Godzilla (2014) (Sessions) – Alexandre Desplat

Hey, guys, here is coming the leaked Sessions of Godzilla, by Alexandre Desplat

01 – 1M1 Prologue/Title Sequence (02:16)
02 – 1M1pt2 Opening Titles Continued (01:45)
03 – 1M2-3 Inside The Mines/Janjira City (03:33)
04 – 1M4 Meltdown (06:45)
05 – 2M7 Tokyo (00:43)
06 – 2M10 Joe’s Apartment (03:49)
07 – 2M11 To Q Zone (03:13)
08 – 2M12pt1 Arrested (01:43)
09 – 2M12pt2 Taken Back to Janjira (02:30)
10 – 2M13 Kill It (03:38)
11 – 3M14 Muto Hatch (04:03)
12 – 3M15-16 Helicopter to The Saratoga (03:42)
13 – 3M17 History of Monarch (05:45)
14 – 3M18-21 Iguana-Jungle Blast (03:30)
15 – 3M22 The Wave (03:43)
16 – 3M24 Muto Airport (01:56)
17 – 4M25 Missing Spore (04:59)
18 – 4M27-28 Vegas Aftermath/Hiroshima (03:30)
19 – 4M28alt Hiroshima (01:07)
20 – 4M30 Sphere of Influence (02:03)
21 – 4M31A Analogue Time (01:27)
22 – 4M31B Trstle Bridge (01:56)
23 – 4M31C Full Muto Rising (02:30)
24 – 5M32A Ford On The Banks (01:34)
25 – 5M32B Still Busses On Bridge (03:24)
26 – 5M33 Golden Gate Chaos (04:41)
27 – 5M34 Muto Grabs Bomb (01:25)
28 – 5M35 Halo Plan (01:36)
29 – 5M36A Halo Prayer (00:49)
30 – 5M36B Let Them Fight (01:46)
31 – 5M38 Chinatown/Egg Laying/Faceoff (02:31)
32 – 5M39-40 Crosstown Race to Muto Nest (01:11)
33 – 6M40A Enntering The Nest (03:11)
34 – 6M40B 2 Against 1 (04:26)
35 – 6M40Bins 2 Against 1 (00:39)
36 – 6M42 Male Muto’s Demise (01:58)
37 – 6M43 Ford’s Run (02:19)
38 – 6M44 Godzilla Triumphs/Ford’s Rescue (03:12)
39 – 6M45-46 Aftermath/Resurrection (03:47)

https://mega.co.nz/#!d4sDFR6L!Btkdv_9WZrm5XCJqIM5PHF8SJIzOBPphtduLWkB hZZU

Fuck yeahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
Thanks man!!1

Yes! Thanks Recording!

Neat! Never watched the movie, but the score might be fun to listen to.

This should be interesting to say the least. I wonder if it has that solo piano bit when Big Z breeches the dust cloud….

Neat! Never watched the movie, but the score might be fun to listen to.

It sucked. SPOILER ALERT! Bryan Cranston’s character doesn’t even make it halfway through the film

thanks recording !!!!

the film did suck though !!! good score though

The score was nice though. But yeah, the whole thing looked more like a VFX demo/showreel rather than a proper fleshed out movie. Suppose roaring gigantic beast takes precedence to a half-decent story.

I wonder what Killgrave thought was better: Godzilla or Age of Extinction?

thank you

I loved this film, but I have crappy tastes so don’t mind me.

Loving this! I remember like 2 or 3 tracks not in the OST, looking forward what else I missed!

OMG

All the choir is in here.

I loved this film, but I have crappy tastes so don’t mind me.

You don’t have crappy tastes. I just think there was way too much hype over the film upon it’s release. I also had a horrible time because there was this annoying fat guy next to me laughing everytime Godzilla destroyed something. That was probably one of the majoy factors as to why I didn’t enjoy it. That, and the spoiler I mentioned above.

Well, yes, its me again. There are a lot of great artworks to make a cover from, I�ve decided to use this one, probally you like it 🙂

OH MY GOD!!

Bitrate?

You don’t have crappy tastes. I just think there was way too much hype over the film upon it’s release. I also had a horrible time because there was this annoying fat guy next to me laughing everytime Godzilla destroyed something. That was probably one of the majoy factors as to why I didn’t enjoy it. That, and the spoiler I mentioned above.

Eww. I say give it another chance, without distractions, and knowing that that spoiler was not the main dude in the whole thing 😀

Ooh, also, can anyone post a link for the eerie opera track used in the Halo jump? Because that one’s awesome!

You just made my year, sir. Thank you!

OH MY GOD!!

Bitrate?

I haven’t downloaded it, but it should be 192k

Ooh, also, can anyone post a link for the eerie opera track used in the Halo jump? Because that one’s awesome!

I forget which track it is, but it’s from 2001

The Jump cue is Ligeti’s Requiem.

The end credits were editorially created, as can be expected with Desplat’s films these days.

It’s a fairly solid Desplat score and if he does Godzilla 2 I would be very happy with that.

Amazing. Simply amazing. Thank you so much for this!

The Jump cue is Ligeti’s Requiem.

Yes, that’s the one, will look for it around, thanks for the name.

The end credits were editorially created, as can be expected with Desplat’s films these days.

Well, I believe Grand Budapest, which earned him an Oscar yesterday, wasn’t like that. And the credits are around here anyways 😀

Thanks for sharing this!

When I first watched this movie, I realized parts of it were filmed in a neighborhood I was eventually going to be moving to. It was interesting seeing what they did to it.

Thanks!

Thanks !

sweeeeeeet roaaring jesus
thanks

as an aside, I liked the movie enough
but it certainly had flaws, the primary one being lackluster human characters

Many thanks for this!

The score is great and the movie is really outstanding!

Thanks so much for this generous share, Recording! Very much appreciated. I haven’t yet seen the film, but am planning on it sometime (despite the negative reviews). At least when I do see it, I’ll be prepared musically…

Sully, take yo time

AWESOOOOOOOOOOOOME!!!!! 🙂

Thanks a lot man! Never thought this would leak complete. There was so much good stuff missing from the OST, so this is MOST welcome!

Thanks so much for this generous share, Recording! Very much appreciated. I haven’t yet seen the film, but am planning on it sometime (despite the negative reviews). At least when I do see it, I’ll be prepared musically…

I wouldn’t say negative. Just that the majority of moviegoers were upset that Godzilla himself doesn’t have much screentime. It’s the Jaws effect, but here people are used to seeing Godzilla all the way through.

I think that it was a good setup and it is vastly superior to the 1998 movie.

well Japans Godzilla doesnt get a lot of screentime in most of his serious movies either

also yes the reinserted chorus is a nice addition to this soundtrack
allthough the one from ‘Two against One’ is its own separate track somehow

Thanks

Yes, bit rate is 192. The Halo Jump was used in the first trailer and is posted here somewhere I think. The end credits were ripped and posted also. I would post them, but no access to IE at home, sadly. I **want** this…:sad:

Hm….no feedback about my cover….Ok! 🙁

With this release, the endcredits dont have anything new anymore anyway

With this release, the endcredits dont have anything new anymore anyway

They didn’t really have anything new anyway, I thought. Isn’t it just a suite made from pieces that were available on the album anyway, with one exception (Titles Continued).

Yeah Titles Continued
and this release makes the album tracks better anyway
I especially love the full version of Golden Gate Chaos

we still dont have the filmversion of the Muto Airport intro though
(strangely, when they released a sneakpeak of that scene, it used the music from the album
while in the movie it uses a more choral stinger as the Muto appears. Guess that means it was added way after sessions)

Many thanks for sharing. Thought the movie could have been better.

I’ll have to join the party of movie goers who didn’t enjoy it. The music was the best part, but the storyline could’ve been so much better. To be honest I wasn’t a fan of the main lead, Bryan Cranston made things far more interesting.

Yeah Titles Continued
and this release makes the album tracks better anyway
I especially love the full version of Golden Gate Chaos

we still dont have the filmversion of the Muto Airport intro though
(strangely, when they released a sneakpeak of that scene, it used the music from the album
while in the movie it uses a more choral stinger as the Muto appears. Guess that means it was added way after sessions)

I think it was a sound effect.

Hm….no feedback about my cover….Ok! 🙁

I’ll be using it as my cover, if it helps.

I know the end credits are nothing special, but the bookend nicely and seem important for a "complete" score to have, as does the actual Halo jump. But that’s just me.

Yes Amanda, it helps, it is a great honor for me if someone use it! Thank you Amanda! 🙂

Yes Amanda, it helps, it is a great honor for me if someone use it! Thank you Amanda! 🙂

The pc’s at my clinic have a usb port. I used a memory stick to dl it and the cover. (thanks to a speedy Mega link). I am not supposed to but I was alone. :awsm:

I think it was a sound effect.

could be the case yeah, something that was added in late anyway

I still feel like some Chorus is missing somewhere
during the Janjira scenes when they first see the Muto Cocoon

could be the case yeah, something that was added in late anyway

I still feel like some Chorus is missing somewhere
during the Janjira scenes when they first see the Muto Cocoon

that was either tracked from the beginning of the film, or an alternate.

Hm….no feedback about my cover….Ok! 🙁

I actually prefer your cover.

I actually liked the movie. Granted, every time the camera cut away from a monster fight just as it was getting started did make me angry, and while I can understand the director’s "less is more" approach to showing us Godzilla for only a little bit at a time until the climax so that we feel like there’s a pay-off, I still think that it could have been done in a way that would have been less aggravating. To everyone who complains about Godzilla’s screen time in the Gareth Edwards movie, Godzilla still has more screen time in this film than he does in the fan-favorite "Invasion of Astro-Monster" aka Godzilla vs. Monster Zero, but at least that film had an interesting (for the first time) alien invasion plot to hold the audiences’ attention until the monsters showed up. Yes, Godzilla 2014 could have been better, but as we all know (see 1998), it could also have been much, much worse.

that was either tracked from the beginning of the film, or an alternate.

I am gonna say it was tracked then, since it sounded a lot like what I heard after the opening

Well we all know by now how much chopping and mangling goes on to a score after production finishes. Director’s just love to second guess the composers. It’s jut the way of things.

Thank you! 🙂

Well we all know by now how much chopping and mangling goes on to a score after production finishes. Director’s just love to second guess the composers. It’s jut the way of things.

Yeah just looke at how many bits were silenced in the movie

Its Peter Jacksons Hobbitmovies all over again

I loved the movie and can’t wait for the sequel. DESTROY ALL MONSTERS, SON.

For the record I quite enjoyed the movie. It was great to see a proper Godzilla on the screen finally. Now, I saw it at home (thank you torrents), but still, it was surprisingly good, given all the hype, which I will admit was beyond insane.

Thank you sooo much for this!

Ah. Yes, thanks much. Apologies for omitting that first….

Thanks

Thank you very much for this!

I kinda liked it too. Desplat’s music over the opening title sequence was fantastic!

Thanks, Recording!

thank you

Excellent share, thank you! Desplat is always nice to listen to. Does anyone know where to find the score sheets? So much to learn…

Excellent share, thank you! Desplat is always nice to listen to. Does anyone know where to find the score sheets? So much to learn…

They’re impossible to get. Rare trades went to zero when Pianofiles closed, and I’ve lost a contact who used to get good sheets. The site is back, and I know there’s people with the sheets, but they’re too rare to find. I do have the original cuesheets, thanks to Conrad Pope. Also, JoAnnKane released some Desplat suites for rent, and they have the main titles on Godzilla.

They’re impossible to get. Rare trades went to zero when Pianofiles closed, and I’ve lost a contact who used to get good sheets. The site is back, and I know there’s people with the sheets, but they’re too rare to find. I do have the original cuesheets, thanks to Conrad Pope. Also, JoAnnKane released some Desplat suites for rent, and they have the main titles on Godzilla.

Thank you for the reply, sir! I’ll have to look into renting those. I had the honor of meeting Conrad a couple weeks ago, very humble and a surprisingly down to earth gentleman.

Thank you for the reply, sir! I’ll have to look into renting those. I had the honor of meeting Conrad a couple weeks ago, very humble and a surprisingly down to earth gentleman.

Yes, he is.

They’re impossible to get. Rare trades went to zero when Pianofiles closed…The site is back.

I was under the impression it was a different site…

I was under the impression it was a different site…

The site is back under a different name, but they kept the database and users.

Wow… thank you for this, Recording.
Much appreciate, my friend!!! 🙂

So very excited about this. Thanks! Loved the movie and the score.

Thanks.

We are still missing many cues from Godzilla, mainly source cues though.
1m05Sv1 Homecoming / Washington Post
2m05ASv1 Welcome Home Source
2m06Sv1 Ford’s Home Source
2m07xv1 NEW SC TBD. Elle Helps Ford Pack
2m08Sv1 Japanese Jail Source
2m10Sv1 Joe’s Neighbor Source
3m17ASv1 Our Country Film
3m23Sv1 Restaurant Source
3m24Sv1 Kitchen Source
4m26Sv1 Vegas Hotel (Devil in Disguise)
4m29v1 Ford Phones Home
5m37v1 HALO Jump
6m47 End Titles

Thank you. >:D

As a side note, I thought the film was pretty good, despite its flaws. I disliked the main character, but in my opinion Bryan Cranston and the epicness of Godzilla nuclear-vomiting into that Muto pretty much made up for it.

Regardless, you are a gentleman, Recording! I’ll be sure to like and add rep. 🙂

Also, random question here: what’s the difference between a complete score and recording sessions? Or an FYC? Are they interchangeable terms?

Double post.

The Halo Jump is commonly known to be used in Space Odessey 2001, but the artist has an actual whole album, with several versions in HD audio.

Requiem for Soprano, Mezzo-Soprano, 2 Mixed Choirs and Orchestra
Written by Gyorgy Ligeti

The full track has two parts, and the first half is the best part with the creepy choir and sharp, eerie strings.
The second half is more or less just a beatbox version of creepy orchestra.

There are so many different versions of from different conductors, orchestras and formats of this requiem piece.
I only settled on getting on HD (24/48+) version of the Requiem.
It’s an SACD rip, I believe. I avoided any vinyl rips.

I still have not got around to re-upping anything (opening/end credits).
MEGA will be the last host I upload as there are too many DMCA takedowns.

I loved the film.
Breaking Bad was an awesome series, but that doesn’t make Bryan Cranston invincible or solid gold.
He’s still a great actor. He did a job in the film and served its purpose.
I think it’s more or less the principle characters that didn’t deliver so well (Aaron Taylor-Johnson and Elizabeth Olsen).
They were bland and didn’t express any real emotion. Sure, we still rooted for them because they were ultimately on Godzilla’s side.

The director isn’t well known for doing Pacific Rim rock-em-sockem flicks.
He likes to build up stories like origin stories.
Monsters (2010) has the very same pace, where we have the same "Jaws effect" of seeing the monster.

This specific Godzilla film is an origin story of some sorts. There could easily be more details thrown in about previous monsters.
The history can expand throughout the forthcoming trilogy.

I thought it was quite effective to hide Godzilla as much as possible.
I would never have gotten goosebumps every time he roared.

The second will be more like Pacific Rim (Destroy All Monsters). That should please audiences.

Thanks for the share.

———- Post added at 07:56 PM ———- Previous post was at 07:50 PM ———-

Also, random question here: what’s the difference between a complete score and recording sessions? Or an FYC? Are they interchangeable terms?

They are not interchangeable terms.

Complete score is the final mix of the soundtrack score, with maybe alternate tracks, unused, etc.

Recording sessions are exactly that: recorded sessions of when they get together and record the score to see where they are at and how it works for them.
Most sessions we end up having are mostly the final picks they wanted to keep and work on before the complete score is finished.
Realistically, they could end up with 10 different recordings of the same cue/track.
With sessions, it’s normal for silences anywhere in the track (beginning, end, middle, etc).
It’s also very common for music to just stop dead at any time. This is because it will be mixed in with another cue from a different recording sesssion for the final mix.

FYC’s are more closer to the retail albums, with different mixes sometimes. Or tracks that have never been released before.
For consideration of voting for some flashy award.
FYC’s don’t normally exhibit the same choppy editing as recording sessions (long silences, abrupt endings, half-cues).
Although, lately, whoever is running some of the Guild sites are screwing things up for some tracks (whether by accident or on purpose; I mean, who’s really going to judge their vote on the sole basis of the FYC soundtrack being incomplete or anything?).

Some FYC scores can be sessions (Rise Of The Guardians, Unbroken). It depends on what the studios are willing to send so the voters can judge these works. Something they release the CD, so they can listen to the music edited as a better listening experience. Or the complete score and sessions so the voters can judge the music as a whole, including what wasn’t included in the films.

…PERFECT WAY TO ACCOMPANY THE 28 DAYS OF GODZILLA MARATHON I’M DOING (sorry for the caps, I just love this score so much). Thank you Recording for the share!!!

I did not see this.

I, too, shall go on a Godzilla binge.
Mostly whatever’s available on BD.
I lost all my HDTV rips I had. 🙁

Finally! Thank you!

Thanks a lot!

thank you

Thanks immensely!

All my mounstrous thankses to you, man!

Cool release! And cool cover too 🙂

Thanks guys!

Thanks.

We are still missing many cues from Godzilla, mainly source cues though.
1m05Sv1 Homecoming / Washington Post
2m05ASv1 Welcome Home Source
2m06Sv1 Ford’s Home Source
2m07xv1 NEW SC TBD. Elle Helps Ford Pack
2m08Sv1 Japanese Jail Source
2m10Sv1 Joe’s Neighbor Source
3m17ASv1 Our Country Film
3m23Sv1 Restaurant Source
3m24Sv1 Kitchen Source
4m26Sv1 Vegas Hotel (Devil in Disguise)
4m29v1 Ford Phones Home
5m37v1 HALO Jump
6m47 End Titles

well it could be because the non source cues on these list (with the exception of the endcredits) werent even used in the movie

YESSSS

Thanks a lot

Thanks!

Thank you very much!!

…for those interested:

(https://flic.kr/p/qoR22G)Godzilla – Alexandre Desplat (https://flic.kr/p/qoR22G) by theYahzee (https://www.flickr.com/people/116290001@N02/), on Flickr

…the awesome music I was missing from the official soundtrack it’s here 😀

Thanks for sharing !

Thank you! Wasn’t a huge fan of Godzilla (short clips of battle, and at night? F.U.!!!!!) but the music was good.

Thanks!

thanks!

Loved the film (despite its weaknesses; they’ve all been listed) and the score. Thanks for sharing.

Love this movie. It’s a true, old school Godzilla film, which is why it didn’t connect with a lot of people. I think people have a completely different idea of what Godzilla is, compared to what the movies actually are. I blame the 1998 movie, which despite being bad and no one liking it, plays much more like the Godzilla movie everyone wanted this to be. Great score, too. Desplat really understood what needed to be done.

Love this movie. It’s a true, old school Godzilla film, which is why it didn’t connect with a lot of people. I think people have a completely different idea of what Godzilla is, compared to what the movies actually are. I blame the 1998 movie, which despite being bad and no one liking it, plays much more like the Godzilla movie everyone wanted this to be. Great score, too. Desplat really understood what needed to be done.

…I love Emmerich’s Godzilla. And what old school Godzilla movies are you referring to? Invasion of Astro-Monster? Son of Godzilla? I’d say the 2014 has more in common with the original and none of its sequels. 😀

You don’t have crappy tastes. I just think there was way too much hype over the film upon it’s release. I also had a horrible time because there was this annoying fat guy next to me laughing everytime Godzilla destroyed something. That was probably one of the majoy factors as to why I didn’t enjoy it. That, and the spoiler I mentioned above.

Yeah, I wouldn’t say it was a bad movie, but it was certainly disappointing.

Bryan Cranston being in it was honestly one of the main reasons I wanted to see it, and for the half hour or so that he was in it I thought it was really quite good. It would’ve not only made it a better film but also a more unique one if they flipped the trope of the young protagonist’s father getting killed and instead had Cranston’s boring, horribly generic son get killed and had the rest of the film be about Cranston dealing with that.

well I get why they did that
so that we have 2 points of view, the higher-ups and the frontline
but they didnt need to do the dramatic thing to keep that

…I love Emmerich’s Godzilla.
+1
I thought I was the only one.
Plus I haven’t yet decided if I prefer Desplat’s score over Arnold’s.

Loved the movie. It may not have been as thought-provoking and terrifying as the Japanese original, but it was so much better than the first American remake (which I liked as a kid, but now find absolutely dreadful). It’s definitely more in line with the later Toho films from the 80s and 90s, which I also love.

Anyway, thanks for making this available.

Thanks so much, good to see another big leak around here! Finally we get the second half of the opening titles, I can’t believe that wasn’t included anywhere on the OST.

5m38 Chinatown/Egg Laying/Faceoff

The piano chord around the 2 minute mark = best part of the film for me.
And friggin’ finally I’m able to listen to that awesome sequence apart from the film. So THANK YOU!

A question at the uploader: Did you come up with the tracktitles yourself or are these (semi-)official?

Great !

Might as well post these now that the complete score has leaked. I made these back when I first obtained the sessions and now its time to share them with everyone.

Click Here to download… (http://imgbox.com/g/VMExE18Fg8)

Wow! Hunger Games 1-3 now this! Lots of good leaks lately! And that’s not counting Transformers 4, Days of Future Past, Ninja Turtles and others I’ve probably forgotten.

And that’s not counting Transformers 4, Ninja Turtles and others I’ve probably forgotten.

Those were not leaked, they were simply posted on Paramount’s FYC Guilds site. The only "leak" I guess you could say was DoFP, which was pulled because Ottman himself didn’t want it damaging his planned 2-Disc release

Thanks so much, good to see another big leak around here! Finally we get the second half of the opening titles, I can’t believe that wasn’t included anywhere on the OST.

The OST seemed to have something against that chorus in general

The OST seemed to have something against that chorus in general

Maybe because of the fees? Desplat recorded the score in LA, not in London like he use to. The choir was the Hollywood Film Chorale, which it was involved with a trouble with JNH’s Last Airbender, which is why the OST had a synth choir and only the film and sessions had the real one. Also, Desplat used to have the choir buried under the orchestra on his HP and Golden Compass scores. He only fixed it since Rise of the Guardians and Moonrise Kingdom.

The fees make sense
The same happened to the Star Trek 2009 OSTs

I thought the film was ok, heck its way better than Age of Extinction! the score is an absolute beast! thanks!!

Many thanks!

Why is mega asking for a decryption code? Am I missing something?

Please, someone make a great back cover with all the track titles for this????

Pleaseeee!!

Thank you share!

Why is mega asking for a decryption code? Am I missing something?

There is a space inside the link. Try removing the space.

Thank you.

…I love Emmerich’s Godzilla. And what old school Godzilla movies are you referring to? Invasion of Astro-Monster? Son of Godzilla? I’d say the 2014 has more in common with the original and none of its sequels. 😀

I was pretty much talking about the Shōwa series but, yeah, I guess it most closely resembles the original. But, really, almost all of them focus on human characters more than the Big G himself, with only one or two major set pieces, just like Godzilla ’14. The later entries (Heisei and, especially, Millennium) increase the action and effects.

Invasion of Astro-Monster

That is such a North American title…

You should wikipedia the franchise.
The studios that took over the rights have a different interpretation.

Even the signature roar has a different sound between each studio.

The appearance, the eyes, and even Ghidora’s design is different.

I think the issue lies with the humans. It’s been said by others, but Brian Cranston’s character was the most interesting – and most seen in the trailers – and he’s dead within the first act. The less-is-more argument is pretty much ignoring this.

I guess I should remove my spoiler tag then….

The film’s been out long enough that there should be no need for spoiler tags anyway. But I was replying on my tablet and it doesn’t seem to have registered the font colour change.

Thanks for sharing this.

thank you!

Thanks 🙂

+1
I thought I was the only one.
Plus I haven’t yet decided if I prefer Desplat’s score over Arnold’s.

…it’s hard. David Arnold’s score is one of my top three favorites of all time, but I’ve been hearing Desplat’s non-stop since it was released.

———- Post added at 10:48 AM ———- Previous post was at 10:45 AM ———-

That is such a North American title…

…that is Toho’s official international title 😀

Thank you very much for this!

Thank you very much!

Thank you for the score!

font colour change.

It depends what themes people are using.

White people are incapable of seeing their own white faults.
But those blue bastards will see right through you. Disgusting.

AWESOME!!!

what cue in the tracklist has the Halo Jump piece everyone seems to be talking about so much???

what cue in the tracklist has the Halo Jump piece everyone seems to be talking about so much???

It’s not on this album.
It would be track 30 if it were.

29 – 5M36A Halo Prayer (00:49)
** Missing ** Gy�rgy Ligeti – "Requiem, for Soprano, Mezzo-Soprano, 2 Mixed Choirs & Orchestra (https://www.youtube.com/watch?v=PH0pTGYJ63k)" from "Requiem".
30 – 5M36B Let Them Fight (01:46)

The actual song is around 26 minuts in length (https://www.youtube.com/watch?v=aL5lnAQ2b68).

Requiem is also slightly used a little bit, very briefly, when Godzilla is first introduced on-screen at the airport before his first roar.

You know who should have been in this movie?

Godzooky.

wait

Let Them Fight comes before Halo Prayer in the movie, doesnt it?

Session tapes are always stolen, and not authorized by the composer. Not cool.

Session tapes are always stolen, and not authorized by the composer. Not cool.

Desplat always said that his music belongs to the studios after being recorded and included in a film. This one, like the Deathly Hallows and Argo come from WB. The Ghost Writer and New Moon from Summit.

———- Post added at 01:30 PM ———- Previous post was at 01:30 PM ———-

wait

Let Them Fight comes before Halo Prayer in the movie, doesnt it?

Yes.

Session tapes are always stolen, and not authorized by the composer. Not cool.

As if this is the first ‘recording sessions’ leak here on ffshrine….you must hate guys like Scorepranos.

Besides, to add to what mgm5215 said below:

Desplat always said that his music belongs to the studios after being recorded and included in a film. This one, like the Deathly Hallows and Argo come from WB. The Ghost Writer and New Moon from Summit.

I’m sure you know that composers actually owning their own scores is extremely rare. Studios and occasionally labels own them. There are precious few examples of a composer actually owning their score. They lose nothing from these session leaks. Composers get pennies from album sales unless it’s a (there’s that word again) rare deal like Horner getting just over 1 dollar per Titanic album CD sold. That’s a very rare occurrence. Also, it’s been proven time and again that these leaks do not prevent official releases of scores from coming. Too many bootlegs of the past have been officially released now to make that point clear.

I’m sure the studios who let these scores rot away in a vault somewhere are really hurting…

And it serves them right. Too bad these hackers didn’t gave all the stuff they got from Sony. There was lots of sessions. Some comp�sers manage to keep their own stuff, like Beck, Beltrami and Tyler, which is why their scores are much more easier to leak. Tyler actually had a contract where he was gonna get a porcentage of the box office profit of Thor 2.

Thank You!!!

What do the following film scores all have in common?

Independence Day
Honey, I Shrunk The Kids
Alien
Aliens
Star Trek: First Contact
Star Trek: The Motion Picture
Star Trek: Insurrection
Star Trek: Nemesis
Wolfen
Patriot Games
48Hrs
Hocus Pocus
A Far Off Place
Back To The Future

And keep in mind there are indeed more, but these are the only ones I can think of at the moment.

The one thing these scores have in common is that they were all out as bootlegs, then official releases eventually followed.

You know who should have been in this movie?

Godzooky.

…what’s wrong with you? :O

Thank you!

Thanks!

Thanks!

Thanks very much for sharing this. One of my two favorite scores of last year (the other being Noah). I really wish Desplat would’ve won the Oscar for this instead of Grand Budapest (which was a good score in its own right, just not his best).

Can’t wait to hear what the new material is like.

Thanks but it asks for a Decryption key.

Thanks but it asks for a Decryption key.

remove the space at the end.
WkB hZZU

remove the space at the end.
WkB hZZU

Doesn’t work for me.

Doesn’t work for me.

Try Firefox.
Or JDownloader.

Works for me, even with the space.

Fantastic! Thanks!

Thanks for sharing

Decryption Key?

Decryption Key?

Remove the space near the end or use Firefox or JDownloader.
MEGA links work better in Firefox.

Link works for me with or without the space near the end.

Godzilla (2014) Recording Sessions Soundtrack Score
composed by: Alexandre Desplat

Link 192kbps: CONTACT ME –> http://forums.ffshrine.org/private.php?do=newpm&u=765906

Tracklist:
01. 1M01pt1v1 Prologue / Title Sequence (02:17)
02. 1M01pt2v1 Opening Titles Continued (01:46)
03. 1M02-3v1 Mine + Janjira (03:34)
04. 1M04v1 Drive to Plant / Meltdown / Sandra’s Death (06:46)
05. 2M07v1 Tokyo (He’s Your Father) (00:44)
06. 2M10 To Q Zone Pt. 1 (Joe’s Apt.) (03:50)
07. 2M11 To Q Zone Pt. 2 (What Ruined My Life) (03:14)
08. 2M12pt1v1 Arrested (01:44)
09. 2M12pt2v1 Back to Janjira (02:31)
10. 2M13v1 Interrogation / Happening Again / Kill It (03:39)
11. 3M14v1 Muto Hatch (04:04)
12. 3M15-16v1 Daddy Will Be Okay / Copter to Saratoga (03:43)
13. 3M17v1 Serizawa’s Story / Monorail / Missing Sub (05:46)
14. 3M18-21v1 Iguana-Jungle Blast (03:31)
15. 3M22v1 The Wave (03:44)
16. 3M24v1 MUTO Airport (01:57)
17. 4M25v1 Kid Reunited / Saratoga / Yucca Mtn / Missing Spore (05:00)
18. 4M27-28v1 Vegas Aftermath / A Female (03:31)
19. 4M28alt A Female (01:08)
20. 4M30v1 Ford Catches Train / Sphere of Influence / Please Don’t Do This (02:04)
21. 4M31Av1 CDC-Train / Analogue Timer (01:28)
22. 4M31Bv1 Trestle Bridge (01:57)
23. 4M31Cv1 Full MUTO Rising (02:31)
24. 5M32Av1 Ford on the Banks to Dry (01:35)
25. 5M32Bv1 Ford – Where Are You? / Still Busses on Bridge (03:25)
26. 5M33v1 Golden Gate Chaos (04:42)
27. 5M34v1 MUTO Grabs Bomb / Delivers to Mate (01:26)
28. 5M35v1 HALO Plan (01:37)
29. 5M36v1 Whatever It Takes-Let Them Fight (01:47)
30. 5M36Av1 HALO Prayer (00:50)
32. 5M38v1 Chinatown / Egg Laying / Faceoff (02:32)
33. 5M39-6M40v1 Crosstown Race To MUTO Nest (01:12)
34. 6M40Av1 Entering the Nest (03:12)
35. 6M40Bv1 2 Against 1 / Blow the Nest (04:27)
36. 6M40Bv1 Bomb the Boat (00:40)
37. 6M42v1 Male MUTO’s Demise / Weary Zilla (01:59)
38. 6M43v1 Ford’s Run / Cornered / Last Shot (02:20)
39. 6M44v1 Ford Collapses / Rescue (03:13)
40. 6M45-46v1 Aftermath / The King is Dead / Resurrection (03:48)

Thanks for this. 😀

Thank you very much 🙂

Again, why would you post a link that says "contact me" when you can openly get it in the opening post of the thread?

Again, why would you post a link that says "contact me" when you can openly get it in the opening post of the thread?

Because tapoktro is an idiot. End of story.

He is such a thief. Not just stealing Recording’s upload for himself but also DaUpp’s artwork.

If he talked, he’d excuse himself and say "mirrors" but hell no, those are not mirrors, he grabs other people’s uploads, and reuploads them to Upload which is a fucking shitty site to upload shit on, and everytime someone falls in and downloads something on it, he’s getting money. So yeah. He’s lucrating himself out of originally free uploads. I hope one day Jesse bans tapoktro.

Why he hasn’t been banned already beats me. I’ve reported several of his postes, including times when he’s copied my uploads.

And what about the composers when their scores get posted? Lol, you are all full of yourself and your stupid reputations. Once you post something, it’s the internet, it is out there forever.

Why he hasn’t been banned already beats me. I’ve reported several of his postes, including times when he’s copied my uploads.

This is an old subject that goes no where.

And what about the composers when their scores get posted? Lol, you are all full of yourself and your stupid reputations. Once you post something, it’s the internet, it is out there forever.

I don’t claim to have composed the music I post. :p

Why he hasn’t been banned already beats me. I’ve reported several of his postes, including times when he’s copied my uploads.

While I would LOVE to see him banned, I don’t think it will do much good. He’ll probably just come back as a new user and start all over again.

tapoktro’s motto is that there is no honor among thieves.

He’s doing the same stuff we do… even if he’s deliberately pissing people off. As much as I’d like to see a FFShrine without him, it’s hard to make a solid case for why he should be banned. :/

tapoktro’s motto is that there is no honor among thieves.

The forum needs a Pirates of the Caribbean theme.
The rules converted to the Pirates Code Book.
The mods all having the The Nine Pieces of Eight in their sigs.

tapoktro’s motto is that there is no honor among thieves.

He’s doing the same stuff we do… even if he’s deliberately pissing people off. As much as I’d like to see a FFShrine without him, it’s hard to make a solid case for why he should be banned. :/

The reasons I would give (whether they’re legit or not) are:

a) He takes other people’s uploads, which many members here have paid a lot of money for on eBay and such like, or have spent hours editing, and gives no credit.

b) He only does this to make money off the crappy sites he re-uploads things to.

a) He takes other people’s uploads, which many members here have paid a lot of money for on eBay and such like, or have spent hours editing, and gives no credit.

Oh yeah, it really ticks me off when someone edits something and then tapoktro steals it (like the expanded Iron Man 3) It’s just plain rude.

But we can all do our small parts in showing our loathing of him by giving his threads one star-ratings.

a) gives no credit.

b) make money

a) easily fixed with intervention.

b1) he doesn’t make that much. the most he can really make is just enough to extend his premium subscription.
He probably makes that in other uploads on other forums.
Music is a very low avenue of revenue.
The other forums where he uploads and uses Uploaded.to, he’ll make up for there with whatever else he uploads (software/movies/games/etc).

b2) it’s not as intrusive as spammy/malware sites (proof required, not "good enough for me" proof) where you need to click so many things to get the download link.
Uploaded hasn’t been targeted with malware before.
It’s just slow for free and non-registered members.

a) easily fixed with intervention.

b1) he doesn’t make that much. the most he can really make is just enough to extend his premium subscription.
He probably makes that in other uploads on other forums.
Music is a very low avenue of revenue.
The other forums where he uploads and uses Uploaded.to, he’ll make up for there with whatever else he uploads (software/movies/games/etc).

b2) it’s not as intrusive as spammy/malware sites (proof required, not "good enough for me" proof) where you need to click so many things to get the download link.
Uploaded hasn’t been targeted with malware before.
It’s just slow for free and non-registered members.

Those things may be true, but it’s the principle of what he does that really grates. As they say, "It’s the thought that counts."

Those things may be true, but it’s the principle of what he does that really grates. As they say, "It’s the thought that counts."

Welcome to the internet. Please keep your conscience at the door. :smrt:

I see no immediate threat of his mirroring.
He is, at least, posting in the progenitor’s thread.

It’s all just pyschological.
He’s not taking away traffic or attention.

Who really downloads from uploaded when everyone asks for MEGA mirrors?

I’ll keep my conscience close at heart thank you very much

but really, just ignore the man

Back to topic for a change.

Does it anyone else bother, that the complete score is notably quieter than the official release?
I tried to puff it up a bit with mp3gain, but I’m struggling with distorted parts in some tracks.
Any experiences/advices?

Does it anyone else bother, that the complete score is notably quieter than the official release?
I tried to puff it up a bit with mp3gain, but I’m struggling with distorted parts in some tracks.
Any experiences/advices?

It’s happened in the past for some complete/expanded/sessions.
Why? No idea.

But, for tracks that cause distortion, you can try using ReplayGain (https://en.wikipedia.org/wiki/ReplayGain) instead.
It doesn’t change the data, it just adds a new tag.
Foobar2000 can read this metadata tag.

There are two scan types:
Album: Every track gets the same value of volume change. No idea what "albums" would actually need this. Maybe ones that cross-fade or mix like Pink Floyd’s The Wall.
Track: Every track gets different values. I use this all the time.

When you scan, you can scan with both types.
Just set Foobar200 to play back using which ever of the two.

You can apply RG values and prevent clipping, or just prevent clipping, or just apply values and accept any clipping.

It’s much faster than any other editing, even if tools like MP3Gain are lossless.
This way you have more control over source content without having to worry about finding originals again.

I don’t claim to have composed the music I post. :p
Well tapoktro doesn’t claim to have composed the music he posts. Your really both at fault if you think about, you should be happy he’s doing it, there is a more chance of him getting caught for these illegal acts.

Back to topic for a change.

Does it anyone else bother, that the complete score is notably quieter than the official release?
I tried to puff it up a bit with mp3gain, but I’m struggling with distorted parts in some tracks.
Any experiences/advices?

If something is too quiet/loud, I just adjust the volume of the particular track/album in iTunes (Right Click > Get Info > Options > Volume Adjust).

Thank you!

You don’t have crappy tastes. I just think there was way too much hype over the film upon it’s release. I also had a horrible time because there was this annoying fat guy next to me laughing everytime Godzilla destroyed something. That was probably one of the majoy factors as to why I didn’t enjoy it. That, and the spoiler I mentioned above.

This seems to be a general problem with many films today. The hype machine is, while sometimes necessary to ensure financial success, a major contributing factor to audience disappointment. Although, it would not be fair to say that all of the blame lies with the studios and their (bastard-offspring-of-satan) marketing departments, as hype built-up by audiences also contributes to the feeling of being let down by the product seen in theaters. It also does not help that most reactions found today tend to be within the extremes, with a film being either "The Most Awesome Thing EVER" or "The Worst Film EVER – even worse than MANOS: The Hands of Fate!" Can’t some people just say that a film, while not living entirely up to their expectations, is still pretty decent despite having some apparent flaws?

Of course, part of the hype machine is also the increasingly narrow focus on getting as much money as possible solely on the opening day or the release date. I’ve heard that long ago (during some ancient era known as the 20th Century, particularly before the 1980’s) films used to have their success evaluated based on the TOTAL of their revenue throughout the entirety of their theatrical run. It is somewhat ironic that one of the best films ever made, JAWS, is probably responsible for the beginning of this trend, what with its HUGE success at the box office during the summer of 1975 and creating the blockbuster, but even then, the film had plenty of other merits for people to talk about, considering that the hype that JAWS received would be a modest or even dim candle light when compared to the MASSIVE AWESOMENESS hype that is given to so many films today. Granted, a handful of these films may indeed deserve such hype, but the problem again lies with marketing and even fans going completely overboard when they hype the film up to be the greatest thing ever, and then they wonder why the film didn’t live up to their outrageous expectations. Who’da thunk it, huh?

Y annoying fat guy next to me laughing everytime Godzilla destroyed something.

*raises hand*
That would be me.

I get like that a lot when it comes to chaos, destruction and villains.
Not saying Godzilla was a villain. But a lot makes me smile.

When I watched The Dark Knight Rises, I was having fits of evil laughter as Bane’s plans unfolded.
My brother couldn’t figure out why.
I couldn’t figure out how to explain.

It was pure appreciation and admiration in seeing something so fantastic.

I look like this a lot of the times…
http://i.imgur.com/A78sOgM.gif

Especially when watching anything with Joker in it.

It’s happened in the past for some complete/expanded/sessions.
Why? No idea.

But, for tracks that cause distortion, you can try using ReplayGain (https://en.wikipedia.org/wiki/ReplayGain) instead.
It doesn’t change the data, it just adds a new tag.
Foobar2000 can read this metadata tag.

There are two scan types:
Album: Every track gets the same value of volume change. No idea what "albums" would actually need this. Maybe ones that cross-fade or mix like Pink Floyd’s The Wall.
Track: Every track gets different values. I use this all the time.

When you scan, you can scan with both types.
Just set Foobar200 to play back using which ever of the two.

You can apply RG values and prevent clipping, or just prevent clipping, or just apply values and accept any clipping.

It’s much faster than any other editing, even if tools like MP3Gain are lossless.
This way you have more control over source content without having to worry about finding originals again.

Thanks! Maybe I’ll try… I’m right now working my way through the album with MP3Gain and adjust every track individually.

If something is too quiet/loud, I just adjust the volume of the particular track/album in iTunes (Right Click > Get Info > Options > Volume Adjust).

Doesn’t work for me. A 100% volume boost in itunes is nowhere near doubling up the volume.

Thanks!

thanks

�hm..what is the code? 😡

Thanks a lot 🙂

�hm..what is the code? 😡

What code do you mean?

thanks for these sessions, much appreciated.

OMGOSH !!!! ty ty again xoxo 😛

Thanks Recording for the share! 😀

�hm..what is the code? 😡

after copying and pasting the link remove the space in the 5th to last character, hit enter

I’ll give this one a listen. Thanks!

I tried removing the space but the link is down?

Link is dead. Re-up soon! 😀

.

thanks!

AWESOME! Thank you very much!

You’re welcome! 😀

Thanks for sharing!

Thanks to the OP for this leak. I acquired the album OST, but dear lord, the amount of mastering compression on the official release is atrocious. Unpleasant distortion applied to what is otherwise a great orchestral mix. A lot of WaterTower scores seem to have a problem with that. Pity. The unaltered mixes here should fix that problem! 🙂

The Re-up is down? Any chance for re-re-up? 🙂

The Re-up is down? Any chance for re-re-up? 🙂

Here’s a new link: http://www.mediafire.com/file/junru61uicn2wah/AD_GDZ_RS.rar

Happy New Year! 😀

thank you