HARRY POTTER AND THE DEATHLY HALLOWS PART 1 AND PART 2 SESSIONS

HARRY POTTER AND THE DEATHLY HALLOWS PART 1 AND PART 2 SESSIONS

MUSIC BY ALEXANDRE DESPLAT

HARRY POTTER AND THE DEATHLY HALLOWS PART 1 SESSIONS TRACKLIST:
01 – 1m1 WB Logo
02 – 1m2 Scrimgeour Speech
03 – 1m3 Hermione Obliviates Her Parents
04 – 1m4 Snape To Malfoy Manor
05 – 1m5 Voldemort
06 – 1m6 Harry’s Closet_Polyjuice
07 – 1m6 Harry’s Closet_Polyjuice [Edit]
08 – 2m7pt1 Taking Off (Sky Battle Pt. 1)
09 – 2m7pt2 Sky Battle Pt. 2
10 – 2m7pt3 Sky Battle Pt. 3 (Original)
11 – 2m7pt3 Sky Battle Pt. 3 (Solo Soprano)
12 – 2m7pt3 Sky Battle Pt. 3 (Metals)
13 – 2m8 Landing At The Burrough (Original)
14 – 2m8 Landing At The Burrough [Edit]
15 – 2m8R Landing At The Burrough (Revised)
16 – 2m10 Harry’s Vision No. 1
17 – 2m11 Harry Tries To Leave (Original)
18 – 2m11R Harry Tries To Leave (Revised)
19 – 2m12 Headlines_Kiss
20 – 2m12 Headlines_Kiss (solo piano)
21 – 2m14 Tent Up_Scrimgeour
22 – 2m15 The Will
23 – 2m16S Humours Of Glen Dart (wedding source)
24 – 2m18pt1 Wedding Conversation Part 1
25 – 2m18pt2 Wedding Conversation Part 2
26 – 2m19 NEW Wedding Attack
27 – 2m20S Bloop (Street Bear Bass) (Source)
28 – 2m22S Rusty James (cafe iPod source)
29 – 3m24 Cafe Obliviation
30 – 3m25 Grimmauld Place
31 – 3m26 Harry’s Vision No. 2 – Wandshop
32 – 3m27 Sirius’s Bedroom
33 – 3m29 Kreacher And The Locket
34 – 3m30-32 Death Eaters Searching
35 – 3m30-32 Death Eaters Searching (Revised)
36 – 3m34 Kreacher, Dobby & Mundungus
37 – 3m38pt1 Into The Ministry Of Magic Pt.1
38 – 3m38pt2 Into The Ministry Of Magic Pt.2
39 – 4m41 Detonators
40 – 4m43 The Courtroom
41 – 4m44 Stealing The Locket
42 – 4m45 To The Fireplaces
43 – 4m45A v.1 Twister
44 – 4m45A v.2 Twister
45 – 4m45A v.3 Twister
46 – 4m45A v.4 Twister
47 – 4m47 v.1 Vision
48 – 4m47 v.2 Vision
49 – 4m47 v.3 Vision
50 – 4m47 v.4 Vision
51 – 4m47 Harry’s Vision No. 3 – Voldemort And Gregorovitch
52 – 4m48pt1 Radio & Hermione
53 – 4m48pt1 Radio & Hermione (Alternate)
54 – 4m48pt2 Scabior Smells Hermione
55 – 4m49 NEW Exodus
56 – 5m50 Ron Snaps
57 – 5m51 Ron Leaves (original)
58 – 5m51 v.2 Ron Leaves (smaller)
59 – 5m51 Ron Leaves (from 1m6) (Full Version)
60 – 5m51 Ron Leaves [from 1m6] (Short Version)
61 – 5m51 Ron Leaves [from 1m6] (Alternate)
62 – 5m51 Ron Leaves [from 1m6] (Small Ensemble Mix)
63 – 5m53 On The Rocks
64 – 5m54 My Love Is Always Here (mx.80)
65 – 5m54 My Love Is Always Here (mx.81)
66 – 5m54 My Love Is Always Here (mx.82)
67 – 5m54 My Love Is Always Here (mx.83)
68 – 5m54 v.2 My Love Is Always Here (mx. 84)
69 – 5m54 v.2 My Love Is Always Here (sung and hummed) (mx. 84)
70 – 5m54S Silent Night (Hummed) (Source)
71 – 5m54S Silent Night (Sung) (Source)
72 – 5m55 The Graveyard
73 – 6m56 Bathilda Bagshot
74 – 6m57 Nagini The Snake
75 – 6m59 Hermione’s Parents_Patronus
76 – 6m60 The Sword Of Gryffindor
77 – 6m61 Ron’s Return
78 – 6m62pt1 NEW Destroying The Locket Pt. 1
79 – 6m62pt2 Destroying The Locket Pt. 2
80 – 6m63 v.1 Ron’s Speech To Hermione
81 – 6m63 Ron’s Speech To Hermione (more delicate) (Alternate)
82 – 6m64 The Symbol
83 – 7m65 Xenophilius Lovegood
84 – 7m67A 3 Brothers FALSE START (mx.46)
85 – 7m67A 3 Brothers (CD Mix)
86 – 7m67A 3 Brothers (mx.45)
87 – 7m68 The Deathly Hallows
88 – 7m69 Leaving Lovegood’s (Original)
89 – 7m70 v.1 Snatcher’s Chase
90 – 7m70 v.2 Snatcher’s Chase (less perc reverb)
91 – 7m71 Harry’s Vision No. 4 – Voldemort And Grindewald
92 – 7m72 Scabiour Spots It’s Harry (Original)
93 – 7m73 Arrival At Malfoy Manor (Original)
94 – 7m73R Arrival At Malfoy Manor (Revised)
95 – 8m74 Draco, Harry, Sword, Bellatrix
96 – 8m75 Hermione Tortured (Original)
97 – 8m75R Hermione Tortured (Revised)
98 – 8m76 Dobby Appears (Original)
99 – 8m77pt1 Harry And Ron To The Rescue Pt.1
100 – 8m77pt2 Harry And Ron To The Rescue Pt.2
101 – 8m79 Dobby Dies (Original)
102 – 8m80 Harry Buries Dobby (Original)
103 – 8m81 The Elder Wand (Original)
104 – 8m81R The Elder Wand (Revised)

HARRY POTTER AND THE DEATHLY HALLOWS PART 2 SESSIONS TRACKLIST:
01 1m1 – Opening
02 1m2 – A Goblin By The Sea
03 1m3 – Olivander
04 1m4 – Outside Gringotts
05 1m5_6 – The Bank
06 1m7 – Tunnel
07 1m8_9 tk15 – Underworld & Vault
08 1m8_9 tk74 – Underworld & Vault
09 1m8_9 R2 In tk17 – Incomplete
10 1m8_9 R1 Out tk100
11 1m10 – Dragon Flight
12 2m11A_12 Voldy At Malfoy Manor-Hogsmeade
13 2m14 REDO – Neville Arrives
14 2m14A – HP2, 2m6 – Boys Receive Detention
15 2m14B – Ginny
16 3m15 – Students March – Snape & Harry
17 3m16 – McGonagall Vs. Snape
18 3m16B – Voldy’s Influence
19 3m17 – Trio On Stairs – McGonagall & Neville
20 3m17A – Statues
21 3m18_21 – Grey Lady & Battle
22 3m22 – Chamber Of Secrets
23 4m23 Voldy Breaks The Shield
24 4m23A – Neville Runs
25 4m23B – Neville And Battlefield
26 4m24 – Harry And Ginny Kiss – Malfoy Chase
27 4m24A – Room Of Requirements
28 4m25 – Broomsticks And Fire
29 4m26 Harry And Voldy Suffer
30 4m27 – Courtyard Apocalypse
31 4m28 tk62 Snape’s Demise
32 4m28 tk65 Snape’s Demise
33 4m29 Voldemort Speaks
34 5m30 – Triage
35 5m31 – Snape & Lilly
36 5m31A – HP6, 9m49
37 5m32 – Harry On Stairs
38 5m33 v5 tk61 – Clearing
39 5m33 v6 tk101 – Clearing
40 6m34 Harry Surrenders
41 6m35 pt1 – Harry Is Dead
42 6m35 pt2 – Procession – Patch
43 6m36 pt1 – Neville The Hero
44 6m36 pt2 – Harry Not Dead
45 6m37 pt1 – Showdown pt1
46 6m37 pt2 REDO – Showdown pt2
47 6m37 pt3 – The Fall
48 6m38 – Voldy’s End – Motor
49 7m40 – Viaduc
50 7m41 – HP1, 9m2 – Leaving Hogwarts
51 7m41A – HP2, 9m2 – Dumbledore And Harry
52 7m41B – HP1, 9m2 – Leaving Hogwarts
53 End Credits Cards Cue

SESSIONS LINK:
https://mega.co.nz/#!sYISSBYC!toYPLFd_a4CGJ0j216VheHmQLRKtKuQ4nHeD3iO PUjU

Awesome! Many thanks!

Rob

Well, that was quick 😀

Part 2 !!!!!!! Thanks!!!!

Thanks for sharing.

well i hope you are now all pleased with these leaks but i swear to god and his son jesus christ that i will launch an avada kedavra if it screws our chances to get the 3 other sessions.

Well, that was quick. Thanks for the share.

Now, if someone could leak parts 5 and 6 that’d be great 😉

Here’s a cover for Pt. II. Enjoy!!

(http://imgur.com/loZPbDR)

Theodred, you’re forgetting Mary, Joseph and all the angels.

Oh God, oh God, may someone come forward with the rest before WB shuts their vaults. Fate, I’m begging you, help me out. Oh no, student loan first, then Potter music.

well i hope you are now all pleased with these leaks but i swear to god and his son jesus christ that i will launch an avada kedavra if it screws our chances to get the 3 other sessions.

you would, would you? let me see if i get this straight: you would rather have seen that these two had NOT leaked? how then could WE have been a part of the ones that had a chance of getting the other 3 sessions? we wouldn’t have seen either of them if you had had your way, right?

oh, and one thing – don’t swear on anything holy together with a curse that is meant to KILL… doesn’t rhyme at all

you would, would you? let me see if i get this straight: you would rather have seen that these two had NOT leaked? how then could WE have been a part of the ones that had a chance of getting the other 3 sessions? we wouldn’t have seen either of them if you had had your way, right?

oh, and one thing – don’t swear on anything holy together with a curse that is meant to KILL… doesn’t rhyme at all

for more information on the subject i send you back to a post i did on the DH1 sessions thread.

The tracked cues have names:

2m14A Harry Arrives
3m16A Victory! (the retracked cue of Boys Into Detention with Hedwig’s Theme)
5m31A The Boy Must Die
7m41 A New Generation Pt.1
7m41A A New Generation Pt.2
7m41B A New Generation Pt.3

The Williams cues are re-recordings, Conrad Pope made sure that these sound like the original ones. There’s a cue missing called Underwater Occlumency.5m33 v5 tk61 – Clearing is actually v2, v5 has a harp solo playing Lily’s Theme which is missing from the set, and plays in the movie (With the ending of v6). 1m8/9 R1 Out tk.100 is labeled as The Dragon.

I only Half Blood Prince gets leaked I’ll be good!

Thanks so much

many thanks !

The tracked cues have names:

2m14A Harry Arrives
3m16A Victory! (the retracked cue of Boys Into Detention with Hedwig’s Theme)
5m31A The Boy Must Die
7m41 A New Generation Pt.1
7m41A A New Generation Pt.2
7m41B A New Generation Pt.3

The Williams cues are re-recordings, Conrad Pope made sure that these sound like the original ones. There’s a cue missing called Underwater Occlumency.5m33 v5 tk61 – Clearing is actually v2, v5 has a harp solo playing Lily’s Theme which is missing from the set, and plays in the movie (With the ending of v6). 1m8/9 R1 Out tk.100 is labeled as The Dragon.

I heard that some of the Williams cues at the end are tracked from HP1/2

No, these are re-recordings. Only the end credits are tracked (and the bit from Boys Into Detention when Snape escapes from Hogwarts).

The end credits are probably what I was thinking of.

As i did for part 1

[UR (http://www.hostingpics.net/viewer.php?id=7805230gd36s63.jpg) (http://www.hostingpics.net/viewer.php?id=8354791iaf75uj.jpg)

The DH collection:

http://img11.hostingpics.net/thumbs/mini_331242HarryPotterandtheDeathlyHallowsPartIc9f 5aef1.jpg (http://www.hostingpics.net/viewer.php?id=331242HarryPotterandtheDeathlyHallow sPartIc9f5aef1.jpg) http://img11.hostingpics.net/thumbs/mini_170495HarryPotterandtheDeathlyHallowsPartII97 72d699.jpg (http://www.hostingpics.net/viewer.php?id=170495HarryPotterandtheDeathlyHallow sPartII9772d699.jpg)

[/ (http://www.hostingpics.net/viewer.php?id=386933HP722.jpg)

Thanks a lot for the share, for all the cue info, and for the covers, guys!

Sorry, but if the end credits were rerecorded, how can it be tracked? It’s a different performance!

you would, would you? let me see if i get this straight: you would rather have seen that these two had NOT leaked? how then could WE have been a part of the ones that had a chance of getting the other 3 sessions? we wouldn’t have seen either of them if you had had your way, right?

oh, and one thing – don’t swear on anything holy together with a curse that is meant to KILL… doesn’t rhyme at all

In theodred’s defense, the leaking of pts. I & II now make 3, 5 & 6 that much harder to obtain. And, if all the sessions were obtained by someone on here, they’d no doubt be posted. Because once all of them are obtained, there’s no more leverage, no more value. That is why Deathly Hallows were being held off but apparently this "doctor" doesn’t understand the concept.

I also see your point. I have been the person to want something so bad and have it so out of reach, and I have been the person to have something (Deathly Hallows), and not post it. I had been trying to obtain both parts from several members on here (y’all know who you are), but I was always denied because they didn’t want to risk anything. And while it angered me for the longest time, I understood. If it were me, I would have done the same thing and not taken any chances. But what’s done is done, and now we play the waiting game.

I always try and see both sides of the coin

—————————————————————-

NOW THEN… about 2 hours ago before this was posted, I was talking with mgm about all the film version cues. Tracked cues, film versions, everything. If someone can get me a legit, complete, full list of everything one would need to make the film mix of the complete score, I’d like to tackle it. Also, if anyone can get me the actual tracked cues and not just a list, that would be helpful as well. Everything I need, please help. If someone is able to rip/extract or has alternates that would make this necessary, it would be greatly appreciated. This is for pt. II – someone else can tackle the mammoth of pt. I. And I’m looking to do this in FLAC. Clearly if anyone has this in FLAC they’re not going to openly post it, so if anyone does have it, you can come to me privately. I will not be upconverting from MP3 to FLAC. That is nonsense, and I don’t understand why some people do it. Also, I’m hearing that pt. II is really 128k and not 320k, is this true? If it’s 128k, I may not do a film mix at all…

And here we go again. I fully understand the process, but don’t care anymore. Since I was accused of leaks I DID NOT post, I have been burned. I still get hate mail, and I still am being punished. So those with balls, leak it. Leak EVERYTHING and burn the collecors and their contacts to the GROUND baby. It’ll be fun to watch.

Oh no, what have you done???!!!!

:foreveralone:

#sarcasm

I tried re-mixing few cues from Pt.2 to get more film mixes that missing from the sessions, like ”Snape’s Demise, Resurrection Stone, Chamber Of Secrets” and Dobby Dies from Pt.1..

01. 3m22 – Chamber Of Secrets -> added an insert in the end from Ron’s Speech

https://mega.co.nz/#!msJinDoK!t2p5gri9swmHMIlsJ2sp4IgX2mt7ykbWovSieGn a3XI

02. 5m33 – Resurrection Stone -> mixed ”clearing v2 & v5” to get the real film version witout Lily Theme.

https://mega.co.nz/#!qlolWDqA!oCOrPEpbtee9yqTuJlkqYpzQ_0kjMU-D12YlOFLYg40

03. 4m28 tk62 – Snape’s Demise -> mixed ”4m26 Harry And Voldy Suffer” & original Snape’s Demise to get the complete mixed version in the movie… the first part, as ”Nagini KILL”
https://mega.co.nz/#!755xgJxY!lGQs10bFDBH1JJzt-wgi9p1VrsXmNRTXZ_O2yISTKSg

04. 8m79 Dobby Dies -> this is my favorite mix…. 😉 two cues mixed, 5m51 Ron Leaves [from 1m6] (Alternate) & Harry’s Closet, this ALT missing from the sessions…

https://mega.co.nz/#!XkwDSQxb!2lwXkxMsEqnogURBn58o8aW-c2RdgFV0nvHMTfrhVVM

I tried re-mixing few cues from Pt.2 to get more film mixes that missing from the sessions, like ”Snape’s Demise, Resurrection Stone, Chamber Of Secrets” and Dobby Dies from Pt.1..

01. 3m22 – Chamber Of Secrets -> added an insert in the end from Ron’s Speech

https://mega.co.nz/#!msJinDoK!t2p5gri9swmHMIlsJ2sp4IgX2mt7ykbWovSieGn a3XI

02. 5m33 – Resurrection Stone -> mixed ”clearing v2 & v5” to get the real film version witout Lily Theme.

https://mega.co.nz/#!qlolWDqA!oCOrPEpbtee9yqTuJlkqYpzQ_0kjMU-D12YlOFLYg40

03. 4m28 tk62 – Snape’s Demise -> mixed ”4m26 Harry And Voldy Suffer” & original Snape’s Demise to get the complete mixed version in the movie… the first part, as ”Nagini KILL”
https://mega.co.nz/#!755xgJxY!lGQs10bFDBH1JJzt-wgi9p1VrsXmNRTXZ_O2yISTKSg

04. 8m79 Dobby Dies -> this is my favorite mix…. 😉 two cues mixed, 5m51 Ron Leaves [from 1m6] (Alternate) & Harry’s Closet, this ALT missing from the sessions…

https://mega.co.nz/#!XkwDSQxb!2lwXkxMsEqnogURBn58o8aW-c2RdgFV0nvHMTfrhVVM

This is great, thanks. Are these everything I need for a full, proper film mix? Or is there more?

Part 2 ”sessions” cut off around 16khz, so it’s not real 320kbps. All the Part 2 tracks seem to be upconverted/transcoded from 128kbps to 320kbps. The HP1 tracks sound like they’re mono and coming from an even worse bitrate than 128kbps.

The Part 1 ”sessions” are legit 320kbps.

I’m not complaining though, just a heads up for those that are anal about sound quality. 128kbps is fine for me.

Wonder why that is.

Wonder why that is.

Likely to trick people about the worth of the score. Or just hastily upconverted for no reason at all.

Likely to trick people about the worth of the score. Or just hastily upconverted for no reason at all.

Upconverting makes no sense, see my comment about it here http://forums.ffshrine.org/f92/harry-potter-deathly-hallows-part-1-part-179424/#post2764943

Well mine isn’t upconverted, at least I don’t think so. Can’t upload it because my external died. Sorry guys.

Part 2 ”sessions” cut off around 16khz, so it’s not real 320kbps. All the Part 2 tracks seem to be upconverted/transcoded from 128kbps to 320kbps. The HP1 tracks sound like they’re mono and coming from an even worse bitrate than 128kbps.

The Part 1 ”sessions” are legit 320kbps.

I’m not complaining though, just a heads up for those that are anal about sound quality. 128kbps is fine for me.

As you say, 128 has a frequency cutoff at about 15-16 000 Hz. This has lower than that at times…

This is great, thanks. Are these everything I need for a full, proper film mix? Or is there more?

These are the most missing alternates, but if you want ”a proper film mix project” you have to combine more cues from the sessions, especially Pt.1 Any help!! get in touch via PM. 🙂

Well ya, I know I’m definitely going to need to overlap pretty much every single cue and/or fade some in/out, but anything I need would help

Thank you! 🙂

thanks

As you say, 128 has a frequency cutoff at about 15-16 000 Hz. This has lower than that at times…That should be normal for orchestral music, especially for tracks that aren’t ”loud”. The Frequency cutoff doesn’t necessarily tell the correct bitrate, there are ‘lossless’ releases out there that cut off at 16kHz (careful, sometimes official releases are lossy mastered).

It’s not common… But it can be a choice during mastering.

Since that is highly unlikely though, it is safe to assume that all the tracks were originally 128kbps. Most ‘loud’ tracks have a peak at that point (16kHz) and never go above that.

Maaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaannnnnnnnnyyyyyyyy yyyyyy Thanks !!!!! I can�t keep calm

DAMMIT man. You MUST keep calm. Geeze….

:awsm:

YES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I’ve been waiting for this since the movie came out. Screw the Hooper scores, now that I have my holy grail of leaks.

Although PoA would be pretty cool.

Thanks!

Thank you very much!

…wow, I didn’t see that one coming. Thanks for the share. Now I have to download Pat. 1 sessions again xD

Great work !! Great work !

great post

Wow! Thanks for sharing.

Thank you!

Thank you.

@Amanda: Still getting hate mail? Uh, that is really over the top…

@Others: Don’t hope for HP3 to pop up in the near future.

Thank you very much!

That should be normal for orchestral music, especially for tracks that aren’t ”loud”. The Frequency cutoff doesn’t necessarily tell the correct bitrate, there are ‘lossless’ releases out there that cut off at 16kHz (careful, sometimes official releases are lossy mastered).

It’s not common… But it can be a choice during mastering.

Since that is highly unlikely though, it is safe to assume that all the tracks were originally 128kbps. Most ‘loud’ tracks have a peak at that point (16kHz) and never go above that.

No, i mean there really is a CUTOFF, like in a sharp edge and then – nothing. On normal orchestral music as you call it, there would still be some kind of noise in the higher frequencies, but here? Nothing.

Great share!!! Thanks!!!

Part 2 ”sessions” cut off around 16khz, so it’s not real 320kbps. All the Part 2 tracks seem to be upconverted/transcoded from 128kbps to 320kbps. The HP1 tracks sound like they’re mono and coming from an even worse bitrate than 128kbps.

The Part 1 ”sessions” are legit 320kbps.

I’m not complaining though, just a heads up for those that are anal about sound quality. 128kbps is fine for me.

Part II sessions are a transcode, I can confirm that. Why people do it, is a mystery to me. But I’ve stopped getting angry about it. There will always be dumb people. Shoot… Avada Kedavra to them.

Part I sessions are indeed legit, they sound very close to the OST (they aren’t mastered of course).

@Amanda: Still getting hate mail? Uh, that is really over the top…

@Others: Don’t hope for HP3 to pop up in the near future.

Not sure what you mean? Wanna trade in boxes? What I mean is every new leak that draws ire I always get a few that blame me for whatever reason. I must have at least a dozen aliases by now. IF it were me, how am I still getting them? No one I knew will even talk to me so where is my supposed well of goodies coming from? But I guarantee every new name to post a leak, I will get mail.

No, i mean there really is a CUTOFF, like in a sharp edge and then – nothing. On normal orchestral music as you call it, there would still be some kind of noise in the higher frequencies, but here? Nothing.

No, there wouldn’t. Any lossy codec removes those frequencies. Why? Because we cannot hear them. Unless we are younger than something like… 25.

When something is transcoded from lower bitrate to higher bitrate (as these sessions were), those frequencies are removed TWICE and the frequencies that are still there, are hurt. Leading to… loooooooots of artifacts (clearly audible in this case).

@Amanda: Well that’s what I meant, I think it’s pretty absurd they blame you for everything without having any proof. That’s childish.

No, there wouldn’t. Any lossy codec removes those frequencies. Why? Because we cannot hear them. Unless we are younger than something like… 25.

When something is transcoded from lower bitrate to higher bitrate (as these sessions were), those frequencies are removed TWICE and the frequencies that are still there, are hurt. Leading to… loooooooots of artifacts (clearly audible in this case).

That’s what i meant even if it perhaps didn’t come out quite as clearly as i wanted 😉 if you have a lossless recording and the orchestral music only stretches up to 16 000 Hz (which i assume is what the poster meant in the post i commented), then there would still be noice up to 22 050/24 000 Hz. But when you encode it to MP3 you remove the higher frequencies… i know we can reach an understanding here 😉 since we mean the same thing. Wish it always were that easy.

Thanks a ton.

That’s what i meant even if it perhaps didn’t come out quite as clearly as i wanted 😉 if you have a lossless recording and the orchestral music only stretches up to 16 000 Hz (which i assume is what the poster meant in the post i commented), then there would still be noice up to 22 050/24 000 Hz. But when you encode it to MP3 you remove the higher frequencies… i know we can reach an understanding here 😉 since we mean the same thing. Wish it always were that easy.

Ah, now I understand. Yes, in case of a lossless recording that has been bandwith limited during production at 16 kHz, you’d still have noise of some kind above 16 kHz (quantization or dithering noise, assuming a 16 bit file).

Still, mp3 doesn’t always remove frequencies beyond 16,000 Hz. It depends on their gain; if they are loud, the codec will try to encode them, if they are soft they are erased (since they probably weren’t audible anyway when playing alongside the much louder material below 16,000 Hz).

I don’t want to be a know-it-all here because I know absolutely nothing about transcoding, but I’m still wondering… The total size of part 2 is around 260 MB. How can it be a transcode of 128kbps, if a transcode of HP2 (originally 192kbps) to 320KBPS resulted in just 170MB, and that score was 6 minutes longer than part 2? Is part 2 really entirely 128KBPS deep down? If it is, it still sounds.. marvellous to my ears. What about HP4? Was that also a transcode?

More desplat is never a bad thing

Three more mixes:

01. 1m5_6 – The Bank & 1m7 – Tunnel -> Mixed the two cues, as heard in the movie. ”Gringotts-The Tunnel”

https://mega.co.nz/#!i5g01RYI!sgTOxILf9nKtwPZjHc9tq2W_fXUSaj8toKlHbGN bIDk

02. 3m16 – McGonagall Vs. Snape & 3m16A Victory! -> Mixed the two cues, as heard in the movie.

https://mega.co.nz/#!HsAEyKrS!uuYwAQMqiz6TeSii3xp1f27WL6Y3UBbPvRjqnmk Tvpc

03. 3m17 – Trio On Stairs – McGonagall/Neville & 3m17A – Statues -> Mixed the two cues, as ”Piertotum Locomotor” the film mix.

https://mega.co.nz/#!S0ZXDDrD!pk3LvB8D2sP5CXw4BjhA9pi_CWYz6XDQsMgNhrp cX6w

Part II sessions are a transcode, I can confirm that. Why people do it, is a mystery to me. But I’ve stopped getting angry about it. There will always be dumb people. Shoot… Avada Kedavra to them.

http://i.imgur.com/YbKRVUy.gif

What about HP4? Was that also a transcode?

My copy of HP4 cuts off at 16kHz, so it sure looks like it’s a transcode.

No, i mean there really is a CUTOFF, like in a sharp edge and then – nothing. On normal orchestral music as you call it, there would still be some kind of noise in the higher frequencies, but here? Nothing.Depends on the encoder’s presets and the codec you use. I can only say that there is an obvious cutoff at 16khz, thus the quality of the source wasn’t higher than ‘128kbps’ before it was transcoded to 320kbps, that is for sure.

There are lossy encoders that leave whole frequencies alone. Try encoding something that you’ve bought from the iTunes Store to FLAC, the original iTunes purchased file that was encoded with the iTunes plus encoder will most likely not have an obvious frequency cutoff. If you were going to judge based on that, you’ll probably get tricked into thinking that the flac you’ve created from that file is lossless while it is in fact lossy. (There are ways to identify that this was in fact lossy sourced, but it’s going to be a lot harder.)

So to make a long story short, yes there are indeed lossy 128kbps encodes that go above the 16kHz frequency. But that all depends on the codec’s algorithm that was used.

I don’t want to be a know-it-all here because I know absolutely nothing about transcoding, but I’m still wondering… The total size of part 2 is around 260 MB. How can it be a transcode of 128kbps, if a transcode of HP2 (originally 192kbps) to 320KBPS resulted in just 170MB, and that score was 6 minutes longer than part 2? Is part 2 really entirely 128KBPS deep down? If it is, it still sounds.. marvellous to my ears. What about HP4? Was that also a transcode?

I didn’t download this so I don’t know, but does it have album art attached to it? That can play a huge role in the size of an archive

They do have tags, yes. Album art I can’t tell. I might run the files through ID3Kill and see what happens.

I didn’t download this so I don’t know, but does it have album art attached to it? That can play a huge role in the size of an archive

There was album art, if I recall correctly, but it was a black image. Nothing but black.

Thanks big time for these recording sessions. Wish that there were more, but these are great.

What bitrate it had from the beginning shouldn’t affect the size of the transcode to 320 much. 128 or 192 shouldn’t matter…

but does it have album art attached to it? That can play a huge role in the size of an archive

… ^ this though ^

I must have at least a dozen aliases by now.

Speaking of which Amanda, do you ever use your aliases to request stuff here? (on threads that contain Varese albums for example). It always seems like you either have everything or want for nothing. I’d imagine it’s erring toward the latter as you’ve helped me out with stuff on more than one occasion so you obviously have your resources, but I’ve often wondered this about a few other people here as well. But since aliases never really occurred to me I thought I would ask you first since you brought it up. Please don’t think I’m singling you out here.

Thanks a lot

Thank you very much

Thank you

You lose!! I have love, while you don’t..

What about tough love?

http://4.bp.blogspot.com/_-YmfQEJWGHo/StYgmFz7wvI/AAAAAAAAA9A/Y60vTOKDRwA/s400/DSC00854.JPG

1980’s Demon wins every time!

What about tough love?

Yeah, it wins!! All the time.

There can be only one card…

(wait for it)

(wait for it)

(wait for it)

http://i.imgur.com/8UWGWNE.gif

http://i.imgur.com/xHisiiT.gif

ouch

Thanks to everyone posting these great Harry Potter sessions! Would it be possible for someone to post a link for Hallows Part 2 sessions by itself? I already downloaded the Part 1 sessions posted earlier in the week and would rather not download it twice. It would be greatly appreciated. Thanks!!

Fantastic! Thank you very much!

Speaking of which Amanda, do you ever use your aliases to request stuff here? (on threads that contain Varese albums for example). It always seems like you either have everything or want for nothing. I’d imagine it’s erring toward the latter as you’ve helped me out with stuff on more than one occasion so you obviously have your resources, but I’ve often wondered this about a few other people here as well. But since aliases never really occurred to me I thought I would ask you first since you brought it up. Please don’t think I’m singling you out here.

The ONLY resource is use is soulseek. If I see a request, I just type it into the search box and wait for results, then download a selection of that.

I want for nothing of interest, generally. I have requested things now and then. But ike sessions such as these hold no interest for me. I only keep what I listen to. I keep a tight list. Almost no music of the last decade….:D I do not "collect" in that way. Even the stuff I post, usually I dl it for the request. Pack it and link it, and delete that album. I often use Soulseek for looking for myself too. I don’t need to request when I am capable of finding it myself. I only turn to asking if I cannot find it. Keep in mind almost all of my albums are tv score. None of these session things are of any interest. I have like 3 Zimmer albums. 2 or 3 JNH albums. I have a half dozen Williams. My library is mostly TV and Horner. Those on soulseek who browse me can see that.

I am not wanting for anything only is as such as I dont….have anything I really want. No secrecy there. I just do not lust after most of this stuff. Not the unreleased stuff, and new retail is easy to find.

The ONLY resource is use is soulseek. If I see a request, I just type it into the search box and wait for results, then download a selection of that.

I want for nothing of interest, generally. I have requested things now and then. But ike sessions such as these hold no interest for me. I only keep what I listen to. I keep a tight list. Almost no music of the last decade….:D I do not "collect" in that way. Even the stuff I post, usually I dl it for the request. Pack it and link it, and delete that album. I often use Soulseek for looking for myself too. I don’t need to request when I am capable of finding it myself. I only turn to asking if I cannot find it. Keep in mind almost all of my albums are tv score. None of these session things are of any interest. I have like 3 Zimmer albums. 2 or 3 JNH albums. I have a half dozen Williams. My library is mostly TV and Horner. Those on soulseek who browse me can see that.

I am not wanting for anything only is as such as I dont….have anything I really want. No secrecy there. I just do not lust after most of this stuff. Not the unreleased stuff, and new retail is easy to find.

True… even though i seem to forget it from time to time. What’s the reason for getting something you don’t really care for? (and that goes for many things in life) 😉 seems like a serious waste of time and yes, i know i am guilty on all charges there. Just letting out some steam…

Thanks for clarifying Amanda…looks like I need to do some Soulsearching of my own.

Sooooo… we’re never gonna see the recording sessions for "Prisoner of Azkaban" like ever, right? *sigh* One of the greatest scores to a movie ever… and likes of us will probably never get to enjoy it.

Now if you’ll excuse me, I’m going to mope about it.
http://media.giphy.com/media/aIvETdleGhChO/giphy.gif

And as a point of concern, how does one become a member of this secret cabal of people who have the goodies that I keep hearing about? Makes Skull and Bones seem like a Costco membership.

Sooooo… we’re never gonna see the recording sessions for "Prisoner of Azkaban" like ever, right?

Never say never… just today some production music I thought would never see the light of day popped up for download.

Though I wouldn’t expect it to leak in the near future. It’s pretty amazing we got two HP sessions within a few days of each other, but I’m 99% certain that it’s a one-time thing. It’ll probably be another few years before another set of HP sessions leaks.

One of the greatest scores to a movie ever… and likes of us will probably never get to enjoy it.

Terminator 2: Judgement Day

My Holy Grail

T-2 supposedly does not exist. We can certainly enjoy HP-3, as in the retail OST. It IS the score-ish…sorta. 🙂

Certainly the link of these two HP sessions is going to have a bit more than a "ripple effect", and will cost some.

Well, these two sessions have been literally around for more than a year.

Yes, but that won’t make the very few who have access to HP3 go underground. For some reason the Harry Potter leakers always insist everything remain private. Not that I think anybody would care about that if they were all floating around somewhere. But yeah, HP3 will probably have to wait for another year (I hope not longer).

If you want to become part of the circle, you need a mixture of good friends, right attitude and patience, patience and patience.

And again, if people want to do something about HP3, why don’t we petition for a legitimate or bootleg release? I’ll put my signature on anything, but individual letters are just not gogna help.

remember when we tried a petition thread but no one gave a damn because admins put our petition thread in the request shithole or maybe people like to wait years, being lazy.

Awesome! Cheers!

Yesssss many thanks for sharing Dr House!!!!!!

Many thanks for the share!!

Wow. Thank you so much!

GUAU���������

Many thanks for the share.

Some days are better than others in one person’s life. Thanks for this and thanks for people like you.

Many thanks for the download link – excellent HP scores.
Regards, Klaus.

I did a rundown of how many cues are missing from the sessions.

HP7:

2m7pt2 v.6 Sky Battle Part 2 (this version omits the flute solo with the Three Notes Loop from HP1, the demos version has a alternate version of Part 3, with Voldemort’s theme and Desplat’s synth pulse in the background).

2m8 v.2 Landing At The Burrows (The version has a different second half with the choir and flutes, a different version of the Band of Brothers theme, and apparently a early version of Harry’s Vision No.1 with some high strings and electronics).

2m19 v.2 Wedding Attack (Action cue, with a intro with low choir and organ).

3m24 v.2 Cafe Oblivation (This version has a longer ending with the warm pipe synth droning in the background after the strings dissapear).

4m43 v.2 The Courtroom (the choir has a earlier entrance in the sheets and demos and is omitted in the ending of the cue in the sessions).

4m44 Stealing The Locket v.5 (the version from the sheets and demos has the male choir at 0:18 singing in a octave lower than the version from the sessions).

4m46 The Locket

4m49 v.4 Exodus

4m49 v.5 Exodus

5m49A Exodus

5m49A v.2 Ron’s Jealousy/Travelling Montage I

5m49 v.3 Exodus (the Exodus cues are bolder arragments of the Obliviate theme, the second part of the cues are the Exodus cue from the movie and sessions – the Exodus montage was originally longer, including a deleted scene of Ron and Harry chasing a rabbit -, the film version of Obliviate has the intro of one of the Exodus cues, without the muted trumpets).

5m51 v.3 Travelling Montage (a elegiac version of the Obliviate theme with a heroic version of the B phrase of the theme for trumpet and strings).

6m61 Ron’s Return (the version of the sheets and sessions is slightly different from the CD version, which it has a intro with low synths before the boys duets).

6m62 Destroying The Locket

6m62 Destroying The Locket NEW v.2 (the second part of the cue is in the sessions, but omiting the choir and percussion).

7m65 Xenophilius Lovegood (The CD version seems to be a suite, or a remix of the original cue).

7m73 v.1 Arrival At Malfoy Mannor (this version has both Voldemort and Hedwig’s themes played seamlessly).

7m73 v.8 Arrival At Malfoy Mannor

8m75 NEW Hermione Tortuned (this version has a first half with harp and Desplat’s synth pulse, the second half is just like the Revised version from the sessions, but without snare drums).

8m80 v.2 Harry Buries Dobby (instead of a cello solo, we have a french horn solo).

Hymn 2 (Piano solo version of My Love Is Always Here, possibly it was Desplat’s sketch version before turning it into a choral piece).

HP8:

1m1 v.8 v.1 Opening (this version has Hedwig’s theme played in celesta)

1m1 v.8 v.3 Opening

1m1 v.10 (B minor) Opening (this version is just like the one from the sessions, but doesn’t include the string ostinatos at the end)

1m1 v.10 (D Minor) Opening (this version does it have the string ostinatos of the end, but Lily’s theme is played an octave higher on the strings)

1m1 v.10 Opening

1m1 v.11 Opening

1m8-9 v.7 Underworld & Vault (The original version without the high strings overdub from the film version and sessions)

1m10 v.9 Dragon Flight (Same as Underworld & Vault)

2m14 v.3 Neville Arrives (this is the film version, which it was rearranged as a bridge to 2m14A Harry Arrives, with Boys Into Detention from HP2. The one from the sessions and CD is a REDO)

3m16B v.2 Voldy’s Influence (this version has a dark choir and low brass and strings, different from the sessions version with electronics).

3m17 v.6 Trio On Stairs, McGonagall & Neville (the sessions has the film version, with some different mix with brass and percussion).
3m17A v.4 Statues (original version).

3m18-21 v.3 Grey Lady & Battle (The session version is the one from the film, which it omits a big crescendo at the end, when the Snatchers are destroyed by Hogwarts’s shield).

4m23B v.3 Neville & Battlefield (this version is only in the sheets, but it has a slightly different rhytmic writing with the evil version of the Statues theme, including piano/harp arpeggios, more brass and percussion. The session version is the film version of v.4).

4m24 v.2 Harry & Ginny Kiss and Malfoy Chase (the version from the sessions has a insert with the Obliviate theme).

4m24A v.4 Room Of Requirements (original version, the film and sessions version omits).

4m27 v.7 Courtyard Apocalypse (the original version has the taiko/gran cassa pattern like in Statues, with Desplat’s synth pulse beeping in the background, and a earlier entrance of the choir).

5m33 v.5 Clearing (this version has a harp solo playing Lily’s theme instead of violas, the CD version has two alternates mixed up, a missing alternate with Lily’s theme performed by Mai Fujisawa’s voice, and the v.6 with the piano solo).

6m35 Part 2 v.3 Procession (original version, the session version is the one of the film, with the synth organ entring before the choir and english horn solo).
6m37 Part 1 Showdown (original version, the sessions has the film version that omits a flute version of the Band of Brothers theme).

6m37 Part 2 Showdown (the film version is a REDO, but with a choir crescendo missing from the sheets).

6m37 Part 3 The Fall (original version, the film version extends the end of the cue with low strings and choir as a bridge to the film version of Voldy’s End).

6m38 v.1 Voldy’s End (original version, the film version has a choir and string entrance without percussion, a louder choir mix, the crescendo at 1:38 doesn’t have the drum and tam-tam clash, the ending of the cue with Lily’s theme is extended).

These slates are from the unscored scenes:

2m13 Dumbledore Remembered
7m39 Teas Up

Well done!! 🙂

———- Post added at 02:52 PM ———- Previous post was at 02:49 PM ———-

7m65 Xenophilius Lovegood is not exactly missing, you can add it as 2m14 Tent U/Scrimgeour.

———- Post added at 02:58 PM ———- Previous post was at 02:52 PM ———-

And also, all the tracks I worked on it they missing from the sessions as ”alternates”…

8m79 Dobby Dies
4m28 tk62 – Snape’s Demise

———- Post added at 03:07 PM ———- Previous post was at 02:58 PM ———-

8m76 Dobby Appears is part from the CD version suite Dobby, but the real cue is the 2nd part of 8m75R Hermione Tortured (Revised).

Well done!! 🙂

———- Post added at 02:52 PM ———- Previous post was at 02:49 PM ———-

7m65 Xenophilius Lovegood is not exactly missing, you can add it as 2m14 Tent U/Scrimgeour.
Yeah, but it was tracked. Though the CD version of The WIll has a alternate intro of Tent Up/Scrimgeour with bass organ, french horn and

———- Post added at 02:58 PM ———- Previous post was at 02:52 PM ———-

And also, all the tracks I worked on it they missing from the sessions as ”alternates”…

8m79 Dobby Dies
4m28 tk62 – Snape’s Demise

———- Post added at 03:07 PM ———- Previous post was at 02:58 PM ———-

8m76 Dobby Appears is part from the CD version suite Dobby, but the real cue is the 2nd part of 8m75R Hermione Tortured (Revised).

The film version of Hermione Tortured mixes both version. The first cue with the first part of the Revised version with the gamelans, and the second part is only the second half of the Revised version, which it replaces Dobby Appears.

Damn, mgm, you don’t know how I’m yearning for all the missing music you just described now. We… need… MOCKUPS8

OH THIS IS SO AWESOME I cant even type anymore!!!!

I know, my posts, thoughts and ideas are ALWAYS awesome!

Wow, thanks!!

Amazing! Thank you very much for share!

I don’t wanna single anyone out so as not to make others feel left tout, but a big thanks to those with all the knowledge for providing me the details and the actual tracks I’ll need for a proper film mix of pt. II. And again, if anyone can provide me with anything – it will be greatly appreciated and will only help my film mix sound that much more accurate and professional.

Thanks so much for this! Truly appreciate it. 🙂

Thanks!!!!

I want them… I WANT THEM ALL…

I’ll actually go to a church, light a couple of candles and pray to Lord Jesus Christ that all the HP RS LEAK in pristine lossless 24bit 192kHz…

Act quickly, before the restart of the franchise!

Me too… For heaven’s sake, can someone come forward with the others now in any way he or she thinks most suitable?

HP8:

1m1 v.8 v.1 Opening (this version has Hedwig’s theme played in celesta)

Well this annoys me very much. The first seven Harry Potter films had Hedwig’s theme play during the logo; I was there for HP8’s midnight release and was immensely disappointed when it was not played during the final film’s opening. The fact that a version was made WITH Hedwig’s theme just adds insult to injury.

I thought it was logical to not include it because it’s not a new movie at all. So what was the idea, having Hedwig’s and then immediately Lily’s Theme or merge the two?

Well this annoys me very much. The first seven Harry Potter films had Hedwig’s theme play during the logo; I was there for HP8’s midnight release and was immensely disappointed when it was not played during the final film’s opening. The fact that a version was made WITH Hedwig’s theme just adds insult to injury.

lol. The version is like the original one, but Hedwig’s theme comes when the cue ends, after when Hedwig’s theme. Desplat had another unused cue with Hedwig’s theme for HP7, the original version of Arrival At Malfoy Manor, which it’s on the demos, he uses Hedwig’s theme in violin and trumpet solo with Voldemort theme’s rhythmic base and both blend seamlessly.

I thought it was logical to not include it because it’s not a new movie at all. So what was the idea, having Hedwig’s and then immediately Lily’s Theme or merge the two?

I guess I would have preferred that he somehow merge the two.

You can argue that Deathly Hallows Part 2 isn’t really a new movie, but I thought it would have been nice to include it since it was tradition to play the theme as the logo pops up onto the screen.

Hmm, I think it would have been horribly out of place, to me it still sounds like a bit of a childish theme forced into later movies…

I forgot to add, in the sheets, there’s several "cue only" parts that weren’t played or recorded. the celesta solo with Hedwig’s theme was one of them.

i kinda agree, hedwige’s theme is Harry’s theme, putting his mother’s like that is a weird artistic choice

…I thought Hedwig’s Theme was, you know, Hedwig’s theme. Yes, I know it’s the main identity for the movies, but Harry had a theme himself (Harry’s Wondrous World) that was dropped after the second movie. And I for one, I’m perfectly fine with the way Deathly Hallows Part 2 opens, because it’s really the second half of a movie.

I love that pt. II opens with Lily’s theme. It’s perfect.

I’ll actually go to a church, light a couple of candles and pray to Lord Jesus Christ that all the HP RS LEAK in pristine lossless 24bit 192kHz…

192kHz? Well suck me sideways. Apparently we’ve discovered the identity of Superman here, cause this guy has hearing beyond any human on the planet

I love that pt. II opens with Lily’s theme. It’s perfect.

192kHz? Well suck me sideways. Apparently we’ve discovered the identity of Superman here, cause this guy has hearing beyond any human on the planet

Don�t laugh about these samplerates; I do every processing at 32/192 and store the resulting masterfiles as 24/96 (using those as a starting point, I can do whatever I like: prepare them for release here, prepare them for portable usage, etc.). I too have dreamed for years to master original 24/192 session files as processing these datarates produces less errors and generally makes processing easier (but more time consuming). The only sessions I ever came across that differed from the CDs’ resolution of 16/44,1 were the ones for ‘Salt’ which were at 16/48.

Thank you, drhousetapachula!

Before I signed on to the forums, I joked, "it’s fall! Time for another Harry Potter score leak!" THEN I SAW THIS TOPIC! LOL

Don�t laugh about these samplerates; I do every processing at 32/192 and store the resulting masterfiles as 24/96 (using those as a starting point, I can do whatever I like: prepare them for release here, prepare them for portable usage, etc.). I too have dreamed for years to master original 24/192 session files as processing these datarates produces less errors and generally makes processing easier (but more time consuming). The only sessions I ever came across that differed from the CDs’ resolution of 16/44,1 were the ones for ‘Salt’ which were at 16/48.

But for listening purposes? The average human (aka everyone but Superman up there) only hears about 20kHz. I even stopped ripping my vinyls at 96kHz. It just seems so excessive.

But for listening purposes? The average human (aka everyone but Superman up there) only hears about 20kHz. I even stopped ripping my vinyls at 96kHz. It just seems so excessive.

The average human is able to hear even less. Once you reach the age of 30, 20 kHz are out of the question, more probable are 15-16 kHz.

But once you do any kind of processing, samplerates exceeding 44,1 or 48 kHz are a clever thing to do. Even for vinyl. Every kind of processing introduces errors (that includes something as simple as gain adjustments), using high bit depth / samplerates is only about keeping the errors at manageable levels. Do you perform de-clicking, de-scratching or de-noising?

The sessions of DHP1 seem like studio masters and actually sound great. This isn’t the same for DHP2 unfortunately.

The only problem I have with HP8 is that at times you just don’t hear the brass section.

Statues on the sessions for me has small distortions? With this set though you can see what exactly they tracked where in the film.

Never noticed that, but I wish Statues on the sessions had that virtuoso violin solo from the movie.

So I think Statues the OST version is better.

I don’t want to get hit for saying this but something’s not right with these sessions.

I’m not going to hit you, but can you elaborate? I’m genuinely interested.

Thank you for this amazing share.

The source of Pt.II isn’t a true 320k, and few tracks like… A Goblin By The Sea, Olivander, Voldy At Malfoy Manor/Hogsmeade, The Bank have many several sound levels, very high and low! unlike Showdown, The Fall..etc

Well HP1 had ridiculous sound levels too.

Yeah true.

I’m not going to hit you, but can you elaborate? I’m genuinely interested.
Goback has pointed a few things out, but it’s just the way it sounds to me like an isolated score. I’m fully aware I could be wrong too.

Hmm… I’ve come to accept those sound levels as a typical feature of recording sessions. The brass section is indeed problematic, but it’s the only thing we’re going to get until a proper release sees the light.

isolated score = a separate bonus audio track on laserdisc/dvd/bluray that contains the music only…

a rip of channels of your choice from laserdisc/dvd/bluray and an attempt to get rid of speech and sfx = NOT an isolated score, but a rip of channels of your choice from laserdisc/dvd/bluray

i know… a small thing in the grand scheme of things, but still – use the correct term 😉

and no Harry Potter film has an isolated score

Listen very closely to cue 7m41A – HP2, 9m2 – Dumbledore And Harry. Between thirteen and fourteen seconds, in the far background it sounds like… a woman sneezing, I think? It’s definitely easy to hear when you’re listening through headphones and earbuds.

To me that’s birds from outside… Listen to Sirius’s Room, during the last note you cn hear someone sniff tensely as if they’re ready to press ‘stop’ but just waiting until the orchestra has finished.

The source of Pt.II isn’t a true 320k, and few tracks like… A Goblin By The Sea, Olivander, Voldy At Malfoy Manor/Hogsmeade, The Bank have many several sound levels, very high and low! unlike Showdown, The Fall..etc

It�s called ‘dynamics’. This is the way a full orchestra usually sounds. For most OSTs, differences between loud and soft levels are reduced to some extent. That way, listening will be more convenient.

———- Post added at 05:06 PM ———- Previous post was at 05:05 PM ———-

I don’t want to get hit for saying this but something’s not right with these sessions.

DH2 sounds awful, true. But DH1 sounds exactly like the OST (minus dynamic alterations). Even down to low-level distortions.

isolated score = a separate bonus audio track on laserdisc/dvd/bluray that contains the music only…
use the correct term 😉

I think he means it osunds like it was sourced from the film stems… right?

So am I the only one who enjoys the sound of the DH2 sessions?

DH2 is practically the film mixes with a few alternates (and alternate mixes). The film mixes have some synths overdubs that wasn’t included on the original sheets (same with some cues from HP7, with added synth percussion). The choir has a lower volume (Except for the second half of Voldy’s End which is louder than the CD version), some instruments missing (the intro with the taiko drums in Statues, the clarinet solo in Room Of Requirements, the percussion in the intro of Voldy’s End)

Thanks to everyone posting these great Harry Potter sessions! Would it be possible for someone to post a link for Hallows Part 2 sessions by itself? I already downloaded the Part 1 sessions posted earlier in the week and would rather not download it twice. It would be greatly appreciated. Thanks!!

isolated score = a separate bonus audio track on laserdisc/dvd/bluray that contains the music only…

a rip of channels of your choice from laserdisc/dvd/bluray and an attempt to get rid of speech and sfx = NOT an isolated score, but a rip of channels of your choice from laserdisc/dvd/bluray

i know… a small thing in the grand scheme of things, but still – use the correct term 😉

and no Harry Potter film has an isolated score

I never said there was an isolated score for HP. I said it sounds like one. Look at the end of the day, I’m not an audiophile and never claim to be one, all i’m saying is that DDHP2 sounds like it came from a lesser source in terms of quality. While it’s true that the sound quality dips in and out on both sessions, the set for the first part seems more consistent and with less little bits and distortions in some tracks.

Beautiful! So…if one were to arrange the tracks in Film Order, with alts etc at the end, how would they read? Thanks! Or another edit done like for HP Goblet of Fire?

.

well i hope you are now all pleased with these leaks but i swear to god and his son jesus christ that i will launch an avada kedavra if it screws our chances to get the 3 other sessions.
Don’t you have better things to do with your time than to play internet craigslist and hoard rare music only to benefit yourself?
I know there’s tons of people that do this, but I can’t help but roll my eyes. Pretty distasteful practice.

And yes, this applies to every single self glorified "trader" (hoarder) that’s reading this.

No one is hoarding rare music for the hell of it (I hope not, at least). Sharing often means putting your job at risk (yes, that’s not an exaggeration), losing friends or being excluded from any private circle, meaning you might have to wait years and years for a public share.

No one is hoarding rare music for the hell of it (I hope not, at least). Sharing often means putting your job at risk (yes, that’s not an exaggeration), losing friends or being excluded from any private circle, meaning you might have to wait years and years for a public share.
It’s funny how that person in question doesn’t lose their job, friends or get placed in the corner of shame if it means they get their hands on a really rare soundtrack by trading something equally rare (hypothetically speaking of course).

I see double standards are okay in the hoarding circles. I’m sorry, I still find it disgusting.

Oh, I fully agree that giving music to a few people and then whine when it spreads further is sort of hypocritical because it wasn’t meant to be shared with anyone in the first place. My best guess is that things are just shared privately in this digital age because they can be shared easily, but it’s a fact that some companies actually spend their time tracking down leakers, and they are idiots because it’s entirely their own fault trades happen due to bad releases.

However, if I know sharing things would get people (and not companies) into trouble, no, I wouldn’t share anything pubicly, never. If it were just a way to make the compnaies annoyed without posing any risks to anyone, then I’d definitely share.

It’s funny how that person in question doesn’t lose their job, friends or get placed in the corner of shame if it means they get their hands on a really rare soundtrack by trading something equally rare (hypothetically speaking of course).

I see double standards are okay in the hoarding circles. I’m sorry, I still find it disgusting.

I think you misunderstand a little. More often than not, the source of these sets can be traced back to the composers, the music editors or the instrumentalists. They are sometimes given copies of the score, though what for I do not know exactly. But sharing it leads to them losing their jobs – and that’s if they’re lucky and the production company doesn’t go after them. Once it’s seeped down the line, though, there is an amount of deniability afforded to these people. I don’t think composers, music editors or instrumentalists are that interested in trading at all: it’s those lower down the line. By the time it trickles to the lowest levels of the tree (I do not think of it as a circle), it does not matter who has it. But not all scores get that far down that the people who have it can plead denial.

More often than not, the source of these sets can be traced back to the composers, (…) They are sometimes given copies of the score, though what for I do not know exactly.

If you would be an artist, wouldn�t you want to own a copy of your work?

I think you misunderstand a little. More often than not, the source of these sets can be traced back to the composers, the music editors or the instrumentalists. They are sometimes given copies of the score, though what for I do not know exactly. But sharing it leads to them losing their jobs – and that’s if they’re lucky and the production company doesn’t go after them. Once it’s seeped down the line, though, there is an amount of deniability afforded to these people. I don’t think composers, music editors or instrumentalists are that interested in trading at all: it’s those lower down the line. By the time it trickles to the lowest levels of the tree (I do not think of it as a circle), it does not matter who has it. But not all scores get that far down that the people who have it can plead denial.
I understand just fine, but using a rare soundtrack as bait to get another rare score that you don’t have in your collection only heightens the chance of these sessions leaking. The more something gets traded, eventually some doofus is going to give it to their friend, and that friend is gonna be like OMG I CAN UPLOAD THIS AND GET TEN LIKES ON THIS FORUM. HOLY FUCK I’M GONNA BE FAMOUS. It. Always. Happens.

I mean, look at the thread we’re posting in. Perfect example of it happening. These Potter sessions get traded like nobody’s business. To the point where most people had or have the majority of them. But someone gets their mitts on them and then it goes public. Only then that composer’s job is in jeopardy? Fuck that. Those people that are using these sessions as bait to get MORE are glorified hoarders. Simply looking to build more of their undeserving collection.

I’m not going to pretend like I’m better than anybody else, because I’m not. But I do not condone collecting rare scores simply for the sake of it. I have been on this forum for almost TEN YEARS now. You wouldn’t believe the shit that I’ve seen in that time. And I’ve stumbled across several rare scores. Do I still have ANY of them? Nope. And no fucks are given.

At the end of the day, all I really care about is music, and being able to hear more of it, or more of the scores that I love so much. Unfortunately, there are some people that are only looking out for themselves, and take pride in building their collection. And they don’t care about what happens to that composer, because if they did, they wouldn’t share the sessions to begin with. Obviously that isn’t the case, because everybody’s a greedy bitch.

Then when DOES your collection become deserved? When you wait ten years and pick up everything from here? I don’t really see the problem. If your greatest wish is to have Titanic and you could go after it by collecting a few titles, wouldn’t you do it? Are you really going to wait and pray until someone comes along and shares them on here?

I’ll say this again, Alexandre Desplat said that his works are owned by the studios after he’s done with them. So the Deathly Hallows sessions (And the other HP sessions) are owned by Warner Bros. And since they don’t want to release them instead of re-releasing the movies 10.000 times without even putting new deleted scenes (like the 45 minutes of deleted scenes of The Order of the Phoenix), or updating their special features (the Music documentary that came out in 2010 still hasn’t included Desplat on the new re-release), this serves them right.

Also, no matter what. If a session is in the hands of someone, eventually will surface to the light.

NiCeeeeee share Thanks for the share hail’S friend……:)

I understand just fine, but using a rare soundtrack as bait to get another rare score that you don’t have in your collection only heightens the chance of these sessions leaking. The more something gets traded, eventually some doofus is going to give it to their friend, and that friend is gonna be like OMG I CAN UPLOAD THIS AND GET TEN LIKES ON THIS FORUM. HOLY FUCK I’M GONNA BE FAMOUS. It. Always. Happens.

Exactly. I release my Editions only to boost my ego (and I�m not kidding). The work I invest is – in general – self-serving because I want to be able to listen to the music I love so much.

At the end of the day, all I really care about is music, and being able to hear more of it, or more of the scores that I love so much. Unfortunately, there are some people that are only looking out for themselves, and take pride in building their collection. And they don’t care about what happens to that composer, because if they did, they wouldn’t share the sessions to begin with. Obviously that isn’t the case, because everybody’s a greedy bitch.

Very well said.

If you would be an artist, wouldn�t you want to own a copy of your work?

A composer does not own the rights to his/her music. The screenwriter does not own the writes to his screenplay. The studio owns EVERYTHING. Take a look at what mgm said:

I’ll say this again, Alexandre Desplat said that his works are owned by the studios after he’s done with them. So the Deathly Hallows sessions (And the other HP sessions) are owned by Warner Bros.

Warner Bros. Studios. There you have it. They own everything. Paramount and/or Icon Productions owns the rights to Horner’s Braveheart. 20th Century Fox owns the rights to Williams’ Star Wars. The list goes on. However, I’ve heard that Sony Music owns Titanic and Lemony Snicket, so maybe the studio doesn’t always own everything. Regardless, the artist does not own it.

OMFG!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! THANK YOU SO MUCH X33333333

Thanks for the share.

Separate download link for Hallows Part 2 Sessions?? Please!!

… so tracklist of film version track at the front followed by alts etc not ok?

Don’t care about politics. Life is short. I love good music. Sessions? Good music, in my mind. If I had Azkaban I’d release it b/c we are all just organized molecules hurling through space at this very moment. Azkaban sessions would just make that journey a bit more fantastic. Much love to ya’ll. Love a film score community.

Thanks a lot

Could someone post an alternate link for only the Deathly Hallows Part 2 sessions? I would really appreciate it since I already downloaded the Part 1 sessions from another poster. Thanks!!

Could someone post an alternate link for only the Deathly Hallows Part 2 sessions? I would really appreciate it since I already downloaded the Part 1 sessions from another poster. Thanks!!

I have it, but I removed the slate numbers from the track titles. Still want it?

Yes please! That’s not an issue for me. I really appreciate it!

Here we are. (https://mega.co.nz/#!6Uk1BS4R!db_lQg0fZMmXFu7dn7LBDiP_Rtlm0ROxG9ZKq5q f1cU)

thank youuu

As i did for part 1

[UR (http://www.hostingpics.net/viewer.php?id=7805230gd36s63.jpg) (http://www.hostingpics.net/viewer.php?id=8354791iaf75uj.jpg)

The DH collection:

http://img11.hostingpics.net/thumbs/mini_331242HarryPotterandtheDeathlyHallowsPartIc9f 5aef1.jpg (http://www.hostingpics.net/viewer.php?id=331242HarryPotterandtheDeathlyHallow sPartIc9f5aef1.jpg) http://img11.hostingpics.net/thumbs/mini_170495HarryPotterandtheDeathlyHallowsPartII97 72d699.jpg (http://www.hostingpics.net/viewer.php?id=170495HarryPotterandtheDeathlyHallow sPartII9772d699.jpg)

[/ (http://www.hostingpics.net/viewer.php?id=386933HP722.jpg)

Do you have the second to last image? I can’t seem to find it anywhere.

Do you have the second to last image? I can’t seem to find it anywhere.
Here (http://www.hostingpics.net/viewer.php?id=569441Hp7DD.jpg)

Thanks.

As i did for part 1

[UR (http://www.hostingpics.net/viewer.php?id=7805230gd36s63.jpg) (http://www.hostingpics.net/viewer.php?id=8354791iaf75uj.jpg)

The DH collection:

http://img11.hostingpics.net/thumbs/mini_331242HarryPotterandtheDeathlyHallowsPartIc9f 5aef1.jpg (http://www.hostingpics.net/viewer.php?id=331242HarryPotterandtheDeathlyHallow sPartIc9f5aef1.jpg) http://img11.hostingpics.net/thumbs/mini_170495HarryPotterandtheDeathlyHallowsPartII97 72d699.jpg (http://www.hostingpics.net/viewer.php?id=170495HarryPotterandtheDeathlyHallow sPartII9772d699.jpg)

[/ (http://www.hostingpics.net/viewer.php?id=386933HP722.jpg)

Hey, man! Could you reupload the stag artowrk for part 1, please? I find it awesome but it’s only on thumbs here so I can’t use it… Thanks!

Edit: nevermind, got it! Thanks anyway 😉

Thanks

Hey, man! Could you reupload the stag artowrk for part 1, please? I find it awesome but it’s only on thumbs here so I can’t use it… Thanks!

Edit: nevermind, got it! Thanks anyway 😉

Where did you find the stag artwork?

Where did you find the stag artwork?

Here (http://www.hostingpics.net/viewer.php?id=569441Hp7DD.jpg), mate

Here (http://www.hostingpics.net/viewer.php?id=569441Hp7DD.jpg), mate

Thanks!

Thanks for the share!!

Hi everyone, thanks so much for these sessions!!

Also, I wanted some help, hopefully someone can direct me to live links of all the HP sessions that have been around here. I only managed to find this one alive, unless Im issed other links around. Thanks for the help, I’d really appreciate it (It’s to impress a girl 😀 )

And again, thanks for this awesome Desplat score!

You’re a girl?! No offense, I just figured this place is overpopulated by males..haha

———- Post added at 11:43 PM ———- Previous post was at 11:40 PM ———-

So you just need HP 1, 2, 4, 5, and 6 sessions, right?

Nope, I’m a guy who wants to impress a lovely potterhead girl 😀

I just found live ones for Order and Half-Blood, I found Sonic’s remaster of Philosopher’s, hope I can still download it, just missing the rest

Well I am uploading 1, 2 & 4 right now.

Clovie, I have a link for CoS – Sonic’s remaster if you’d like?

Awesome, thanks! 4 is through PMs, right? Cause of whatever happened that time

I hope Azkaban is not far away

Pluto, I’d appreciate it 😀

Well, considering it is a John Williams session, we will not have great luck with it, unfortunately. I haven’t heard anything.

I hope you get the girl, and I hope you have better luck with girls than I do, because the last two have used me for the attention I gave them for many months, and now they’re both in relationships..

I doubt I’ll get the girl, she is in a relationship already. But still, HP complete scores is an awesome gift.
Yeah, some girls suck, but we really can’t do a thing sometimes.

Nope, they know how we feel, it’s up to them to decide what they want to do about that.

Yup.
On the bright side, we have a lot of music to enjoy on our own!

Hope you didn’t miss Pluto’s comment.

I didn’t, but some of COS links in Sonic’s post are still alive, amazingly.

Pluto, if you read this, thanks you anyways 😀

Thank you..

Great music, great artworks, thanks for sharing.

Fantastic share! 😀

Harry Potter and the Deathly Hallows: Part 1 (2010) Complete Recordings Soundtrack Score > Alexandre Desplat

Link MP3 320k: HPDeathlyHallows1Comp.zip (418,36 MB) – uploaded.net (http://uploaded.net/file/wc5j4sng)
Tracklist:
1. WB Logo (00:34)
…
102. The Elder Wand (Alternate) (01:31)

Harry Potter and the Deathly Hallows: Part 2 (2011) Complete Recordings Soundtrack Score > Alexandre Desplat

Link MP3 320k: http://uploaded.net/file/14jbgbzu
Tracklist:
1. Opening/Lily’s Theme (02:23)
…
53. The Resurrection Stone (Alternate 2) (01:51)

Thank you very much!!!

Thank you

Many thanks

thanks

Gr8 Share !! Thanks a ton . Appreciate it.

Thanks for the share!

Harry Potter and the Deathly Hallows: Part 1 (2010) Complete Recordings Soundtrack Score > Alexandre Desplat
Tracklist
1. WB Logo (00:34)
…
102. The Elder Wand (Alternate) (01:31)

Harry Potter and the Deathly Hallows: Part 2 (2011) Complete Recordings Soundtrack Score > Alexandre Desplat
Tracklist:
1. Opening/Lily’s Theme (02:23)
…
53. The Resurrection Stone (Alternate 2) (01:51)

Hey.

Does anyone know the differences between tapoktro’s upload above and the original files from this post?
They seem to be pretty different in terms of track naming, some of tapoktro’s have 48kHz, also the track times differ largely (especially when looking at fractions of a second).

Any ideas?

Cheers.

tapoktro is a jerk and a loser who appeals to the lowest common denominator. Nothing he has is of any unique value. Ignore everything he provides.

Yeah, must be an unpconvertion of his.

thank you very much

drhousetapachula

thank you very very much for your excellent job

Link for HP7P1?

Could anyone re-upload this? Thanks in advance!

Could someone re-up Part II with this version please?

01 1m1 – Opening
02 1m2 – A Goblin By The Sea
………
52 7m41B – HP1, 9m2 – Leaving Hogwarts
53 End Credits Cards Cue

Both links are dead. Does anybody have them. It would be much appreciated!!!

Same here, would love to a get a link for these 🙂