
Tracklist Disc 1
1. I’m Electro Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 0:46
2. There He Is Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 2:54
3. I’m Spider-Man Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 1:04
4. My Enemy Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 8:17
5. Ground Rules Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 1:11
6. Look at Me Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 3:10
7. Special Project Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 3:14
8. You Need Me Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 3:17
9. So Much Anger Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 2:12
10. I’m Moving to England Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 1:03
11. I’m Goblin Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 3:42
12. Let Her Go Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 0:33
13. You’re My Boy Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 2:57
14. I Need to Know Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 5:00
15. Sum Total Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 2:51
16. I Chose You Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 1:34
17. We’re Best Friends Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 2:17
18. Still Crazy Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 2:42
19. The Rest of My Life Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 2:28
20. You’re That Spider Guy Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr
Tracklist Disc 2
1. The Electro Suite Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 12:36
2. Harry’s Suite Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 10:07
3. Cold War Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 3:28
4. No Place Like Home Hans Zimmer and The Magnificent Six; Pharrell Williams; Johnny Marr 1:53
5. It’s On Again Alicia Keys feat. Kendrick Lamar 3:50
6. Song for Zula Phosphorescent 6:09
7. That’s My Man Liz 3:47
8. Here Pharrell Williams 4:38
9. Honest The Neighbourhood 3:57
10. Within the Web (First Day Jam) Czarina Russell; Hans Zimmer and The Magnificent Six 4:30
11. Electro Remix Alvin Risk and Hans Zimmer 3:27
Samples Amazon.com: The Amazing Spider-Man 2 (The Original Motion Picture Soundtrack) (Deluxe): Various: MP3 Downloads (http://www.amazon.com/exec/obidos/ASIN/B00J611API/)
these tracks are freaking awesome can’t wait for the release!!!!
check out the samples and you tell me.
Doing that as I type. So far Zimmer and his Mag6 are firing on all eight cylinders. Wish the samples weren’t so short but better than nothing.
They sound like demos to me..
you and me both lockdown!!!! so epic!!!!
Found it.
http://www.amazon.com/Amazing-Spider-Man-2-Various-Artists/dp/B00IMKDXDQ/ref=pd_sim_sbs_m_1?ie=UTF8&refRID=1GEAQ6Q5X8A76FF2PZG8
mind sharing it bro i dont care if they’re just 30 seconds!!!
thats Dom Lewis so says on hans-zimmer.com.
Hybrid Soldier reply Replies: 3 || 2014-03-22 23:21:11
BTW the whispering/singing in the Electro tracks, it’s Dom Lewis performing… 🙂
I suspect Horner simply didn’t want to score the sequel, having done the first film and never really being into these kinds of films anyway. The one positive I see is that for all the "Magnificent Six" hype-generating nonsense, Zimmer has followed Horner’s more spirited, emotional and whimsical approach but gave it a more modernized tone. It’s no "Man Of Steel" which is probably the best thing going for it.
That being said, I’ll miss Horner’s Spider-Man theme for this one. That theme has gotten more play on my speakers than anything these past couple of years, I love that score so much.
Which makes Webb a liar no matter how the story is told, because Webb was also campaigning for Horner to score the movie and it took a long time for Horner to agree to do it.
SCO Session: Music Editing AVATAR – SCOREcastOnline.com (http://www.scorecastonline.com/2011/09/18/scorecast-session-music-editing-avatar/)
Note that while it was indeed a year before, it wasn’t something that was set in stone.
The reason I say that Webb is a liar no matter how the story is told, is because if he really wanted Zimmer all along, then he lied about wanting Horner for the film for so long. If he really wanted Zimmer’s sound then he lied about wanting that big classic orchestral sound for the first film if this sequel is what he supposedly wanted all along. Either way he’s lying about something because nothing adds up. I think it’s just a case of catering to whoever he’s working with, making them sound like they were his "only" choice but the truth is obvious if anyone actually follows what really happened. The one thing we don’t know for sure is if Horner was asked but turned down the sequel or if he wasn’t asked at all in favor of the more marketable names Zimmer brought with him.
You can’t campaign for one composer for so long and really prefer a different composer all along. It makes no sense. It’s one or the other, and we know Horner was indeed asked long beforehand. But whatever, we have (almost) every note of score Horner wrote for the first film (every note that made it on screen at least) and can enjoy it any time we want.
My friend Jerry is a trained musician, of the classical variety. He also teaches music at our local college and at the beginning of the last year’s fall classes broke down some of John Williams’ best known scores and showed his class which classical scores Williams had "sampled." Quite a few, actually.
It’s the true geniuses: Beethoven, Mozart, James Joyce, Newton, Einstein who create something unique. Everyone else, regardless of how creative, steals something from someone. The really good ones just don’t leave fingerprints.
Or put another way: steal from one source its plagiarism, steal from twenty its research.
April 14th seems way more legit anyways, even though i was hoping for a early release.
https://www.youtube.com/watch?v=90eH_Fnnvqg
same track used in this clip with spider-man free falling and web-slinging
i sure hope so!!!! cuz i can’t wait any longer for this!!!!
I hope too, but do you guys remember what happened with The Lone Ranger score album? It had been out for days in Australia/New Zealand, and yet nobody posted it…
And anyway the iTunes store Australia says April 18th.
And anyway the iTunes store Australia says April 18th.
i dont understand whats with all the different dates!! well i heard the UK is getting the movie release earlier then the US so maybe thats why, but who knows.
Still, guess we can wati for 22 or 18 for it, even if I see the film before, lol
There are at least 10-15 countries, but these are the earliest timezones they get released tomorrow: Estonia, Finland, Latvia, Lithuania, Turkey
Also I know Austria and Belgium will get it too tomorrow.
I will
omg can’t wait!!! 😀 😀
Thanks 😀
bwahaha "Hans Zimmer has the heart of John Williams". Zimmer, six other people and probably more wrote this. Williams was one guy. I disagree this was a better score than Horner’s, the movie was on the same level as the first in terms of storytelling and pace.
You think ANY composer works alone and has absolutely zero help at all?
The storytelling in TASM1 wasn’t that great IMO. I didn’t care about any of the characters at all, not even Emma Stone. But that changed in TASM2. I even liked Andrew Garfield in it, and I don’t like him at all.
Williams has heart, more than Zimmer, but I agree perhaps less so than Horner. My point I have been trying to make is that if TASM2 constitutes as Zimmer having "heart" he only accomplished the bare minimum representation of that and he had an entire studio at his disposal, touting that he has a team called the Magnificent Six, and this, THIS is all they came up with? What about a team up of people like Powell and Giacchino, Tyler, Young and others? Where is that? That would be a worthy team-up. They could be called: The Avengers, avenging film music and saving people from the villainous clutches of Zimmer! hehe
also: Davis, Ottman, Desplat and a myriad of other great composers, shit, even a team up including Zimmer, not WITH him.