44.1 KHz, 24-bit Flac.
This is missing a few cues on scorepranos’ original post, but I am guessing because those cues weren’t available in 24-bit. You can add them to this release if you want, but I did not because this is purely all 24-bit, and I wanted to give you guys a really nice Christmas present. Really hoping this will entice Sonic to do a deluxe of this score, since it is my favorite of the 4. If you want to know the source, Santa sent it to me. He was feeling really generous today 🙂
TF3 1m0 v1 Logos (1:16)
TF3 1m1A v21 Main Title / Moon Mission (4:47)
TF3 1m1B v21 Lost Signal (2:27)
TF3 1m1C v14 Astronaughts Return (1:34)
TF3 1m5 v4.1 Optimus Arrives at Chernobyl (1:35)
TF3 1m5B v2.00 Laserbeak Chernobyl Attack (0:42)
TF3 2m7A v5.0 I Need to Matter (0:44)
TF3 2m8A v4 Director Of National Intelligence Pt.1 (0:58)
TF3 2m8B v5.0 Director Of National Intelligence Pt .2 (1:08)
TF3 2m9 v7.0Alt The Ark (2:11)
TF3 2m11 v5.02 Meet Dylan Gould (1:24)
TF3 2m12 v2.0 Car Collection (0:37)
TF3 3m13 v6.00 Finding Sentinel Prime (1:34)
TF3 3m14 v4.0 Megatron in Africa (2:17)
TF3 3m15 v1 Kill Human Collaborators (0:35)
TF3 3m18 v2.0 Paying Your Dues (0:44)
TF3 3m19 v1.0 I’m His Girlfriend (0:32)
TF3 3m21 v9.0 Meet Deep Wang (1:26)
TF3 3m21B v1.0 Wang Stare Down (0:25)
TF3 3m22 v9.01 Hemorrhoids (1:25)
TF3 3m23 v13.0 Wang Out Window (1:07)
TF3 3m24A v2.0 Clean Up Wang (0:53)
TF3 3m24B v8.00 Laserbeak Attacks Office (0:56)
TF3 3m25 v5 That’s My Car (1:34)
TF3 4m28 v9.0 Sentinel Revived (2:59)
TF3 4m29 v5.01 Bumblebee at Home (1:21)
TF3 4m31 v1.04 Simmons Interview (1:01)
TF3 4m32 v5 Simmons Back in Action (0:36)
TF3 4m33 v3 Prime in Africa (1:06)
TF3 4m34 v3.1 Intel Confab (2:42)
TF3 4m35 v3.0 Are You Coming With Me (1:29)
TF3 5m36 v2.0 Tracking Russians (0:49)
TF3 5m38b v3.0 Russians Find Pillars (1:25)
TF3 5m39b v2.0 Back To NEST (0:58)
TF3 5m40 v2.0 Robot Standoff (1:09)
TF3 5m41 v7.7Alt Traitor Sentinel (3:32)
TF3 5m44 v1.0 Go Get Carly (0:45)
TF3 5m46 v3.1 Assault at Dylan’s (3:28)
TF3 6m47 v11.01 Sentinel’s Demands (0:48)
TF3 6m48 v9.01 Prepping Xanthium For Liftoff (2:00)
TF3 6m50A v16 Goodbyes (3:51)
TF3 6m50B v14 Shuttle Liftoff (2:10)
TF3 6m50C v4 Shuttle Explodes (1:14)
TF3 6m50D v1.0 Tracking Dylan (1:11)
TF3 7m53 v9 Sneak into City (Part 1) (2:51)
TF3 7m53B v1.1 Sneak into City (Part 2) (1:02)
TF3 7m54 v1.11 Autobots Return (2:13)
TF3 7m55 v3.00 Saving Carly (3:42)
TF3 8m56 v5.0 Communicating With NEST (1:59)
TF3 8m56 v6.0 ALT Communicating With NEST (1:59)
TF3 8m57 v5.0 Planning Attack (1:18)
TF3 8m58 v4.01 Autobots Storm Chicago (2:25)
TF3 8m59 v2.17 Osprey Assault (2:02)
TF3 8m60 v7.0Alt Pt1 Diving Into Chicago (1:19)
TF3 8m60b v3.09 Pt 2 Setting Up Rockets (0:47)
TF3 8m62 v3.16 Trapped in Building / Falling Down Side (2:20)
TF3 8m63 v3.09 Driller Attack (3:51)
TF3 8m64 v1.05 Starscream Loses His Head (1:49)
TF3 9m66 v3.14 Teams Surrounding Pillar (3:41)
TF3 9m67a v2.0 Kill The Prisoners Pt .1 (1:56)
TF3 9m67b v3.0 Kill The Prisoners Pt .2 (0:46)
TF3 9m68 v1.06 Parachuting In (0:49)
TF3 9m69A v6 Pillar Assault Pt. 1 (0:56)
TF3 9m69B v6 Pillar Assault Pt. 2 (1:02)
TF3 9m69C v9 Pillar Assault Pt. 3 (1:47)
TF3 9m69D v4.0 Pillar Assault Pt. 4 (1:01)
TF3 9m69E v3 Pillar Assault Pt. 5 (1:15)
TF3 9m70 v12 Prime’s Fight (3:40)
TF3 9m71 v12 Megatron’s Revenge (4:46)
TF3 9m72 v6 Victory (2:10)
TF3 Battle Glorious Suite (6:04)
TF3 Battle Suite (3:52)
TF3 Chicago Suite (7:54)
TF3 Conspiracy Suite (4:00)
TF3 Death & Return Suite (4:55)
https://mega.co.nz/#!MFsDGADR!Rx_xD6d_Utj1s2FT6lz3X9RFCQHVn6qOjHbAPuP OT9s
the difference when it comes to music.
Thanks so much man! I only have it in 160k :P. This is a massive upgrade!!!
Thanks so much man! I only have it in 160k :P. This is a massive upgrade!!!
Uhh wut? You know all 3 were posted in FLAC, right?
:cryingbatman:
EDIT: I can’t seem to find TF2 :O
I don’t think so, nor do I think they can detect the difference between 48 & 96kHz, which is why I stopped ripping at that level. I’ve read the human ear can only hear up to about 20kHz. I’m gonna download this anyway and see if I can hear a difference.
That’s what I figured. I guess studios just want to use 24-bit so that they can push the "superior audio quality" selling point of Blu-rays.
1m4, 2m7, 5m39A, 5m42, 7m51, Cwejman CD, Iridescent (Linkin Park), Sentinel, and The Dark
———- Post added at 12:43 PM ———- Previous post was at 12:40 PM ———-
9m67a and b were lossy on the Original Sessions, can anyone confirm that they are true lossless now?
———- Post added at 12:55 PM ———- Previous post was at 12:43 PM ———-
I also have TF1 and TF2 in 24-bit as well, if this gets enough replies, well, expect them. But, if this doesn’t really get a lot of attention, then there won’t be a need to post the other ones..as they are very large.
4m51-52 Arrival to Earth is sadly not included on the set, because it doesn’t exist in any bootlegs…therefore it is not available in 24-bit.
———- Post added at 01:10 PM ———- Previous post was at 01:08 PM ———-
And Lockdown… if you want to share the 24-bit of TF2, please be our guest. I’ll be patient for now.
———- Post added at 01:49 PM ———- Previous post was at 01:10 PM ———-
BTW, I’m missing a track – Megatron in DC.
———- Post added at 01:10 PM ———- Previous post was at 01:08 PM ———-
And Lockdown… if you want to share the 24-bit of TF2, please be our guest. I’ll be patient for now.
———- Post added at 01:49 PM ———- Previous post was at 01:10 PM ———-
BTW, I’m missing a track – Megatron in DC.
Sorry I made a mistake in the tracklist, that cue isn’t available in 24-bit..sorry.
I would like the other parts aswell 😉
We’re waiting for the FYC
of course!
Ya, and 48kHz VS 96kHz?
thanks for 24 bit
What system of badass origin do you have?
it depends what and how You’d listen to
with acoustic slow melodies the vibration are palpable, You know it’s like with smells, colors, breathing, seeing in darkness, differs greatly, very individual; no way to measure it in laboratory, experiences like sex, diving, freezing, massage, etc are LIVING thing, impossible to ""adjust" it a priori. Take for instance headphones, You need time to evaluate them; sometimes contrasting experiences are needed to cherish the difference…
http://i.kinja-img.com/gawker-media/image/upload/s–IL80Wq6b–/spnlcrxx0fwzwtszk2fm.gif
Apple Lossless https://www.sendspace.com/filegroup/zHvB1IDtdUVL2LCPr4e23g
———- Post added at 01:33 AM ———- Previous post was at 01:13 AM ———-
Thanks for the share. But what’s up with the massive gaps of silence before each track?
That’s what most ‘sessions’ or ‘bootlegs’ are like, but it seems most have been edited to remove the silences before they leak on the Shrine, which I guess is pretty nice of them.
Thanks!! Please upload the whole series in this quality!!
Thanks!! Please upload the whole series in this quality!!
I second the motion! TYVM!
Thanks
If scorepranos can’t tell a difference between these versions and the previous versions, then it’s likely these are:
1) a different output of the real masters out there of the sessions (the real ones could be 32 float / 96 kHz, for studio mastering purposes only; which were used to create this 24/48 version and the 16/44.1 version)
2) upscaled
regarding checking if it’s an upscale, you can use flac.exe to check for "wasted_bits" (requires you to know what you’re doing and not ask what to do).
flac.exe will check each sample of any given FLAC file and look for any wasted bits. It will summurize what the average bit depth is.
You can also get it save a log file and examine it yourself and read the comprehensive details (which also require you to know what you’re reading).
I looked at one frequency map of this with SoX and there’s a noiseless line going through at the 22kHz mark.
I’ll have to check more files to be sure it’s not limited to just the one track I looked at.
I also have to dig out my batch script for checking the bit depth for wasted_bits.
You can read up on higher bit depth, and how much more Signal-to-noise ratio (SNR) it allows in terms of decibles.
But that only matters when you’re in the studio with all the original assets for any given work.
The studios have uncompressed (as in dynamic range compression) assets that they can master for listening scenarios.
There should be some differences made between the two, in terms of loudness and dynamic compression, since if the 24/48 was created from higher-res studio assets, they could change the drc to suite 24bit much more than they would the 16bit.
But that depends who’s the one mastering to 24/48 and 16/44.1.
They could have just used a preset for all versions.
Having 24/48 for us is more so that we can do our own edits with them and get more accuracy in any volume or anything regarding dynamic compression.
Higher frequencies will give more accurate results for other edits.
Don�t wait for it, dear, It won�t happen. I have seen all movies (and I�ve been bored by all of them with the exception of the first one) but one thing has always been crystal clear for me: I don�t like the music. It�s generic stuff, lacking anything that might interest me. So I haven�t listened to the scores, never downloaded them, never bought them. And I won�t start now that most of them are available in 24 bit. Crappy music still is crappy music, even if it�s in 24 bit.
BUT: I thank you very much for offering people these releases. It should happen more often, just with other scores^^
Anyone who can send me the 24-bit FLAC link, please?
+1 🙂
I need links to his as well.
New system, new everything so have to start from scratch.