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Tracks:
01. Anonyme / Ballo Divertissement – Marcia [0:01:37.90]
02. Anonyme / Ballo Divertissement – Allegretto [0:03:00.00]
03. Anonyme / Ballo Divertissement – Polonesse [0:02:45.53]
04. Anonyme / Ballo Divertissement – [Contredanse] [0:02:06.60]
05. Anonyme / Ballo Divertissement – L�ndlerisch [0:04:23.98]
06. Frantisek Vanerovsky / Marcia [0:01:38.13]
07. Frantisek Vanerovsky / Allegretto [0:02:02.96]
08. Anonyme / Sch�tzen Marsh [0:01:43.13]
09. Domaschek / Menuetto [0:03:10.41]
10. Frantisek Vanerovsky / Finale (allegro) [0:02:13.12]
11. Jiri Druzecky / Divertissement – Adagio et Allegro [0:02:39.41]
12. Jiri Druzecky / Divertissement – Allegretto scherzando – Menuetto – Allegretto [0:01:56.05]
13. Jiri Druzecky / Divertissement – Allegretto [0:01:32.25]
14. Jiri Druzecky / Divertissement – Romance (andante) [0:01:35.93]
15. Jiri Druzecky / Divertissement – Allegro [0:00:59.78]
16. Jiri Druzecky / Divertissement – Allegro [0:01:34.12]
17. Jiri Druzecky / Divertissement – Menuetto (� 3 parties de bouteilles) [0:01:17.53]
18. Wolfgang Amadeus Mozart / Die Alte KV 517 [0:02:20.73]
19. Antonio Salieri / Lied des Waldm�chens [0:02:32.70]
20. Wolfgang Amadeus Mozart / La Clemenza di Tito (ouverture) KV 621 [0:04:49.28]
21. Wolfgang Amadeus Mozart / Madamina (Allegro et Andante con moto) Don Giovanni KV 527 [0:05:22.22]
22. Anonyme / Adagio [0:01:59.60]
23. Wolfgang Amadeus Mozart / Glass Harmonica Adagio KV 617a/356 [0:04:27.72]
Performers
Trio di Bassetto:
Jean-Claude Veilhan – clarinet, basset horn
Eric Lorco – basset horn
Jean-Louis Gauch – basset horn
Philippe de Deyne � clarinet
Michele Claude � percussion
https://mega.co.nz/#!2Q03FLRD!LqYniSZn5lpF4urFN8aQoTcE3Lh2W2gZPZwsum9 A85s
———- Post added at 09:26 PM ———- Previous post was at 09:26 PM ———-
A number of composers of the classical period wrote for the basset horn, and the famous 18th-century clarinettist Anton Stadler, as well as his younger brother Johann, played it. Wolfgang Amadeus Mozart was by far the most notable composer for the basset horn, including three basset horns in the Maurerische Trauermusik (Masonic Funeral Music), K. 477, and two in both the Gran Partita, K. 361, and the Requiem, K. 626, and several of his operas, like Die Entf�hrung aus dem Serail, La Clemenza di Tito which features Vitellia’s great aria "Non pi� di fiori" with basset-horn obbligato, and Die Zauberfl�te, where they prominently accompany the March of the Priests, as well as chamber works. He wrote dozens of pieces for basset horn ensembles.