A Clockwork Orange (Deluxe Edition)
1971
20 tracks, TRT: 1:11:18, 320 MP3
Track Listing:
Note: this deluxe edition is compiled utilizing 3 sources: the 1980 CD reissue of the original 1971 soundtrack album, the later reissue of Carlos’ complete score and the additional cues were pulled from Wendy’s Re-Discovering Lost Scores collection. This has been a curious score that I’ve enjoyed looking back on for years however it’s taken me a long time to get everything compiled into a package that I was happy with. It’s been quite some time since I last viewed the film so unfortunately I am not able to confirm whether it’s proper film order or not. I used the original soundtrack album for a base and worked from there incorporating all the other cues into an order that sounded good to me. This is everything that I was able to acquire so if you notice that there is anything missing, my apologies for the exclusion but I don’t have anything else. Maybe I do and just missed it, just feel free to let me know in the comments and I will check it out.
There are 2 versions of the track Timesteps; I used the shorter version for the main program and the newer extended version for the bonus material.
Enjoy!
Terrible movie?
You probably mean disturbing.
This movie is technically a masterpiece!
Terrible movie?
You probably mean disturbing.
This movie is technically a masterpiece!
You probably mean disturbing.
This movie is technically a masterpiece!
He shoots the entire film with one lens. How is that a masterpiece? Honestly, this is my least favorite movie of all time. Violence is bad. WOW! What a flash! For me, Stash is the founding father of the Academy of the Overrated.
You must be joking.
Especially you should know why Kubrick uses wide-angle lens when he is showing events from Alex’s point of view (so we see the world as Alex does) and why he either places Alex in the center of a wide-angle shot or uses a standard lens that does not distort (so we consider that only Alex is normal).
That’s why I insist that this movie is technically a masterpiece!
Violence is bad.
Really?
Let’s burn "A Clockwork Orange" along with "The Wild Bunch" and "Straw Dogs".
Especially you should know why Kubrick uses wide-angle lens when he is showing events from Alex’s point of view (so we see the world as Alex does) and why he either places Alex in the center of a wide-angle shot or uses a standard lens that does not distort (so we consider that only Alex is normal).
That’s why I insist that this movie is technically a masterpiece!
Really?
Let’s burn "A Clockwork Orange" along with "The Wild Bunch" and "Straw Dogs".
Sounds like you’re reading off a schematic. It’s a technical exercise at best.
And if you wanna’ burn Peckinpah’s celebration of rape, it’s okay by me! Another director I have very little use for. I’ll take Leone’s lyrical vision of the West over Sam’s slo-mo prettification any day. (Scorsese knows slo-mo!) Although I do love Alfred Garcia.
It is a shame that the orchestral non-Wendy Carlos portions of the original soundtrack don’t have credits to the original performing orchestras. Perhaps someone knows something here about that.
Finally, here’s a quick cover I made to go along with this.
http://i37.photobucket.com/albums/e83/scarletguard/Coruscant/Clockwork%20Orange%20Deluxe%20Edition_zpscfpqyn4m. png (http://s37.photobucket.com/user/scarletguard/media/Coruscant/Clockwork%20Orange%20Deluxe%20Edition_zpscfpqyn4m. png.html)