flags_0/ (http://info.flagcounter.com/5pU9)
———- Post added at 02:21 AM ———- Previous post was at 02:21 AM ———-
Film scholar David Butler reckons that by the early 1950s movie jazz had become “a convenient way to impart specific meanings to the audience.” In particular, jazz served as a cinematic signal for sex and violence. Hollywood habitually associated this music with crime and if not crime then vice and if not vice then at least delinquency or degeneracy of some sort. In movies and TV, jazz accompanied the entire sordid range of police-blotter behavior, from gambling, prostitution and drug addiction to theft, assault, murder and capital punishment.
During the remainder of the decade, Hollywood’s hothouse of havoc cultivated a full-grown (some would say overgrown) musical subspecies. Ultimately, crime jazz was a developmental dead end, one of those branches on the evolutionary tree that led nowhere. Yet this infertile offshoot gave 1950s jazz a notoriety that was impossible to ignore. For jazz, however briefly, crime paid.
‘Crime jazz captured the mood not only of our post-war cities, but of a character as distinctly American as the cowboy – that soulful, solitary seeker of justice, the private eye.’
Remastered and collected here for the first time in their entirity this Unique and rare collection showcases some of the finest music and memorable U.S TV shows of a generation…
Introducing for the first time ever on CD!
CHECKMATE ~ JOHNNY WILLIAMS ORCHESTRA
SHOTGUN SLADE ~ STANLEY WILSON ORCHESTRA
THE NAKED CITY ~ GEORGE DUNING
RICHARD DIAMOND ~ PETE RUGOLO
BOURBON STREET BEAT ~ DON RALKE
The box set also includes:
77 SUNSET STRIP & HAWAIIAN EYE ~ WARREN BARKER
M~SQUAD ~ STANLEY WILSON
STACCATO ~ ELMER BERNSTEIN
MICKEY’S SPILLANES MIKE HAMMER ~ STAN PURDY ORCHESTRA
MUSIC FROM MIKE HAMMER ~ SKIP MARTIN
THE UNTOUCHABLES ~ NELSON RIDDLE
PETER GUNN & MR LUCKY & MR LUCKY GOES LATIN ~ HENRY MANCINI
The 1950’s a new style of musical score was introduced to film soundtracks & T.V… Previously, film music meant sweeping orchestral themes or traditional Broadway-style musicals. With the growing popularity of bebop and hard bop as the sound of urban cool, studios began latching onto the now beat as a way to make their movies seem gritty or “street.” Jazz was used for all sorts of film and television shows, it seemed to meld best with stories of danger—hard-nosed detective tales, studies of urban corruption, or spy thrillers.
Thanks a lot!!!!!!!!!!!
Thank you very much 🙂
Update: No longer available from laohu.
Could someone from this thread, please do a re upload? Kindly appreciate it 😉
Music From
Mickey Spillane’s Mike Hammer (1984) [TV Series]
Checkmate (1960) [TV Series]
Shotgun Slade (1959) [TV Series]
Mr. Lucky (1959) [TV Series]
The Untouchables (1959) [TV Series]
Johnny Staccato (1959) [TV Series]
Hawaiian Eye (1959) [TV Series]
Bourbon Street Beat (1959) [TV Series]
Peter Gunn (1958) [TV Series]
Naked City (1958) [TV Series]
77 Sunset Strip (1958) [TV Series]
M Squad (1957) [TV Series]
Richard Diamond, Private Detective (1957) [TV Series]
https://mega.co.nz/#!6ZwR2RqZ!1VmLbX7IOktU05fcqokk-8VhbrXm_QUKngRPAJQW57Q
http://s09.flagcounter.com/count/5pU9/bg_FFFFFF/txt_000000/border_CCCCCC/columns_4/maxflags_170/viewers_0/labels_1/pageviews_1/flags_0/ (http://info.flagcounter.com/5pU9)
———- Post added at 02:21 AM ———- Previous post was at 02:21 AM ———-
Film scholar David Butler reckons that by the early 1950s movie jazz had become “a convenient way to impart specific meanings to the audience.” In particular, jazz served as a cinematic signal for sex and violence. Hollywood habitually associated this music with crime and if not crime then vice and if not vice then at least delinquency or degeneracy of some sort. In movies and TV, jazz accompanied the entire sordid range of police-blotter behavior, from gambling, prostitution and drug addiction to theft, assault, murder and capital punishment.
During the remainder of the decade, Hollywood’s hothouse of havoc cultivated a full-grown (some would say overgrown) musical subspecies. Ultimately, crime jazz was a developmental dead end, one of those branches on the evolutionary tree that led nowhere. Yet this infertile offshoot gave 1950s jazz a notoriety that was impossible to ignore. For jazz, however briefly, crime paid.
‘Crime jazz captured the mood not only of our post-war cities, but of a character as distinctly American as the cowboy – that soulful, solitary seeker of justice, the private eye.’
Remastered and collected here for the first time in their entirity this Unique and rare collection showcases some of the finest music and memorable U.S TV shows of a generation…
Introducing for the first time ever on CD!
CHECKMATE ~ JOHNNY WILLIAMS ORCHESTRA
SHOTGUN SLADE ~ STANLEY WILSON ORCHESTRA
THE NAKED CITY ~ GEORGE DUNING
RICHARD DIAMOND ~ PETE RUGOLO
BOURBON STREET BEAT ~ DON RALKE
The box set also includes:
77 SUNSET STRIP & HAWAIIAN EYE ~ WARREN BARKER
M~SQUAD ~ STANLEY WILSON
STACCATO ~ ELMER BERNSTEIN
MICKEY’S SPILLANES MIKE HAMMER ~ STAN PURDY ORCHESTRA
MUSIC FROM MIKE HAMMER ~ SKIP MARTIN
THE UNTOUCHABLES ~ NELSON RIDDLE
PETER GUNN & MR LUCKY & MR LUCKY GOES LATIN ~ HENRY MANCINI
The 1950’s a new style of musical score was introduced to film soundtracks & T.V… Previously, film music meant sweeping orchestral themes or traditional Broadway-style musicals. With the growing popularity of bebop and hard bop as the sound of urban cool, studios began latching onto the now beat as a way to make their movies seem gritty or “street.” Jazz was used for all sorts of film and television shows, it seemed to meld best with stories of danger—hard-nosed detective tales, studies of urban corruption, or spy thrillers.
Still available?
Thanks, please!!!!!
Jazz on film… Crime Jazz! (https://mega.nz/#!i7hFiSba!1HZ3A71ekY5E2AJjNJRRtjixvB-ZhXXGw74YeAzFEiI) all 8 volumes in one 2.85 GB archive.
No booklet, though.
Jazz on film… Crime Jazz! (https://mega.nz/#!i7hFiSba!1HZ3A71ekY5E2AJjNJRRtjixvB-ZhXXGw74YeAzFEiI) all 8 volumes in one 2.85 GB archive.
No booklet, though.
Is yours a re-rip, or a reup?