Itzhak Perlman & John Williams – Cinema serenade (1996, FLAC+320)

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Tracks

01. The Color Purple – Main title (Quincy Jones, Jeremy Lubbock, Rodney Temperton)
02. Scent of a Woman – Tango (Por Una Cabeza) (Carlos Gardel)
03. Yentl – Papa, Can You Hear Me- (Michel Legrand)
04. Il Postino – Theme (Luis Bacalov)
05. The Age of Innocence – Theme (Elmer Bernstein)
06. Far and Away – Theme (John Williams)
07. The Umbrellas of Cherbourg – I Will Wait for You (Michel Legrand)
08. Four Horsemen of the Apolcalypse – Theme (Andrι Previn)
09. Sabrina – Theme (John Williams)
10. Out of Africa – Main Title (John Barry)
11. Black Orpheus – Manha de Carnaval (Luis Bonfa)
12. Schindler’s List – Theme (John Williams)
13. Cinema Paradiso – Love Theme (Andrea Morricone)

Itzhak Perlman: Violin
Pittsburgh Symphony Orchestra conducted by John Williams

FLAC – https://mega.co.nz/#!PtBFgJzC!AxMFfyrJKiRmJxgXk7dVrl0qNKEXyqQ1Tav_67Z Z5ok

———- Post added at 04:15 AM ———- Previous post was at 04:15 AM ———-

After the 1992 collaboration of film composer John Williams with one of the world’s finest violinists, Itzhak Perlman, on the score for Steven Spielberg’s Holocaust epic Schindler’s List, the duo reunited in 1996 to create one more masterpiece, a collection of famous film scores presented in new arrangements that are centered around Perlman’s violin. No much to say. Itzhak is a musical genius and you’d swear his violin really is singing as it mourns, soars, and romances its way through the songs. I’m out of adjectives to describe this treasured CD. Enjoy a valuable gem.

As soon as I heard the beautiful strains of the Love Theme from "Cinema Paradiso," I knew I had to have this. I’ve had it for half a year now and it’s the CD I listen to most often. To say Itzhak Perlman is amazing is an understatement. Combining one of the most gifted violinists with some of the most moving music themes ever written equals nearly 54 minutes of auditory bliss.
It would be pretty hard to pinpoint the faults (if there are any), unless you’re one of those nitpicky people who like to butcher everything apart. Unlike many albums, none of the tracks are fillers. Even the less distinctive ones are lovely. Standouts include the themes from Yentl, The Umbrellas of Cherbourg, Out of Africa, Black Orpheus and Schindler’s List. The charming theme from Il Postino is another one of my favourites, but I could be biased because of the movie. The icing on the cake has to be Andrea Morricone’s classic "Love Theme" from Cinema Paradiso. If you love music, if you love to be moved, this is the perfect album. How can anyone listen to this and not feel anything?

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Scott