I would also love the link!
Thanx in advance,
szucsy
link received.Thank you very much again – it’s very kind of you sharing with me/us.
Everything (like, rep. etc.) was sent by me – as usual and friendly.
I also remembered the exerpts from Friedkin’s "Sorcerer" (The Wages of Fear) using – as I remember – ‘3rd Movement’, and it’s great now listening again this piece as well.
All the best for you [Lovely Person :-)] and cheers,
szucsy
Thank you in anticipation.
"No overdubs or technical ornamentations were utilized, only the pure sound of the organ in the abbey is heard. Many of the unique effects, although never before used, were accomplished by pulling certain stops part way, while others remain completely open or closed.
Amazingly, baroque organs have always had this capability."
The pure sound, as channelled by the mind, hands, and feet of one of the great improvisers of the age. When “Hymns/Spheres” was first released in 1976, some critics made comparisons with the organ music of Ligeti, Messiaen and Reger, but time has shown this to be an essential expression of Jarrett’s creativity, original to the core.
Track No 10 [Spheres (9th Movement)] is amazing!
Regards,
nuts_score
"No overdubs or technical ornamentations were utilized, only the pure sound of the organ in the abbey is heard. Many of the unique effects, although never before used, were accomplished by pulling certain stops part way, while others remain completely open or closed.
Amazingly, baroque organs have always had this capability."
The pure sound, as channelled by the mind, hands, and feet of one of the great improvisers of the age. When “Hymns/Spheres” was first released in 1976, some critics made comparisons with the organ music of Ligeti, Messiaen and Reger, but time has shown this to be an essential expression of Jarrett’s creativity, original to the core.
Track No 10 [Spheres (9th Movement)] is amazing!
Yes…. this really is a standout recording that will take the organ and YOU to special, distance places (where as the Zimmer Interstellar score is simply a background noise… not even music). Jarrett experimented, as Petros mentions, with this ancient instrument to create sounds and moods that can baffle and yet fascinate; creating a score for not a film but for your imagination.
Again, reactions would be welcomed. This music has been waiting a long time for so many of you to discover.
(and, seems no one noticed the additional little bit of musical sweetening I included)
Of course I noticed it. I was ready to upload the whole set (6 discs)
of "Sun Bear Concerts" in FLAC, but the size (1,51 GB) was prohibitive.
Thank you very much for the first part of the "Kyoto Concert".
You have posted your opinion twice. We get it. You do not like this music.
Well you asked for reactions, and didn’t respond in the other thread so I assumed perhaps you had missed it. Good grief. So much for the "lovely person" moniker.
I don’t care nearly enough to keep it up – I was, however, not going to suffer your own foolishness quietly, as I’m sure you will understand. You’ve made your point about not liking Hans’ latest score several times over as well, so I’ll consider us even. 😉
Oh no. Do keep this up. Because, as you can see, due to idiots such as yourself I tend to pull threads.
I hope everyone showers you with their appreciation for a continued pettiness.
I hope everyone showers you with their appreciation for a continued pettiness.
Wow.
There’s definitely pettiness here, but I don’t think it’s coming from where you think. Anyway, expect no further response from me, lovely person.