Fury
Steven Price
Released: 2014
Format: MP3 @320kbps
Size: 160 MB
Tracklista
" 1. April, 1945 (04:15)
2. The War Is Not Over (01:48)
3. Fury Drives Into Camp (01:51)
4. Refugees (02:42)
5. Ambush (02:07)
6. The Beetfield (07:59)
7. Airfight (03:05)
8. The Town Square (02:18)
9. The Apartment (00:59)
10. Emma (02:36)
11. Tiger Battle (06:18)
12. On The Lookout (03:04)
13. This Is My Home (03:43)
14. Machine (03:22)
15. Crossroads (08:06)
16. Still In This Fight (03:39)
17. I’m Scared Too (03:46)
18. Wardaddy (02:39)
19. Norman (02:51)"
BTW: thanks tapoktro! 🙂
You can always BUY the soundrack if you want it so badly.
Composer interview on the score – ‘Gravity’ Composer Steven Price on Breaking New Ground to | Indiewire (http://www.indiewire.com/article/gravity-composer-steven-price-on-breaking-new-ground-to-score-fury-20141013)
Sounds like more of the same to Gravity with a little more synth. If that’s your thing great.
Composer interview on the score – ‘Gravity’ Composer Steven Price on Breaking New Ground to | Indiewire (http://www.indiewire.com/article/gravity-composer-steven-price-on-breaking-new-ground-to-score-fury-20141013)
Sounds like more of the same to Gravity with a little more synth. If that’s your thing great.
So much of the synth-composed music sounds like "more of the same" lately.
Thanks to the uploaders for their efforts, but I listened to this to the middle of track 6 and then just deleted the whole thing.
Somewhere out there someone is composing a movie score to be played by a real orchestra with real musicians!
Good luck, whoever you are.
Good luck, whoever you are.
How right you are! Now go out there and listen to that music and stop fretting yourself that others are doing things differently. Nothing has happened to "YOUR" music, you just aren’t listening hard enough for it. Good luck to you.
Thank you immensely for your upload, tapoktro! Price’s Oscar win for Gravity was much earned for his work in lending the film an incredibly memorable aural accompaniment. If this is still within that wheelhouse, I applaud him for his unique approach and discovering and pursuing his own "sound" (for lack of a better term).
Pearl Harbor -> No!
Inception -> No!
POTC -> No!
to bad…
I would be very gratefull
I really appreciate direct download!!!
Thanks to the uploaders for their efforts, but I listened to this to the middle of track 6 and then just deleted the whole thing.
Somewhere out there someone is composing a movie score to be played by a real orchestra with real musicians!
Good luck, whoever you are.
I would like to clarify something. Not going to start a debate with you but I would like to say that Fury was not composed entirely using computers. There are synths, yes, but most of the instruments used in the composition of this score was used by real musicians. It was recorded at the Abbey Road Studios with harp players, piano players, cellists, violnists, etc. It was also done by the Philharmonia Orchestra of London. There is a reason why it may sound ‘synth-composed’ is because of the multi-layering process that composers use when editing them together on a computer. They will record the piano player first, then violnists, and percussionists all seperate before layering them over one another. This gives if that synthetic sound at times due to them being all recorded at seperate times and not together in union. They will also conduct specific cues together with a live orchestra which I believe this was done for certain tracks that needed more of that organic feeling to it than the synthetic sound that is sometimes heard in this score.
That’s all I’m really going to say about this score. There are composers who DO compose scores entirely using computers, there is no question about it, but I wouldn’t blatantly call each score that sounds synthetic to be used by computers 100%. Just depends entirely on the composer himself, the editing process and the mixing process to get the sound ‘right’.
Tanks! (pun intended)