Track listing
Disc 1
1. Pre-Main Titles* (01:42)
2. Main Titles (04:40)
3. Virgil & James Return/Boys Go to Town (02:52)
4. The Wagon Train* (01:09)
5. The Gunfight/Sandstorm*� (01:20)
6. Hit to Kill* (long version) (01:14)
7. The Wagon Chase* (02:42)
8. The Railroad/Wyatt Plays Hardball* (03:22)
9. Wyatt Shoots Fireworks*/ Wyatt Returns to Lamar* (02:30)
10. Talk on the Porch (02:06)
11. The Wedding* (long version) (04:30)
12. Winter to Spring/Wyatt’s Nightmare* (03:08)
13. Urilla Dies (04:33)
14. Nicholas Springs Wyatt (01:31)
15. Wyatt Watches Buffalo*/Skinning Buffalo* (01:55)
16. The Buffalo Hunt* (long version) (02:08)
17. Deputy Earp*/Wyatt at Work*/Wyatt Meets Lou* (long version) (02:13)
18. Dodge City/New Laws* (03:11)
19. Too Affable* (01:52)
20. Wyatt Rides to Shannsey’s*/Ed Dies* (01:48)
21. It All Ends Now/Mourning Ed (03:13)
Total Disc 1 Time – 54:21
Disc 2
1. Tombstone* (long version) (01:06)
2. Mattie Wants Children (01:56)
3. Bringing in Stillwell*/Making Bail (02:55)
4. Stage From Prescott*/Wyatt Meets Josie* (03:56)
5. The Saddletramp*�/Passing the Bottle*/ Startin� a Commotion* (04:52)
6. The River Seduction (02:56)
7. Releasing Curly Bill*/Wyatt Takes a Drink* (02:01)
8. Wyatt and Josie in Bed (02:56)
9. The Night Before* (long version) (03:22)
10. The Brothers Prepare/The Shootout* (08:17)
11. The Aftermath* (02:18)
12. Cosmopolitan Hotel*/Walk to Jail*�/The Trial*/Virgil is Ambushed* (03:10)
13. Morgan Dies (05:03)
14. Where’s Morgan?* (02:04)
15. Guarding the Train*/The Train Shootout* (04:35)
16. We’re Stayed Too Long/One for Morgan* (02:47)
17. Ride Outta Town*� (long version) (02:12)
18. The Posse*�/Indian Charlie (02:34)
19. Campfire*�/Wyatt’s Ambush* (02:59)
20. Nice Mob (02:28)
21. It Happened That Way (01:10)
22. End Credits* (04:11)
Total Disc 2 Time – 71:33
Disc 3
1. Dodge City* (alternate introduction) (01:02)
2. Deputy Earp* (alternate) (00:24)
3. The Wedding (short version) (03:16)
4. Wyatt Meets Lou* (short version) (00:40)
5. The Buffalo Hunt* (short version) (01:09)
6. Tombstone* (short version) (00:59)
7. Ride Outta Town* (short version) (00:59)
8. Wyatt Meets Josie* (long version) (00:59)
9. The Night Before (short version) (03:12)
10. Where’s Morgan?* (alternate) (03:05)
11. Ride Outta Town*� (alternate) (00:59)
12. It Happened That Way* (alternate) (01:18)
Tracks 1-12 – Alternate Cues
Source Cues
13. Funeral Procession* (01:04)
14. Funeral Procession* (alternate 1) (01:02)
15. Funeral Procession* (alternate 2) (01:03)
composed by Brad Dechter
Synth Mockups
16. The Wagon Chase* (01:52)
17. The Buffalo Hunt* (02:09)
18. Cosmopolitan Hotel* (01:02)
19. The Posse* (01:11)
20. Wyatt’s Ambush* (01:42)
Bonus Track
21. It’s a Boy*/JNH Speech* (06:50)
Total Disc 3 Time – 36:46
*previously unreleased
� heard in the Expanded Edition
� not used in either version
DepositFiles (http://depositfiles.com/files/pexr6do46)
Thank you very much.
Well, in FLAC probably, yes. 🙂 I mean this isn’t raw, it’s most likely mastered. 🙂
If he gave you the FLAC would there still be sufficient desire to purchase the CD?
No.
If he gave you the FLAC would there still be sufficient desire to purchase the CD?
If the desire was there in the first place, it will probably still be there. I’m working on owning a legitimate release for every score I love (with certain exceptions for OOP albums). If I don’t love a score enough to buy it, it eventually gets deleted from my hard drive. It may not make my piracy any more legal, but it certainly feels more ethical. That and I like the look of my increasingly over-populated CD shelf.
Thanks for the job.
No, it’s not.
Oh, come on, I think a lot of people here have a lot of La-La Land Records (I mean the original CD`s, this includes me) but you can�t buy every single CD cause the money the people have is not infinite (this includes me too)….If I could…..I would
:treknod:
A lot of the things I request links for around here, or download directly when possible, are things that I own or have owned other versions of, paid for legitimately. I either boxed up a ton of my discs or sold some of them off once I had scanned them into iTunes. Ripped in a crappy, highly compressed bitrate, of course, because this was back in the early days of mp3s. So in the process of obtaining better quality versions of things I own, I acquire some stuff I never had and/or would never have purchased. I don’t feel guilty about it because, as I mentioned, I have supported the industry for almost 40 years, robustly. Getting a few things that I don’t already own is just a happy perk and a part of sharing.
There are composers who’s work I wouldn’t be remotely familiar with if I hadn’t downloaded something of theirs because it was "available" on a site like this one. Because of that "share" I have since gone and purchased many of these younger composer’s scores, so it can be easily argued that, sometimes, pirating actually helps, by introducing people to new material that they wouldn’t have otherwise taken a chance on.
I highly doubt that there’s ANYONE here who wouldn’t be a hypocrite if they started pointing fingers. People who truly live 100% above board would never find their way to a place like this in the first place.
I almost forgot: Thank your for sharing.
You forgot to mention In Lossless 😉