Godzilla (Deluxe Edition)
2014
40 tracks, TRT: 1:55:40, FLAC (lossy sourced)
Link:
https://mega.co.nz/#!8pVGjADD!ieWx8kqcSmOJtrB_Aw6Yd-aFRrtDolXC4pXJ4BJdQoU
Track Listing:
http://img4021.photobox.co.uk/69693067fa198f8d495f5858eb620977dd3f67017603bbfb8e 5a256e3126ae661522b9b6.jpg
Note: removed all silences and leveled all tracks out to provide a more consistent listening experience. Some cues are split up in order to make consistent leveling possible as some cues are mixed way too low in the source. This doesn’t disrupt the flow too much in my opinion. To further enhance flow I mixed several shorter cues together. Not many but just pointing it out.
This score was a real surprise and one I didn’t expect to keep me so busy. Alexandre Desplat has not been a favorite composer of mine in the past but I am falling for this score more and more with each listen. The "prologue" cue is one that I often find myself listening to on loop. It has that perfect sense of dread, urgency and action which is the perfect way to start off a colossal score such as this. I admit that at first I found it incredibly difficult to adjust to Desplat’s syncopated rhythms but now can’t imagine the score without them. It drives the score.
In regards to the cue "Halo Jump", I’m not sure where in the film this fits in but it stands out from the entire score and matches nothing else on the album. It reminds me of Penderecki/Ligeti. I left it in the place it was in the "complete score" bootleg because I didn’t want to leave it out. It didn’t quite feel like it belonged in the extras but I could be wrong. Info on that cue would be appreciated.
I didn’t notice this until I posted but tracks "Halo Prayer," "Halo Jump" and "Chinatown/Egg Laying/Faceoff" should go in that order, not the one I have set up.
The source was 192 MP3 and as a result, the final render is in lossy FLAC to ensure no further quality loss.
I was going to post this sooner but had to make sure everything was properly mastered/leveled and the flow was as consistent as I could make it before doing so. Enjoy and as always, leave some comments!
NOTE (3/5/2015): I have merged a few more tracks together (i.e. "Trestle Bridge" and "Full Moto Rising", "Golden Gate Chaos" and "Muto Grabs the Bomb", "2 Against 1/Bomb to Boat/Blow the Nest" and "Male Muto’s Demise" and "Godzilla Triumphs/Ford Collapses/Rescue" and "Aftermath/Resurrection". All of these changes greatly enhance the flow and hopefully you all will enjoy!
Here is the link for the new tracks:
https://mega.co.nz/#!h8dHDCSK!vggRj4uwa4MdefouKn6GP-cNFQTjYWk17TgEeFgbORo
Probably not, it’s nothing special
Thank You!!
Thanks for the Deluxe version!
The score is awesome! I feel kind of sorry fot those who are unable to dig such a great work…
https://mega.co.nz/#!HVtXTJCC!_t57_AbgxxayFhIJNiUZ5y6XJWucz0uiCmwFL7s XrdI
https://mega.co.nz/#!HVtXTJCC!_t57_AbgxxayFhIJNiUZ5y6XJWucz0uiCmwFL7s XrdI
That’s not the same thing in the movie.
It’s similar. Very similar.
But not identical.
It’s missing so much elements.
Gy�rgy Ligeti – "Requiem, for Soprano, Mezzo-Soprano, 2 Mixed Choirs & Orchestra (https://www.youtube.com/watch?v=PH0pTGYJ63k)" from "Requiem".
The actual song is around 26 minuts in length (https://www.youtube.com/watch?v=aL5lnAQ2b68).
The "soundtracks" list on IMDb (http://www.imdb.com/title/tt0831387/soundtrack) lists Gy�rgy Ligeti.
I’m pretty sure if I checked the end credits in the bluray, it’d credit Gy�rgy Ligeti, too.
Never is Killer Tracks credited anywhere on anywhere in the world for being involved with Godzilla.
It’s all described in the first post.
That’s because of the addition of the aforementioned ‘Halo Jump’ track and the ‘End Credits’ track.
Many of the other tracks from the recording sessions are either split or joined with silence removed (see first post).
Remastered version of the sessions. My source was 122 minutes but after removing silences and such it was 115, almost 116 minutes.
any chance of a non-mega mirror?
cheers
My work:
(http://smg.photobucket.com/user/corysun/media/Share%20photo/Godzilla%20Deluxe%20Edition_zps8o6hkrnu.jpg.html)
So thank you for sharing this and hopefully converting this to V-0 for my iPod won’t hinder the quality too much.
In the meantime, as GrayEdwards has pointed out it does have unpredictable pacing but by the time the end credits roll, you’ll feel a little more fulfilled and have a theme to hum afterwards.
I’m just a big fan of this score and I’m glad that this new "release" is hopefully getting in the hands of people who haven’t heard it before. The film was largely a disappoint to me (which I judged from the trailers to be akin to a Christopher Nolan film), but the score really surprised me. I hadn’t heard Desplat do an action score, so I wasn’t quite sure what to expect, but like with Thomas Newman and Skyfall, it just blew me away.
Hopefully if Godzilla 2 ever gets made, Desplat returns.
You’re new.
Godzilla 2 and 3 are confirmed and in production.
Gareth Edwards is directing both of them.
He confirmed part 2 on second/third day of opening for Godzilla last year.
Confirmation for 3 came some time afterward.
Up until the theatrical debut of the first one, he was quite involved with the Facebook social community.
He’s done several Q&A’s for it, leaving sequels in the air (largely depending on box office sales; naturally).
They’re going to bring in some of the classic monsters for the next two.
Now that everything is nearly established in the first film.
They’re just working out details of what they really want in these next two.
Currently debating on whether or not they should introduce the mechas.
No word on who’s going to compose 2 and/or 3.
Would be nice if Desplat sticks around for the franchise, that’s if he doesn’t get too busy doing other films.
Glad Elfman was never involved. He has a tendency to drop things and run elsewhere. That ADHD SOB.
Godzilla 2 and 3 are confirmed and in production.
Gareth Edwards is directing both of them.
He confirmed part 2 on second/third day of opening for Godzilla last year.
Confirmation for 3 came some time afterward.
Up until the theatrical debut of the first one, he was quite involved with the Facebook social community.
He’s done several Q&A’s for it, leaving sequels in the air (largely depending on box office sales; naturally).
They’re going to bring in some of the classic monsters for the next two.
Now that everything is nearly established in the first film.
They’re just working out details of what they really want in these next two.
Currently debating on whether or not they should introduce the mechas.
No word on who’s going to compose 2 and/or 3.
Would be nice if Desplat sticks around for the franchise, that’s if he doesn’t get too busy doing other films.
Glad Elfman was never involved. He has a tendency to drop things and run elsewhere. That ADHD SOB.
I knew about the announcement, but with him now working on Star Wars and the lukewarm critical response & box office (it did okay, but for the size of the budget and marketing, I’m sure WB/Legendary was expecting more), I’m still not convinced the sequel(s) will happen until they actually start shooting it. With Hollywood being the way it is, nothing is ever a sure thing. Hell, even if it’s shot, that still doesn’t guarantee that it will ever see the light of day.
I’m still not sure what sure what the specifics are now that Legendary is at Universal. Godzilla’s production was such a mess anyways, I’m not sure I have faith that a sequel will be any better. I mean, how many hands and drafts did the script go through, anyways… 5+ writers? There were major structural changes happening to the plot when the film was only a month or so from shooting. Maybe even WHILE they were shooting. I still have no clue what Elizabeth Olsen was talking about, that it was nice to be working on a film where character development mattered, and that her part was fleshed and whole, not just filler. Because it couldn’t have been this film. I’m not even sure her character was one-dimensional, let alone two. For the spectacular cast they had, it sure was a waste. This film was nowhere near as good as Edwards’ first film, Monsters. Now THAT was a great movie.
I know a lot of people loved to hate this movie, but I adore it. I was hooked by the first teaser trailer and the great use of the Gyorgy Ligeti Requiem.
would you be so kind and re-upload this great score.
Much appreciated
I’m gonna go ahead and submit a request for a re-up (the second one is now dead)
I would absolutely love to have this.
If you’ve never downloaded from OneDrive before, just click the link and along one of the toolbars you will see “download”. Press it and voila.
Thank you kindly good sir!
But does it fulfill the request you started? What’s heard in the film?
Nope. But, it does give me a better quality version of the recording sessions than I had before.
If the film versions do not exist, I might just go ahead and start a project on recreating them using the sessions, the normal tracks, and the blu ray.
That is of course unless the actual film versions pop up anytime between when I start and when I finish.
The film versions popping up? Hardly ever. You got a point. XD
Yup. NateZilla’s own request, right here (Thread 222967)
http://www.mediafire.com/file/5u303x7m639i66i/MUTO%20Example.mp3
It’s little things like that throughout the soundtrack: little bits of segments being shared, some instruments being deleted, some being added.
But that’s not to say that I think the film tracks are better (I enjoy the soundtrack either way), I just find it interesting to hear the differences of the film vs. the album vs. the sessions.
would you be so kind and send me the link to this great score.
Much appreciated
would you be so kind and send me the link to this great score.
Much appreciated
New link is in post #65: Thread 186173
I remember that the sessions sounded pretty bad back then, so you did a remarkable job as far as my amateur ears can tell.
Though I spotted a glaring error on track 2 at the 19 seconds mark, there’s a rough cut there, very audible.
I wonder if it’s only on my download?
I remember that the sessions sounded pretty bad back then, so you did a remarkable job as far as my amateur ears can tell.
Though I spotted a glaring error on track 2 at the 19 seconds mark, there’s a rough cut there, very audible.
I wonder if it’s only on my download?can’t believe I hadn’t noticed that before. It seems to be on my source as well. Apply a liberal amount of pop/click remover and it’ll be less noticeable.
So you’re not going to fix it?
When I’m near my PC again in a few days. Been editing pretty hard lately, giving my eyes and sanity a break.
I can just as well use the same track from the sessions.
I can just as well use the same track from the sessions.
I checked the sessions and the anomaly is strangely not there so I went in and fixed the issue on my edit. New file is in the OneDrive folder.
———- Post added at 09:05 AM ———- Previous post was at 08:57 AM ———-
Here I did a quick rip (please excuse the sfx) of when the MUTO hatches to show what I mean. There’s this brief moment where a segment of "The Wave" shows up; but a modified version that deletes the choir and drums. Then it goes back to the MUTO track.
http://www.mediafire.com/file/5u303x7m639i66i/MUTO%20Example.mp3
It’s little things like that throughout the soundtrack: little bits of segments being shared, some instruments being deleted, some being added.
But that’s not to say that I think the film tracks are better (I enjoy the soundtrack either way), I just find it interesting to hear the differences of the film vs. the album vs. the sessions.
We can hope for those to turn up but as it stands, I don’t have them. Won’t attempt a Bluray rip as there’s likely to be SFX across all channels.
Is your example ripped from the surround channels? Sounds like the drums are actually there, just not mixed into the surrounds as prominently. I don’t have a copy of the movie to double check so I could be wrong.
Thanks! I appreciate
No problem! I�d be down to re-do this entire thing if a lossless version popped up. It sounds pretty good for 192 MP3 but during some parts I can feel the lack of power from the lower bitrate.
Edit – nevermind, made it work! Thanks!