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Performer:
Ensemble Musica Antiqua de Toulon
Direction – Christian Mendoze
Tracklist:
Sinfonia № 6 A mineur
1. I. Vivace
2. II. Adagio
3. III. Allegro
4. IV. Adagio
5. V. Allegro
Sinfonia № 7 G mineur
6. I. Moderato
7. II. Moderato (Allegro)
8. III. Grave
9. IV. Allegro
Concerto (sonata nona) A mineur
10. I. Allegro
11. II. Largo
12. III. Fuga
13. IV. Piano
14. V. Allegro
Sinfonia № 10 A mineur
15. I. Vivace
16. II. Adagio
17. III. Allegro
18. IV. Adagio
19. V. Allegretto
Quartetto F majeur
20. I. Moderato
21. II. Allegro
22. III. Grave
23. IV. Allegro
Sinfonia № 11 C majeur
24. I. Spirituoso
25. II. Lento
26. III. Allegro
27. IV. Adagio
28. V. Allegro
Sinfonia № 9 G mineur
29. I. Vivace
30. II. Adagio
31. III. Moderato
32. IV. Adagio
33. V. Allegretto
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Alessandro Scarlatti (2 May 1660 – 24 October 1725) was an Italian Baroque composer especially famous for his operas and chamber cantatas. He is considered the founder of the Neapolitan school of opera. Scarlatti’s music forms an important link between the early Baroque Italian vocal styles of the 17th century, with their centers in Florence, Venice and Rome, and the classical school of the 18th century, which culminated in Mozart. Besides the operas, oratorios (Agar et Ismaele esiliati, 1684; Christmas Oratorio, c. 1705; S. Filippo Neri, 1714; and others) and serenatas, which all exhibit a similar style, Scarlatti composed upwards of five hundred chamber-cantatas for solo voice. These represent the most intellectual type of chamber-music of their period, and it is to be regretted that they have remained almost entirely in manuscript, since a careful study of them is indispensable to anyone who wishes to form an adequate idea of Scarlatti’s development.