Gravity (For Your Consideration) [Best Original Score] – Steven Price (Lossless)

For Your Consideration. Best Original Score.
Original Score Music by Steven Price.

16 Tracks, 1 hour & 11 minutes.

Composer: Steven Price
Album: Gravity (For Your Consideration)
Genre: Soundtrack
Quality: Lossless (M4A)

01. Above Earth
02. Debris
03. The Void
04. Atlantis
05. Don�t Let Go
06. Airlock
07. I.S.S.
08. Fire
09. Parachute
10. In the Blind
11. Aurora Borealis
12. Aningaaq
13. Soyuz
14. Tiangong
15. Shenzou
16. Gravity

Enjoy & Download Here. 🙂 (http://www.sendspace.com/filegroup/zmQVPJv8sihhQQUG3aJR6w)

I believe that the FYC to Gravity contains the exact same material as the OST. Maybe it doesn’t, but anyways; here it is 🙂

Excellent! Thanks a lot, even if it is identical to the OST. This deserved the Academy Award for Best Original Score (out of the 5 nominees), so happy it won

Yeah. Especially Gravity is a hard-core electronic score, and got an Academy Award for that. I so thrilled for that.

———- Post added at 06:28 PM ———- Previous post was at 06:27 PM ———-

Thanks, btw. 🙂

many thanks

tnx was w8-ing for this 🙂

…wow…thx a lot…

In my opinion George Clooney’s other space film "Solaris" Cliff Martinez’ should have been honored.

Thanks

Thank you share!

many thanks

Thank you

Thanks!
Hoping that, if the sessions are ever leaked, they ahve alternate versions of tracks. There is one of Gravity in the extras, and sounds amazing. Love alt tracks 😀

Well, including the end credits the OST clocks in at 1 hr. and 20 min. The film is 91 min (a total of 11 min absent), and remember – not every single frame of film is scored, there are some silences. I wonder exactly how much music is missing? But I’d love the complete score as well

Thanks!!

Just listening to the score during the film I believe there is a brief segment in "Tiangong" that is slightly alternate to what’s on the regular release. I didn’t really notice that much else.

Thank You Very Much

source musics :

Angels Are Hard to Find
Written and Performed by Hank Williams Jr.
Courtesy of Curb Records Inc.

Mera Joota Hai Japani
Written by Shailendra and Shankarsingh Raghuwanshi (as Shankar Jaikishan) and Jaikishan Dayabhai Pankal (as Shankar Jaikishan)

Sinigit Meerannguaq
Written by Juaaka Lyberth

Destination Anywhere
Written and Performed by Christopher Benstead (as Chris Benstead) and Robin Baynton

922 Anthem
Written by Gaurav Dayal
Performed by 922 featuring Gaurav Dayal
Courtesy of Crucial Music Corporation

Ready
Written by Charles Scott IV (as Charles Leslie Scott) and Chelsea Lynne Hinshaw
Performed by Charles Scott IV (as Charles Scott) featuring Chelsea Williams
Courtesy of Bad Robot Productions

I’m just in work ATM so cannot really download. This was one if my most listened scores of the year. I love it! Before I went to bed I would listen to the whole score. Best time to listen when relaxed and your eyes are closed. Does the sound differ from the commercial release?

Many thanks!

This isn’t music. It’s sound effects.

This isn’t music. It’s sound effects.

That�s what the Zimmer Disciples die for …. Music is so last Century…. it�s all about noise now …. get with the program 😉

———- Post added at 12:56 PM ———- Previous post was at 12:56 PM ———-

Christ there was music in the Film …. didn�t hear a note of it …… once again Williams was robbed

Music does not have to be loud and in your face all the time

thats partially what ruined War Horse

Music does not have to be loud and in your face all the time

thats partially what ruined War Horse

What? Come again? "music that’s in your face is still music!" but RCP generic temps that’s in your face is just basically special effects & noise masquerading as music!

When was the last time you left a movie humming the title song or title theme? For me it has been a long, long time. Today it is all about background NOISE!

…Today it is all about background NOISE!
Indeed!

When was the last time you left a movie humming the title song or title theme? For me it has been a long, long time. Today it is all about background NOISE!

James Horners The Amazing Spider-Man…. I was Humming that tune for months after the film…. still am….. 🙂

Alright if it’s about the tune stuck in my head… Silvestri’s Captain America and the Avengers theme. Horner’s Amazing Spiderman theme. Williams’s Adventure of Tintin "The Adventure continues", Lockington’s "Journey to the Center…-Who’s ready for an adventure", Navarette’s "Wrath of the Titan – End Theme", Doyle’s "Thor theme"…there’s more…too lazy to type them all now. Most of them not from RCP, some might have some influence in them but still music coming from able and articulate composers.

Just to note, there are differences between the score and the one in the film. The most notables ones are a few percussions around in some tracks, they’re replaced by a banging bass noise in the film (Explorer gets hit and spins), the Gravity track is the most different in the film. Tiangong has 2: when we see the station falling in the atmosphere, and when the Shenzou starts to enter the atmosphere, there are additional strings.

And it has music, at the end of the soundtrack. Yes, it wasn’t full orchestral, but it couldn’t be really. But they did use it to record some parts, and the singers were not syhtn. It was music, not everything but yes it was, and one of the most heroic themes in the last two tracks.

When was the last time you left a movie humming the title song or title theme?

Iron Man 3, Man of Steel

And it has music, at the end of the soundtrack. Yes, it wasn’t full orchestral, but it couldn’t be really. But they did use it to record some parts, and the singers were not syhtn. It was music, not everything but yes it was, and one of the most heroic themes in the last two tracks.

Agreed. It had a very fitting score, and felt perfect. The last time an Orchestral score worked in space was Star Wars. I don’t know what "noise" people are talking about. Ya there’s a few beeps on the OST, but I kinda like that. Stephen Price did his job right: he made me (the audience) feel what I was supposed to feel, and I loved it. It’s why he won an Academy Award. Williams has enough, let the new guy shine

The last time an Orchestral score worked in space was Star Wars.

Sorry, but that’s bollocks. Star Trek, Alien, Aliens, Alien 3, etc.pp. – all fine "outer space" scores.

Price’s "score" is sound design. Nothing more.

thanks.

but there were better scores this year. ‘Her’, ‘The Book Thief’ and of course A. Pintos ‘The Host’.

Sorry, but that’s bollocks. Star Trek, Alien, Aliens, Alien 3, etc.pp. – all fine "outer space" scores.

Price’s "score" is sound design. Nothing more.

Agree to disagree. I’ll give you Star Trek (2009), but the last Star Wars film wasn’t 1977. Remember, it was 2005. 9 years ago. I wouldn’t consider Alien that orchestral. A little, but not Williams orchestral. And you just said it yourself – "Stephen Price’s SCORE". Now The Social Network – that was sound design. I’ll even go so far as to say Inception definitely has some sound design, but it works and I love it

Thanks for this!

I personally wanted Saving Mr. Banks to win Best Original Score, but I also have no problem with Gravity winning at all! I think its a great score!

background music is still music to me really

but then I listen to Inception over and over again, so I am sure that makes it easy to disregard my opinion

background music is still music to me really

but then I listen to Inception over and over again, so I am sure that makes it easy to disregard my opinion

Same here, music is music. And your opinion is your opinion, no one can disregard that. Did you see my comment about Inception (post #32)? A lot of it is noise, but it perfectly fits the dreamscape of the film. I listen to it over and over as well. In fact, almost every Sunday afternoon I take a nap while listening to the complete score

Thank you very much.

Same here, music is music. And your opinion is your opinion, no one can disregard that. Did you see my comment about Inception (post #32)? A lot of it is noise, but it perfectly fits the dreamscape of the film. I listen to it over and over as well. In fact, almost every Sunday afternoon I take a nap while listening to the complete score

I agree with both of you guys. Music, like all other art forms, is all subjective.

But I do have to say that the users on here who say that all the score is just sound design, obviously havent listened to the whole soundtrack. There are some great themes in this score…

But I do have to say that the users on here who say that all the score is just sound design, obviously havent listened to the whole soundtrack. There are some great themes in this score…

Gravity probably being the most significant of them all. My 2 favorites are Aurora Borealis and Aningaaq. To those of you bitching about no orchestra, I found this on Wikipedia (so therefore it may not be entirely accurate):

Composer Steven Price was originally called in to help out for a couple of weeks on the music design of Gravity. After having a creative discussion with director Alfonso Cuar�n, Price began coming up with a template of sounds and noises that eventually led to him being hired as the film’s composer. As work began on the film’s score, Cuar�n and Price set ground rules for distancing the score from conventional Hollywood-style action scores such as omitting the use of percussion. “Ordinarily in an action film you’re often competing with explosions and god knows what else, whereas with this [movie] music could do things a different way,” said Price. “With everything we did we would try and look beyond the normal way of doing things. [For] some of the action sequences where there are explosions, I knew that […] those explosions had to be inherent.”

The score was recorded in small groups or single instruments as opposed to a collective orchestra in order for each sound to be electronically processed and mixed individually to create a layered and surrounding effect

And that, ladies and gentlemen, is why this is no John Williams score. Game. Set. Match.

Gravity probably being the most significant of them all. My 2 favorites are Aurora Borealis and Aningaaq. To those of you bitching about no orchestra, I found this on Wikipedia (so therefore it may not be entirely accurate):

Composer Steven Price was originally called in to help out for a couple of weeks on the music design of Gravity. After having a creative discussion with director Alfonso Cuar�n, Price began coming up with a template of sounds and noises that eventually led to him being hired as the film’s composer. As work began on the film’s score, Cuar�n and Price set ground rules for distancing the score from conventional Hollywood-style action scores such as omitting the use of percussion. “Ordinarily in an action film you’re often competing with explosions and god knows what else, whereas with this [movie] music could do things a different way,” said Price. “With everything we did we would try and look beyond the normal way of doing things. [For] some of the action sequences where there are explosions, I knew that […] those explosions had to be inherent.”

The score was recorded in small groups or single instruments as opposed to a collective orchestra in order for each sound to be electronically processed and mixed individually to create a layered and surrounding effect

And that, ladies and gentlemen, is why this is no John Williams score. Game. Set. Match.

I think I remember reading this interview some time ago last year… so at least the quotes from the interview are accurate.

Golden

@ ttube, I have one:

"Magneto," the last track (and theme for Magneto) from X-Men First Class. I’ve had that tune (and its variations) in my head since that film CAME OUT. STILL DO.

And yes i do hum it.

thankyouthankyou
love this score.

Thanks you, Lockdown.

Same here, music is music. And your opinion is your opinion, no one can disregard that. Did you see my comment about Inception (post #32)? A lot of it is noise, but it perfectly fits the dreamscape of the film. I listen to it over and over as well. In fact, almost every Sunday afternoon I take a nap while listening to the complete score

Ha ha ha this made me laugh what you said here….. I take a nap while listening to the complete score …. I was thinking ……… jesus that Inception score puts me to sleep ….. so then I re-read what you wrote and mis-understood it …..lol still made me laugh though

Ha ha ha this made me laugh what you said here….. I take a nap while listening to the complete score …. I was thinking ……… jesus that Inception score puts me to sleep ….. so then I re-read what you wrote and mis-understood it …..lol still made me laugh though

Haha no it doesn’t put me to sleep. I intentionally put it on and then slowly fall asleep. I usually make it about 1/4 of the way in, pass out, and then wake up just before "It’s A Trap" and finish the rest in that half asleep/half awake phase. I love doing it

Consider it a technical work reward for Price more than score art work.

We are at the edge of a new revolution.

That�s what the Zimmer Disciples die for …. Music is so last Century…. it�s all about noise now …. get with the program 😉

———- Post added at 12:56 PM ———- Previous post was at 12:56 PM ———-

Christ there was music in the Film …. didn�t hear a note of it …… once again Williams was robbed

Music does not have to be loud and in your face all the time

thats partially what ruined War Horse

What? Come again? "music that’s in your face is still music!" but RCP generic temps that’s in your face is just basically special effects & noise masquerading as music!

Ok, I’m just commenting because of the discussion… I’ve got the movie on my hard drive and will probably watch it soon…

I feel sorry for both Thomas Newman and John Williams; both have had Oscar nominations in the last 2 years and some surprise entry has buggered it up for them.

…

We are at the edge of a new revolution.

The score was recorded in small groups or single instruments [U]as opposed to a collective orchestra in order for each sound to be electronically processed and mixed individually to create a layered and surrounding effect

Now this scares me..If it means chopping down, muting and drowning the brilliantly conceived cues with the deafening bass, synths and all that zimmerish generic temp then it’s the end of music artistry but rather all sound designs. Why learn music and all it’s intricacies in the composing business when you’re with the biggest marketing organization building up all this copy paste temps ready for the taking. To hell with the real maestro’s because all you need is a technical prowess with the electronic tools and your a master yourself!!
Score of the future= Stepford Wives!! (Dream within a dream within a dream within a dream = Nightmare)

Thanks.

Thanks a lot

Thank You Very Muchhttp://newfinancehelp.com/hu3k.jpghttp://interinsurances.com/huht.jpg

I think many of you are losing the point. It is the primary job of the score to enhance the movie it was written for. It’s job is not to be pleasant or hummable. It works in tandem with the visuals and sound design to support the movie. Gravity does it’s job quite well. In context of the film it almost has a horror film like element to it at times. I have not listened outside of the film. Not sure I’d wanna. It is not a score that was designed to be a pretty listen outside of it’s film. Since that was not what the composer was hired to do. Visually and audio the movie is unique among the competitors, and that is why the score won. William’s score was a fine score, but was nowhere near the innovative risk of Gravity, a risk that paid off. And there is no way at all a Horner or Williams style score would have worked any better in this film.

Last movie score I qas left with stuck in my head? Moonrise Kingdom and Pacific Rim. Both get a daily play.

Thank you!!

This should worth a listen. Thanks!

crazy score 😀
but i like! thank you lockdown! 🙂
EDIT: the last track "gravity" is very nice, reminds me of pearl harbor 😀
but an oscar for this?…mh i don’t know…

Thanks you

Brilliant! Thank you very much.

Many thanks!

Thank you for the share. I have not seen the movie yet but it polarises people. I understand the music is top notch.

EDIT: but an oscar for this?…mh i don’t know…

Why not?

because…that’s not a "music" score…it’s a "sound" score or something like that…

because…that’s not a "music" score…it’s a "sound" score or something like that…

As is The Social Network, and that won. So there you have it

thanks

because…that’s not a "music" score…it’s a "sound" score or something like that…

You hit the nail on the head!

Thank you!

Seems no extra music, I mean just the same as the album, right？

Seems no extra music, I mean just the same as the album, right？
I have listened to this every night since I posted this. It helps me fall asleep. 🙂 But yes, it is the exact same.

I have listened to this every night since I posted this. It helps me fall asleep. 🙂 But yes, it is the exact same.

I think I’ll try this tonight, give something other than Inception a try

Thank you very much!

Thanks!!!

Thank You Very much!

Here is Gravity preformed by an orchestra, conducted by Joseph Trapanese at the Oscar Concert – 2014 Oscar Academy Concert Wrap Up – YouTube (http://youtu.be/VddYBc3pCMc?t=5m40s)

Here is Gravity preformed by an orchestra, conducted by Joseph Trapanese at the Oscar Concert – 2014 Oscar Academy Concert Wrap Up – YouTube (http://youtu.be/VddYBc3pCMc?t=5m40s)
Thanks 🙂
When was this? Like what part of the Oscars…?
I’m guessing it was nearing the end. I went to bed when they mentioned ’12 Years a Slave’ as Best Film of the Year.

Here is Gravity preformed by an orchestra, conducted by Joseph Trapanese at the Oscar Concert – 2014 Oscar Academy Concert Wrap Up – YouTube (http://youtu.be/VddYBc3pCMc?t=5m40s)

Thanks 🙂
When was this? Like what part of the Oscars…?
I’m guessing it was nearing the end. I went to bed when they mentioned ’12 Years a Slave’ as Best Film of the Year.

Seriously, when was this? I watched the entire show, didn’t miss a second of it. Was this televised?

Seriously, when was this? I watched the entire show, didn’t miss a second of it. Was this televised?

That is why I was really confused when some people told me Gravity was conducted by Joseph Trapanese at the Oscars. I was like, I watched the whole thing and missed that?

Thanks very much!

The concert was before the awards. A week or so earlier, I believe. I don’t think it was televised.

I think I’ll try this tonight, give something other than Inception a try

I have listened to this every night since I posted this. It helps me fall asleep. 🙂 But yes, it is the exact same.

Sure. You’ll fall a sleep, gravity has a higher effect as same as Old Souls.

Sure. You’ll fall a sleep, gravity has a higher effect as same as Old Souls.

I don’t listen to the OST anymore. Ever since the complete score leaked, that’s what I’ve been listening to. So it would be 4m25 Mal & Cobb. Love that cue

4m25 Mal & Cobb is basically ”Waiting For A Train” and of course without ”Non, je ne regrette rien". But Old Souls with the Guitar and it’s piano, like dun dun, dun.. It’s a miracle for me. 🙂

I was bored so I tried to make a movie version of the final track, Gravity, using end credits and the original track.
Gravity OST – Gravity (alternative version) – YouTube (http://www.youtube.com/watch?v=GrTl1rZ2LSA&feature=youtu.be)

Thanks for this!

I have listened to this every night since I posted this. It helps me fall asleep. 🙂 But yes, it is the exact same.

I see. Just wanna hank you for sharing here man .

Vinyl it, now.
Gravity Original Motion Picture Soundtrack (PRE-ORDER) (http://www.mondotees.com/Gravity-Original-Motion-Picture-Soundtrack_p_1392.html)

Gravity Original Motion Picture Soundtrack (PRE-ORDER) (http://www.mondotees.com/Gravity-Original-Motion-Picture-Soundtrack_p_1392.html)
Can anyone rip that image (hi-res) from this site?

Can anyone rip that image (hi-res) from this site?

Thank you so much!

Thanks!

Link is down. Just wanted to know if "Gravity" is the film version or the album version.

It’s not the film version.

Damn.
Thanks though. Um, does anyone have like the definitive version of the soundtrack because there seems to be a copy which has cutoff issues(talking lossless versions) and don’t really know if anyone topped that with proper rip. But if there’s complete/expanded/RS(wishful thinking, I know)…..

Edit:
Sorry, don’t know how to delete :/

please re-up this! link is dead

Oh no… "The page you are looking for is not available. "

Excellent! i love it !

Please re-up!

Please reup this to MEGA!

Please reup this to MEGA!
Nope.

Nope.
Why not?
plz

Why would you want this inferior release, compared to the 48khz 24bit flac version that you requested the other day?

Why would you want this inferior release, compared to the 48khz 24bit flac version that you requested the other day?

I don’t have the 24bit version. He just sent me 320kbps mp3 version :/
Please share the FLAC FYC if you have it.
Thanks

Hello Lockdown,

Could you send me the FLAC version hi res audio please?

Thanks

Hope for a re-up of this FYC… Even though it’s the same as the OST 🙂