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Disc: 1
1. Verdi Prati Valse
2. Pauline
3. Rote Erde (Titelmusik)
4. Qui Sait 5. Heimkehr
6. Valse Merinque
7. Es Geht Ein Schnitter
8. Bohemian Step
9. Zocker
10. Nuts ‘n’ News
11. Gesicht Im Dunkel
12. Mountain Way
13. Ritas’s Tune
14. G. String
15. Baal
16. Mzungu
Disc: 2
1. Roll On Euphrates
2. You Make Me Nervous
3. Mary In A Coma
4. Kein Schoner La La
5. Zombie Mama
6. Stille Thranen Walzer
7. City Of Magic
8. Ultimate City Limit
9. Morning In Berlin
10. Aller Tage Abend Walzer
11. Asagrai
12. Morderlied
13. Balance
Disc: 3
1. Wallenstein
2. Vision
3. Furst Von Atlantis
4. Man On Fire
5. Solo
6. Messer Im Kopf (TM)
7. Endstation Freiheit
8. Der Tote Bin Ich (TM)
9. Lurk 10. Loony’s Walk
11. Flachenbrand (TM)
12. Decision
13. Der Elch
14. Koto
15. Im Herzen Des Hurrican (TM)
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Review by Ted Mills All Music
A wide ranging, three-disc compilation of incidental and soundtrack music made for various German films shows little of the Can touch until disc three when things get sonically more interesting with tense, multi-layered soundscapes, dark, rhythmic drones, and some shouted vocals. The previous two discs sound precisely like what they were written for — to accompany an image on screen that most listeners will never see. Schmidt is adept at wearing many hats, so you hear love themes, action themes, and the like, but the high import price and size of the collection might deter most Can fans. For the curious, Can members Jaki Liebzeit and Michael Karoli play on most tracks, with Holger Czukay turning up on one ("Flachenbrand").