Wong Kar Wai�s fine selection features music by Shigeru Umebayashi and Ennio Morricone etc.
Music are stunningly beautiful in the film
TRACKLIST:
1. Main Theme I � Opening (with Nathaniel Mechaly)
2. Main Theme II � Dreaming of the 64 Hands
3. Love Theme I
4. Love Theme II
5. Beijing Opera � Si Lang Tan Mu � Traditional
6. The Gold Pavilion
7. Manchuria Express (with Nathaniel Mechaly)
8. Action 150 (Vichaya Vatanasapt, Traithep Wongpaiboon & Nathaniel Mechaly)
9. Sorekara Epilogue I � Kokuhaku
10. Moyou
11. Opium
12. Casta Diva (from the opera �Norma�) (Vinenzo Bellini)
13. Main Theme IV � The Sacrifice
14. La Donna Romantica (Ennio Morricone)
15. Once Upon a Time in America: Deborah�s Theme (Ennio Morricone)
16. Manchurian Bolero (with Nathaniel Mechaly)
Music in 320 MP3 quality
Zippyshare.com – V-TG.zip (http://www68.zippyshare.com/v/27361157/file.html)
Thank You!
I would also be extremely grateful to anyone who shares the Stabat Mater album by Stefano Lentini which has the opera pieces composed for the film.
Indeed, we have been waiting most patiently for it since micobear mentioned it in Thread 141479, so thank you for sharing this enjoyable score.

in an interview Wong mentioned the Grandmaster was in a way a tribute to Once Upon a Time In America, even the poster gives a hint with "once upon a time in Kung fu" and "presented by Scorsese". BTW the end credit shows there are also use of Bruno Coulais and Joe Hisaishi’s music 🙂
Great Movie, Great music. But anyone have any clues why Morricone’s music was there, it’s beautiful as same as Umebayashi’s score from other movie but Deborah’s Theme is obviously recognized for fan worldwide. Something usually Tarantino’s style, but I’m not sure it’s typical for WKW.
Thanks!

The Grandmaster / Yi Dai Zong Shi (2013) Soundtrack Score > Shigeru Umebayashi, Nathaniel Mechaly
Link MP3 320k: Grandmaster.zip (103,32 MB) – uploaded.net (http://uploaded.net/file/74qwsu8f)
Tracklist:
01. Main Theme I – Opening (01:38)
…
16. Manchurian Bolero (02:45)

in an interview Wong mentioned the Grandmaster was in a way a tribute to Once Upon a Time In America, even the poster gives a hint with "once upon a time in Kung fu" and "presented by Scorsese". BTW the end credit shows there are also use of Bruno Coulais and Joe Hisaishi’s music 🙂
Indeed, he took some musics from "Les rivi�res Pourpres" (Crimson Rivers I think) by Mathieu Kassovitz :
– The Golden Pavillon (I think they arranged it for the film here)
– The fight Scene between Ma San & Gong Er in the train station
Joe Hisaishi music’s takes place juste before the fight, when the guy with the monkey fights Ma San’s guys. Then you have again a part of the Golden Pavillon ("Le T�l�ph�rique", track 14) then you have "La poursuite" (track 18 from the rivi�res Pourpres).
WKW usually uses non-original musics in his films. The best example for me is the main theme of In the Mood for Love, taken from a film also scored by Shigeru Umebayashi. He used it to give the rythm to his crew and his actors while on shooting…Then why not take it as main theme ? In 2046 the musics have more meanings while watching the films where they come from. He plays with them to guide us trough the story (you can find more details about the music in the Press Folder/Press Book of 2046).