This is coupled with Les Bicyclettes de Belsize a 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May with music by Les Reed.
Sorry, Crispy45! Did not mean to rant, I was just triggered by the whistle.
I more importantly wanted to double thank you for sharing these fine scores!
Sorry, Crispy45! Did not mean to rant, I was just triggered by the whistle.
I more importantly wanted to double thank you for sharing these fine scores!
Don’t worry I completely understand what you mean about Mr Tarantino grabbing songs or reassigning scores for his films, (though I slightly forgive him for using Across 110th Street in Jackie Brown). I do get annoyed when people hear the whistle and only associate it with Kill Bill. Even when I tell them it’s the theme from Twisted Nerve, I often get..yeah it’s ok but not as good as the original!
I suppose it was Martin Scorcese with Mean Streets and George Lucas with American Graffiti who really started the trend for using old songs to frame the on-screen action. Let’s face it also helped out a lot of record companies to shift a lot of their back catalogue in film licensing. The problem is that it spawned my personal pet hate – the loathesome "Music from and Inspired by.." – albums that either feature music rarely or not in the film or played as a medley during the end titles.